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The priests of ancient Egypt PDF

200 Pages·1960·17.433 MB·English
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iPRIESIS OF ANCIENT EGYPT erge Sauneron ' "; tl^^. t'Mi UNIVERSITY OF FLORIDA LIBRARIES Architecture and Fine Arts Library o Digitized by tine Internet Arciiive in 2011 witii funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/priestsofancientOOsaun SAUNERON SERGE Am Translated by Monissett The Priests of Egypt Ancient o Evergreen Profile Book 12 EVERGREEN BOOKS LTD. GROVE PRESS, INC. LONDON NEW YORK First Published in This Edition 1960. All Rights Reserved. Library ofCongress Catalog Card Number: 59-10792 EvergreenProfile Books arepublished in the UnitedStates by GrovePress, Inc. 64 University Place, New York 3, N.Y. in Great Britain by Evergreen Books Ltd. 17 Sackville Street, London, W. L _ Distributed in Canada by McClelland & Stewart Ltd., 25 Hollinger Road, Toronto 16 Firstpublishedin Franceby Editionsdu Seuil,Paris, as Les pretres de Vancienne £gypte MANUFACTURED BY MOUTON & Co., IN THE NETHERLANDS '^ 77?^ Priests of Ancient Egypt by Serge Sauneron -^, i Contents sj 5 Introduction 4 9 Leafing Through Old Texts 29 The Priestly Function ^ 53 The World of the Temples \ J 77 The Sacred Activities W 113 The Sacred Wisdom N. 171 Fortunes and Misfortunes of the Egyptian Clergy <^ 191 Chronological Tables i i 1 4 INTRODUCTION There are two outstanding features of ancient Egypt, both of which are strikingly evident on the banks of the Nile. First, its art, as the Cairo Museum reveals, is as old as history and as beautiful and perfect in its way as all that Greece and more recent civilizations have been able to produce in their greatest periods. Second, one sees that Egypt's monuments are nearly all products of religious preoccupations. From the plateau of Gizeh to the boulders of the cataract, in the shade of the Memphis palms and in the scorching inferno of the Valleys of Kings, in the calm of the Elephantine and in the white feluccas,' there is the same striking evidence at each monument, on each visit to the pyramids, temples, tombs, that everything constructed 'for eternity' - everything which has successfully by-passed the cen- turies - was conceived for the worship of the gods and for the immortality of man. In no country, perhaps, has the desire for eternity been more eloquent, never more effectively realized. Houses, towns, palaces, all the architecture destined for daily life was essentially provi- sory: crude brick was sufficient. Thus little remains of these 1. Boats. ancient towns. But beyond this world in which the living could express their joy in open air, beyond the created forms which are each evening eaten by the shadows, each morning given a new life, the domain of the unknowable remained ever percep- tible. Outside of earthly time, in another world - in space but not precisely located - the gods and the dead triumphed over the dark forces predating creation, and lived forever in the joy of ageless youth. For these divine forces and timeless beings, there had to be houses which were as durable as the earth which held them: pyramids and temples are as immutable as the moun- tains from which their stone is taken, and underground tombs become part of the eternal rock which shelters them. One becomes accustomed to seeing, in the ancient Egyptians, 'the most scrupulously religious of all men.' But this statement does not suffice to offer the keys to the Pharaonic civilization; in fact it would be a great error to consider the Egyptians too close to ourselves. Nothing, without doubt, is more modern than these stone heads found in the mastabas,^ than the bust of Queen Nofretete; nothing more alive, human in a reassuring fashion, than the scenes of daily life pictured in the tombs of Saqqara or 'of Thebes; nothing perhaps so directly familiar as the popular stories from the shores of the Nile. But beware of thinking that the ancient Egyptian was a man like us, that his civilization was basically analogous to ours, that his thinking was, in the progress of a world still imperfectly known, the beginning of modern thought. To understand ancient Egypt, we must abandon the idea of finding in it our own culture and our own trends: we must accept this exclusion, and not delude ourselves with the apparent simi- larities. The Egyptian lived in a world very different from ours, astonishingly advanced in certain technical ways - in architec- ture, stone and metal work, works of art, moral thought - but also astonishingly primitive in the essential structure of his mental life, in his complete inaptitude for abstract thought, in his naive belief in a world created for man and made to his measure. We like to talk about 'Mediterranean civilization' and include in it all that is beautiful or great in the vicinity of this sea. But when the Nile empties its seven mouths into the sea, it leaves far behind it everything that is distinctively Egyptian. For 1. Structures serving as entrances to the tombs.

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