the petronian society newsletter

15 Pages·2013·0.88 MB·English

THE PETRONIAN
SOCIETY NEWSLETTER

ICAN V
Editorial Board / Colofon 1
It is with the greatest pleasure that I announce that the Univer-
ICAN V 1
sity of Houston-Downtown will host the Fifth International
Conference on the Ancient Novel (ICAN V) in the Fall of
Bibliography 4 2015.

Notices 14 Some preliminary notes:

Obituaries 15  The title of the conference is “From Tradition to Re-wiring
the Ancient Novel.”
 The conference is scheduled to take place from 9/30/2015
Reviews, Articles, and Dissertations 15
(Wednesday) to 10/3/2015 (Sunday).
 The conference will be held at the Hyatt Regency Hou-
VoRl.e 4v1ie, wJsu,l yA 2rt0ic1l3e s, and Dissertations ston, 1200 Louisiana Street, Houston, TX 77002, USA
(http://houstonregency.hyatt.com/en/hotel/home.html).

The price of a single/double room is fixed for 2015
Editor ($109+17% tax=$128/night, €98/night; the Hyatt has an
Edmund P. Cueva indoor swimming pool, and provides an exercise
Arts and Humanities 1009S-E room/gym; free local telephone/free Wi-Fi/free bottled
University of Houston-Downtown water/free pressing blouse and shirts). All sessions for
One Main Street reading papers are in the Hyatt. Hotel registrations are not
Houston, TX 77002, USA yet accepted. The Hyatt will start accepting registrations
Tel. [phone] in March 2014.
email: [email protected]  Houston is an important airline hub (http://www.
fly2houston.com/welcome) and can be reached easily, e.g.
Book Review Editor London–Houston, Paris–Houston, Frankfurt–Houston,
Shannon N. Byrne Munich–Houston, Amsterdam–Houston, Rome–Houston,
Classics Department, Xavier University Athens–Houston, Toronto–Houston, Brussels–Houston,
3800 Victory Parkway Madrid–Houston, Lisbon–Houston, Rio–Houston, Bue-
Cincinnati, OH 45207–5181, USA nos Aires–Houston.
Tel. [phone], Fax [phone]  The conference fee is € 300 = $400, which is the same fee
email: [email protected] as ICAN IV in 2008! The registration fee will be due by
1 June 2015. There will be a website launched in Novem-
Editor Emeritus (1970-2005) ber 2013 that will include information on how to register,
Gareth Schmeling the fee for students, cancellation policies.
Dept of Classics, University of Florida  The website that will go live in November 2013 will have
Gainesville, Florida 32611–7435, USA information on how to submit abstracts. It will note that
Tel. [phone], Fax [phone] the default language of the conference is English, but Ger-
email: [email protected] man, French, Italian, Spanish are accepted. However, the
person reading a paper in one of those languages should
Associate editors photocopy the paper and distribute it to members of the
Raymond Astbury, Barry Baldwin, Ewen Bowie, audience so that all might benefit.
Gian Biagio Conte, Niklas Holzberg, Gerald Sandy  The ICAN V International Advisory Committee (IAC)
will act as the Program Committee to referee abstracts sent
Petronian Sociey Newsletter 41, July 2013 2

