The Raven Score PDF
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The Raven A setting of Edgar Allan Poe’s The Raven for Alto (or Baritone) voice and Orchestra By Aidan Gold Instrumentation: 3 Flutes, 3rd doubling Piccolo 3 Oboes, 3rd doubling English Horn 3 Bb Clarinets, 3rd doubling Bb Bass Clarinet 3 Bassoons, 3rd doubling Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones (1,2 tenor, 3 bass) Tuba Timpani (4 drums) 5 Percussionists: Player 1: High and Low Woodblocks, Crash Cymbals, Chimes, Rainstick, Miscellaneous Metal, Wood, and Glass Wind Chimes, Slapstick, Suspended Cymbal, Xylophone Player 2: Slapstick*, Suspended Cymbal, Triangle, Xylophone*, Sleigh Bells*, Bass Drum*, Glockenspiel Player 3: Bass Drum, 5-octave Marimba, Glockenspiel, Triangle, Snare Drum, 4 Toms, Miscellaneous Metal, Wood, and Glass Wind Chimes, Sleigh Bells Player 4: Castanets, Vibraphone, Small Sizzle Cymbal, Suspended Cymbal, Crash Cymbals*, Triangle Player 5: Snare Drum*, Suspended Cymbal, Large Tam-tam, Crotales (both octaves) NOTE: No two of the same instrument is played at the same time, so it is up to the performers to decide what to share between the players and what to have multiple of the same instruments for. It is thus theoretically possible to perform the piece with only one of each instrument, but in practice the setup will necessitate some redundancy (ex. multiple suspended cymbals, triangles), however some instruments can definitely be shared (ex. sleigh bells between p2 and p3, etc.) * ”Main” player of that instrument; other players who have the instrument listed use it only very little, and should use the main player’s instrument if possible Harp Piano (strings accessible) Alto (or Baritone) singer, with range F3-Gb5 (or F2-Gb4 if baritone is used). The singer should be miked so that she/he can stand out above the fortissimo orchestra in the latter third of the piece. The singer should generally try to sing in a more folk-like ‘popular’ style throughout, avoiding excessive use of vibrato. Violin I Violin II Viola Cello Bass NOTE: The many string solo sections should not be given all to the principals of their respective sections but instead should be distributed throughout the section to whomever feels