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The Production of Subjectivity in "The Diamond Age" by Neal Stephenson PDF

120 Pages·2017·1.584 MB·English
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Preview The Production of Subjectivity in "The Diamond Age" by Neal Stephenson

The Production of Subjectivity in The Diamond Age by Neal Stephenson BEYOND HUMANISM: TRANS- AND POSTHUMANISM JENSEITS DES HUMANISMUS: TRANS- UND POSTHUMANISMUS Edited by / Herausgegeben von Stefan Lorenz Sorgner Editorial Board: H. James Birx Irina Deretic James J. Hughes Andy Miah Domna Pastourmatzi Evi Sampanikou VOL./BD. 9 Zu Qualitätssicherung und Peer Review Notes on the quality assurance and peer der vorliegenden Publikation review of this publication Die Qualität der in dieser Reihe Prior to publication, the quality of the erscheinenden Arbeiten wird vor der work published in this series is re- Publikation durch den Herausgeber der viewed by the editor of the series. Reihe geprüft. SSaarraahh JJoonncckkhheeeerree TThhee PPrroodduuccttiioonn ooff SSuubbjjeeccttiivviittyy iinn TThhee DDiiaammoonndd AAggee bbyy NNeeaall SStteepphheennssoonn Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic dBaibtali iosg arvaapilhaibcl eIn info trhme aintitoenrn peut balti hshttepd:/ b/dyn tbh.ed D-nebu.tdsec.h e Nationalbibliothek T he Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; det ailed bibliographic data is aPvuabillaiéb laev ienc t lhee s ionutteirenne dt uat C hetntptr:/e/ dd’nÉbtu.dd-ensb e.dne C. ivilisations, Langues & Lettres Étrangères (Univ. Lille, EA 4074 - CECILLE). Published with the Support of the Centre for Research in Foreign Civilisations, LangPuuabgelisé, aavnedc L leit esorauttuierens d (uU Cnievnetrrseit dy ’oÉft uLdileles, eEnA C 4i0v7il4is -a CtiEonCsI,L LE). Langues & Lettres Étrangères (U niv. Lille, EA 4074 - CECILLE). Published with the Support of the Centr e for Research in Foreign Civilisations, Languages, and Literatures C(Uovneivr eimrsiatgye o: f Lille, EA 4074 - CECILLE). Photo Copyright by: Gabriel Ducro s - Parque Cultural de Valparaíso Cover i mage: Photo Copyright Pbryi:n Gteadb rbiye lC DPuI cbrooosk -s P GamrqbuHe ,C Luelctukr al de Valparaíso Printed by CPI bo oks GmbH, Leck ISSN 219 1-0391 ISBN 978-3-631-72726-3 (Print) E-ISBN 978-3-631 -72727-0 (E-PDF) E-ISBN 97I8S-S3N-6 23119-17-20732981- 7 (EPUB) E-IISSBBNN 9 97788--33--663311--7722772269--34 ( (PMriOntB)I ) E-ISBN D97O8I- 130-6.33712-67/2b712173-07 9(E -PDF) E-ISBN 978-3-631-72728-7 (EPUB) E-ISBN© 9 7P8e-t3e-r6 L3a1n-7g2 G72m9b-4H ( MOBI) InternationDaOleIr 1V0e.r3l7a2g6 d/ebr1 W13i7s9se nschaften Frankfurt am Main 2017 ©A Pll ertiegrh Ltsa rnegs eGrmvebdH. Peter ILnatnegrn Eadtiiotinoanl eisr aVne rIlmagp rdienrt Wofi Psseetners cLhaanfgte Gnm bH. Frankfurt am Main 2017 Peter Lang – FrankfurAt allm ri gMhatsi nre ∙s Beervrned ∙ .B ruxelles ∙ New York ∙ Peter Lang EdiOtixofno rids a∙ nW Iamrspzraiwnta o ∙f W Peietenr Lang GmbH. PAetlel rp Laratnsg o –f tFhriasn pkufubrlitc aamtio Mn aairne ∙p Broertenc ∙t eBdru bxye clloeps y∙ rNigehwt. Y Aonryk ∙ utilisation outside Othxef osrtrdi c∙ tW liamrsitzsa owf ath ∙ eW cioepny right law, without the permission of the publisher, is forbidden and liable to Apll rpoasretcsu otfi othni.s T phuisb laipcaptliioens ianr ep aprrtoicteuclaterd to b rye cporpoydruigchtito. nAsn, y utiltirsaantisolant ioountss,i dmei cthroef siltmricint gli,m anitds ostf othraeg ceo apnydri pghrot claewss,i nwgit ihno ut the permissione olef cthtreo pnuicb rleisthrieerv,a ils sfyosrtbeimddse. n and liable to prosecution. This applies in particular to reproductions, translatiTohniss, pmuibcrliocfailtmioinn hg,a asn bde estno praegeer arenvdie pwroedce. ssing in electronic retrieval systems. www.peterlang.com This publication has been peer reviewed. www.peterlang.com This book is substantially indebted to the great minds of Isabelle Boof- Vermesse and Thomas Dutoit, whose bounteous help, unrelenting support, and perennial intellectual stimulation were and still are extremely invalu- able to me. It is fair to say that they have left their imprint and have woven their trace in this essay, and I hereby humbly, if proudly and thankfully, acknowledge their influence. They are, however, not to be held responsible for any of my shortcomings. I would also like to extend my gratitude to the Centre for Research in Foreign Civilisations, Languages, and Literatures (CECILLE) at the Uni- versity of Lille and the members of its bureau for their benevolent support and financial backing. My best thanks also go to the staff at Peter Lang as well as to Dr. Stefan Lorenz Sorgner for expressing interest in this work. 5 To Caroline.

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