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© David Martin Jones and M.L.R. Smith 2022 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2022934700 This book is available electronically in the Political Science and Public Policy subject collection http://dx.doi.org/10.4337/9781802209464 ISBN 978 1 80220 945 7 (cased) ISBN 978 1 80220 946 4 (eBook) Contents Preface vi Introduction to The Strategy of Maoism in the West 1 1 Maoism and modern western political thought: a genealogy 21 2 China’s greatest export: Maoism, orientalism and post-colonial discourse theory 60 3 Maoism and the mind: the struggle for control over the interior realm 94 4 The strategy of rage: Maoism and the politics of passion 118 5 Creating the land of hatred: the strategic utility of Maoist inspired social discord 145 6 Signposts towards the Maoist end of history 171 Conclusion: 西方文化大革命 (Xīfāng wénhuà dàgémìng) – the West’s Cultural Revolution 204 Index 208 v Preface Most works of sustained inquiry represent a long journey from initial concept to materialization in print. This is especially so with this volume because it encapsulates our reflections upon, and engagement with, the ideas of Maoism, strategy and China over many years. The impetus to start work on this particular project arose from an article that we wrote for the think-tank, Cieo, in July 2020 entitled ‘The West’s Maoist Moment’. We would like to thank Joanna Williams, the founder of Cieo, for being receptive to our ideas and for her tireless work in promoting a true diversity of viewpoints, and challenging the often stifling intellectual orthodoxies, in the public and policy realms. Likewise, we are grateful for the continued support of our friends and peers, Bruce Hoffman, Andrew Tan, Bruce Newsome and Nicholas Khoo, who offered constructive comments on the ideas that appear in the book. The English Speaking Union of Victoria, Australia, provided a grant to aid writing and research for which we are very appreciative. Grateful thanks, too, are extended to Harry Fabian, our commis- sioning editor, and all the team at Edward Elgar Publishing, who have steered this book to completion with great professionalism. As always, we want to acknowledge those in our lives – Lola, Jo, Adela, Emily, Cecily and Flora – who provided much welcome relief from the pres- sures of writing and the stifling conformities that now afflict contemporary academe. Finally by way of a prefatory note, as this study draws extensively on the writings of Mao and makes reference to other writings in Chinese, we need to offer a brief clarification about how Chinese names and expressions are pre- sented in the text. A number of source materials refer to Mao according to the Wade–Giles system of romanization (for example, Mao Tse-tung) as opposed to the Hanyu Pinyin system (Mao Zedong), which is the officially recognized system of transliteration of Mandarin Chinese in Mainland China. Outside Taiwan, the Hanyu Pinyin system has largely displaced Wade–Giles in most contemporary scholarship. Therefore, unless cited directly from quotation, or unless expressed as a formal title of a publication (for example, the Peking Review), this book will, as far as possible, seek to standardize expression in Hanyu Pinyin. vi Introduction to The Strategy of Maoism in the West In February 2017, the then Dean of Bristol Cathedral, the Very Reverend David Hoyle, announced that he was ‘prepared to have a conversation’ about removing the Cathedral’s largest stained-glass window because of its links to the prominent seventeenth-century Bristol philanthropist, slave trader and deputy governor of the Royal African Company, Edward Colston. After violent demonstrations against racism in a number of British cities in June 2020 and the toppling of statues such as Colston’s, the Dean’s preparedness seemed extraordinarily prescient.1 The Black Lives Matter (BLM) demonstrations in the wake of the killing of George Floyd by a police officer in the city of Minneapolis in the United States (US) on 25 May 2020 supercharged, amongst other things, the campaign against the legacy of Edward Colston. The Bristol experience is one instal- ment in a movement originating in the US but with European connections to remove the stigma of slavery, colonialism and racism by taking down statues, renaming buildings on campuses and in public spaces, and ‘decolonizing’ the secondary and tertiary curriculums. The BLM movement, a loose, de-centralized collection of chapters and affiliates, finds institutional racism everywhere: in the structure of schools, universities, the media and business, and across the public and private sectors of the capitalist system.2 In the United Kingdom, BLM supporters consider