comfortable playing them, such that a different player plays each solo. The last solo violin passage from HH to the end should be played offstage, by one of the furthest back stand violinists from either the 1st or 2nd violins, who should exit offstage as soon as the previous tutti is over, and remain offstage for the rest of the piece, not playing in any of the following tutti violin passages. ©2016 Aidan Gold Duration: 31.5 min. Score The Raven Aidan Gold Slow, ponderous, and laboured. q = 60 (Tempo I) bœ. œ. bœ. Ÿœi~~ Flute 1 & 88 ∑ ∑ ∑ ∑ ∑ ∑ Œ. p Flute 2 & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Piccolo f.t. . œ œ Flute 3 & 88 ∑ ∑ ∑ ∑ ∑ ∑ æ J Œ. Œ Oboe 1 & 88 ∑ ∑ ∑ ∑ ∑ œ. œ. œ. œ. bœ. Rœ. ≈ Œ Œ ∏ F∑ Oboe 2 & 88 ∑ ∑ ∑ ∑ ∑ πŒ. œ.#œ. œ. bœ. bœ. œ. œbœ œbœ. Œ ∑ 3 Oboe 3 & 88 ∑ ∑ ∑ ∑ ∑ Ó. p œ.. œ. Jœ. Œ Œ. Œ i Clarinet in Bb 1 & 88 ∑ ∑ ∑ Œ. Œ. ‰ ≈#Rœ. œ.. #œ. Ÿœ~~Jœ. Œ Œ ‰ #œ-j‰ Œ. πŒ ∑ π Clarinet in Bb 2 & 88 ∑ ∑ ∑ ∑ Œ. œ. bœ. bœ. œ. œ. œ. œ. œ. œ. œ. œ. œ.#ŸœÈ~~ π ∑ ∑ p #œ. Clarinet in Bb 3 & 88 ∑ ∑ ∑ ∑ ∑ R ≈Œ Œ. Œ ∑ π Bassoon 1 ? 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bassoon 2 ? 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? 8 Bassoon 3 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Horn in F 1,3 & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Horn in F 2,4 & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Trumpet in Bb 1,2 & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Trumpet in Bb 3 & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Trombone 1,2 ? 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? 8 Trombone 3 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? 8 Tuba 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Timpani ? 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 Percussion 1 ã 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Percussion 2 ã 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Percussion 3 ã 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Percussion 4 ã 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Percussion 5 ã 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ D C B | E F G A ? 8 œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ ∑ 8 Harp p ? 