Table Of Content

Index to Authors and Titles in Volume XXXIII “Aphrodite Redux: Edna Pontellier’s Dilemma in The Awakening by Kate Chopin,” by Anne Foata. No. 1, 27-31. Arnold, Edwin T. “Cormac McCarthy’s The Stonemason: The Unmaking of a Play.” Nos. 2- 3, 117-29. “Aunt Phillis’s Cabin: One Reply to Uncle Tom,” by Beverly Peterson. No. 1, 97-112. Bach, Peggy. “Evelyn Scott: From Tennessee to Greenwich Village.” Nos. 2-3, 57-63. . “Interview with David Madden: ‘The Theatrical Image.’” Nos. 2-3, 215-26. Benfield, LeAnne, and Lee Hunter. “Selective Checklist of Ellen Douglas Materials.” No. 4, 149-51. “Bibliography of the Visual Arts and Architecture in the South, Part VII,” by Judith H. Bonner. No. 1, 141-56. Bonner, Judith H. “Bibliography of the Visual Arts and Architecture in the South, Part VII.” No. 1, 141-56. “Brother to Dragons: Poem/Play/Film,” by Victor Strandberg. Nos. 2-3, 187-96. Castille, Philip Dubuisson. “Red Scare and Film Noir: The Hollywood Adaptation of Robert Penn Warren’s All the King’s Men.” Nos. 2-3, 171-81. “Cormac McCarthy’s The Stonemason: The Unmaking of a Play,” by Edwin T. Arnold. Nos. 2-3, 117-29. “Deliverance: Dickey’s Original Screenplay,” by Ernest Suarez. Nos. 2-3, 161-69. Donaldson, Susan V. “Ellen Douglas’s Black Cloud, White Cloud and the Fragmentation of Narrative.” No. 4, 51-64. Douglas, Ellen. “I Have Found It.” No. 4, 7-13. “Driving Miss Daisy: A Sociosemiotic Analysis,” by Angela J. Mason and Timothy J. Viator. No. 1, 55-63. “The Ellen Douglas Manuscript Collection at The University of Mississippi,” by Sharron Eve Sarthou and Thomas M. Verich. No. 4,131-47. “Ellen Douglas: Reconstructing the Subject in ‘Hold On’ and Can’t Quit You, Baby,” by Jan Shoemaker. No. 4, 83-98. “Ellen Douglas’s Black Cloud, White Cloud and the Fragmentation of Narrative,” by Susan V. Donaldson. No. 4, 51-64. “Ellen Douglas’s Greenville,” by Rhonda Watts. No. 4, 41-49. “Evelyn Scott: From Tennessee to Greenwich Village,” by Peggy Bach. Nos. 2-3, 57-63. “Faulkner’s Families: A Review Essay,” by Arthur F. Kinney. Nos. 2-3, 227-30. Fister, Charles. “Not Just Whistlin’ Dixie: Music, Functional Silence and the Arbitrary Semiotics of Oppression in Ellen Douglas’s Can’t Quit You, Baby.” No. 4, 99-119. Foata, Anne. “Aphrodite Redux: Edna Pontellier’s Dilemma in The Awakening by Kate Chopin.” No. 1, 27-31. Folks, Jeffrey J. “James Agee’s Filmscript for The Night of the Hunter.” Nos. 2-3, 151-60. Friedman, Melvin J. “Jn the Clap Shack: William Styron’s Neglected Play.” Nos. 2-3, 13-21. The Southern Quarterly Vol. 33, No. 4, Summer 1995 Index to Volume XXXIII “From Mule Bones to Funny Bones: The Plays of Zora Neale Hurston,” by John Lowe. Nos. 2-3, 65-78. “From Success to Failure: Capote’s The Grass Harp,” by Helen S. Garson. Nos. 2-3, 35-43. Fuller, R. C. “Lunging in the Dark: Blindness and Vision, Disappointment and Aspiration in Reynolds Price’s Trilogy.” Nos. 2-3, 45-56. Garrett, George. “Jesse