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The Practice of Satire in England, 1658–1770 PDF

450 Pages·2013·1.664 MB·English
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The Practice of Satire in England, 1658–1770 This page intentionally left blank The Practice of Satire in England, 1658–1770 Ashley MArshAll The Johns hopkins University Press Baltimore © 2013 The Johns hopkins University Press All rights reserved. Published 2013 Printed in the United states of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns hopkins University Press 2715 North Charles street Baltimore, Maryland 21218-4363 www.press.jhu.edu library of Congress Cataloging-in-Publication Data Marshall, Ashley. The practice of satire in england, 1658–1770 / Ashley Marshall. p. cm. Includes bibliographical references and index. isbn 978-1-4214-0816-3 (hdbk. : alk. paper)—isbn 978-1-4214-0817-0 (electronic)— isbn 1-4214-0816-3 (hdbk. : alk. paper)—isbn 1-4214-0817-1 (electronic) 1. satire, english—history and criticism. 2. english literature—18th century—history and criticism. 3. english literature—17th century—history and criticism. I. Title. Pr935.M37 2013 827ʹ409—dc23 2012025275 A catalog record for this book is available from the British library. Special discounts are available for bulk purchases of this book. For more information, please contact Special Sales at 410-516-6936 or [email protected]. The Johns hopkins University Press uses environmentally friendly book materials, including recycled text paper that is composed of at least 30 percent post-consumer waste, whenever possible. For Rob Hume There can be no adequate criticism that is not solidly based on the history of the art with which it is concerned. —r. s. Crane, “history versus Criticism in the study of literature” contents Preface xi Acknowledgments xv A Note on Texts, Dates, and Money xvii chapter 1 Canonical and Noncanonical Satire, 1658–1770: Some Questions of Definition, Aims, and Method 1 I. The “Definition” Quagmire and the Problem of Descriptive Terminology 2 II. Genre versus Mode 5 III. The Modern Critical Canon and Its Implications 8 IV. The Total satire Canon and Its economic Context 14 The Production of satire in england, 1658–1770 14 Price, Format, Dissemination, and Implied Audiences 20 V. some Issues of Coverage and Organization 26 VI. The Uses of a Taxonomic Methodology 30 The Varieties of satire 31 Forecasting some Conclusions 33 The Nature of the enterprise 37 chapter 2 Contemporary Views on Satire, 1658–1770 39 I. Concepts of satire 40 “satire”: etymology and Terminology 40 Definition by Contrast 42 II. The Business of satire 43 The Opposition to satire 44 The Case for satire 48 III. The Practice and Province of satire 53 Acceptable and Problematical satiric Methods 54 Appropriate and Inappropriate satiric Targets 57 IV. Characterizing the satirist 62 V. Perceptions of eighteenth-Century satire Then and Now 65 viii Contents chapter 3 Satire in the Carolean Period 70 I. some Preliminary Considerations: realities versus Assumptions 72 II. Dryden, rochester, Buckingham 74 Carolean Dryden: lampoonist, social Commentator, Propagandist 75 rochester: skeptical, Provocative, Negative 79 Buckingham’s Purposive satire 82 III. Marvell, Ayloffe, Oldham 86 Marvell as Polemical satirist 86 Ayloffe’s Antimonarchical Diatribes 88 Oldham’s Juvenalian Performances 89 IV. Hudibras and Other Camouflage satires 92 V. Personal and social satire: From lampoons to Otway and lee 97 VI. Chronological Change, 1658–1685 101 VII. Issues: satiric Intensity, Tone, Positives—and the Problem of Application 104 Intensity 104 Tone 105 Presentation of Positives 108 The Problem of Application 110 VIII. The Discontinuous World of Carolean satire 111 chapter 4 Beyond Carolean: Satire at the End of the Seventeenth Century 113 I. Altered Circumstances 115 II. Dryden as satirist, 1685–1700 119 III. Poetic satire 126 Tutchin, Defoe, and Political satire 127 Gould and Defamatory satire 130 Garth and Blackmore 133 Brown, Ward, and Commercial satire 136 IV. Dramatic satire 139 shadwell and exemplary Comedy 140 Mitigated satire: Cibber, Vanbrugh, Farquhar 143 harsh social satire: Congreve and southerne 145 V. The state of satire ca. 1700 148 chapter 5 Defoe, Swift, and New Varieties of Satire, 1700–1725 150 I. Defoe as satirist 153 Attack and Defense 154 Instruction and Direct Warning (Aimed at the Audience) 155 Indirect exposure and Discomfiture 156 II. religious and Political satire 158 Topical Controversy 158 Monitory satire in the Manner of Defoe 161 Ideological Argumentation: Dunton, Defoe, and Others 165 Contents ix III. social and Moral satire 168 Generalized satire 168 Didactic satire in the Manner of steele 169 Particularized and Topical satire 171 Argument and Inquiry: Mandeville and Prior 172 IV. The Alleged “scriblerians” 174 V. swift before Gulliver 180 Jokiness and Play 181 Destruction and Negativity 182 Purposive Defamation and Defense 183 Indirection and Difficult satire 186 VI. Characterizing the early eighteenth Century 191 chapter 6 Harsh and Sympathetic Satire, 1726–1745 194 I. Pope and swift among Their Contemporaries 196 Political Commentary and Combat 197 The Culture Wars 201 social satire 205 II. Pope, swift, Gay 209 Pope 209 swift 211 Gay 214 III. The Problem of Meaning in Gulliver’s Travels 220 IV. Fielding and the Move toward sympathetic satire 226 Playful satire and entertainment 227 Provocation and Preachment 227 Distributive Justice: Joseph Andrews and Tom Jones 229 Fielding’s Concept of satire 231 sympathetic satire 234 V. Alive and Well: The state of satire at Midcentury 237 chapter 7 Churchill, Foote, Macklin, Garrick, Smollett, Sterne, and Others, 1745–1770 239 I. The rise of “Poetic” satire 241 Frivolity and entertainment 242 Moral Preachment 243 Particularized Attack 244 Poeticized satire 246 Churchill’s Nonpolitical satire 248 II. Wilkes, Churchill, and Political Controversy in the 1760s 250 The North Briton 250 Churchill’s Political satire 251 Visual satire 253 Wilkes’s Essay on Woman 254 x Contents III. satire in the Commercial Theater 255 social Comedy 256 lightweight Afterpiece entertainment 259 samuel Foote 261 Charles Macklin 265 David Garrick 269 IV. satire in the Mid-eighteenth-Century Novel 273 smollett’s Dark satire 274 The late Career of Fielding 276 Tristram Shandy and the singularity of sterne 278 Charlotte lennox, Oliver Goldsmith, sarah Fielding: satire and sentiment 283 V. satire for a stable era 286 Epilogue: Toward a New History of English Satire, 1658–1770 289 I. Motives and Modes 290 II. remapping english satire, 1658–1770 298 Appendix: Standard Price Categories and Sample Titles 305 Notes 313 Bibliography 355 Index 411

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