to the Organizer (Ed Cueva, [email protected]): the ab- Dufallo, B., The Captor’s Image: Greek Culture in Roman
stracts should be anonymous and will be read by two ref- Ecphrasis (Oxford and New York: Oxford University Press,
erees at least. Deadline for abstracts is 1 March 2014, and 2012) xi + 279 pp. These two chapters may be of interest:
decisions about acceptance will be made soon thereafter.  “Captives and Captors: Apuleius and Philostratus.”
 Tentative panel topics:  “Sex, Satire, and the Hybrid Self in Petronian Ecphrasis.”
 Archaeology
 The Body and the Ancient Novel Futre Pinheiro, M. P., M. B. Skinner, and F. I. Zeitlin, eds. Nar-
 Critical Theory rating Desire: Eros, Sex, and Gender in the Ancient Novel
 Death and Disease (Berlin and Boston: De Gruyter, 2012) xi + 289 pp. The fol-
 Digital Technologies and the Novel lowing essays are included in the collection:
 Early Christian Narrative and Jewish Narrative  Alvares, J., “Considering Desire in the Greek Romances
 Empire Employing Lacanian Theory: Some Explorations.”
 Gender  Brethes, R., “How to Be a Man: Towards a Sexual Defini-
 Genre tion of the Self in Achilles Tatius’ Novel Leucippe and
 History Clitophon.”
 History of Scholarship on the Ancient Novel  Funke, M., “Female Sexuality in Longus and Alciphron.”
 Information and Communication Technologies  Hallett, J. P., “Anxiety and Influence: Ovid’s Amores 3.7
 Literature and Encolpius’ Impotence in Satyricon 126 ff.”
 Love  Jones, M., “Performing Paideia: Public and Private Mas-
 Myth culinity in Chariton.”
 New Testament and Ancient Novels  King, D., “‘Taking It Like a Man’: Gender, Identity and
 Papyrology the Body in Achilles Tatius’ Leucippe and Clitophon.”
 Philosophy  Lateiner, D., “Gendered Places in Two Later Ancient Nov-
 Picaresque and Menippean Narratives els (Aithiopika, Historia Apollonii).”
 Poetics of the Ancient Novel  Littlewood, A., “Gardens of ‘Kallimachos and
 Reception of the Ancient Novel in Literature and Art Chrysorrhoë.’”
 Religion  Makowksi, J. F., “Petronius’ Giton: Gender and Genre in
 Rhetoric the Satyrica.”
 Science and the Novel  McCullough, A., “Gender Transformations in Apuleius’
 Sex Metamorphoses.”
 Space and Cultural Intersections  Redondo Moyano, E., “Space and Gender in the Ancient
 The Psychology of the Ancient Novel Greek Novel.”
 A selection of papers will make up the conference pro-  Schwartz, S., “The Κρίσις Inside: Heliodoros’ Variations
ceedings. on the Bedtrick.”
 Organizer: Edmund Cueva, University of Houston-Down-  Skinner, M. B., “Fortunata and the Virtues of Freed-
town ([email protected]). women.”
 Zeitlin, F. I., “Gendered Ambiguities, Hybrid Formations,
If you have any ideas, suggestions, or would like to help in the and the Imaginary of the Body in Achilles Tatius.”
planning of the conference, do not hesitate to contact me.
Hunter, R L., Plato and the Traditions of Ancient Literature:
The Silent Stream (Cambridge: Cambridge University Press,
Bibliography
2012) vii + 279 pp. “Exploring both how Plato engaged with
existing literary forms and how later literature then created
Greek and Latin Novels ‘classics’ out of some of Plato’s richest works, this book in-
cludes chapters on such subjects as rewritings of the Apology
de Angelis, F., ed., Spaces of Justice in the Roman World. Co- and re-imaginings of Socrates’ defence, Plato’s rich style and
lumbia Studies in the Classical Tradition 35 (Boston: Brill, the criticisms it attracted and how Petronius and Apuleius
2010) xii + 434. This collection includes, among many others, threaded Plato into their richly comic texts. The scene for these
the following two essays: case studies is set through a thorough examination of how the
 Bodel, B., “Kangaroo Courts: Displaced Justice in the Ro- tradition constructed the relationship between Plato and
man Novel.” Homer, of how Plato adapted poetic forms of imagery to his
 Schwartz, S., “Chronotopes of Justice in the Greek Novel: philosophical project in the Republic, to shared techniques of
Trials in Narrative Spaces.” representation between poet and philosopher and to foreshad-
owings of later modes of criticism in Plato’s Ion. This is a ma-
jor contribution to Platonic studies, to the history of Platonic
reception from the fourth century BC to the third century AD
Petronian Sociey Newsletter 41, July 2013 3