Hill Ford’s Play.” Nos. 2-3, 183-86. Garrett, George, David Madden, and Irving Malin. “Introduction.” Nos. 2-3, 7-12. Garson, Helen S. “From Success to Failure: Capote’s The Grass Harp.” Nos. 2-3, 35-43. “Gerald Gray’s Wife and Lily: A Novel” (review essay), by Nan Morrison. No. 1, 137-40. Greene, Sally. “Re-Placing the Hero: The Night Travellers as Novel of Female Self-Discovery.” No. 1, 33-39. Hammond, David. “‘Parts of a Novel That Will Probably Never Get Written’: An Interview with Elizabeth Spencer.” Nos. 2-3, 85-106. Horvath, Brooke, and Lisa Logan. “Nobody Knows Best: Carson McCullers’s Plays as Social Criticism.” Nos. 2-3, 23-34. Howard, Jennifer. “Interview with Mary Lee Settle.” Nos. 2-3, 79-83. Hunter, Lee, and LeAnne Benfield. “Selective Checklist of Ellen Douglas Materials.” No. 4, 149-51. “I Have Found It,” by Ellen Douglas. No. 4, 7-13. ““T’m in That Secular World, Even Though I Keep Looking Around for Someplace Else To Be’: Interview with Ellen Douglas,” by Betty Tardieu. No. 4, 23-39. “In the Clap Shack: William Styron’s Neglected Play,” by Melvin J. Friedman. Nos. 2-3, 13- 21. “Interview with David Madden: ‘The Theatrical Image,” by Peggy Bach. Nos. 2-3, 215-26. “Interview with Ellen Douglas,” by Christine Wilson. No. 4, 15-21. “Interview with Mary Lee Settle,” by Jennifer Howard. Nos. 2-3, 79-83. “An Interview with Richard Marius,” by Carroll Viera. No. 1, 113-25. “Introduction: Ellen Douglas,” by Thomas L. McHaney and Noel Polk. No. 4, 5. “Introduction: Southern Novelists on Stage and Screen,” by George Garrett, David Madden, and Irving Malin. Nos. 2-3, 7-12. “James Agee’s Filmscript for The Night of the Hunter,” by Jeffrey J. Folks. Nos. 2-3, 151-60. “Jesse Hill Ford’s Play,” by George Garrett. Nos. 2-3, 183-86. “Just for the Fun and Games of It: The Dramatic Writing of George Garrett,” by Deborah Sussman. Nos. 2-3, 197-213. Kinney, Arthur F. “Faulkner’s Families: A Review Essay.” Nos. 2-3, 227-30. Koprince, Susan. “Tennessee Williams’s Unseen Characters.” No. 1, 87-95. Kuehl, Linda Kandel. “Peter Taylor’s Women: Old and New.” No. 1, 47-53. . “Public Occasions and Private Evasions in the Plays of Peter Taylor.” Nos. 2-3, 131- 46. Lawson, Lewis. “The Moviegoer Dates the Love Goddess.” No. 1, 6-25. Lillis, Karen E. “A Personal Perspective on Two Plays from Generation X: A Review Essay.” No. 1, 131-35. Logan, Lisa, and Brooke Horvath. “Nobody Knows Best: Carson McCullers’s Plays as Social Criticism.” Nos. 2-3, 23-43. Lowe, John. “From Mule Bones to Funny Bones: The Plays of Zora Neale Hurston.” Nos. 2- 3, 65-78. “Lunging in the Dark: Blindess and Vision, Disappointment and Aspiration in Reynolds Price’s 184 The Southern Quarterly Index to Volume XXXIII Trilogy,” by R. C. Fuller. Nos. 2-3, 45-56. Madden, David, George Garrett, and Irving Malin. “Introduction.” Nos. 2-3, 7-12. Malin, Irving, George Garrett, and David Madden. “Introduction.” Nos. 2-3, 7-12. Mason, Angela L., and Timothy