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The Pilgrim's Progress – Accurate Revised Text - Bunyan Ministries PDF

214 Pages·2003·1.4 MB·English
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THE PILGRIM’S PROGRESS i ii JOHN BUNYAN Reformati on Press 160 37t h Street Lindenhurst , NY 11757 516.95 6.0606 reformationpre [email protected] www.reformat ionpress.com ISBN 0-96 70840-2-4 ©1999 Barry E. Horner All rights reserved under Internatio nal and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic or mechani cal means including information storage and retrieval systems witho ut the expressed permission from the publisher in writing, except in the case of brief quotations embodied in critical articles or crit ical reviews. For information address the publis hers: Reformation Press 160 37th Street, Lindenhurst, NY 11757 Book Cover Design by Michael Rotolo Manufactured in the Un ited States of America 12345678910 99 00 01 02 03 THE PILGRIM’S PROGRESS iii T H E Pilgrim’s Progrefs F R O M T H I S W O R L D, T O That which is to come: Delivered under th e Similitude of a DRE AM Wherein is D ifcovered, The manner of his fetting out, His Dangerous Jo urney, And fafe Arrival at the De fired Countrey. I have ufed Similit udes, Hof. 12:10. By John Bunyan. Licenfed and Entred according to Order. L O N D O N, Printed for Nath. Po nder at the Peacock in the Poultrey ne ar Cornhil, 1678. Original Title Pa ge, First Edition iv JOHN BUNYAN The Sleepin g Portrait Engraved by Robert W hite, it was most likely intended for the first ed ition of 1678, though withdrawn due to the na me ‘Destruction’ being incorrectly titled ‘Vanity ’. The above corrected picture was included in th e third edition of 1679. THE PILGRIM’S PROGRESS v Principles of the ACCURATE RE VISED TEXT 1. The basis of this revision i s the definitive text of The Pilgrim’s Progress ed ited by J. B. Wharey and Roger Sharrock, and publi shed by Oxford Press (Clarendon) in 1960. 2. Of foremost consideration has been a style of simple conversational English that, while not being racy, yet maintains faithfulness to the style, meaning, doctrine, and purposes of John Bunyan. This editor welcomes suggestions and constructi ve criticism in this regard. 3. A select variety of archais ms has been retained, with modern equivalent terms i n brackets, since these expressions have gained a particular timeless quality and quaintness about them that are intrinsic to The Pilgrim’s Progress. Certain other antiquated modes of sentence construction have been modified to produce a more contemporary style of expression. 4. Chapter headings, as well as occasional subdivisions, have been added to assist in the understanding of The Pilgrim’s Progress. 5. The marginal Scripture ref erences and most notations included by John Bunyan have been retained as footnotes and also revised. In certain instances, where an item appears to be redu ndant, the notation has been excluded. Of course the text includes countless other allusions to Bible passages, and a number of these are referenced in italics as footnotes. Some additional clarifying comments on the text have been added as well. Barry E. Horner vi JOHN BUNYAN THE PILGRIM’S PROGRESS vii TABLE OF CONTENTS Introduction ix The Author’s Apology for His Book 1 The Pilgrim’s Progress in the Similitude of a Dream 9 1. Christian flees from the City of Destruction 9 2. Christian is pursued by Obstinate and Pliable 13 3. Christian and Pliable converse along the way 16 4. Christian and Pliable confront the Slough of Despond 19 5. Christian encounters Mr. Worldly-Wiseman 22 6. Christian seeks after the Town of Morality 26 7. Christian arrives at the Wicket-gate 32 8. Christian is instructed at the house of the Interpreter 36 A. The portrait of the godly pastor 36 B. The distinction between the law and the gospel 37 C. The virtue of patience contrasted with passion 38 D. The grace of Christ conquers the assailed heart 40 E. The persevering valiant pilgrim 41 F. The despairing reprobate in the iron cage 42 G. The warning of the final day of judgment 44 9. Christian arrives at the Place of Deliverance 47 10. Christian overtakes Simple, Sloth, and Presumption 49 11. Christian converses with Formalist and Hypocrisy 50 12. Christian ascends the Hill Difficulty 53 13. Christian is approached by Timorous and Mistrust 55 14. Christian meets lion-sized opposition 58 15. Christian resides at the Palace Beautiful 59 viii JOHN BUNYAN 16. Christian enters into battle with Apollyon 71 17. Christian confronts the Valley of the Shadow of Death 77 18. Christian overtakes and converses with Faithful 84 19. Christian and Faithful converse with Talkative 94 20. Evangelist reappears to give timely warning 107 21. Christian and Faithful on trial at Vanity Fair 110 22. Christian and Hopeful converse with Byends 121 23. The silver mine at the hill Lucre 130 24. The monument to Lot’s wife 133 25. Christian and Hopeful are captured by Giant Despair 136 26. Christian and Hopeful at the Delectable Mountains 146 27. Christian and Hopeful first encounter Ignorance 151 28. The terrifying end of Turn-away 153 29. The colorless testimony of Little-faith 154 30. Christian and Hopeful snared by the Flatterer 163 31. Christian and Hopeful meet returning Atheist 166 32. Christian and Hopeful cross the Enchanted Ground 169 A. Hopeful testifies to his conversion at Vanity Fair 170 B. Closer reacquaintance is made with Ignorance 177 C. Christian recalls his acquaintance with Temporary 186 33. The comforting delights of Beulah Land 190 34. Christian and Hopeful encounter the River of Death 193 35. Christian and Hopeful are welcomed into heaven 196 36. The fearful end of Ignorance 201 The Conclusion 203 A Further Defense 204 THE PILGRIM’S PROGRESS ix INTRODUCTION URING the latter half of this twentieth century, numerous revisions of The Pilgrim’s Progress have been published. However, while several of these publications have proved to be accurate and useful, many have been lacking in precision, not only in linguistic style, but also with regard to the author’s doctrinal intentions. Doubtless John Bunyan would have heartily agreed that his allegory should be made as clear as is possible to this modern generation, though without sacrificing truth and his attractive plainness of writing. With this in mind, yet another contemporary rendering is offered with the earnest desire that it will prove faithful to the Bedford tinker’s expressed purpose, namely that the reader perceive the substance of Bible and gospel truth that lies beyond the veil of allegorical style. Barry E. Horner x JOHN BUNYAN

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