The Struggle Against Slavery A History in Documents The Struggle Against Slavery A History in Documents David Waldstreicher OXPORD UNIVERSITY PRESS To Shane White—fellow traveler and honorary New Yorker General Editors Sarah Deutsch Associate Professor of History OXFORD University of Arizona UNIVERSITY PRESS Carol Karlsen Oxford New York Professor of History University of Michigan Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Robert G. Moeller Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Professor of History Sao Paulo Shanghai Singapore Taipei Tokyo Toronto University of California, Irvine Copyright © 2001 by David Waldstreicher Jeffrey N. Wasserstrom Associate Professor of History Design: Sandy Kaufman Indiana University Layout: Loraine Machlin Picture Research: Lisa Barnett Published by Oxford University Press, Inc. Board of Advisors 198 Madison Avenue, New York, New York 10016 www.oup.com Steven Goldberg Social Studies Supervisor Oxford is a registered trademark of Oxford University Press New Rochelle, N.Y., Public Schools All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any John Pyne means, electronic, mechanical, photocopying, recording, or otherwise, Social Studies Supervisor without the prior permission of Oxford University Press. West Milford, N.J., Public Schools Library of Congress Cataloging-in-Publication Data Waldstreicher, David. The struggle against slavery : a history in documents / David Waldstreicher. p. cm — (Pages from history) Includes bibliographical references and index. ISBN-13 978-0-19-510850-7 ISBN 0-19-510850-7 1. Slave insurrections—United States—History—Sources. 2. Slaves— Cover: Harriet Tubman, on left, was photo- United States—Social conditions—Sources. 3. Free African Americans— graphed with a group of the former slaves she led to Social conditions—Sources. 4. African Americans—Civil rights— freedom. Text: From a North Carolina General History—Sources. 5. Antislavery movements—United States—History— Assembly bill to prevent slaves from being taught Sources. I. Title. II. Series. to read or write, 1830. E447. W35 2001 306.3'62'0973—dc21 Frontispiece: Abolition quilt from about 1853. 2001032941 98765 Title page: Jack and Abby Landlord, a slave couple, who at the time of this photograph from the Printed in the United States of America on acid-free paper 1860s were 110 and 100 years old respectively. Contents 6 WHAT IS A DOCUMENT Chapter Five 8 HOW TO READ A DOCUMENT 105 THE CONTINUAL STRUGGLE: SOUTHERN SLAVES AND MASTERS Introduction 10 VANGUARDS OF FREEDOM 107 Private and Public Rebellion 116 Disobedience and Discipline 120 Subversion, Suffering, and Escape Chapter One 15 THE MAKING OF Chapter Six AMERICAN SLAVERY 137 THE SECOND AMERICAN 17 Capture and Transport REVOLUTION AND 20 Early Resistance THE END OF SLAVERY 26 Slaves' Lives in the Colonies 138 Justified Rebellion 30 Rebels and Runaways 150 A Welcome War 156 Emancipation Chapter Two 160 Liberation 35 THE AFRICAN-AMERICAN REVOLUTION 164 TIMELINE 36 Liberty for All? 166 FURTHER READING 41 Lord Dunmore and the Promise 167 TEXT CREDITS of Freedom 44 The Declaration of Independence 169 PICTURE CREDITS and the Question of Slavery 171 INDEX 47 Revolutionary Soldiers 54 Equality Disputed 60 Revolutionary Ideals Chapter Three 63 FORGING FREEDOM AND FIGHTING SLAVERY IN THE NORTH 66 First Steps to Freedom 70 An End to the Slave Trade 73 Opponents to Colonization 78 Free Blacks Speak Out 84 Another Independence Day 89 The Call for Civil Rights Chapter Four: Picture Essay 97 SLAVERY AND FREEDOM. DRESSING THE PART 6 THE STRUGGLE AGAINST SLAVERY What Is a Document? T o the historian, a document is, quite simply, any sort of histori- cal evidence. It is a primary source, the raw material of his- tory. A document may be more than the expected government paperwork, such as a treaty or passport. It is also a letter, diary, will, grocery list, newspaper article, recipe, memoir, oral history, school yearbook, map, chart, architectural plan, poster, musical score, play script, novel, political cartoon, painting, photograph—even an object. Using primary sources allows us not just to read about history, but to read histo- ry itself. It allows us to immerse ourselves in the look and feel of an era gone by, to understand its people and their language, whether verbal or visual. And it allows us Cartoon to take an active, hands-on role in (re)con- This political cartoon addresses the issue of church and structing history. state. It illustrates the Supreme Court's role in balancing the demands of the First Amendment of the Constitution Using primary sources requires us to and the desires of the religious population. use our powers of detection to ferret out the relevant facts and to draw conclusions from them; just as Agatha Christie uses the scores in a bridge game to determine the identity of a murderer, the historian uses facts from a variety of sources—some, per- haps, seemingly inconsequential—to build a historical care. The poet W. H. Auden wrote that his- Illustration tory