J. Viator. “Driving Miss Daisy: A Sociosemiotic Analysis.” No. 1, 55-63. McHaney, Thomas L., and Noel Polk. “Introduction: Ellen Douglas.” No. 4, 5. Mills, Henry P. “A New Face for Postmodern Scholarship: Announcing the Walker Percy Internet Project.” No. 4, 159-63. Morrison, Nan. “Gerald Gray’s Wife and Lily: A Novel” (review essay). No. 1, 137-40. “The Moviegoer Dates the Love Goddess,” by Lewis Lawson. No. 1, 6-25. “A New Face for Postmodern Scholarship: Announcing the Walker Percy Internet Project,’ by Henry P. Mills. No. 4, 159-63. “Night Riders and Tobacco Wars: A Review Essay,” by Thomas H. Winn. No. 1, 127-30. “Nobody Knows Best: Carson McCullers’s Plays as Social Criticism,” by Brooke Horvath and Lisa Logan. Nos. 2-3, 23-34. “Not Just Whistlin’ Dixie: Music, Functional Silence and the Arbitrary Semiotics of Oppres- sion in Ellen Douglas’s Can’t Quit You, Baby,” by Charles Fister. No. 4, 99-119. “Ownership in Dexter’s Paris Trout,” by Richard Predmore. Nos. 2-3, 147-50. “*Parts of a Novel That Will Probably Never Get Written’: An Interview with Elizabeth Spen- cer,” by David Hammond. Nos. 2-3, 85-106. “A Personal Perspective on Two Plays from Generation X: A Review Essay,” by Karen E. Lillis. No. 1, 131-35. “Peter Taylor’s Women: Old and New,” by Linda Kandel Kuehl. No. 1, 47-53. Peterson, Beverly. “Aunt Phillis’s Cabin: One Reply to Uncle Tom.” No. 1, 97-112. Petty, Leslie. “‘She has some buried connection with these lives’: Autobiographical Acts in Can’t Quit You, Baby.” No. 4, 121-29. Poel, Noel, and Thomas L. McHaney. “Introduction: Ellen Douglas.” No. 4, 5. Predmore, Richard. “Ownership in Dexter’s Paris Trout.” Nos. 2-3, 147-50. Prenshaw, Peggy Whitman. “Sex and Wreckage in the Parlor: Welty’s ‘Bye-Bye Brevoort.’” Nos. 2-3, 107-16. “Public Occasions and Private Evasions in the Plays of Peter Taylor,” by Linda Kandel Kuehl. Nos. 2-3, 131-46. “Reconjuring Charles Chesnutt: A Review Essay,” by Roger West. No. 4, 153-58. “Red Scare and Film Noir: The Hollywood Adaptation of Robert Penn Warren’s All the King’s Men,” by Philip Dubuisson Castille. Nos. 2-3, 171-81. “*Re-inventing the Record’: Ellen Douglas’s A Lifetime Burning as An/‘Other’ Southern Nar- rative,” by Deborah Wilson. No. 4, 65-82. “Re-Placing the Hero: The Night Travellers as Novel of Female Self-Discovery,” by Sally Greene. No. 1, 33-39. Sarthou, Sharron Eve, and Thomas M. Verich. “The Ellen Douglas Manuscript Collection at The University of Mississippi.” No. 4, 131-47. “Selective Checklist of Ellen Douglas Materials,” by Lee Hunter and LeAnne Benfield. No. 4, 149-51. “Sex and Wreckage in the Parlor: Welty’s ‘Bye-Bye Brevoort,’” by Peggy Whitman Prenshaw. Nos. 2-3, 107-16. “*She has some buried connection with these lives’: Autobiographical Acts in Can’t Quit You, Baby,” by Leslie Petty. No. 4, 121-29. Vol. 33, No. 4, Summer 1995 Index to Volume XXXIII Shear, Walter. “Women and History in Peter Taylor’s Short Stories.” No. 1, 