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The Poetics of Appearance in the Attic Korai PDF

280 Pages·2004·2.42 MB·English
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the poetics of appearance in the attic korai THIS PAGE INTENTIONALLY LEFT BLANK mary stieber the poetics of appearance in the attic korai University of Texas Press austin Copyright © 2004 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2004 This book has been supported by an endowment dedicated to classics and the ancient world and funded by the Areté Foundation; the Gladys Krieble Delmas Foundation; the Dougherty Foundation; the James R. Dougherty Jr. Foundation; the Rachael and Ben Vaughan Foundation; and the National Endowment for the Humanities. The endowment has also benefited from gifts by Mark and Jo Ann Finley, Lucy Shoe Meritt, the late Anne Byrd Nalle, and other individual donors. Requests for permission to reproduce material from this work should be sent to Permissions, University of Texas Press, P.O. Box 7819, Austin, TX 78713-7819. The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). Library of Congress Cataloging-in-Publication Data Stieber, Mary C. (Mary Clorinda) The poetics of appearance in the Attic korai / Mary Stieber— 1st ed. p. cm. Includes bibliographical references and index. ISBN 0-292-70180-2 (hardcover : alk. paper) 1. Kore statues. 2. Polychromy—Greece—Athens. 3. Votive offerings— Greece—Athens. 4. Athena (Greek deity)—Cult. 5. Inscriptions, Greek. 6. Acropolis (Athens, Greece) I. Title. NB94 .S74 2004 733'.3—dc21 2003011966 Excerpt from Euripides, Iphigenia in Tauris, trans. Bynner, from The Complete Greek Tragedies, vol. 3, ed. Grene and Lattimore, reprinted by permission of the University of Chicago Press. © 1956 by The University of Chicago. For John Give them my hands and circle round and dance And always try to be the loveliest, Under my mother’s gaze, In my unrivalled radiance of attire And in the motion of my hands and feet, While my embroidered veil I would hold closely round me as I danced And bowed and hid my cheek Under the shadow of my clustering curls. euripides, Iphigenia in Tauris 1145–1150 (trans. w. bynner) chapter one contents list of illustrations ix acknowledgments xi list of abbreviations xiii introduction 1 conceiving realism in archaic greek art chapter one 13 historiography chapter two 42 the reality of appearances chapter three 83 the idea of likeness chapter four 114 conTEXTualizing the korai chapter five 141 phrasikleia notes 179 references 213 illustrations follow page 222 index 223 THIS PAGE INTENTIONALLY LEFT BLANK

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Some of the loveliest works of Archaic art were the Athenian korai--sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C
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