Winston Churchill a racist,3 demand that Oriel College, Oxford demolish its statue of the imperialist Cecil Rhodes,4 and favours the removal of the statue of Thomas Guy from the hospital he founded in London in 1720 with profits from investments in the South Sea Company, a company that also invested in the slave trade.5 Across the Atlantic, BLM subjects institutions and public statues to similar exhortations and assaults.6 The prevailing ethical orthodoxy holds, in the words of Reverend Hoyle, that ‘opposition to slavery is dead simple. Slavery is wicked and evil’.7 In one sense such sentiments are correct. The remnants of slavery and colo- nialism are ubiquitous. Slavery has been systemically embedded in the deep structure of world history, etched into the human experience since the dawn of civilization.8 For that very reason, however, slavery has not always appeared ‘wicked and evil’. From Babylon, Egypt and Rome, to the Conquistadores 1 2 The strategy of Maoism in the West in South America, the Ottoman Empire, Tsarist Russia and eighteenth and nineteenth-century North America, slavery was the basis of economic devel- opment and political order.9 Slave labour is still prevalent today. In China, laogai (labour reform prison camps) enable Chinese state linked companies to undercut the prices of their competitors, a facet of modernity that the designer clothes wearing, mobile phone carrying BLM protestors often conveniently overlook.10 As some historians still appreciate, conquest, slavery and oppres- sion mark the troubled origins of most empires in the non-western as well as the western world.11 This notwithstanding, the passionate fervour that informs contemporary anti-racist rhetoric, and that of environmental groups such as Extinction Rebellion, and the LGBTQI+ (lesbian, gay, bisexual, transgender, queer, intersex and other) movements that share its goals and feed off its righteous indignation, constitutes a calculated iconoclastic assault on the West’s history and culture. Iconoclasm was a religious impulse that has entrenched histor- ical roots. At least since the Book of Exodus, monotheist faiths consistently rejected and destroyed heretical images.12 Indeed, it was the iconoclasm that drove the seventeenth-century English Puritan movement that occasioned Edward Colston’s donation of the stained-glass window to Bristol Cathedral.13 The opportunity arose precisely because the millenarian enthusiasts of the English Civil War (1642‒49) had smashed the original medieval window. In its later twentieth-century European manifestations, iconoclasm assumed an ideological and racist idiom, as well as a religious one. The Nazi conquest of Poland required the systematic destruction of historic sites associated with a racially inferior Jewish and Slavic culture.14 In the twenty-first century, it played a seminal role in Islamic State’s explicit policy outlined in its operating manual The Management of Savagery (2004) (by Abu Bakr Naji) in Syria and Iraq. In its pursuit of an Islamist utopia, Islamic State rejected any idolatrous (shirk) reverence for the past, particularly relics of the pre-Islamic era of jahiliyya (state of ignorance).15 Islamic State revealed what this entailed after it captured the ancient Roman city of Palmyra, in March 2015. The fact that the city featured on a list of United Nations approved World Heritage sites served as the incentive to destroy the artefacts of the pre-Islamic, Greco-Roman inspired, Palmyrene era.16 The international community denounced Islamic State’s cultural destruction as barbaric, even though Palmyra was a city, like almost all others of the period, built by slave labour.17 Islamic State’s addiction to violence is perhaps more intense than the BLM movement’s, but the strategy of destroying the past to build a purified tomorrow differs only in its ultimate utopian goal. Editing the past to meet the standards upheld either by Islamic State or the Third Reich represents an ideological attempt to kill history, and the motivation of Introduction 3 BLM and its affiliates in movements for transgender reform and Extinction Rebellion are really no different. MAOISM AND CULTURAL WARFARE The motive to wage war on the past, and to destroy the images and icons of the present in order to create tomorrow’s new society, does not arise in a vacuum. Like all historical developments the motive is a product of contingent social forces. Specifically, the motive towards cultural desecration and the felt need to destroy an inconvenient past is the result of pre-existing ideological yearn- ings. An ideology is a system of ideas that often informs the basis of both theory and policy that aims to move society towards a particular goal or end- point. It is