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The Truths and Lies of Nationalism as Narrated by Charvak The Truths and Lies of Nationalism as Narrated by Charvak Edited and with Annotations by partha chatterjee Cover image: Still Life with a Skull and a Writing Quill, oil on wood, 1628, by Pieter Claesz. Courtesy of the Rogers Fund, 1949, and the Metropolitan Museum, New York. The Truths and Lies of Nationalism as Narrated by Charvak by Partha Chatterjee was first published by Permanent Black D-28 Oxford Apts, 11 IP Extension, Delhi 110092 INDIA, for the territory of SOUTH ASIA. First SUNY Press edition 2022. Not for sale in South Asia Cover design by Anuradha Roy Published by State University of New York Press, Albany © 2022 Partha Chatterjee All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Library of Congress Cataloging-in-Publication Data Names: Chatterjee, Partha, author Title: The truths and lies of nationalism as narrated by Charvak Description: Albany : State University of New York Press, [2022] | Includes bibliographical references and index. Identifiers: ISBN 9781438487779 (hardcover : alk. paper) | ISBN 9781438487786 (e-book) Further information is available at the Library of Congress. 10 9 8 7 6 5 4 3 2 1 Contents Editor’s Preface vii Introduction: Charvak Speaks 1 1 All Nations are Modern 5 2 All National Borders are Accidental 26 3 Princes Have No Place in a Republic 67 4 India is Not a Hindu Rashtra 101 5 India is Not a Pluralist Secular Democracy 132 6 India is a People’s Federation 179 7 People’s Alliances Strengthen the Nation 231 8 The Nation Belongs to the Entire People 274 Index 321 Editor’s Preface n the old days, authors used to be commanded by the gods I to write a poetical composition or a treatise on theology. Such things don’t happen any more. That is the reason I find it awkward to explain the somewhat mysterious circum- stances in which I came to produce this book. While the Covid-19 pandemic was still raging in the au- tumn of 2020, I found, one evening, placed outside the door of my home in Kolkata, a sealed packet. Apparently, it had been left there sometime during the day. It did not come by post or any of the courier services that usually deliver mail because, if it had, someone would have rung the bell and I was home all day. In fact, the parcel did not bear any seal or inscription except my name and address written in English script in a confident cursive style rarely seen these days. My curiosity was aroused because the package did not look like a piece of junk mail. The thought that it might contain something more sinister did strike my mind – after all, the times were not exactly normal. But something in the look of the packet persuaded me that it should be examined. After dutifully spraying the packet with a disinfectant, I un- wrapped it and found, within cardboard covers and neatly tied in red string, what looked like a manuscript. On a closer look, that indeed turned out to be the case. The text was written by hand in prose in a widely spoken North Indian language that I had no difficulty reading. The first page began with a heading in two words: Cārvāka uvāca. It recalled a standard Sanskrit form in viii editor’s preface which a narrated story is reported, as, for instance, innumerable times in the Mahabharata, with the words “so-and-so said”. In this case, the reader was meant to infer that the text had been spoken by a certain Charvak. But who put it down in writing? Was the original language the same as the language of the text? Was it a verbatim transcript or an edited reconstruction? There was no way of knowing. Indeed, there was a mystery of origins not only in the manner in which the text was delivered into my hands but in the attribution of authorship within the text itself. The speaker, Charvak, appears to be a person of an impossibly indeterminate age, since he claims to have been present in places and events separated by centuries. Perhaps the composer of the manuscript (assuming it is a single person, which may not be the case) intended to create a mythical persona from whose lips might emerge the principles of a new concept of Indian nationalism. The mode of address used in the text also suggests that it is spoken to a young North Indian woman, possibly a student, who is generally well informed but conventional in her views. But I prefer not to speculate too much. On reading the manuscript in its entirety, I became con- vinced that, though it deals with highly controversial topics, it has enough serious and closely argued material to be both topical and thought-provoking for a wide readership today in India, and perhaps even elsewhere. For this reason, I decided not to publish the text in its original language but translate it into English. Admittedly, this adds a further layer of separation from the original text, whatever that might be. But I hope the reader will, on finishing the book, agree with me that ensuring the widest possible accessibility, including the possibility of convenient translation into various Indian languages, was more important in this case than fidelity to scholarly conventions. The only editorial supplement I have added is a minimal set of footnotes to clarify, expand, and where necessary correct factual information contained in the text. editor’s preface ix I still have no idea how I happened to be chosen as a reader of the manuscript. Was I meant to be the medium for the circulation of this book in the public domain? Why was it not printed and published in the way hundreds of political tracts are put out every year, or circulated online? It is possible that whoever was responsible for choosing me thought I might be sympathetic to the views expressed in this text and thus might serve as a more accredited messenger than some nameless link on the web. To an extent, this is true. In particular, some of the arguments made in the chapter on Indian federalism echo what I have recently written, even though I would definitely not endorse all of the statements made in the manuscript. On the whole, even as I do not accept the reasoning on every con- tention made by the enigmatic Charvak, and indeed seriously disagree with some of them, I do feel that, despite its polemi- cal style, the book deserves a patient reading. Of course, as is well known, most conversation these days is peppered with conspiracy theories. Much as I would like to believe that I have not been unwittingly drawn into some nefarious plot, I cannot entirely suppress the suspicion. Who knows? As I worked during the winter of 2020–1 on translating and annotating the manuscript, protests built up against the new farm laws. Farmers from Punjab, Haryana, and Uttar Pradesh began to gather in massive protest sites around the national capital. I wondered what Charvak, wherever he is, was saying to his interlocutor on how the central government had made laws on a state subject without regard for the very different conditions of agricultural production and marketing in the different parts of the country – and merely to achieve an ideological vision of a nationally unified agricultural economy fully integrated with the big corporate business houses. Perhaps we will, in the near future, see a sequel to this manuscript, even if I am not chosen to be its messenger. I had to make a few somewhat arbitrary decisions on the

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