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TThhee UUnniivveerrssiittyy ooff SSoouutthheerrnn MMiissssiissssiippppii TThhee AAqquuiillaa DDiiggiittaall CCoommmmuunniittyy Dissertations Spring 5-2012 TThhee SSppiirriitt ooff TTrriiuummpphh,, JJaammeess AAnnddeerrssoonn DDeePPrreeiisstt:: TThhee LLiiffee,, CCaarreeeerr aanndd MMuussiicc ooff aann AAmmeerriiccaann CCoonndduuccttoorr Darryl Eric Harris Sr. University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the American Studies Commons, Cultural History Commons, Music Performance Commons, and the Other Music Commons RReeccoommmmeennddeedd CCiittaattiioonn Harris, Darryl Eric Sr., "The Spirit of Triumph, James Anderson DePreist: The Life, Career and Music of an American Conductor" (2012). Dissertations. 549. https://aquila.usm.edu/dissertations/549 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE SPIRIT OF TRIUMPH, JAMES ANDERSON DEPREIST: THE LIFE, CAREER AND MUSIC OF AN AMERICAN CONDUCTOR by Darryl Eric Harris, Sr. Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2012 COPYRIGHT BY DARRYL ERIC HARRIS, SR. 2012 ABSTRACT THE SPIRIT OF TRIUMPH, JAMES ANDERSON DEPREIST: THE LIFE, CAREER AND MUSIC OF AN AMERICAN CONDUCTOR by Darryl Eric Harris, Sr May 2012 The purpose of this research is to present an organized account of the life, career and music of this prominent American symphonic conductor. James Anderson DePreist is an African American conductor/composer, educator and spokesman for the Americans with Disabilities who has achieved prominence in the symphonic field while overcoming many obstacles, both physical and social. In addition to having have conducted orchestras all over the world, this maternal nephew of famed contralto Marian Anderson is best known as the arranger/composer of Theme For The Cosby Show, the 1988–1989 season, as recorded by the Oregon Symphony Orchestra. In addition to a discography, this document also contains an exhaustive bibliography of the important articles written about DePreist,. Additional information is presented on his roles outside of music. In spite of the author having had limited access to Mr. DePreist, his students and members of his orchestras, this author has provided a chronological account of DePreist’s immense contributions to the development of music as experienced by countless people throughout the world. Serving as a role model for the disabled, James Anderson DePreist personifies “The Spirit of Triumph.” ii DEDICATION First and foremost, this document is dedicated to the greatest single parent ever, my mother, the late Ms. Willie B. “Girlie” Harris, who always shared my vision and goals, and to my family. This is also dedicated to the late Father Louis J. Benoit, S.V.D., pastor of Sacred Heart Church, and to my band directors in Greenville, Mississippi, who collectively opened up a new world to me: Mr. Winchester “Mr. Wynn” Davis at Sacred Heart School, Mr. Roy P. Huddleston (Leroy N. Parker, assistant) at Coleman High and Dr. Sidney J. McKay (Charles Strange, assistant) at Greenville Senior High School. A very special acknowledgment and dedication goes to Margaret B. Robinson, Dean Emerita of Undergraduate Studies at Case Western Reserve University in Cleveland, Ohio. Thanks also to The E. F. Boyd family (especially Tori), Senior Master Sergeant Lance Cameron, USAF Retired, Hodding Carter III, Carol Jean Cooper (for the $25.00 that started me along this way), the late Kenneth Haxton of the Greenville Symphony Orchestra, Dr. David R. Ledgerwood, Ph.D., Dr. Frederick R. Mayer, Ph.D. Lieutenant Colonel Alan Sierichs, USAF Retired, Hallie Moore at The Cleveland Institute of Music, Rev. Roger Smith and Rev. William Prince, Jr., owner of the Maxwell Shoe Shop on Nelson Street in Greenville, for ‘sharing history the way you did’, and Maestro Carl Topilow at The Cleveland Institute of Music. Special thank you and dedication to my Godmother, Mrs. Johnnie L. Lewis and family, especially my very best friend, Rev. Ruben H. Lewis, who believed in me always. In loving memory of my Godfather, George E. Lewis, ‘Thank You Daddy.’ iii ACKNOWLEDGMENTS I would like to express my profound gratitude to Dr. Jay Dean for his encouragement and support as well as help in my studies at the University of Southern Mississippi. This appreciation extends to the members of my committee, Dr. Joseph Brumbeloe, Dr. Gregory Fuller, Dr. Christopher Goertzen and Dr. Steven Moser. Special thanks to the many people who also contributed to this work: Scott Daniels of the Oregon Historical Society, Jane Gottlieb and The Juilliard School Library Staff; Chester Lane, editor of Symphony Magazine; Paul McCarver and the University of Southern Mississippi Library Staff; James Rullo and Bridget Campbell of Skies America Publishing Company; Nancy Shawcross and staff at the Annenberg Rare Book & Manuscript Library at the University of Pennsylvania; and Stephen Toombs at Case Western Reserve University’s Kulas Music Library. Also, thanks go to Debby Dean, Claudia Encinas, Jorge Gonzalez, Dr. Byron G. Johnson, Dr. Dominique Rene’ de Lerma, Andrew Rhodes and Jim Svejda of KUSC-FM Radio. Thank you to my two French translators for all their assistance, Mme. Emeline Coulon and Mme. Leah Persons. There are some other important personal contributors to this project: Maestra JoAnn Faletta, who excited me about this subject years ago, Dr. London Branch of Jackson State University, Dr. Jeffrey A. Johnson, M.D., Rebekah Stark Johnson, Dr. Maryann Kyle, Dr. Michael Lopinto, William Slocum retired music director of the Cleveland Philharmonic Orchestra, Jon Wenberg of the Mississippi Symphony Orchestra and Dr. William B. Woods of the Cleveland School of the Arts. A very special note of acknowledgment to Dr. Aubrey K. Lucas. iv TABLE OF CONTENTS ABSTRACT ....................................................................................................................... ii DEDICATION……………………………………………………………………………iii ACKNOWLEDGMENTS………………………….…………………………………….iv CHAPTER I. INTRODUCTION .........................................................................................1 II. THE LIFE OF JAMES ANDERSON DEPREIST ........................................4 III. THE CONDUCTING CAREER OF JAMES ANDERSON DEPREIST………………………….……………………………………..27 IV. THE MUSIC, CONDUCTING PHILOSOPHY & POETRY OF JAMES ANDERSON DEPREIST………….………………………..66 V. CONCLUSION………………………………………………………….107 APPENDIXES………………………………………………………………………….113 BIBLIOGRAPHY……………………………………………………………………...122 DISCOGRAPHY……………………………………………………………………….156 SUPPLEMENTARY BIBLIOGRAPHY……………………………….……..……….172 REFERENCES………………………………………………………………………....179 v LIST OF ILLUSTRATIONS Figure 1. James Anderson DePreist and Leonard Bernstein………………………..……...31 2. Mrs. Ethel Anderson DePreist………………………………....………….....…..35 3. James DePreist, Prince Charles and Princess Diana………………..……...….....43 4. James and Ginette Grenier DePreist………………………………….…...……..44 5. The Cosby TV Family………………………………………….……………...…73 6. U. S. Air Force C-141 “Starlifter” aircraft………………..…….…….….….….103 7. Vintage Ambulance, Circa 1960…………………………………………….….105 8. James Anderson DePreist and the Juilliard Orchestra………………………….107 9. Soprano, Leontyne Price and James DePreist…………………….……..…..….110 10. James DePreist and the Juilliard Orchestra……………………….…….……...112 vi

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