and to the literature of the Second Sophistic.”—Provided by Robert, F., “La representation de la pantomime dans les romans
publisher. grecs et latins: les exemples de Longus et d’Apulee,” DHA 38.1
(2012) 87–110.
Jong, Irene J. F. de, ed. Space in Ancient Greek Literature:
Studies in Ancient Greek Narrative (Leiden and Boston: Brill, Stoneman, R., K. Erickson, and I. Netton, eds., The Alexander
2012) xiv + 610 pp. The following essays in this collection may Romance in Persia and the East. Ancient Narrative supplemen-
be of interest: tum, 15 (Groningen: Barkhuis Publishing; Groningen Univer-
 de Temmerman, K., “Achilles Tatius.” sity Library, 2012) xv + 416 pp. The following essays are in-
 de Temmerman, K., “Chariton.” cluded in the collection:
 de Temmerman, K., “Xenophon of Ephesus.”  Amitay, O., “Alexander in Bavli Tamid: In Search for a
 Morgan, J. R., “Heliodorus.” Meaning.”
 Morgan, J. R., “Longus.”  Anderson, G., “The Alexander Romance and the Pattern of
Hero-Legend.”
König, J., Saints and Symposiasts: The Literature of Food and  Asirvatham, S., “Alexander the Philosopher in the Greco-
the Symposium in Greco-Roman and Early Christian Culture Roman, Persian and Arabic Traditions.”
(Cambridge: Cambridge University Press, 2012) 430 pp.  Ball, W., “Some Talk of Alexander Myth and Politics in
“Greek traditions of writing about food and the symposium had the North-West Frontier of British India.”
a long and rich afterlife in the first to fifth centuries CE, in both  Boeschoten, H., “Adventures of Alexander in Medieval
Greco-Roman and early Christian culture. This book provides Turkish.”
an account of the history of the table-talk genre, derived from  Casari, M., “The King Explorer: A Cosmographic Ap-
Plato’s Symposium and other classical texts, focusing among proach to the Persian Alexander.”
other writers on Plutarch, Athenaeus, Methodius and Macro-  Cottrell, E., “Al-Mubaššir ibn Fātik and the α Version of
bius. It deals with the representation of transgressive, degraded, the Alexander Romance.”
eccentric types of eating and drinking in Greco-Roman and  Doufikar-Aerts, F., “King Midas’ Ears on Alexander’s
early Christian prose narrative texts, focusing especially on the Head: In Search of the Afro-Asiatic Alexander Cycle.”
Letters of Alciphron, the Greek and Roman novels, especially  Fulinska, A., “Oriental Imagery and Alexander’s Legend
Apuleius, the Apocryphal Acts of the Apostles and the early in Art: Reconnaissance.”
saints’ lives. It argues that writing about consumption and con-  Gad, E. M., “Al-Tabari’s Tales of Alexander: History and
versation continued to matter: these works communicated dis- Romance.”
tinctive ideas about how to talk and how to think, distinctive  Jouanno, C., “The Persians in Late Byzantine Alexander
models of the relationship between past and present, distinctive Romances: A Portrayal under Turkish Influences.”
and often destabilising visions of human identity and holi-  Klęczar, A., “The Kingship of Alexander the Great in the
ness.”—Provided by the publisher. Jewish Versions of the Alexander Narrative.”
 Manteghi, H., “Alexander the Great in the Shāhnāmeh of
Minchin, E., ed., Orality, Literacy and Performance in the An- Ferdowsī.”
cient World (Leiden: Brill, 2012) xviii + 268 pp. The following  McCoull, L. S. B., “Aspects of Alexander in Coptic
two essays from this collection may be of interest: Egypt.”
 Lauwers, J., “Reading Books, Talking Culture: The Per-  Melville, F., “A Flying King.”
formance of Paideia in Imperial Greek Literature.”  Müller, S., “Stories of the Persian Bride: Alexander and
 Slater, N. W., “Eumolpus Poeta at Work: Rehearsed Roxane.”
Spontaneity in the Satyricon.”  Ogden, D., “Sekandar, Dragon-Slayer.”
 Palagia, O., “The Impact of Alexander the Great in the Art
Montiglio, S., Love and Providence. Recognition in the Ancient of Central Asia.”
Novel (New York and Oxford: Oxford University Press, 2013)  Selden, D. L., “Mapping the Alexander Romance.”
viii + 256 pp.  Stoneman, R., “Persian Aspects of the Romance Tradi-
tion.”
Papanghelis, T. D., S. J. Harrison, and S. A. Frangoulidis, eds.,  Szalc, A., “In Search of Water of Life: The Alexander Ro-
Generic Interfaces in Latin Literature: Encounters, Interac- mance and Indian Mythology.”
tions and Transformations (Berlin: De Gruyter 2013) ix + 478  Yamanaka, Y., “The Islamized Alexander in Chinese Ge-
pp. The following two essays from this collection may be of ographies and Encyclopaedias.”
interest:  Zuwiyya, D., “Umāra’s Qiṣṣa al-Iskandar as a Model of
 Fuhrer, T., “Hypertexts and Auxiliary Texts: New Genres the Arabic Alexander Romance.”
in Late Antiquity?”
 Konstan, D., “Apollonius King of Tyre: Between Novel
and New Comedy.”
Petronian Sociey Newsletter 41, July 2013 4