88 œ ‰ Œ. Œ œ ‰ Œ. Œ œ ‰ Œ. Œ œ ‰ Œ. Œ œ ‰ Œ. Œ œ ‰ Œ. Œ ∑ œ œ œ œ œ œ 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ & 8 Piano ? 88 œœ-.. œœ-.. bœœœ œœ-.. œœ-.. bœœœ œœ- œœ-j œœjbœœœ- œœœ##œœ-œ œœ-.. œœ-.. ##œœœ- œœ-.. œœ-.. bœœœ œœ-.. œœ-.. bœœœ ##œœœ-... œœœ-... ##œœœ- π â â â â una corda Alto & 88 ∑ ∑ ∑ ∑ ∑ ∑ ∑ Slow, ponderous, and laboured. q = 60 (Tempo I) 8 Violin I & 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 Violin II & 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 Viola B 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ div. 2 sul tasto mute Cello ? 88 œœ-.. œœ-.. œœ œœ-.. œœ-.. œœ œœ- œœ-j œœjbœœ- œœ bœœ- nœœ-.. œœ-.. #œœ- œœ-.. œœ-.. œœ œœ-.. œœ-.. œœ #œœ-.. œœ-.. #œœ- π â â â â mute Contrabass ? 88 œ-su.l tastoœ-. bäœ œ-. œ-. bäœ œ- Jœ- Jœ œ- œ #œ- œ-. œ-. #œ- œ-. œ-. bäœ œ-. œ-. bäœ #œ-. nœ-. #œ- π ©2016 Aidan Gold 2 The Raven j . 8 œ bœ Fl. 2 & ≈bœ. ≈œ. ≈#œ. Œ. Œ ∑ ∑ ∑ ∑ ∑ Œ. Œ R≈Œ π œ. œ. œ. . Picc. & Œ. Œ ∑ ∑ ∑ Œ œ.#œŒ. Œ ∑ ∑ π π Ob. 1 & ∑ ∑ Œ. œ.#œ.œ.œ.bœ. ‰ Œ ∑ ∑ ∑ ∑ p . Ob. 3 & Œ. Œ. #œ œ. ‰ ∑ ∑ ∑ ∑ ∑ œœ#œœœ.bœ. ‰ Œ. Œ π π . . #œ œ Bb Cl. 1 & ∑ ∑ ∑ ∑ Œ. ‰ ‰ Œ ∑ ∑ π œjbœ. Bb Cl. 2 & ∑ ∑ ∑ ∑ ∑ ∑ Œ. Œ. ‰ R≈ #œ Bb Cl. 3 & Œ. ‰ œ#œœ‰ Œ ∑ ∑ ∑ ∑ ∑ ∑ π . bœ. œ. œ. œ Bsn. 1 ? ∑ ∑ B ‰ Œ. Œ ∑ ∑ ∑ ∑ π . . bœ Bsn. 2 ? ∑ ∑ B Œ. Œ œ Œ ∑ ∑ ∑ ∑ π È . Ÿ~~~~ . œ #œ œ Bsn. 3 ? ∑ Œ. Œ. ‰ ‰ Œ. Œ ∑ ∑ ∑ ∑ π 8 Soft mallets Timp. ? ∑ ∑ ∑ ‰ Œ. Œ ‰ Œ. Œ wæ œ wæ œ - - π Bass Drum 8 Large, soft mallets Perc. 2 ã ∑ ∑ ∑ œ. œ. œ œ ‰ Œ. Œ œ. œ. œ œ ‰ Œ. Œ > > > > > > > > π 8 ? ∑ œœ ‰ Œ. Œ œœ ‰ Œ. Œ ∑ œœ ‰ Œ. Œ ∑ œœ ‰ Œ. Œ Hp. ? ∑ ‰ Œ. Œ ‰ Œ. Œ ∑ ‰ Œ. Œ ∑ ‰ Œ. Œ œ œ œ œ œ œ œ œ 8 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ Pno. strum inside strings of piano ? j j œœœ nœœ-œ œœœn✜œ bb✜ œœ-.. œœ-.. b✜œ œœ-.. œœ-.. b✜œ ◊yjy unœœ-a.. corda œœ-.. b✜œ y◊jy uœœ-n..a corda œœ-.. b✜œ Ped Ped π 8 cold, with little vibrato throughout A & ∑ ∑ ∑ œ œj œ œjbœ œ œjœ Œ. bœ œ #œ œj œ#œ œ nœ œ Œ. Œ. œ œ Once u-pon a mid-night drea-ry, while I pon-dered we-ak and wea-ry o - ver π sul A solo œ. 8 sul pont r Vln. I & ∑ Œ. œ ‰. ∑ ∑ ∑ ∑ ∑ π unis. div. 2 unis. div. 2 ? j j Vc. œœ œ-œ œœn✜ bb✜ œœ-.. œœ-.. ✜ œœ-.. œœ-.. ✜ wæ œœ-.. œœ-.. ✜ wæ œœ-.. œœ-.. ✜ - ä ä ä ä ä ä Cb. ? œ nœ œ œ bœ œ-. œ-. bœ œ-. œ-. bœ wæ œ-. œ-. bœ wæ œ-. œ-. bœ J J The Raven 3 A 15 œ.bœ. bœ. œ. Fl. 1 & ∑ ∑ Œ. ‰Œ ∑ 44 ∑ ∑ ∑ ∑ π Ob. 2 & ∑ ∑ ≈ œ‰‰Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ #œ π . . œ≈ œ Bb Cl. 1 & ∑ ∑ ∑ ∑ 44 ∑ ∑ Ó ≈Œ ∑ ∏ . . 