the neglected ideological wellsprings that have inspired the growth of cultural warfare in the West that forms the central theme of this book. The philosophical creed in question is one that originates on the political left of the ideological spectrum, and primarily within the tradition of the radical left. In this volume, the term ‘radical left’ refers to a broad movement that is dedicated to advancing policies of social egalitarianism, but has no interest in the preservation of, and ultimately no commitment to working within, the structures of existing political society. Unlike the constitutional or social dem- ocrat left, the radical left does not accept the integrity and legitimacy of the current capitalist democratic order. It is prepared to engage with the structures of that order only for the purposes of probing its weaknesses and exploiting its fault lines with a view to ultimately displacing it in its entirety. Political thinking on the radical left has, of course, a long lineage extending from the French Estates General of 1789 where nobility sat on the King’s right and the third estate on his left, through the development of Marxist theory in the nineteenth century to the emergence of the New Left, which rose to prom- inence in the 1960s.18 The preoccupation with challenging and overturning the capitalist order has engendered an acute interest in matters of strategy: namely, how to use the means at one’s disposal to achieve stated goals. How to advance towards the new social order has seen radical left theorists devote meticulous attention to the analysis of existing social structures and the appropriate methods to bring about the conditions for revolution. Vladimir Lenin’s tract What is To Be Done? is perhaps the classic exemplar of communist strategic thinking in this regard.19 The granular approach that theorists of the left fre- quently devote to matters of strategic analysis often accounts for the recondite nature of communist writings on the subject. Thus, returning to central question at hand, the ideological origins of, and rationale for, the current penchant for image-breaking arising from BLM inspired protests within western societies reflects the neglected impact of Maoism – or ‘global Maoism’20 – on western New Left thinking from the late 4 The strategy of Maoism in the West 1960s.21 Commentators have sometimes referenced the similarities between the statue protests in the West and the period of the Great Proletarian Cultural Revolution in China.22 Few, however, have considered the direct and indirect intellectual and cultural connections between Mao Zedong’s revolutionary thinking and radical contemporary movements in both Europe and North America. The neglected genealogy of the Cultural Revolution that propels the radical social justice movement, fuels the eagerness of state funded universities to ‘decolonize’ the curriculum, and animates transnational non-governmental organizations to promote de-industrialization to save the planet, needs recall- ing. Culture war was, after all, one of the People’s Republic’s earliest exports to the West. In fact, the Chinese Communist Party (CCP) has, for years, explicitly viewed it as its ‘magic weapon’.23 Why, then, this book asks, did a twentieth-century Chinese revolutionary ideology become so adaptable and spectacularly successful in the West? The key text that influenced the conduct of the putative Islamic State, The Management of Savagery, acknowledged the importance of Maoism – in a suitably Islamist guise – to its version of permanent revolution. The Islamist version of Maoism speaks of the necessity for ‘cultural annihilation’ rather than cultural transformation.24 Mao’s advice on cultural warfare also very much informed the precursors of the Black Lives Matter movement, namely, the student counter-cultural revolutionaries of 1968 who followed Mao’s Little Red Book (1964) in their denunciation of the ‘sugar coated bullets’ of the bourgeoisie and the paper tiger of US imperialism.25 In the aftermath of the catastrophic failure of Mao’s programme of forced industrialization, the ‘Great Leap Forward’ between 1958 and 1962,26 Mao sought to silence criticism of his capricious leadership of the CCP through the institution of a ‘great proletarian cultural revolution’ (wen hua da geming). Launched in the spring of 1966 to revitalize the revolutionary spirit and refash- ion the state structure, the Cultural Revolution required a profound renovation of society that would touch the ‘people to their very souls’.27 In the course of the new revolutionary struggle the masses would spiritually transform them- selves and recast their social world. Like its 1960s western counter-cultural imitators, and its more recent evoca- tion in the BLM movement, it was university and middle school students who first responded to the Maoist call to rebel against established authority. The chaos that subsequently engulfed China began at Beijing University in May 1966 when a junior philosophy lecturer, Nie Yuanzi, displayed a big charac- ter poster on campus declaring ‘Ignite the Cultural Revolution!’ The poster asserted its ‘boundless love for the Party and Chairman Mao’ and expressed ‘inveterate hatred for the sinister anti-Party anti-socialist gang’. It denounced Introduction 5 the university for its ‘indifference and deadness’ and called for: ‘All revolu- tionary intellectuals, now is the time to go into battle’.28 Encouraged by a June 1966 party decree postponing university entrance exams, student activists mounted political and physical attacks on their ‘reac- tionary’ teachers and the courses they taught. Rallying under slogans such as ‘It is justified to rebel’29 and ‘Destruction before construction’, these young activists marched through cities and towns across the country following the Maoist injunction to destroy ‘ghosts and monsters’.30 Maoist inspired student ‘Red Guards’ targeted the ‘Four Olds’ – old ideas, old culture, old customs and old habits – that corrupted and undermined the revolutionary project.31 During the summer and autumn of 1966, millions of Red Guards armed with mass produced copies of the Quotations of Chairman Mao Zedong (also known as the Little Red Book), campaigned to destroy all symbols of the feudal past and bourgeois influences in the present.32 Museums and homes were ransacked and old books, records, monuments and works of art destroyed. The students trashed everything from ancient Confucian texts to modern recordings of Beethoven. They gave new revolutionary names to street signs and buildings. The revolution quickly moved from destroying culture to destroying people. The Red Guards arrested and paraded ‘bad elements’ or those with ‘black’ class backgrounds through the streets.33 Forced to wear dunces caps, these ‘cow demons’34 were often physically as well as psychologically abused at ferocious ‘struggle sessions’ before they confessed their thought crimes at public rallies. Red Guards turned on anyone who had received a western education and on any intellectual who could be charged with ‘feudal’ or ‘reactionary’ thought. Academics and teachers bore the brunt of the violence. The lucky ones got away with self-criticism and a humiliating process of self-rectification. Those less fortunate, such as the Chinese playwright, Lao She, died at the hands of the mob, after their houses were pillaged and their books burned.35 In The Search for Modern China, Jonathan Spence wrote that entrenched within this frenzied activism was a political agenda of ‘purist egalitarianism’.36 It involved much more than the confiscation of private property. It required the total transformation of the self to achieve mass revolutionary consciousness. The resulting anarchy was only resolved, ultimately, with the death of Mao and his replacement by the more pragmatic Deng Xiaoping. KILLING HISTORY: MAO AND CULTURAL REVOLUTION IN THE WEST Given its disastrous impact on China’s economic and political development between 1949 and 1976, Maoism might have gone the way of other Third World ideologies: Colonel Muammar Gadaffi’s Third Way, the Non-Aligned Movement, South American dependencia or pan-Arabism. Indeed, Frank 6 The strategy of Maoism in the West Dikötter’s seminal study of the Cultural Revolution assumed that the sub- sequent reaction to the experiment had ‘buried Maoism’.37 Far from it. Out of a curious historical conjunction, where chance acts upon choice, Mao’s version of socialism with Chinese characteristics and its commitment to cultural revolution fortuitously coincided with the mixture of affluence, nar- cissism, boredom and fascination with the East that inspired the West’s student revolutionary movement of the late 1960s. Protesting against America’s imperialist war in Vietnam, Mao’s Cultural Revolution appealed to the increasingly radical student movements that swept western university campuses in 1968. Mimicking their Chinese contempo- raries, European students similarly denounced their ‘reactionary’ lecturers, organized campus sit-ins to raise consciousness, and banned speakers they found bourgeois, capitalist or otherwise offensive. Mao’s Little Red Book and a poster of Ernesto ‘Che’ Guevara became essential radical accoutrements.38 Maoism proved initially attractive because it offered revolution à la mode. Dressed in fashionable Mao jackets, students found in the simplistic aphorisms of Mao’s sīxiǎng (thought reform) a taste and style that fascinated their jaded