Table Of Content

Index to Authors and Titles VoLuME 40 “Admiration [Donald Harington].” By Jill McCorkle. No. 2, 154. “An Appreciation [Donald Harington].” By Jack Butler. No. 2, 142-43. “Another Roadside Epiphany: Flannery O’Connor’s Wise Blood and Nikolai Gogol’s Dead Souls as Religious Satires.” By Derek Maus. No. 4, 53-67. Arnold, Edwin T. “Introduction. Donald Harington.” No. 2, 5-8. , ed. “The William Styron-Donald Harington Letters.” No. 2, 99- 141. “Belated Easter.” By Charles A. Peek. No. 2, 182-84. Berry, Wendell. “Continuing to Think About Robert Hazel and His Poems.” No. 3, 41- 50. “Bibliography of the Visual Arts and Architecture in the South, Part XIV.” By Judith H. Bonner. No. 1, 153-66. “Blasphemy in Blackwell: Peter Taylor’s ‘The Decline and Fall of the Episcopal Church (in the Year of Our Lord 1952).’” By Susan Copeland Henry. No. 1, 54-66. “Bob’s Lost Years: The Early Sixties.” By Ed McClanahan. No. 3, 57-59. Bonner, Judith H. “Bibliography of the Visual Arts and Architecture in the South, Part XIV.” No. 1, 153-66. Boren, Mark Edelman. “The Southern Super Collider: William Faulkner Smashes Lan- guage into Reality in As J Lay Dying.” No. 4, 21-38. “Break forth and wash the slime from this earth!’: O’Connor’s Apocalyptic Tornadoes.” By Anne Elizabeth Carson. No. 1, 19-27. Butler, Jack. “An Appreciation [Donald Harington].” No. 2, 142-43. Buttel, Robert. “Robert Hazel’s Prophetic Voice.” No. 3, 103-14. Byrd-Cook, LindaJ . “Reconciliation with the Great Mother Goddess in Lee Smith’s Sav- ing Grace.” No. 4, 97-112. Carson, Anne Elizabeth. “‘Break forth and wash the slime from this earth!’: O’Connor’s Apocalyptic Tornadoes.” No. 1, 19-27. Champion, Laurie. “Socioeconomics in Selected Short Stories of Zora Neale Hurston.” No. 1, 79-92. Chaney, Michael A. “Touring the Spectacle of Slavery at Magnolia Gardens Plantation.” No. 4, 126-40. Chappell, Fred. “Treasures of Ruin: Donald Harington’s Covert I.” No. 2, 9-19. “Childhood’s End: War and Innocence in When Angels Rest.” By Brian Walter. No. 2, 51- 65. Chinn, Nancy. “Slavery as Illness: Medicine in Willa Cather’s Sapphira and the Slave Girl.” No. 4, 68-82. “Climbing Out of ‘The Briar Patch’: Robert Penn Warren and the Divided Conscience of Segregation.” By David A. Davis. No. 1, 109-20. “Confessions of a Stay Moron.” By Lee Smith. No. 2, 20-22. “Continuing to Think About Robert Hazel and His Poems.” By Wendell Berry. No. 3, 41- 50. 142 Index to Volume 40 Cullick, Jonathan S. “‘A Valuable Connection’: Communication and Communion in Walker Percy’s The Thanatos Syndrome.” No. 4, 113-25. Davis, David A. “Climbing Out of ‘The Briar Patch’: Robert Penn Warren and the Divided Conscoif Seegrnegcatieon. ” No. 1, 109-20. Disheroon-Green, Suzanne. “Whither Thou Goest, We Will Go: Lovers and Ladies in The Awakening.” No. 4, 83-96. Donahue, Peter, and Philip Heldrich. “Soft Coal: The Sadness and Poetic Vision of Rob- ert Hazel.” No. 3, 137-47. “A Donald Harington Checklist.” No. 2, 155-56. “Falling Off the Mountain.” By Donald Harington. No. 2, 144-53. “Fine Fancy Gentlemen’ and ‘Yappy Folk’: Contending Voices in To Kill a Mockingbird.” By Theodore R. Hovet and Grace-Ann Hovet. No. 1,67-78. “Getting the Voices Right: A Conversation with Robert Morgan About The Gardener’s Son.” By Peter Josyph. No. 1, 121-31. Gerald, Kelly. “Passionate Observer: Eudora Welty at the Mississippi Museum of Art.” Exhibition review. No. 3, 156-62. Hakutani, Yoshinobu. “Richard Wright, Toni Morrison, and the African ‘Primal Outlook upon Life.’” No. 1, 39-53. Hall, James