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174 Pages·1989·33.751 MB·English
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The Tao of Cr i c·k et To Uma The Tao of Cricket ON GAMES OF DESTINY AND DESTINY OF GAMES Ashis Nandy OXFORD VNIVERSITY PRESS OXFORD UNIVBRSITY l'RBSS YMCA Library Building, Jai Singh Road, New.Delhi 110001 Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paolo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in India By Oxford University Press, New Delhi @ Oxford University Press 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published by Viking 1989 Oxford India Paperbacks 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly pennitted by law, or under temu agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circtilate this book in any other binding or cover and you must impose this sam~ condition on any acquirer ISBN 019 565 3211 Printed by Jlashtriya Printers, Delhi 110 032 Published by Manzar Khan, Oxford University Press YMCA Library Building, Jai Singh Road, New Delhi 110 001 Contents Preface v1 Preface to the OUP Edition x1 Tradition, Transgression and Norms 1 The Wistful Camel and the Eye of the Needle 52 Victory, Defeat and the Future of the Savage 90 Notes 123 Index 146 Preface . This book was originally conceived of as a waming to my wife, who wants Indians to always win in cricket. It has turned out to be m essay on lhe future of traditions and 6n the politics of cultures. As a student of political cultura I have written it with mixed feelings. My knowl edge ofc ricket is matched only by my skill in it. and my underslanding of the social context of cricket in different countries is mosdy second hand. I can al best be called a keen lay observer of India's new national game. On lhe other hand, my interest1in the way the Orient lllld the Occident define themselves and each other in ow times is old and cricket has been, over lhe last one hundred years or so, a slale on which different cultures have written their intersecting self-definitions. Be cause it is a game. and a game is only a game. some cultura have been less defensive when defm ing themselves in relation to cricket than. say. in relation to literature, warfare or science. Cricket al this plane has been a 'truer' projection of cultura and ofe ncounlen of cultures 1hm m111y other forms of human self-expression. It is to re-read these projections in lhe case of India lllld imperial Britain thal I have trespassed into an ll'C8 so alien to me. I have been guided by the belief that some arguments about colonial, neo-colonial, anti-colonial and PQSt-colonial consciousness can be~ beaer in lhe language of international cricket than that ofp olitical economy. Henc:e, hidden in lhe following pages are thumbnail sketches ofp rocesses such as diffusion of innovations. b'ansferof technology. Third World nadon aliliD. Oriental and Occidental despotisms, development. social engi neering, growth of professions and science. Readers may also diicover in 1he book indirect analyses of the subtle psychological processes involved in domination and deculturation-identification with lhe agresaor, intemalization, turning against the self, reaction-fommion, lllld ritual neutralization of imposed cultural ·calqOries. Unking the concerns with lhe two kinds ofp rocesses lie ac:oncem with the problem is of dissent in a world where the idiom of di!lellt incraainalY being defined a1 the centres of conformity. Apart from the heavy kMld I have fon:ed crictet to any Ind the vii TM Tao ofC rick.et our panial treabnent I have meted out to some of the vital issues af times, there is one other reason for my discomfort with this book. My original plan was to write a book comparing the problems of collective and individual culpability under three conditions: playful collective warfare (cricket), playful privale warfare (stories of individual crime and its detection) and proper, organil.ed, scientific violence (modem warfare). I had hoped to show that the emphasis in the first case was on trlditions as the ultimate repository and ar6i~ of norms; in the second. on scientific rationality and Weberian rational-legality. I wanted to round off the analysis by showing that it was through the expert •management' oft ransgrasions of the second kind of norms--thc ones auociated with scientific rationality and rational-legality-that we have sought a solution to the third and probably the most serious problem of our times: war. Yet these rational, scientific nonns arc the ones which have shown themselves particularly incapable of coping with the problems oflarge-scale modem violence. Implied in this mode of formulating the problem is the awareness that the escape route may lie through a return to the public morality associated with some forms af cultural traditions-a morality which recognizes the continuity between the aggressor and the victim and locates that continuity in the on-going struggle for cultural survival. I could not pursue these arguments to their logical end because international cricket turned out to be a particularly complex affair which invited serious compuison5 with some other human enterprises. Perhaps I shall now have to spell out my general argument more fully elsewhctc. In the meanwhile those interested in cultural encounters between the East and the West may enjoy this playful interpretation of a game which is men than a game. The interpretation is written with the awareness that cricket is a threatened species of play-a Victorian putime of leisUTCly seriousness and self-denying stoicism, about to die a natural death in the post-second-war-world . It is also written with the awareness that when cricket goes, it is bound to ~e awa)C with it something of the meaning of life of many of my generation. If on the other hand the game survives the vicissitudes of OtJr time-and many hope against hope that it docs 50-'.