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The Pronunciation of Greek: Accent and Quantity, a Philological Inquiry PDF

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5 THE PRONUNCIATION OF GREEK; ACCENT AND QUANTITY. A PHILOLOGICAL INQUIRY. JOHN STUART BLACKIE, PROFESSOROFCRKKK IN THE UNIVERSITY OFEDINBURGH. EDINBURGH: SUTHERLAND AND KNOX. LONDON: SIMPKIN, MARSHALL, AND CO. MDCCCLII. T.CONSTABLE.rutxTKKTOHERMAJESTY. "Sit omnibus rebus suum senium, sua juventus; ct tit rerla verbis, :sic etiam sonis sonos succedere permittatnus." Bisnor GARUIXEK. uThis new pronunciation hath since prevailed, whereby we Englishmenspeak Greek, andare able tounderstandoneanother, which nobody else can." THOMAS FULLER. "Maxime cupio ut in omnibus Academiis nostris hodicrna Grcecorumprommtiatio rcdpiatur." BOISSONADE. "Neque dubitamus quin ERASMUS, si in tantam Grcucce pro- nuntiationis discrepantiam incidisset, vulgarem usum inlactinn <-t salvum SEYFFARTH. reliquisset." "Ich gebe der neugriechischen Aus-sprache 'im Ganzen bet iveitem den Vorzug." TIIIERSCH. "Neque enim de ccdo dilapsa ad nos pervenit Grazcorum lingua, sed epatria sua una cum omnibus quce habemus subsidiix, suo vestita cultu prodiit, quern tollere aut immutare velle asset imperium in linguam liberam exercere." WETSTEN. ie soyenannte Ercumiwhe Aus-fprache, vV- cs in l rrnc/idiit, iat ritlliygrundlos, c/ii (li'l/ii,lc manweiss nicht run wannen es Lain, fin Gemisclu; wclc/irs jcdcr nidi ;itxti<t:t mc-h ciyner Lust ttnd \\'illlciiltr." Li.<;i>\. THE PRONUNCIATION OF GREEK, &< IT is purely as a practical man, and with a direct practical result in view, that I venture to put forth a few words on the vexed question of the PRONUNCIA- TION OP GREEK. He were a frigid pedant, indeed, who, with the whole glorious literature of Hellas be- fore him, arid the rich vein of Hellenic Archaeology, scarcely yet opened in Scotland, should, for the mere gratification of a subtle speculative restlessness, walk direct into this region of philological thorns. So far as my personal curiosity was concerned, Sir John Cheke, wrapt in his many folded mantle of Cicero- nian verboseness, and the Right Reverend Stephen Gardiner'spraotorian edictsin favourofGreeksounds,1 and the /3rj r? of the old comedian's Attic sheep, might have been allowed to sleep undisturbed on the 1 E/<JOtOnOTVlH '<<n*tnn hn-of ,. ..//>/<) y>w..',.-ro;i'.., ,'l lit ift/nr, ii/'i'fii"i.<I i!i pnnetnotte. 6 THE I'KONUNCIATIOX OF (JKEKK : library slielvcs. I had settled the question long ago in my own mind on broad grounds of common sense, rather than on any nice results that seemed obtain- able from the investigations of the learned ; but the nature of the public duties now imposed on me <!"<-- not allow me to take my own course in such mat merely because I think it right. I must shew to the satisfaction of my fellow-teachers and of my stu- dents, that I am not seeking after an ephemeral noto- riety by the public galvanisation of a dead crotchet ; that any innovations which I may propose are in reality, as so often happens in the political world also, and in the ecclesiastical, a mere recurrence to the ancient and established practice of centuries, and that whatever opinions I may entertain on points confessedly open to debate, I entertain not for myself alone, but in company with some of the ripest scho- lars and profoundest philologists of modern times. I have reason also for thinking with a recent writer, that the present time is peculiarly favourable for the reconsideration of the question j1 for, although Sir 1 An Essay on the Pronunciation of the Greek Language. By fi. T. PEXXIXGTOX. M.A., late Fellow of King's College, Cambridge. London: Murray. 1844. Thisis the workthatI recommend to the English student who Avi.shes to understand the subject in detail, without wading through theconfoundingmass ofpertinentand impertinent matter that the! eloquenceofmore than throe ecuturics lias heaped up.

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Edinburgh, Sutherland and Knox; London, Simpkin, Marshall, and Co, 1852. — 84 p. (eng)This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifa
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