Baker. “Robert.” No. 3, 27-40. Harington, Donald. “Falling Off the Mountain.” No. 2, 144-53. “Harington’s Highlanders: Donald Harington’s Ozarks and the Mapping of Cultures.” By Linda K. Hughes. No. 2, 39-50. “Hazel.” By Deborah Reed. No. 3, 60-61. Heldrich, Philip, and Peter Donahue. “Soft Coal: The Sadness and Poetic Vision of Rob- ert Hazel.” No. 3, 137-47. Henry, Susan Copeland. “Blasphemy in Blackwell: Peter Taylor’s ‘The Decline and Fall of the Episcopal Church (in the Year of Our Lord 1952).’” No. 1, 54-66. “Honey Robert and His Clock of Clay.” By William M. White. No. 3, 148-55. Horvath, Brooke. “A Pure Product of America.” No. 3, 85-93. Hovet, Theodore R., and Grace-Ann Hovet. “‘Fine Fancy Gentlemen’ and ‘Yappy Folk’: Contending Voices in To Kill a Mockingbird.” No. 1, 67-78. Hughes, Linda K. “Harington’s Highlanders: Donald Harington’s Ozarks and the Map- ping of Cultures.” No. 2, 39-50. Hyde, Gene. “The Southern Highlands as Literary Landscape’: An Interview with Fred Chappell and Donald Harington.” No. 2, 86-98. “An Interview with Donald Harington.” By Larry Vonalt. No. 2, 69-85. “I.J. ” By Noel Polk. No. 3, 181-86. “Introduction. Donald Harington.” By Edwin T. Arnold. No. 2, 5-8. “Introduction. Robert Hazel.” By John Kuehl. No. 3, 7-18. Josyph, Peter. “Getting the Voices Right: A Conversation with Robert Morgan About The Gardener’s Son.” No. 1, 121-31. . “Losing Home: A Conversation with Ted Tally About All the Pretty Horses.” Vol. 1, 132-46. Kennedy, Richard S., “A Look Into Thomas Wolfe’s Workshop.” Review essay. No. 1, 147- 51. “Knowing Bob: A Look Back.” By Frances Whyatt. No. 3, 72-74. Kuehl, John. “Introduction. Robert Hazel.” No. 3, 7-18. Index to Volume 40 Kuehl, Linda Kandel.“A Note on Robert Hazel’s Fiction.” No. 3, 75-77. . “Preface [Robert Hazel].” No. 3, 5-6. “Laud and love her simply’: Lucas Cranach the Elder’s Madonna in the North Carolina Museum of Art.” By BonnieJ .N oble. No. 4, 4-20. “Location and Identity in Anne Tyler’s Ladder of Years.” By CarenJ .T own. No. 1, 7-18. “A Look Into Thomas Wolfe’s Workshop.” Review essay. By Richard S. Kennedy. No. 1, 147-51. “Losing Home: A Conversation with Ted Tally About All the Pretty Horses.” By Peter Josyph. Vol. 1, 132-46. Maus, Derek. “Another Roadside Epiphany: Flannery O’Connor’s Wise Blood and Nikolai Gogol’s Dead Souls as Religious Satires.” No. 4, 53-67. McClanahan, Ed. “Bob’s Lost Years: The Early Sixties.” No. 3, 57-59. McCorkleJ,il l. “Admiration [Donald Harington].” No. 2, 154. McMillen, Neil R. “Mississippi’s Inside Agitators.” Review essay. No. 2, 159-63. “Mississippi's Inside Agitators.” Review essay. By Neil R. McMillen. No. 2, 159-63. Moseley, William. “Teaching Off-Line.” No. 3, 51-56. Nelson, Eric. “Words Are Real.” No. 3, 78-84. Nicolaisen, Peter. “Southern Conservatism at Bay.” Review essay. No. 3, 163-71. Noble, BonnieJ . “‘Laud and love her simply’: Lucas Cranach the Elder’s Madonnain the North Carolina Museum of Art.” No. 4, 4-20. “A Note on Robert Hazel’s Fiction.” By Linda Kandel Kuehl. No. 3, 75-77. “Notes on The Architecture of the Arkansas Ozarks.” ByJ .W . Williamson. No. 2, 66-68. “The ‘Other South’ of Caroline Miller: A Case Study in Regional Stereotypes and Canon Formation.” By Emily Powers Wright. No. 1, 93-108. “Passionate Observer: Eudora Welty at the Mississippi Museum of Art.” Exhibition review. By Kelly Gerald. No. 3, 156-62. Peckham, Joel. “Segregation/Integration: Race, History, and Theoretical Practice in the American South.” No. 1, 28-38. Peek, Charles A. “Belated Easter.” No. 2, 