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The Study of Music Therapy: Current Issues and Concepts PDF

281 Pages·2013·0.873 MB·English
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THE STUDY OF MUSIC THERAPY This book addresses the issues in music therapy that are central to understanding it in its scholarly dimensions, how it is evolving, and how it connects to related academic disciplines. It draws on a multi-disciplinary approach to look at the defining issues of music therapy as a scholarly discipline, rather than as an area of clinical practice. It is the single best resource for scholars interested in music therapy because it focuses on the areas that tend to be of greatest interest to them, such as issues of definition, theory, and the function of social context, but also does not assume detailed prior knowledge of the subject. Some of the topics discussed include defining the nature of music therapy, its relation to current and historical uses of music in human well-being, and considerations on what makes music therapy work. Contemporary thinking on the role of neurological theory, early interaction theory, and evolutionary considerations in music therapy theory are also reviewed. Within each of these areas, the author presents an overview of the development of thinking, discusses contrasting positions, and offers a personalized synthesis of the issue. The Study of Music Therapy is the only book in music therapy that gathers all the major issues currently debated in the field, providing a critical overview of the predominance of opinions on these issues. Kenneth S. Aigen is an associate professor in music therapy at New York University. He is president of the Nordoff-Robbins Music Therapy (NRMT) Foundation and the Inter - national Trust for NRMT. He is a past president of the American Association for Music Therapy and a recipient of the Research and Publications Award from the American Music Therapy Association. This page intentionally left blank THE STUDY OF MUSIC THERAPY Current Issues and Concepts Kenneth S. Aigen New York University First published 2014 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor and Francis Group, an informa business © 2014 Taylor and Francis The right of Kenneth S. Aigen to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Aigen, Kenneth S., author. The study of music therapy: current issues and concepts/Kenneth S. Aigen. pages cm Includes bibliographical references and index. 1. Music therapy—Research. I. Title. ML3920.A173 2014 615.8′515407—dc23 2013025941 ISBN: 978-0-415-62640-8 (hbk) ISBN: 978-0-415-62641-5 (pbk) ISBN: 978-1-31588-270-3 (ebk) Typeset in Bembo and Stone Sans by Florence Production Ltd, Stoodleigh, Devon, UK Senior Editor: Constance Ditzel Editorial Assistant: Elysse Preposi Production Manager: Bonita Glanville-Morris Marketing Manager: Cedric Sinclair Project Manager: Kelly Derrick Copy Editor: Thérèse Wassily Saba Proofreader: Etty Payne Cover Design: Lisa Dynan This work is dedicated to Clive Robbins, a giant of a man and a visionary whose recent passing has both cast a shadow upon and inspired the present work. This page intentionally left blank CONTENTS List of Tables ix Preface xi Acknowledgments xvi Introduction xvii PART I What is Music Therapy? 1 1. The Identity of the Music Therapy Profession 3 2. The Identity of the Professional Music Therapist: Roles and Related Disciplines 17 PART II How is Music Considered in Music Therapy? 35 3. Psychodynamic, Social, and Music-Centered Perspectives on Music 37 4. Musical Styles in Music Therapy: Culture, Identity, and the Nature of Change 51 5. The Medium of Music and Clinical Goals 63 6. The Relationship between Clinical and Nonclinical Music 75 viii Contents PART III How are the Nonmusical Aspects of Music Therapy Considered? 89 7. The Role of Verbalization in Music Therapy 91 8. The Client–Therapist Relationship in Music Therapy 107 PART IV How does Music Therapy Relate to other Uses of Music in Society? 119 9. Music Therapy and Traditional Healing Practices: Definitional Issues 121 10. Music Therapy and Traditional Healing Practices: Clinical Applications 132 11. Community Music Therapy: Origins and Definitional Issues 146 12. Perspectives on Performance in Community Music Therapy 157 PART V How are Psycho-Biological Concerns Addressed in Music Therapy? 169 13. Early Interaction Theory and Music Therapy 171 14. Neurological Science and Music Therapy 188 15. Evolutionary Theory and Music Therapy 197 PART VI How is Music Therapy Theory Developing? 215 16. An Overview of Current Music Therapy Frameworks 217 17. A Comparative Analysis of Current Music Therapy Frameworks 232 Conclusion 245 References 249 Author Index 258 Subject Index 260 TABLES 16.1 Three Stages of Development in Models of Music Therapy and Associated Theory 218 16.2 Stage Three Music Therapy Orientations Presented Chronologically 220 16.3 Characteristics of Stage Three Orientations 222

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