4 #œ≈ œ Bb Cl. 2 & ∑ ∑ ∑ ∑ 4 ∑ ∑ Ó ≈Œ ∑ ∏ . . Bb Cl. 3 & ∑ ∑ œbœ≈ Œ Œ. Œ ∑ 44 ∑ ∑ Ó œ≈ œ≈Œ ∑ π ∏ Bsn. 1 B ∑ Œ. Œ. œ.œ.#œ. Rœ. ≈ Œ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ π p stopped 15 . . Hn. 1,3 & ∑ ∑ ∑ ∑ 44 ∑ Ó #œœ≈œœ≈Œ ∑ ∑ . . ∏ stopped Hn. 2,4 & ∑ ∑ ∑ ∑ 44 ∑ Ó #œ. ≈œ. ≈Œ ∑ ∑ œ œ ∏ . . . . mute a2 . . œ œ Bb Tpt. 1,2 & ∑ ∑ ∑ ∑ 44 Ó #œ≈œ≈Œ ∑ ∑ œœ≈œœ≈Œ Ó . . . . ∏ mute 4 Bb Tpt. 3 & ∑ ∑ ∑ ∑ 4 Ó œ. ≈œ. ≈Œ ∑ ∑ #œ.≈œ.≈Œ Ó ∏ 15 hard mallets ? 4 Timp. ∑ ∑ ∑ ∑ 4 ∑ Ó œ. ≈œ. ≈Œ ∑ ∑ ∏ Chimes 15 soft hammers Chm. & ∑ ∑ ∑ ∑ 44 ∑ ∑ ∑ w ∏ high wdblk. 15 haœrd œvibes mallets œloœw wdblk. œ 4 Perc. 1 ã ∑ ∑ ∑ ∑ 4 ∑ ∑ Ó Œ Œ Œ ‰ J Xylophone π hard mallets œ œ #œœ≈œœ Xyl. & ∑ ∑ ∑ ∑ 44 Ó #œ≈œ≈Œ ∑ Ó ≈Œ ∑ π π 15 cast. œ œ 4 Perc. 4 ã ∑ ∑ ∑ ∑ 4 ∑ ∑ ∑ Œ Ó Crotales π arco Crt. & ∑ ∑ ∑ ∑ 44 w ∑ w ∑ ∏ 15 œ œ œ ? œ ‰ Œ. Œ ∑ œ ‰Œ. Œ œ ‰Œ. Œ 4 ∑ ∑ ∑ ∑ 4 Hp. ? œ ‰ Œ. Œ ∑ œ ‰Œ. Œ œ ‰Œ. Œ 44 ∑ ∑ ∑ ∑ œ œ œ 15 ∑ ∑ ∑ ∑ 4 ∑ ∑ ∑ ∑ & 4 Pno. ? j j 4 œœ- ##œœœ- œœœ nnbœœœ- œœœ- bœœ-.. œœœ-... œœœ œœ-.. œœ-.. bœœœ œœ-.. œœ-.. bœœœ 4 yjy ∑ ∑ ∑ â â â ◊ Ped ∏ 15 A & œ œ œ #œ bJœ œ œ œ œ œ œ œ œ. œ œj Œ Œ. Œ ∑ 44 ∑ bœ œ œ œÓ bœ œ œ œÓ Ó œ #œ œ #œ œ. œ. ma-ny a quaint and cu-ri-ous vol-ume of for-got-ten lore. While Inod-ded, near-ly nap-ping, sud-den-ly there came a ∏ tutti A normal position 15 mute O O O O Vln. I & ∑ ∑ ∑ ∑ 44 w w w w ∏ mute pizz. 4 Vla. B ∑ ∑ ∑ ∑ 4 ∑ Ó œ≈œ≈Œ ∑ ∑ ∏ ? j j 4 j Vc. œœ- #œœ- œœ nbœœ- œœ- bœ-. œœ-.. ✜ œœ-.. œœ-.. ✜ œœ-.. œœ-.. ✜ 4 œœ. ‰Œ Ó ∑ ∑ ∑ ∏ Cb. ? œ- #œ- œ nœ- œ- œ-. œ-. œ œ-. œ-. bäœ œ-. œ-. bäœ 44 w w w w J J â ∏ 4 The Raven È È . . Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ #w #w rit. 23 ≈ Fl. 1 & ≈Œ Ó ∑ ∑ ∑ ∑ È ∏ ∏ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~∏ #w . . œ≈œ Fl. 2 & ≈Œ Ó ∑ ∑ ∑ ∑ ∑ ∏ ∏ È œ. œ. Ÿ~~~~~~~~~~~~~~~~~~~ ≈ #w Picc. & ≈Œ Ó ∑ ∑ ∑ ∑ ∑ ∏ ∏ . . Ob. 1 & ∑ Œ œ ≈ œ ≈ Ó ∑ ∑ ∑ ∑ ∑ ∏ Ob. 2 & ∑ Œ #œ. ≈ œ. ≈ Ó ∑ ∑ ∑ ∑ ∑ ∏ take English Horn English Horn Ob. 3 & ∑ Œ #œ. ≈ œ. ≈ Ó ∑ ∑ ∑ ∑ Œ œ#œ œ œ ∏ È ∏ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ . . #œ≈œ #˙ ˙ Bb Cl. 1 & ≈Œ Ó ∑ Ó Ó ∑ ∑ ∑ ∏ ∏ È . . Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ≈œ #˙ ˙ Bb Cl. 2 & ≈Œ Ó ∑ ∑ ∑ Ó Ó ∑ ∏ ∏ È Ÿ~~~~~~~~~~~~~~~~~~~~~~~ take Bass Clarinet #˙ ˙ Bb Cl. 3 & ∑ ∑ ∑ Ó Ó ∑ ∑ ∏ Bsn. 1 B ∑ ∑ ? Ó ∑ ∑ Ó ∑ œ #œ œ #œ . . π π . . 23 r r Hn. 1,3 & Ó ‰ #œœR≈ œRœ≈‰ ∑ ∑ ∑ ∑ ∑ ∑ . . ∏ . . Hn. 2,4 & Ó ‰ #œrœ≈ œrœ≈‰ ∑ ∑ ∑ ∑ ∑ ∑ R R . . ∏ mute ? Tuba ∑ ∑ Ó ∑ ∑ Ó ∑ œ #œ œ #œ . . p π 23 Timp. ? œ. ≈œ. ≈Œ Ó ∑ ∑ ∑ Ó œæ #œj ‰ ∑ ∑ . p π 23 œ œ œ œ œ œ œ œ œ œ œ Perc. 1 ã J ‰ Œ Œ Ó ‰ J J ‰ Œ Ó Ó ∑ ∑ ∑ ∏ . . Xyl. & ∑ Œ #œœ ≈ œœ ≈ Ó ∑ ∑ ∑ ∑ ∑ 23 Slp. stck. œ œ œœ Perc. 2 ã ∑ ∑ ∑ ∑ Ó Œ ‰ ‰ Œ Ó ∑ π 3 3 Marimba soft mallets Mrb. ? ∑ ∑ ∑ œæ #œj‰ Ó ∑ ∑ ∑ . π Susp. cymb 23 œ œ œ œ œœ wsoft mallets œ w Perc. 4 ã ∑ Œ Ó Ó Œ ‰ J ‰ Ó Œ 3 3 π ∏ π w #w Crt. & ∑ ∑ ∑ ∑ ∑ Snare Drum 23 œsnareœs off œ œ œ œ œ œ œ Perc. 5 ã ∑ ∑ ∑ ∑ Œ ‰ J ‰ ‰ J ‰ Œ ∑ mute strings inside piano with palm P 23 r r & Ó ‰ #œœ≈ œœ≈‰ ∑ ∑ ∑ ∑ ∑ ∑ . . Pno. f ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ Ped 23 j A & #taœ.p-pœ.ing, ‰ aœs oœf soœme-oœne geœnt-lœy rœa.p-piœ.ng, ‰rœap-#piœng aœt mœy chœam-#bœerdoœor. Œ ∑ ∑ Tœis soœme vœis-œi-tœor., ‰ œI mœut-teœre.d,‰ ‰ tœap-#piœng aœt mœy chœam-bœerdoœor. Œ Œ Oœn.-lœy thœis#aœnd p F p ∏ 23 rit. Vln. I & Ow O˙.. Oœ ∑ ∑ ∑ ∑ ∑ niente mute col legno pizz. Vln. II & ∑ ∑ Ó ≈œ.≈œ.≈œ.≈ œ. ∑ Œ ‰ œœJœ ‰ ‰ #œ œ Jœ ‰ Œ Ó ∑ p ∏ Vla. B ∑ Œ #œ. ≈ œ. ≈ Ó ∑ ∑ Œ ‰ œœJœ ‰ ‰ œ#œ Jœ ‰ Œ Ó ∑ & p solo normal position Vc. ? ∑ ∑ ∑ Ó ∑ ∑ ∑ œ #œ . ? Cb. w ˙. œ œ Œ Ó ∑ œ #œj ‰ Ó ∑ ∑ . niente π The Raven 5 a tempo #˙f.t. B œ-. œ-. œ- 30 U Fl. 1 & Ó Ó æ Ó ∑ ∑ 88 ∑ ∑ ∑ ∑ ∏ ∏ f.t. #˙ U Fl. 2 & Ó Ó æ Ó ∑ ∑ 88 ∑ ∑ ∑ ∑ ∑ ∏ Picc. & Ó UÓ æ˙f.t. Ó œœœœœj ‰ Ó ∑ 88 ∑ ∑ œ-. œ-. œ- œ-. œ-. œ- ∑ . ∏ π ∏ ∏ U Ob. 1 & Ó Ó ∑ ∑ ∑ 88 ∑ ∑ ∑ ∑ œœ. œ. œœ≈Œ Œ . π U 8 E. Hn. & j‰Œ ∑ ∑ ∑ 8 ∑ ∑ ∑ ∑ ∑ ˙ #œ . ∏ Bb Cl. 1 & Ó UÓ ∑ Ó Œ œœœœ œ.j ‰ Œ Ó 88 ∑ ∑ ∑ ‰#œ#œœbœœ.œ.Œ. Œ ∑ π U π ∏ bœ. bœ.œ. œ. Bsn. 2 B Ó Ó ∑ ∑ ∑ 88 ∑ ∑ ∑ ∑ Œ. Œ. π soft mallets 30 U Timp. ? Ó #˙æ ∑ ∑ ∑ 88 ∑ ∑ wæ wæ ∑ ∏ Chimes π 30 U Chm. & Ó #˙˙ ∑ ∑ ∑ 88 ∑ ∑ œ. œ. œ œ. œ. œ œ. œ. œ ∏ π 30 UBass Drum wSvleeriyg hso bfet lalsnd distant w œ œ œ œ Perc. 2 ã Ó ˙æ ∑ ∑ ∑ 88 ∑ ∑ . . ∏ π Glockenspiel small and light plastic mallets Glk. & ∑ ∑ ∑ ∑ 88 ∑ ∑ œœœœœœœœœœœœbbœœœœ œœ œœ œœ œœœœœœœœbbœœ œœœœœœœœœœ œœœœœœbbœœ œœ π ? 