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The politics of culture in Quattrocento Europe : René of Anjou in Italy PDF

237 Pages·2016·4.63 MB·English
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OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi THE POLITICS OF CULTURE IN QUATTROCENTO EUROPE OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi OXFORD HISTORICAL MONOGRAPHS The Oxford Historical Monographs series publishes some of the best Oxford University doctoral theses on historical topics, especially those likely to engage theinterestofabroadacademicreadership. Editors P. CLAVIN J. DARWIN J. INNES J. MCDOUGALL D. PARROTT S. A. SMITH B. WARD-PERKINS J. L. WATTS W. WHYTE OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi The Politics of Culture in Quattrocento Europe René of Anjou in Italy OREN MARGOLIS 1 OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi 3 GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries ©OrenMargolis2016 Themoralrightsoftheauthorhavebeenasserted FirstEditionpublishedin2016 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer PublishedintheUnitedStatesofAmericabyOxfordUniversityPress 198MadisonAvenue,NewYork,NY10016,UnitedStatesofAmerica BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressControlNumber:2015951896 ISBN 978–0–19–876932–3 PrintedinGreatBritainby ClaysLtd,StIvesplc LinkstothirdpartywebsitesareprovidedbyOxfordingoodfaithand forinformationonly.Oxforddisclaimsanyresponsibilityforthematerials containedinanythirdpartywebsitereferencedinthiswork. OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi Acknowledgements This book bears very little resemblance to the research project I thought Iwasbeginningbackin2007,whenIarrivedatOxfordwithsomefairly indistinct questions about later medieval orders of chivalry, but also the belief that an investigation of René’s would help solve them. If what follows is not exactly that, then perhaps the fortuitous decision to spend myfirstfewmonthsofdoctoralresearchengrossedinthepraisepoetryof JanusPannoniusisresponsible.IhavebeenguidedalongthewaybyJohn Watts, first as my doctoral supervisor, then as my advising editor. My thanksareduetohimaboveallforallowingthisprojecttodevelopinways InevercouldhaveanticipatedandengagingwithitatalevelIhardlycould havedemanded. Inwritingthisbook,Ihavebeensupportedbyanumberofinstitutions: JesusCollege, Oxford, whichmademuchofthe initialresearch possible, and where Susan Doran in particular deserves thanks for her friendship and advice; the Ludwig Boltzmann Institute for Neo-Latin Studies; and Somerville College, Oxford. An award at the British School at Rome in 2012 allowed me to do the research in the Vatican Library that had previously been lacking. Most of the work was done in the Bodleian, Sackler,andTaylorInstitutionLibrariesofOxford,butIshouldalsolike tosingleouttheMédiathèqueVictor-HugoinSaint-Dié-des-Vosgesand acknowledge its then-director Eliane Rauturier and her staff for their helpfulnessandhospitality.IthanktheBibliothèquenationaledeFrance, Médiathèque Pierre-Amalric (Albi), Morgan Library (New York), and Victoria and Albert Museum (London) for permitting me to reproduce imagestakenfromtheircollectionsinthisbook,includingonthecover. AmongthemanypeoplewithwhomIhavediscussedideasappearingin thisbook,Brian MaxsonandDavidRundle havehelpedmethinkinnew ways about Renaissance humanism, and have simply been very generous colleagues, collaborators, and friends. I have especially benefited from the closeattentiongiventothisworkbyIsabellaLazzarini,NicholasDavidson, and above all David Abulafia, while I also thank Jonathan Alexander, Stephen Campbell, Thomas Charles-Edwards, Serena Ferente, Julian Gardner, Joanna Innes, Natalia Nowakowska, Gervase Rosser, Florian Schaffenrath, Benjamin Thompson, and Gennaro Toscano for advice and insightssharedinvariouswaysasthisbookhascometogether(finallybrought together with the help of Cathryn Steele of Oxford University Press). OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi vi Acknowledgements I am proud to have been part of a graduate cohort that includes Graham Barrett and Patrick Lantschner, friends and colleagues for many years to come,Ihope.TheyareabigreasonwhyIhavenotfoundresearchalonely experience;asisChrisWickham,whosesupportandencouragementIhave deeplyvalued. Finally, more personal thanks: to my family, my grandparents Herb and Evelynne, my brother Corey, and especially my parents Simon and Janice,towhomIdedicatethisbook.Itisnoexaggerationtosaythatnone ofthiswouldhavebeenpossiblewithoutthem. OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi Table of Contents ListofFigures ix ListofAbbreviations xi Introduction 1 1. BetweenMoyenÂgeandRinascimento 3 2. TheDiplomaticApproachtoCulture 11 3. TheHyper-Literate 16 1. TheAngevinNetworkinItaly:FirstShoots andEarlyLife 21 1. Pre-HistoryandRené’sFirstDefeats 21 2. TheGuelphInheritanceinNaplesandFlorence 35 3. TheCroissantinItaly:Cossa,Sforza,Marcello 51 4. TheRoadtoWar 61 2. JanusPannoniusandthePoliticsofHumanist Literature 68 1. CarmenpropacandaItalia 73 2. Hannibal,Scipio,andtheGuelphTradition 77 3. ThePoliticsofPanegyric 95 4. TheGuarinoNetwork 102 3. Art,Politics,andPatronage:Illuminatingthe RenaissanceBook 109 1. Precedents 111 2. TheLifeofStMaurice 115 3. Guarino’sStraboTranslation 129 4. AnArtisticAvantGardeinPadua 137 4. TheNetworkinAction 146 1. Denouement(1452–64) 147 2. AngevinAlliesinaNewItaly(1464–94) 173 3. Endurance 184 Conclusion 186 Bibliography 195 Index 217 OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi OUPCORRECTEDPROOF–FINAL,18/3/2016,SPi List of Figures 3.1 Paris,Bibliothèquedel’Arsenal,MS940,fol.1r:JacopoAntonio Marcello,lettertothesenatorandknightsoftheOrdredu Croissant;portraitbustofMarcello(‘Illustrissimis’). ©BibliothèquenationaledeFrance. 119 3.2 Paris,Bibliothèquedel’Arsenal,MS940,fol.38v:Jacopo Bellini(attr.),portraitbustofJacopoAntonioMarcello. ©BibliothèquenationaledeFrance. 124 3.3 Paris,Bibliothèquedel’Arsenal,MS940,fol.39r:Jacopo Bellini(attr.),elephantandpalace.©Bibliothèque nationaledeFrance. 125 3.4 Albi,MédiathèquePierre-Amalric,MS77,fol.3v:Giovanni Bellini(attr.),GuarinopresentingtheStrabomanuscriptto JacopoAntonioMarcello.©Réseaudesmédiathèques del’Albigeois. 134 3.5 Albi,MédiathèquePierre-Amalric,MS77,fol.4r: GiovanniBellini(attr.),JacopoAntonioMarcellopresenting theStrabomanuscripttoRenéofAnjou.©Réseaudes médiathèquesdel’Albigeois. 135 4.1 LucadellaRobbia,StemmaofRenéofAnjou.©Victoria andAlbertMuseum,London. 177 4.2 NewYork,ThePierpontMorganLibrary,MSM250, fol.13v:JeanPoyer,armsofCharlesVIIIaskingofFrance, Sicily,andJerusalem.©ThePierpontMorganLibrary, NewYork. 183

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The poet-king without a throne appears here in an entirely new light. In The Politics of Culture in Quattrocento Europe: Rene of Anjou in Italy, Oren Margolis explores how this French prince and exiled king of Naples (1409-1480) engaged his Italian network in a programme of cultural politics conduct
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