Corinna Assmann · Jan Rupp · Christine Schwanecke (eds.) The Transformative Band Narrative plays a central role for individual and collective lives – this 86 Power of Literature insight has arguably only grown at a time of multiple social and cultural challenges in the 21st century. The present volume aims to further substantiate the case for literature and narrative, taking and Narrative inspiration from Vera Nünning’s eminent work over the past decades. Located at the intersection of cognitive and cultural narratology, the book is concerned with the way literature affects individuals, how it Promoting Positive Change works at an intersubjective level, enabling communication and com- f o munity, and how it furthers social and cultural change. ) r s. e Band 86 d we e v e ( Poti k a ec e r n vr a ia w tN h a Sc md p · oran p f u se R nr nn · Traatu a r m e e s ht www.narr.de As TLi ISBN 978-3-8233-8573-8 The Transformative Power of Literature and Narrative: Promoting Positive Change herausgegeben von Anja Bandau (Hannover), Justus Fetscher (Mannheim), Ralf Haekel (Leipzig), Caroline Lusin (Mannheim), Cornelia Ruhe (Mannheim) Band 86 Corinna Assmann / Jan Rupp / Christine Schwanecke (eds.) The Transformative Power of Literature and Narrative: Promoting Positive Change A Conceptual Volume in Honour of Vera Nünning Umschlagabbildung: Adobe Stock-ID: 359840858; Ping198 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. Gedruckt mit Unterstützung der Athenaeum-Stiftung D. Goetze. DOI: https://doi.org/10.24053/9783823395737 © 2023 · Narr Francke Attempto Verlag GmbH + Co. KG Dischingerweg 5 · D-72070 Tübingen Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Überset‐ zungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Alle Informationen in diesem Buch wurden mit großer Sorgfalt erstellt. Fehler können dennoch nicht völlig ausgeschlossen werden. Weder Verlag noch Autor:innen oder Herausgeber:innen übernehmen deshalb eine Gewährleistung für die Korrektheit des Inhaltes und haften nicht für fehlerhafte Angaben und deren Folgen. Diese Publikation enthält gegebenenfalls Links zu externen Inhalten Dritter, auf die weder Verlag noch Autor:innen oder Herausgeber:innen Einfluss haben. Für die Inhalte der verlinkten Seiten sind stets die jeweiligen Anbieter oder Betreibenden der Seiten verantwortlich. Internet: www.narr.de eMail: [email protected] CPI books GmbH, Leck ISSN 0175-3169 ISBN 978-3-8233-8573-8 (Print) ® MIX ISBN 978-3-8233-9573-7 (ePDF) Papier aus verantwor- tungsvollen Quellen ISBN 978-3-8233-0389-3 (ePub) www.fsc.org FSC® C083411 Contents Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Corinna Assmann, Jan Rupp, and Christine Schwanecke Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 I. Literature Affecting Lives at an Individual Level Jan Rupp Haiku and Healing. Lessons from the Pandemic Classroom for Literature and Narrative in Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Stefanie Schäfer ‘Not form which you see, but emotion which you feel’. Crisis, Time, and Hyperempathy in Octavia Butler’s Earthseed Novels . . . . . . . . . . . . . . . . . . 53 Christine Schwanecke Narrating the Pandemic. Daniel Defoe’s A Journal of the Plague Year (1722) as Salutogenesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Cristian Camilo Cuervo Can Literature Heal? Therapeutic Dimensions of Writing and Narrative . . 83 II. Literature and Positive Change at an Intersubjective Level Dorina-Daniela Vasiloiu Reflections of ‘Togetherness’ and a Co-Narrating Community in Fictional ‘We’-Narratives. A Case Study of the Japanese ‘Picture Brides’ in Julie Otsuka’s The Buddha in the Attic (2011) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Max Cannings Reading Unreliable Narration. Enhancing our Empathy, Understanding, and Self-Examination . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 6 Contents Sebastian Beckmann Promoting Empathy in ‘Generation Me’. The Didactic Potential of Unreliable Narratives Featuring Narrators with a Mental Illness in the EFL Classroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Caroline Lusin Renouncers, Rumours, and ‘Beyond-the-Pales’. Nikolai Gogol and the Subversive Power of Narrative(s) in Anna Burns’ Milkman (2018) . . . . . . . . 173 III. Narratives Promoting Social and Cultural Change Alexander Schindler Positive Change in Crime Fiction. Genre Renewal and the Politics of Gender, Race, and Sexuality in Cheryl A. Head’s Bury Me When I’m Dead (2016) . . 197 Corinna Assmann Maps and Narrative. Mobilizing and Connecting Perspectives in a Space of Encounter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Nina Gillé ‘United in Positive Intention’. Self-Transcendence Values and the Negotiation of Crises in George Saunders’s Lincoln in the Bardo (2017) . . . 243 Désirée Link Optimism in the Anthropocene. Cultivating Hope in Barbara Kingsolver’s Flight Behaviour (2012) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263 Foreword This project initially grew from our collective desire to celebrate Vera Nünning’s outstanding contribution to the research of narrative and the study of English literature and culture on the occasion of her 60th birthday in April 2021. As her (former) PhD students and mentees, we were keen to express our gratitude for her academic guidance and long-standing support. With her research and teaching at Heidelberg, she has generated a veritable ‘school’ of literary scholars who are both narratologically-minded and interested in culture, in historical contexts, as well as in the functions, effects, and values of reading fiction. This volume began with an online celebration of Vera Nünning’s jubilee in the form of a virtual colloquium with greetings, presentations, and musical interludes. Besides the contributors to this volume, we would like to thank, first and foremost, Ansgar Nünning, whose cordial and conspiratorial support in preparation of the surprise colloquium proved essential and invaluable. We are also grateful to the former members of Vera Nünning’s team who participated in the colloquium but were not able to submit a chapter to this book – Claire Earnshaw, Stephanie Frink, Gesine Heil, and Bernard Woodley. We, the editors, would like to extend our thanks to our colleague and friend Caroline Lusin and the other general editors of the MABEL-series, in which this volume appears. We are grateful to Kathrin Heyng, Sariya Sloan, and Iris Steinmaier from Narr Francke Attempto, who kindly assisted us in the publication process. For further support we thank Marion Gymnich (University of Bonn) and Jacqueline Auer (University of Graz). Last, but not least, we thank our magnificent English proof-reader, Max Cannings, as well as our fantastic copy-editing crew, Lukas Kreutzwiesner and Alex Thallinger from the University of Graz, for their energetic, thorough, and substantial contribution to this publication. Corinna Assmann, Jan Rupp, and Christine Schwanecke Heidelberg, Gießen, and Graz, August 2022 Introduction Corinna Assmann, Jan Rupp, and Christine Schwanecke 1. Celebrating Vera Nünning’s Scholarship in Literature and Narrative Literature and narrative play a central role for individual and collective lives – this insight has arguably only grown at a time of multiple social and cultural challenges in the 21st century. Whether it is to grapple with increasingly complex identities or with a proliferation of migrant, public health, economic, and environmental crises, literature and narrative are time and again being evoked as interpretive frames and tools of meaning-making. For anyone interested in the formal workings, the cultural functions, and the transformative power of literature and narrative, Vera Nünning’s scholarship stands as an eminent orientation and inspiration. With the present volume, we would like to pay tribute to our mentor, who celebrated a jubilee birthday in 2021 and from whom we were able to learn so tremendously since she became Chair of English Philology at Heidelberg University in 2002. Collecting contributions from a school of junior researchers and colleagues who cut their academic teeth under her supervision, we seek to celebrate her work by bringing it into dialogue with ‘positive change’ – a concept that resonates in many of her writings and, as a veritable travelling concept, informs a broad range of current inter- and transdisciplinary debates. With her groundbreaking research in English literature and culture, as well as in literary and narrative theory, Vera Nünning has profoundly influenced and shaped the national and international landscape of English literary and cultural studies.1 With her accomplishments in breaking down the complexities 1 She has not only contributed to literary criticism with her multitude of monographs, edited volumes, and articles on cultural history from the 16th to the 19th century and British fiction from the 18th to the 21st century; she has also carried out research and taught in various international contexts: for instance, as guest professor at the Universities of Zaragoza (2006), Lisbon (2009), Helsinki (2010), and Bergamo (2011). In addition, she has held major offices in international higher education, having served as