182-84. Polk, Noel. “I.J. ” No. 3, 181-86. “Preface [Robert Hazel].” By Linda Kandel Kuehl. No. 3, 5-6. “A Pure Product of America.” By Brooke Horvath. No. 3, 85-93. Ratner, Rochelle. “Thanks for the Memories.” No. 3, 69-71. “Reconciliation with the Great Mother Goddess in Lee Smith’s Saving Grace.” By Linda J. Byrd-Cook. No. 4, 97-112. Reed, Deborah. “Hazel.” No. 3, 60-61. “Remembering Robert: A Very Agile Fury.” By Sarah House Tate. No. 3, 62-68. “Richard Wright, Toni Morrison, and the African ‘Primal Outlook upon Life.’” By Yoshinobu Hakutani. No. 1, 39-53. “Ritual Technique and Renewal in Eudora Welty’s ‘Kin.’” By Carey Wall. No. 4, 39-52. “Robert.” By James Baker Hall. No. 3, 27-40. “Robert Hazel: The Early Poems; Toward a New Selected Poems.” By Barry Wallenstein. No. 3, 122-31. “Robert Hazel: Poetry for the Two Hands.” By Sanford Weiss. No. 3, 132-36. “Robert Hazel’s Prophetic Voice.” By Robert Buttel. No. 3, 103-14. “Robert Hazel’s Varying Graces.” By Barry Spacks. No. 3, 94-102. “Robert Hazel’s Washington.” By Vern Rutsala. No. 3, 115-21. 144 Index to Volume 40 Rubin, Louis D.,J r. “Storming Heaven by Frontal Assault: A Memory of Robert Hazel.” No. 3, 19-26. “Segregation/Integration: Race, History, and Theoretical Practice in the American South.” By Joel Peckham. No. 1, 28-38. “Slavery as Illness: Medicine in Willa Cather’s Sapphira and the Slave Girl.” By Nancy Chinn. No. 4, 68-82. Smith, Lee. “Confessions of a Stay Moron.” No. 2, 20-22. “Socioeconomics in Selected Short Stories of Zora Neale Hurston.” By Laurie Champion. No. 1, 79-92. “Soft Coal: The Sadness and Poetic Vision of Robert Hazel.” By Peter Donahue and Philip Heldrich. No. 3, 137-47. “Southern Conservatism at Bay.” Review essay. By Peter Nicolaisen. No. 3, 163-71. “The Southern Highlands as Literary Landscape’: An Interview with Fred Chappell and Donald Harington.” By Gene Hyde. No. 2, 86-98. “The Southern Super Collider: William Faulkner Smashes Language into Reality in As / Lay Dying.” By Mark Edelman Boren. No. 4, 21-38. Spacks, Barry. “Robert Hazel’s Varying Graces.” No. 3, 94-102. “Storming Heaven by Frontal Assault: A Memory of Robert Hazel.” By Louis D. Rubin, Jr. No. 3, 19-26. “Storytelling in Donald Harington’s Stay More.” By Larry Vonalt. No. 2, 23-38. Tate, Sarah House. “Remembering Robert: A Very Agile Fury.” No. 3, 62-68. “Teaching Off-Line.” By William Moseley. No. 3, 51-56. “Thanks for the Memories.” By Rochelle Ratner. No. 3, 69-71. “Touring the Spectacle of Slavery at Magnolia Gardens Plantation.” By Michael A. Chaney. No. 4, 126-40. Town, CarenJ . “Location and Identity in Anne Tyler’s Ladder of Years.” No. 1, 7-18. “Treasures of Ruin: Donald Harington’s Covert I.” By Fred Chappell. No. 2, 9-19. “A Valuable Connection’: Communication and Communion in Walker Percy’s The Tha- natos Syndrome.” By Jonathan S. Cullick. No. 4, 113-25. Vonalt, Larry. “An Interview with Donald Harington.” No. 2, 69-85. . “Storytelling in Donald Harington’s Stay More.” No. 2, 23- 38. Wall, Carey. “Ritual Technique and Renewal in Eudora Welty’s ‘Kin.’” No. 4, 39-52. Wallenstein, Barry. “Robert Hazel: The Early Poems; Toward a New Selected Poems.” No. 3, 122-31. Walter, Brian. “Childhood’s End: War and Innocence in When Angels Rest.” No. 2, 51-65. Weiss, Sanford. “Robert Hazel: Poetry for the Two Hands.” No. 3, 132-36. White, William M. “Honey Robert and His Clock of Clay.” No. 3, 148-55. Whyatt, Frances. “Knowing Bob: A Look Back.” No. 3, 72-74. “The William Styron-Donald Harington Letters.” Edited by Edwin T. Arnold. No. 2, 99- 141. Williamson,J .W . “Notes on The Architecture of the Arkansas Ozarks.” No. 2, 66-68. “Whither Thou Goest, We Will Go: Lovers and Ladies in The Awakening.” By Suzanne Disheroon-Green. No. 4, 83-96. “Words Are Real.” By Eric Nelson. No. 3, 78-84. Wright, Emily Powers. “The ‘Other South’ of Caroline Miller: A Case Study in Regional Stereotypes and Canon Formation.” No. 1, 93-108. Index to Volume 40 *Books Reviewed Austenfeld, Thomas Carl. American Women Writers and the Nazis: Ethics and Politics in Boyle, Porter, Stafford, and Hellman (Darlene Harbour Unrue). No. 2, 176-77. Bingham, Emily S., and Thomas A. Underwood, eds. The Southern Agrarians and the New Deal: Essays After'l l Take My Stand (Review essay, Peter Nicolaisen). No. 3, 163-71. Bruccoli, MatthewJ. , and Parker Buck, eds. To Loot My Life Clean: Thomas Wolfe-Maxwell Perkins Correspondence (Review essay, Richard S. Kennedy). No. 1, 147-51. Carter, Jimmy. An Hour Before Daylight: Memories of aR ural Boyhood (Steven G. Kellman). No. 1, 167-68. Chopin, Kate. Suzanne Disheroon Green and DavidJ .C audle, eds. At Fault: A Scholarly Edition with Background Readings (Allan Burns). No. 2, 168-69. Clayton, Alec. Until the Dawn (Larry Johnson). No. 1, 173-74. Disheroon-Green, Suzanne, and Lisa Abney, eds. Songs oft he New South: Writing Contem- porary Louisiana (Olivia Pass). No. 2, 174-76. Driggs, Sarah Shield, Richard Guy Wilson, and Robert P. Winthrop. Richmond’s Monu- ment Avenue (Susan Donaldson). No. 3, 173-74. Freeman, John. Standing On My Father’s Grave (Larry Johnson). No. 2, 180-81. Ginés, Montserrat. The Southern Inheritors of Don Quixote (Taylor Hagood). No. 2, 170-72. Henry, Aaron, with Constance Curry. Aaron Henry: The Fire Ever Burning (Review essay, Neil R. McMillen). No. 2, 159-63. Hinds, Mary Hancock. Infinite Elvis: An Annotated Bibliography (Brooke Horvath). No. 2, 169-70. Johnson, Mary Elizabeth. Mississippi Quilts (Géraldine Chouard). No. 2, 165-67. Lang, John. UnderstandinFrge d Chappell (Dorie LaRue). No. 2, 164-65. Mason, Gilbert R., with James Patterson Smith. Beaches, Blood, and Ballots: A Black Doctor’s Civil Rights Struggle (Review essay, Neil R. McMillen). No. 2, 159-63. McAlexander, Hubert H. Peter Taylor: A Wniter’s Life (Linda Kandel Kuehl). No. 3, 175-76. . Peter Taylor: A Writer’s Life (Peter Nicolaisen). No. 2, 177-80. Meisenhelder, Susan Edwards. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Works of Zora Neale Hurston (Genevieve West). No. 2, 172-74. Murphy, Paul V. The Rebuke of History: The Southern Agrarians and American Conservative Thought (Review essay, Peter Nicolaisen). No. 3, 163-71. Nevils, Rene Pol, and Deborah George Hardy. Jgnatius Rising: TheL ife of John Kennedy Toole (W. Kenneth Holditch). No. 1, 168-70. Pollack, Harriet, and Suzanne Marrs. Eudora Welty and Politics: Did the Writer Crusade? (Stephen M. Fuller). No. 1, 170-72. Winchell, Mark Royden. Where No Flag Flies: Donald Davidson and the Souther Resistance (Review essay, Peter Nicolaisen). No. 3, 163-71. Wolfe, Thomas. Arlyn Bruccoli and Matthew ].Bruccoli, eds. O Lost: A Story of the Buried Life (Review essay, Richard S. Kennedy). No. 1, 147-51. *Films Reviewed Foster, Marc, dir. Monster’s Ball (Steven G. Kellman). No. 3, 177-78. Green, David Gordon, writ., dir. George Washington (Steven G. Kellman). No. 1, 178-79 Greenwald, Maggie, writ., dir. Songcatcher (Steven G. Kellman). No. 1, 176-78. Howard, Arliss, dir. Big Bad Love (Steven G. Kellman). No. 3, 178-79. Nelson, Tim Blake, dir. O (Steven G. Kellman). No. 1, 175-76. *Names of reviewers given in parentheses.