was the study of questions. Primary Illustrations from sources force us to ask questions—and children's books, such as this then, by answering them, to construct a alphabet from the narrative or an argument that makes sense New England to us. Moreover, as we draw on the many Primer, tell MS how children were sources from "the dust-bin of history," we educated, and can endow that narrative with character, also what the religious and personality, and texture—all the elements moral values of that make history so endlessly intriguing. the time were. 7 WHAT IS A DOCUMENT? Treaty A government document such as this i 805 treaty can reveal not only the Map details of government policy, hut A 1788 British map of India information about the people who shows the region prior to signed it. Here, the Indians' names British colonization, an indi- were written in English translitera- cation of the kingdoms and tion by U.S. officials, the Indians provinces whose ethnic divi- added pictographs to the right of sions would resurface later in their names. India's history. Literature The first written version of the Old English epic Beowulf, from the late loth century, is physical evidence of the tran- sition from oral to written history. Charred byfire, it is also a physical record of the wear and tear of history. 8 THE STRUGGLE AGAINST SLAVERY How to Read a Document D Documents are bits of the past that have survived. They come Authorship in many shapes and sizes: texts Especially with controversial subjects such as slavery, it is impor- (such as books, newspapers, tant to consider who authored the document and for what pur- pose. John Allwood told readers of a Charleston, South Carolina, magazines, and letters), pictures (such as newspaper about the skills of his slaves because he wanted to paintings, photographs, and prints), and make more money when he sold them. In other documents, slave things (such as furniture, statues, and build- owners might downplay their slaves' abilities, because it was in the owners' interest to do so. ings). When we approach a document for clues into the larger past, we ask questions Detail about what such a source can and cannot In his advertisement, Allwood asks people who owe him money to say. We ask: What does this document tell pay him before he leaves town so that he can pay his own debts. He also describes some pictures he has for sale. But these are only us? What were its creators trying to say or afterthoughts to the descriptions of the slaves for sale. This could accomplish? What does it not tell us? imply that the slaves were worth more money than the debts or How we read a document, what we take the goods he had to sell. from it, in other words, will depend on the questions we ask. Advertisements for run- Story These abolitionist trading cards, from a series of 12, tell the story away slaves, for example, were written and of a slave who is sold, separated from his family, and whipped. He published in order to recapture fugitives, then runs away and joins the Union army during the Civil War. These cards were created to celebrate black soldiers' war efforts. but they also tell us, if we care to look, The abolitionists wanted to encourage black service in the war many interesting things about the slaves' and to transform what was a war against southern secession into a skills, where they had been born and lived, fight against slavery. and how they rebelled against the system. Symbols They do not tell us, however, why the In their portrayal of slavery, abolitionists often focused on the slaves ran away or what happened to them scene in which slave families were separated by the sale of one after they became fugitives. family member. Breaking the hearts of his wife and child is as bad as or worse than breaking the body of the slave. With such When antislavery became a large-scale images, abolitionists made the point that slavery was not for the political movement in the 19th century, good of the slaves, as southerners maintained, and that slaves had families just as whites did. white and black abolitionists began to use all kinds of evidence about slaves and their Pose lives to argue against slavery. Some of the How people stand, or sit, the look on their faces, and the clothes documents in this book, such as the narra- they wear are markers of status and identity. In 'The Sale," the tives of former slaves Olaudah Equiano, slave is depicted as dejected, looking down with his hat in hand. In "Make Way for Liberty!" the slave, now a uniformed soldier, Frederick Douglass, and Harriet Jacobs, are charges forward with a determined expression. Abolitionists want- examples of the abolitionists' efforts to doc- ed to convey that the humility of the slave was a product of cir- cumstances, not race. ument the evils of slavery and the fact of slave resistance. As documents, they tell us about slavery, but they also tell us about the nature of the fight against slavery. 9 HOW TO READ A DOCUMENT
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