41-46. Shoemaker, Jan. “Ellen Douglas: Reconstructing the Subject in ‘Hold On’ and Can’t Quit You, Baby.” No. 4, 83-98. Strandberg, Victor. “Brother to Dragons: Poem/Play/Film.” Nos. 2-3, 187-96. Suarez, Ernest. “Deliverance: Dickey’s Original Screenpiay.” Nos. 2-3, 161-69. Sussman, Deborah. “Just for the Fun and Games of It: The Dramatic Writing of George Garrett.” Nos. 2-3, 197-213. Tardieu, Betty. “‘I’m in That Secular World, Even Though I Keep Looking Around for Some- place Else To Be’: Interview with Ellen Douglas.” No. 4, 23-59. “Tennesse Williams’s Unseen Characters,” by Susan Koprince. No. 1, 87-95. Verich, Thomas M., and Sharron Eve Sarthou. “The Ellen Douglas Manuscript Collection at The University of Mississippi.” No. 4, 131-47. Viator, Timothy J., and Angela L. Mason. “Driving Miss Daisy: A Sociosemiotic Analysis.” No. 1, 55-63. Viera, Carroll. “An Interview with Richard Marius.” No. 1, 113-25. Watts, Rhonda. “Ellen Douglas’s Greenville.” No. 4, 41-49. West, Roger. “Reconjuring Charles Chesnutt: A Review Essay.” No. 4, 153-58. Wilson, Christine. “Interview with Ellen Douglas.” No. 4, 15-21. Wilson, Deborah. “‘Re-inventing the Record’: Ellen Douglas’s A Lifetime Burning as An/ ‘Other’ Southern Narrative.” No. 4, 65-82. Winn, Thomas H. “Night Riders and Tobacco Wars: A Review Essay.” No. 1, 127-30. “Women and History in Peter Taylor’s Short Stories,” by Walter Shear. No. 1, 41-46. *BOOKS REVIEWED Alvarez, Ruth M., and Thomas F. Walsh. Uncollected Early Prose of Katherine Anne Porter (Suzanne Jones). No. 1, 168. Anderson, Mary Crow, ed. Two Scholarly Friends: Yates Snowden-John Bennett Correspon- dence, 1902-1932 (Reginald Abbott). No. 1, 158-60. Berger, Arthur Asa. Li’l Abner: A Study in American Satire (James E. Caron). Nos. 2-3, 252- 53. Bernhard, Virginia, Betty Brandon, Elizabeth Fox-Genovese, Theda Perdue, and Elizabeth H. Turner, eds. Hidden Histories of Women in the New South (Claudia A. Limbert). Nos. 2-3, 253-55. Betts, Doris. Souls Raised from the Dead (Irving Malin). Nos. 2-3, 247-48. Campbell, Tracy. The Politics of Despair: Power and Resistance in the Tobacco Wars (Tho- mas H. Winn). No. 1, 127-30. Chabrier, Gwendolyn. Faulkner’s Families (Arthur F. Kinney). Nos. 2-3, 227-30. Chesnutt, Charles W. The Conjure Woman and Other Conjure Tales (Roger West). No. 4, 153- 58. . The Journals of Charles W. Chesnutt (Roger West). No. 4, 153-58. Cheuse, Alan. The Grandmothers’ Club (Claudia A. Limbert). No. 4, 168-69. Clinton, Catherine, ed. Half Sisters of History: Southern Women and the American Past (Claudia A. Limbert). No. 4, 170-72. Dufresne, John. Louisiana Power and Light (Brigette Wilds Craft). Nos. 2-3, 248-50. Gover, Paula. White Boys and River Girls (Brigette Wilds Craft). No. 4, 169-70. The Southern Quarterly Index to Volume XXXIII Goyen, William. Half a Look of Cain (Irving Malin). Nos. 2-3, 245-47. Hill, Margaret Hunt, with Burt and Jane Boyar. H. L. and Lyda: Growing Up in the H. L. Hunt