-it wiU perhaps survive as a defiance and critique of modernity in a world moving towards post-modernity. It is with that awareness that the game and its environment have been discussed in the following pages-as an interface between the .old and .t he new, the fantastic and the real, the moral and the amoral, the. visionlry and the pnctical, the playful and the serious, and the informal and the technical. If I have tried to capture something of the c0mbina- Pre/a« viii tion of noscalgia. mqic. stoicism and play in cricket. it is not because 1.d o not recogniu the interface or naively believe that cricket tnldition aUy blMl no place ·for progress, hedonism. science, success-hunt and hard competition. It is merely to register my feeble procat against the efforts to tum international cricket into anocher area of life in which mis ancient civilization is being fo rci.bly fitted into the sWldardized model of a modem nation-state. One final ci:>mment for cricket fans and cricket ·scribes. This is an account of the game from outside. Iff or that reason it seems to some that I have imposed a new mythic structure on the game. I do not apologiu. The goal ofm is book is exactly that. This is not a social history ofc ricket and if I had not stumbled on cricket. I would have found some other excuse to make the points I have made in the following pages. But. perhaps, in mat case. I may not have enjoyed making them so much. In me event some venturesome cricket-lover decides to plod mrough the book and if he or she happens to be unacquainted wim.my other writings, a word on the theoretical structure of the book to make the plodding less painful. In the following pages I view cricket as medium of self-expression at four planes: traditional English cricket ( whieh is in many ways a reflection of earlier social hierarchies but is also unwittingly a criticism of the values associated wim modem industri alism). modem cricket (increasingly an endorsement of the hegemonic. urban-industrial managerial culture and a criticism of the pre-industrial values now associated wim defeated ways of life), imported cricket (the cricket which was exported to non-western societies as a criticism of native life-styles from the point of view of the industrializing West but which, as reconstructed by the natives, brought out the latent function of the game in the West and became a criticism of the common cultural principles of capitalism, colonialism and modernity) and new cricket (the cricket which by its dose identification with the industrial managerial ethos is bccOming increasingly ·an endorsement of the ruling culture of the world and a criticism of the victims of history). This book derives its odd structure from my understanding of the interplay of these four aspects of cricket. True. mis four-fold classifi cation is difficult to sustain in the case of a game as nuanced as cricket and I have often faltered in my analysis. But it is also true mat had it not been for this perception of cultural encounters in cricket. I would have considered this essay totally superfluous. A very large number of people have helped me wim this book, direcdy or indirectly. I am particularly indebted to Surapriya Mookerji, T.G. Vaidyanathan, Ram Guba. Arun Mehta, James Manor, B.C. ix The Tao ofCriclcet Plrekh. Premen Addy. Tejinder WaJia. and Maielte cwt. Val...._ secretarial help has come from Bhuwan Otandra. Anil and M.K. Riyal. Parts of this essay draw upon articles published in T#w Tiwws tfI ndia. Tlrr lll11Stratnl Wrdly of India and in the India lntrrnational Crntrr Q11artrrly. Other parts draw upon papers presented at a meeting of the R11j11va11"' group at Mysore University. Mysore. in May 1985; al a colloquium on •Traditions. Transfers and Traductions• al College lntcmational de Philosophic. Paris. in October 1985; and al a seminar on• too Years of Indian National Congress• al SL Anthony•s College. Oxford. in November 1985. The section comparing cricket and poput. cinema in India was written fora book being edited by Y ogendra Malik. An earlier version of the section on Ranji was given as the Third Punitham Tiruchelvam Memorial Lectun: al Colombo on 16 March. 1986. Extracts from it were published in Tlrr Stat~sman. 16 February 1986; Tlrr Island. 23-4 March 1986; Daily NR?s. 25-1and29 March 1986; and Frontlinr. ~17 May 1986. The elaborate footnotes should convey the idea that this work is primarily an attempt to put hundreds of micro-interpretations within 1 larger conceptual fnme. I am therefore especially pleful to my JRCursors who have made possible this work by ~ir insightful comments on a game which mirrors so faithfully the political psychol ogy of cultural encounters in our times. "Ei1her you know what lhe pne m cricket is. or you do not. If you do, you cannot accept the dicbun. .. that in cricket the end juslifies the means. It is a lie that cricket is a business. . •. • . -C.B. Fry •. .. all lhe bowlers wanted to hit me ralher than the wicket. They wmmd to make MR that I would not bowl for the rest of the match or the series. It was difficult to play the fast bowlers.' -8.S. Clandrashekhar •Alas. having defeall:d the enemy, we ourselves have been defealrd. ••. This our victory is twined into defeat.' -The Mahabharata

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