8 Mrb. ∑ Ó #˙æ˙ ∑ ∑ 8 ∑ ∑ ∑ ∑ ∑ ∏ Vibraphone motor always on, medium fast soft mallets U œ Vib. & Ó #˙æ˙ ∑ Ó œbœœœj ‰ ∑ 88 ∑ ∑ ∑ ∑ wæ . w Ped Ped ∏ Crotales π ∏ Ped arco #˙˙ 8 Crt. & ∑ Ó ∑ ∑ 8 ∑ ∑ ∑ ∑ ∑ Tam-tam ∏ 30 U Perc. 5 ã Ó ˙ ∑ ∑ ∑ 88 ∑ ∑ ∑ ∑ ∑ ∏ Eb to E 30 E to Eb ? Ó UÓ ∑ & ggggg˙˙˙˙ ggggb˙˙˙˙ gggggwwww ? 88 œœ Œ Ó œœ Œ Ó ∑ ∑ œœ ‰Œ. Œ Hp. π p U ? Ó Ó ∑ ∑ ∑ 8 Œ Ó Œ Ó ∑ ∑ ‰Œ. Œ 8 œ œ œ œ œ œ 30 U 8 & Ó Ó ∑ ∑ ∑ 8 ∑ ∑ ∑ ∑ ∑ Pno. U ? 8 Ó yjy ∑ ∑ ∑ 8 œœ-.. œœ-.. bœœœ œœ-.. œœ-.. bœœœ yjy ∑ œœ-.. œœ-.. bœœœ Pe◊d∏ uπna corda â â Pe◊d una corda â 30 U A & œ œ ˙ ∑ ∑ ∑ 88 ∑ ∑ ∑ ∑ œ. Œ. ‰ bœj no-thing more. Ah, dis- π U˙ a tempo œ B Vln. I 3&0 Ó æ ∑ Œ œœœœ. ‰ Œ ∑ 88 ∑ ∑ ∑ ∑ ∑ J ∏ π ∏ arco U ˙ Vln. II & Ó æ ∑ ∑ ∑ 88 ∑ ∑ ∑ ∑ ∑ ∏ arco U #˙ 8 Vla. & Ó æ B ∑ ∑ ∑ 8 ∑ ∑ ∑ ∑ ∑ ∏ solo div. 2 tutti tutti Vc. ? Ó ∏Uæ˙ Ó ∏˙æ ∑ pœbœ œ#œœœœœœbœœœœœœœ 88 πœœ-su..l tasœœ-to.. ✜ œœ-.. œœ-.. ✜ uwænis. wæ œœ-.. œœ-.. ✜ normal position Cb. ? Ó #U˙æ Ó #˙æ ∑ ∑ 88 œ-su.l tasœt-o. bäœ œ-. œ-. bäœ wæ wæ œ-. œ-. bäœ ∏ ∏ π 6 The Raven bœ-. œ-. bœ- 39 Fl. 1 & ∑ ∑ ∑ œ-. œ-. œ- bœ-. œ-. bœ- Fl. 2 & ∑ ∑ ∏ œ-. œ-. œ- Picc. & Œ. Œ. ‰ #œœœœ œ. œ œ. œ ‰ Œ. Œ ∑ . . π π œ. Bsn. 2 B œ. ‰ Œ. Œ ∑ ∑ ∑ 39 œ. œ. œ œ. œ. bœ œ. œ. bœ œ. œ. nœ Chm. & 39 œ œ œ œ œ œ œ œ œ œ œ œ w . . . . . . Perc. 2 ã æ Glk. & œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ bbœœ œœ œœ œœ œœ œœ œœ œœ bbœœ bbœœ bbœœ œœ œœ œœ œœ œœ œœ œœ bbœœ bbœœ æœ. œ œ. p gliss with 4 mallets randomly on Vib. & wwæ wwæ wwæ ~~~~a~l~l ~c~h~r~o~m~a~t~ic notes~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ Ped 39 wSusp. cymb w soft mallets Perc. 5 ã ∑ ∑ æ π π F to F# 3?9 œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ œœ ‰ Œ. Œ Hp. ? ‰ Œ. Œ œ ‰ Œ. Œ œ ‰ Œ. Œ ‰ Œ. Œ œ œ œ œ œ œ 39 ∑ ∑ ∑ ∑ & Pno. ? œœ-.. œœ-.. ✜ bœœœ-... œœœ-... bbb✜œ bœœœ-... œœœ-... bbb✜œ œœ-.. œœ-.. ✜ 39 hushed, breathless j j j j j A & œ œ œ #œ nœ œ Œ œ œ œjbœ bœ œ œ bœ œ ‰ ‰ bJœ œ œ œ œ œ œ œ tinct - ly I re-mem-ber, It was in the - bleak De-cem-ber, and each sep - rate dy - nig em - ber ∏ make random tounge clicks and finger 39 snaps to simulate popping embers. Vln. I & ∑ ∑ ∑ make random tounge clicks and finger snaps to simulate popping embers. Vln. II & ∑ ∑ ∑ sul pont solo . œ œbœ œ œnœbœ œ œnœbœ œ œnœbœ œ œnœbœ œ œnœbœ œ œ œbœ œ œnœbœ œ œ Vla. B ∑ ∑ ‰ œ Œ. Œ π p ? Vc. œœ-.. œœ-.. ✜ œœ-.. œœ-.. bb✜ œœ-.. œœ-.. bb✜ œœ-.. œœ-.. ✜ Cb. ? œ-. œ-. äœ bœ-. œ-. bäœ bœ-. œ-. bäœ œ-. œ-. äœ The Raven 7 C 43 œ-. œ-. #œ- œ. accel. Moderately, sadly, and peacefully. q=80. (Tempo II) Picc. & J Œ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ ∑ ∑ 4 E. Hn. & ∑ ∑ ∑ 4 ∑ ∑ ∑ ˙ #˙ w w > > p π ? 4 Bsn. 1 ∑ ∑ ∑ 4 ∑ ˙ #˙ ˙. Œ w> w> ∑ π ∏ Bsn. 2 B ∑ ∑ ∑ 44 ∑ ? ˙ #˙ ˙. ∑ w w > π π ∏ Bsn. 3 ? ∑ ∑ ∑ 44 ∑ ∑ ∑ ∑ w w > π π 43 Chm. & œ. œ. #œ œ ‰ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ ∑ w P 43 w Bass Drum Soft mallets Perc. 2 ã ∑ ∑ 44 ∑ ∑ ∑ ∑ ∑ w æ ∏ π œ. œ Glk. & æ ‰ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ ∑ ∑ œ œ. Marimba fast arpeggio med. hard mallets Mrb. ? ∑ ∑ ∑ 44 ∑ ∑ ∑ gggggggwwww> gggggggwwww> gggggggœœœœ œ œ œ œ œ œ œ P p Vib. &~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ∑ ∑ 44 ∑ ∑ ∑ ∑ ∑ ∑ 43 w Perc. 5 ã æ ∑ ∑ 44 ∑ ∑ ∑ ∑ ∑ ∑ 43 ? ∑ œœ ‰ Œ. Œ œœ ‰ Œ. Œ 44 œœ Œ Ó ∑ ∑ ∑ ∑ ∑ Hp. ? ∑ œ ‰ Œ. Œ œ ‰ Œ. Œ 44 œ Œ Ó ∑ ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ π p 43 4 & ∑ ∑ ∑ 4 ∑ ∑ ∑ ∑ ∑ ∑ Pno. ? 4 bœœœ-... œœ-.. ✜œ œœ-.. œœ-.. bœœœ œœ-.. œœ-.. bœœœ 4 ww ∑ ∑ ∑ ∑ ∑ â â 43 molto espress, but with no vibrato A & œ œj œ œj œ œ œ ‰ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ ∑ œ #œ œ œ wrought its ghost u - pon the floor. Ea - ger - ly I p C Moderately, sadly, and peacefully. q=80. (Tempo II) accel. solo Vln. I 4&3 ∑ ∑ 44 ∑ ∑ ∑ ∑ ∑ œunmœ.utœedœœ œ œœœ#œ. p 4 Vln. II & ∑ ∑ 4 ∑ ∑ ∑ ∑ ∑ ∑ solo unmuted normal position Vla. B œœ#œœœœœœœœœœœœœœœœœœœœœœœbœnœœnœbœœœ Jœ. Œ Œ. Œ ∑ 44 ∑ ∑ ∑ ∑ ∑ œ #œ œ œ œ œ ∏ pmolto espress. solo unmuted > > w w w Vc. ? bœ. œ. œ œ. œ. œ œ. œ. œ 44 œ œ œ œ w ∑ w w w œ-. œ-. ✠œ-. œ-. ✠œ-. œ-. ✠œ- œ- œ- œ- w niente p p p Cb. ? œ-. œ-. äœ œ-. œ-. bäœ œ-. œ-. bäœ 44 œ- œ- œ- œ- œ œ œ œ w ∑ ∑ ∑ ∏ niente 8 The Raven sing in most comfortable octave (doubling vocal soloist) 52 Fl. 1 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Fl. 2 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ œ ∑ ∑ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Picc. & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ œ ∑ ∑ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Ob. 1 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Ob. 