and Lyda Baker Hunt Family as Told by Their Eldest Daughter (Claudia A. Limbert). Nos. 2-3, 255-56. Johansen, Ruthann Knechel. The Narrative Secret of Flannery O’Connor: The Trickster as Interpreter (Sura P. Rath). Nos. 2-3, 241-42. King, Susan Petigru. Gerald Gray’s Wife and Lily: A Novel (Nan Morrison). No. 1, 137-40. Klevar, Harvey L. Erskine Caldwell: A Biography (William L. Howard). No. 1, 160-62. Kolin, Philip C., ed. Confronting Tennessee Williams’s A Streetcar Named Desire: Essays in Critical Pluralism (Pearl Amelia McHaney). No. 1, 164-66. MacDonald, Edgar. James Branch Cabell and Richmond-in-Virginia (Susan V. Donaldson). Nos. 2-3, 256-58. MacLean, Nancy. Behind the Mask of Chivalry: The Making of the Second Ku Klux Klan (Ed- ward P. Akin). Nos. 2-3, 242-44. Mark, Rebecca. The Dragon’s Blood: Feminist Intertextuality in Eurdora Welty’s “The Golden Apples” (Barbara Ewell). No. 1, 166-67. McCarthy, Cormac. The Crossing (Larry Johnson). No. 1, 171-72. McFee, Michael, ed. The Language They Speak Is Things to Eat: Poems by Fifteen Contempo- rary North Carolina Poets (Dorie LaRue). No. 4, 165-66. Price, Reynolds. A Whole New Life: An Illness and a Healing (R. C. Fuller). Nos. 2-3, 250- 52. Roberts, Diane. The Myth of Aunt Jemima: Representations of Race and Region (Joanne V. Hawks). No. 4, 172-73. Roberts, Terry. Self and Community in the Fiction of Elizabeth Spencer (Elsa Nettels). No. 1, 170-71. Ruppersburg, Hugh. Georgia Voices, Volume Two: Nonfiction (Reginald Abbott). No. 4, 173- 75. Simpson, Lewis P. The Fable of the Southern Writer (John F. Desmond). No. 1, 157-58. Sloane, David E. E., ed. Mark Twain’s Humor: Critical Essays (Wesley Britton). No. 4, 166- 67. Stahl, J.D. Mark Twain, Culture and Gender: Envisioning America Through Europe (Laura Skandera-Trombley). Nos. 2-3, 244-45. Taylor, Peter. In the Tennessee Country (Irving Malin). No. 1, 162-63. Waldrep, Christopher. Night Riders: Defending the Black Patch, 1890-1915 (Thomas H. Winn). No. 1, 127-30. Waldron, Ann. Hodding Carter: The Reconstruction of a Racist (Neil R. McMillen). No. 1, 169-70. *FILM REVIEWS Apted, Michael, dir. Nell (Steven G. Kellman). Nos. 2-3, 259-61. Nair, Mira, dir. The Perez Family (Steven G. Kellman). No. 4, 177-79. Vol. 33, No. 4, Summer 1995 187 Index to Volume XXXIII *PERFORMANCE REVIEWS Bucci, Dave. Kid Carnivore (Karen E. Lillis). No. 1, 131-35. Byrd, Donald/The Group. Drastic Cuts (Act I), Life Situations, Bristle (Act I) (Sally Radell). No. 1, 173-75. Doug Elkins Dance Company. Testosterone, The Stuff of Recoiling, Untitled, The Patrooka Variations (Sally Radell). Nos. 2-3, 263-64. Hicks, Sander. The Perfect Example (Karen E. Lillis). No. 1, 131-35. *Names of reviewers given in parentheses. PORTFOLIOS Bickett, Louis Zoellar. “The Cultural Mudding Rituals.” No. 1, 65-85. Photographs by David R. Hanlon. Comments by Ida Panicelli. Ritter, Thomas. “Internal Trials.” Nos. 2-3, 231-40. 188 The Southern Quarterly