The Secret of Minnie’s Mousse

350 Pages·042.354 MB·English

by  Tracy Twyman

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The Secret of Minnie’s Mousse: New Ebook
and Documentary
October 25, 2018 TR Twyman
By Tracy R. Twyman
Here’s the first four parts of the video documentary I’m working on, “The Secret of Minnie’s Mousse,” based on the
content of my new ebook of the same title.
Video Player
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1. “minniesmouseversion8_x264-mp4”
2. “minniesmoussesecondinstallmenteditedvid5_x264-mp4”
3. “minniesmoussepart-three-frank-factor_x264-mp4”
00:00
4. “minniesmoussepart-fourallofthemwitches_x264-mp4”
00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.
Read the ebook below. I’ll publish it in print as soon as I can.
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More video installments to follow….
As I noted in 2015’s Baphomet: The Temple Mystery Unveiled (co-written with Alexander Rivera), The Oxford English
Dictionary says that the first appearance of the name “Baphomet” in English text was in the Classical Journal, Volume
5, published in 1812, in an article by Charles Villers called “Some Account of the Researches of the German Literati on
the Subject of Ancient Literature and History.” There, in a footnote on page 88, a French scholar referred to only as “M.
Lentz” is quoted, from an essay of his entitled “On the goddess of Paphos as represented on ancient monuments and
on the Baphomet.” This referred to a goddess worshipped in the coastal city of Paphos on the island of Cyprus, where
the Templars were stationed. Idols of the goddess were used as land markers, just as statues of Hermes, the Greek
wisdom god, were also used in ancient times. These images of the goddess had gradually combined with and then
transmuted into images of Hermes himself. M. Lentz suggested that the name of these markers—metae—got fused
with that of Paphos to form “Paphometa,” and thus, Baphomet. Jules Michelet referred to Francois Just-Marie-
Raynouard’s The Templars: Tragedy in Five Acts (1805) regarding the origin of the word:
M. Raynouard considers the word Baphomet in these two depositions, as an alteration of that of Mahomet,
mentioned by the first [Templar] witness; and sees in it a desire on the part of the examiners to confirm the
charges of a good understanding with the Saracens, so generally reported of the Templars. . . . [In their
depositions] the Templars admit nothing more serious than that they have felt alarm, that they have fancied
they saw a devil’s head, a mauffe’s head, that in these ceremonies they have seen the devil himself under the
shape of a cat, or of a woman. . . .
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The word mauffe appears to originate in French as a way of spelling this alleged alteration of Mahomet, the name of
the Muslim prophet, more frequently spelled “Mohammed” or “Muhammad,” which supposedly morphed into the word
Baphomet. Variations seen in print also include “Maufe,” Mauffez,” and “Maphumet” (according to the Bulletin de la
Societe Academique de Laon, Vol. 21, 1876). In the book The View of the State of Europe During the Middle Ages by
Henry Hallam, published in 1818, the author concurs that the word is “an early French corruption of ‘Mahomet.’” This
goes along with the reports, mentioned by Raynouard and Michelet, that the Templars were suspected at the time of
their trials of having been secret converts to Islam, and secret friends of their supposed enemies, the Saracens. In one
knight’s confession he mentioned that he had been taught to exclaim the word Yallah during the blasphemous
ceremonies, which he said was “a word of the Saracens.” Also, according to the Online Etymology Dictionary,
“Mahomet” was used in the Middle Ages as a generic word for “idol.”
While editing the English translation of Joseph von Hammer-Purgstall’s Mysterium Baphometis Revelatum, I also
found that he had mentioned a similar variation on Baphomet’s name, spelled here with an “s” instead of an “f” or “ph.”
He quoted the confession of Gaucerand de Montperats, which said:
Their superior showed him an idol bearded and made in the likeness of Basomet… It is a terrible figure, which
resembles a Devil saying in French ‘Mause.’… An idol that was in the form of a human head with a big beard.
It occurred to me that this word is very similar to maus, the German word for “mouse.” This made me think about the
fact that Mickey Mouse is one of the most popular fictional characters in the world, and the silhouette of his head is
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among the most recognizable corporate logos ever designed. Although it is an extremely simple design, the Disney
Corporation is very litigious towards anyone who attempts to utilize this symbol, which is why they sued electro
musician Deadmau5 for also using a logo featuring the black head of a mouse with two large ears. It seems that,
according to Disney, any unauthorized use of three circles combined is infringing on their copyright, if the circle on the
bottom is larger than the others. They don’t even have to be perfect circles.
Ever since I first saw it, the Deadmau5 logo has brought to mind the icon of the “death’s head”: a glyph featuring a
human head, often with two thigh bones shown beneath. It was used by the Templars on their gravestones, most
likely as a reference to the Baphomet, and later became incorporated into the “Jolly Roger” flag flown by pirates. It
was also used in alchemy to symbolized the state of putrefaction, and by the Nazi S.S. to make them seem fearsome.
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Amazingly, in the German language, not only does maus mean “mouse,” but with an “e” added on the end, it can be
either a verb for the act of catching a mouse, a verb meaning “to pinch,” or an adjective that means “stone dead.”
When an “r” is added, it becomes the noun for “a pinch,” and also designates the point of a knife. This may be
significant, for the Knights Templar took their initiation oaths with the point of a sword pointed at their breast, the tip
touching the skin to make an impression. The purpose of this was to remind them of how they would be murdered if
they revealed the order’s secrets to anybody. Those secrets included the kidnapping, drugging, torturing, and
murdering of children for their rituals.
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