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The Routledge Companion to Drama in Education PDF

611 Pages·2022·10.78 MB·English
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THE ROUTLEDGE COMPANION TO DRAMA IN EDUCATION The Routledge Companion to Drama in Education is a comprehensive reference guide to this unique performance discipline, focusing on its process-oriented theatrical techniques, en- gagement of a broad spectrum of learners, its historical roots as a feld of inquiry and its transdisciplinary pedagogical practices. The book approaches drama in education (DE) from a wide range of perspectives, from leading scholars to teaching artists and school educators who specialise in DE teaching. It presents the central disciplinary conversations around key issues, including best practice in DE, aesthetics and artistry in teaching, the histories of DE, ideologies in drama and educa- tion, and concerns around access, inclusivity and justice. Including refections, lesson plans, programme designs, case studies and provocations from scholars, educators and community arts workers, this is the most robust and compre- hensive resource for those interested in DE’s past, present and future. Mary McAvoy is an Associate Professor of Theatre Education and Theatre for Youth at Arizona State University, USA. Peter O’Connor is Professor of Education and Director of the Centre for Arts and Social Transformation at the University of Auckland, New Zealand. THE ROUTLEDGE COMPANION TO DRAMA IN EDUCATION Edited by Mary McAvoy and Peter O’Connor Cover Image: Photo by James Kulapohaku Spray First published 2022 by Routledge 4 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 605 Third Avenue, New York, NY 10158 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2022 selection and editorial matter, Mary McAvoy and Peter O’Connor; individual chapters, the contributors The right of Mary McAvoy and Peter O’Connor to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record has been requested for this book ISBN: 978-0-367-43045-0 (hbk) ISBN: 978-1-032-19736-4 (pbk) ISBN: 978-1-003-00091-4 (ebk) DOI: 10.4324/9781003000914 Typeset in Bembo by codeMantra We have both been sustained through the editing of this book during the COVID-19 pandemic through the joy of the children in our lives: Marley Graciela Perez, Zephyr Pedro-Luis Perez, Analise Marie Hunt, Amelia June Hunt, Andrew James Hunt and Maisie Jane McAvoy. We dedicate this book to them in the hope that their schooling and lives are full of the wonder of drama. CONTENTS List of fgures xiii List of contributors xv Acknowledgements xix Forewords xx We contain multitudes: an introduction 1 Mary McAvoy and Peter O’Connor PART I Boundaries and contours 7 1 A personal genealogy of the idea of drama education as a force for change 9 Kelly Freebody 2 Distancing as topos in process drama 18 Stig A. Eriksson 3 Pedagogical assemblages exploring social justice issues through drama education 32 Mindy R. Carter 4 Drama in education and the value of process 45 Eva Hallgren 5 “Creating conditions for the emergence of the as-yet-unimagined”: drama in education as artistic pedagogy 53 Juliana Saxton and Carole Miller vii Contents 6 Whose enlightened pedagogy? A historical mini-tour of the educating process of  drama 65 John O’Toole 7 Reimagining drama in education: towards a postdramatic pedagogy 80 Moema Gregorzewski 8 The infuence of the “conventions approach” on the practice of drama in diferent cultures 94 Adam Cziboly, Mette Bøe Lyngstad and Sisi Zheng 9 In the spaces for play: learning in Mantle of the Expert 110 Priya Gain and Viv Aitken 10 Critical process drama framework 117 Claire Coleman 11 Humanizing education with dramatic inquiry: in dialogue with Dorothy Heathcote’s radical and transformative pedagogy 122 Brian Edmiston and Iona Towler-Evans 12 Assessment in drama education 137 Rachael Jacobs PART II Methods, programmes, and partnerships 151 13 Drama as a pedagogy of connection: using Heathcote’s rolling role system to activate the ethical imagination 153 Christine Hatton 14 Ecological education of preschool children using process drama 166 Branka Bajić Jovanov 15 Drama for climate change education 172 Anna Lehtonen 16 Storytelling theatre and education 175 Joe Winston 17 An imagined cultural identity: refections on a classroom drama How  Wang-fo Was Saved 185 Cleo Xiaodi Wang viii Contents 18 Action (re)call in the theatre classroom, Sweden 189 Pernilla Ahlstrand 19 ‘Do Something Diferent…’: a teaching inquiry into the use of Mantle of the Expert to support struggling writers 194 Sue Bleaken and Viv Aitken 20 A dramatic approach to teaching tough topics: using children’s literature and drama to explore the refugee and migrant experience 201 Larry Swartz 21 “Freeze!” – building refective and analytical skills in children through drama 214 Jennifer Wong 22 Theater for children’s dialogical specifcities 224 Viviane Juguero 23 Bodies at play: body image and the young actor 239 Elizabeth Brendel Horn 24 Little Red and the Wolf: devising with young people at Eastlake Park 246 Dontá McGilvery and Claire K. Redfeld 25 Facilitating post-performance process drama in an Irish primary school 250 Heidi Schoenenberger 26 Accessible for all: drama-based pedagogy in an inclusive primary school 255 Kathryn Dawson and Stephanie W. Cawthon 27 Harnessing the power of Flight: devising responsive theatre for the very young 269 Robyn Ayles, Heather Fitzsimmons Frey and Margaret Mykietyshyn 28 A comparative case study of a DiE-inspired music and theatre  project for linguistically and culturally diverse pupils in Hong  Kong and London 281 Samuel Chun Sum Tsang, Chi Ying Lam and Bonnie Yuen Yan Chan 29 Mixed methods in drama education research: a project autopsy 297 Peter Dufy ix

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