palates, otherwise bored by the abstruse dialectics of European Marxists such as György Lukács, Theodor Adorno, Jürgen Habermas and Louis Althusser.39 Some took their Maoism beyond a fashion statement. Mao’s thinking on guerrilla warfare informed the violent tactics of the Red Brigades and La Lotta Continua in Italy, the Baader Meinhof gang in West Germany, and the Angry Brigade in Britain.40 Meanwhile, in the US, the Black Panther Party called for radicals to ‘off the pig’ (kill the police) and for solidarity against ‘the [white] man’.41 They received encouragement from a new generation of Mao-inspired academic enthusiasts such as Angela Davis, protégé of Frankfurt School theorist Herbert Marcuse, whose copy of One Dimensional Man, the other ‘little read book’ of the age, could also be found on any self-respecting radical student’s bookshelf.42 One of the Panthers’ early leaders, Eldridge Cleaver, considered Mao ‘the baddest ass motherfucker on the planet’.43 The Afro hairstyle, the clenched fist salute and the cult of violence that Panthers such as Huey Newton, H. Rap Brown and Bobby Seale embraced also made them radically chic adornments at celebrity Upper West Side parties, held by the likes of Leonard Bernstein in Tom Wolfe’s memorable 1970 satire ‘That party at Lenny’s’.44 However, unlike the current radical protest movement that aimed to overthrow capitalism, its repressive institutions and systemic racism, the counter-culture protests of the 1960s had a limited impact on the conduct of the West’s domestic politics. Democratic governments in the US and Europe, whether of a conservative or social democrat hue, considered urban guerrillas with their penchant for revolutionary violence from Rome to Oakland a crimi- Introduction 7 nal threat and a challenge to political stability. Members of the Black Panthers, Red Brigades and Red Army Faction ended up in gaol or dead. Yet the memory lingered on, especially in the universities. Mao’s cultural, as opposed to an economic and structuralist, approach to revolution coincided with the anti-capitalist endeavours of Frankfurt School critical theorists. It also fuelled a generation of French thinkers such as Alain Badiou, Michel Foucault, Gilles Deleuze and Jean Baudrillard who treated all knowledge as power and found in Maoism the means to deconstruct prevailing power relations and allow the otherwise silenced ‘subaltern’ voice to speak.45 The various strands of European Maoism, especially the more intellectually robust French variety, proved particularly eye-catching not only on European campuses but also in the US. The French Maoist groups with their links to Jean-Paul Sartre, Foucault and the Tel Quel group played a central role in trans- forming Maoism into a core ingredient in an evolving late twentieth-century critical theory.46 Privileging culture and the politics of everyday life over economics, Maoism, together with the Frankfurt School of Marxism, framed a deconstructive assault on the West. Maoism also influenced Edward Said, who encountered its fading French revolutionary embers in Paris in 1978. It inspired his subsequent deconstruc- tion of the European view of the Asian ‘other’ and facilitated his unmasking of the western practice of orientalism.47 Following Said, post-colonial discourse theory facilitated the deconstruction of the university humanities and social science curricula and opened the door to their prospective decolonization. Maoism, of course, also had an international impact within and beyond Europe on the evolution of urban and rural guerrilla warfare strategies, espe- cially in what Mao viewed as the non-aligned world.48 Che Guevara, as well as a variety of African, Southeast Asian and South American revolutionaries, went to China in the 1950s and 1960s. Shining Path, the Black Panthers, the Baader Meinhof gang, and more recently Islamic State, all drew upon Maoist understandings in their conduct of guerrilla insurgency, believing that clarifying acts of violence were central to the management of their long war strategies. During the Cold War a number of studies traced the transmission of revolu- tionary Maoist technique to a global audience.49 However, they rarely account for the reasons why it proved attractive and enduring in a specifically West European and North American intellectual context. This book, by contrast, explores the channels of ideological influence by which the Maoist ‘long march through the institutions’ (the phrase coined by radical student leader Rudi Dutschke) spread through the West’s cultural apparatus, and manifests itself today in critical race theory, cancel culture, iconoclasm and curriculum decolonization.

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.