2 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ œ ∑ ∑ sought to bor - row from my books sur - cease of sor - row niente P niente E. Hn. & ∑ #œ œ œ œ #œ œ #œ œ œ œ Œ ∑ Ó Œ œ #œ œ #œ œ #œ œ œ œ œ œ #œ œ œ Œ p molto espress. sing in most comfortable octave (doubling vocal soloist) Bb Cl. 1 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ œ ∑ ∑ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Bb Cl. 2 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Bb Cl. 3 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ œ ∑ ∑ sought to bor - row from my books sur - cease of sor - row niente P niente Bsn. 1 ? ∑ ∑ w w w w ˙ ˙ p π Bsn. 2 ? ∑ w ˙ ˙ ∑ ∑ w w π ? Bsn. 3 w ∑ ∑ w ˙ ˙ ˙ ˙ w π p sing in most comfortable octave (doubling vocal soloist) 52 Hn. 1,3 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Hn. 2,4 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ ? œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Bb Tpt. 1,2 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente sing in most comfortable octave (doubling vocal soloist) Bb Tpt. 3 & ∑ ∑ œ œ œ œ œ œ œ œ œ œ #œ ∑ ∑ œ sought to bor - row from my books sur - cease of sor - row niente P niente ? w Tbn. 1,2 ∑ ∑ ∑ w ∑ ∑ ∑ π ? Tbn. 3 ∑ ∑ ∑ ∑ ∑ ∑ w π ? Tuba ∑ ∑ ∑ ∑ ∑ ∑ w 52 π Chm. & ∑ ∑ ∑ ∑ ∑ ∑ w 52 F Perc. 2 ã ∑ ∑ ∑ w ∑ ∑ ∑ Mrb. ?gggggggœœœœ œ #œ œ œ œ œ œ gggggggœœœœ œ œ œ œ œ œ œ gggggggœœœœ œ œ œ gggggggœœœœ œ #œ œ gggggggœœœœ œ œ œ œ œ œ œ gggggggœœœœ œ #œ œ œ œ œ œ gggggggœœœœ œ œ œ œ œ œ œ gggggggœœœœ œ #œ œ gggggggœœœœ œ œ œ F wfast arpeggio ggw Vib. & ∑ ∑ ∑ ggggggPwwed ∑ ∑ ∑ 52 F ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ Hp. ? #œ œ œ œ œ #œ œ œ #œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 52 F A & œ #œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ œ #œ œ Œ wished the mor - row; vain - ly I had sought to bor - row from my books sur - cease of sor - row sor - row for the lost Le - nore! F Vln. 5&2 œ. œ#œœœœ œœ. œ- œ œ- œ. œ.#œœœ œ. œ. œœ œœ. œ- œœ- œ. œ #œœœ œ œ œ œ œ œ œ #œ œ œ œ œ. œ œ #œ œ œ. œ- œ œœœ œ œœœ#œœ. œ. œ. œ. #œœ œ œ œ. œœ. œ- œ œ #œ œ œ œ œ œ œ œ œ œ œ œ œ #œ Vla. B œ ∑ Ó Œ Œ ∑ ∑ F Vc. ? ww ww ˙˙ ˙˙ ww ww ww ˙˙ ˙˙
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