Greek Novels Laplace, M., “Pour la datation du roman de Chariton: la figure
de Demetrios le Cynique, envers du vrai philosophe,” Emerita
Berenguer Amenós, J., and F. J. Cuartero i Iberra, Dafnis i Cloe 79.2 (2011) 341–356.
(Barcelona: Edicions 62, 2011) 102 pp.
Malosse, P.-L., and B. Pérez-Jean, B., Achille-Eschyle: Mythe
Capra, A., “Detour en Route in the Aegean Sea? Xenophon of ancien et mythe nouveau: Les Sept contre Thèbes et Leucippé
Ephesus 5.10.2,” CP 107.1 (2012) 70–74. et Clitophon (Montpellier: Presses universitaires de la Méditer-
ranée, 2012) 166 pp.
Chew, K., “A Novelistic Convention Reversed: Tyche vs. Eros
in Achilles Tatius,” CP 107.1 (2012) 75–80. May, R., “Chariton,” in The Encyclopedia of Ancient History,
Volume III. Be – Co, eds. R. S. Bagnall, K. Brodersen, C. B.
Clo, M., “L’object medical: le traitement de la folie dans Leu- Champion, A. Erskine, and S. R. Huebner (Malden, MA:
cippe et Clitophon d’Achille Tatius,” BAGB 2012.2 (2012) Wiley-Blackwell) 1443–1444.
100–112.
Miguélez Cavero, L., “Rhetorical Displays of Knowledge in
Coleman, K. M., “Sailing to Nuceria: Evidence for the Date of Leucippe and Clitophon: Animal Talk,” Prometheus 36.3
Xenophon of Ephesus,” AClass 54 (2011) 27–42. (2010) 263–283.

Doulamis, K., “All’s Well that Ends Well: Storytelling, Predic- Montiglio, S., “The (Cultural) Harmony of Nature: Music,
tive Signs, and the Voice of the Author in Chariton’s Love, and Order in Daphnis and Chloe,” TAPA 141.1 (2012)
Callirhoe,” Mnemosyne 65.1 (2012) 18–39. 133–156.

Faranton, V., Achille Tatius ou la contestation du genre rom- Olsen, S., “Maculate Conception: Sexual Ideology and Crea-
anesque (Paris: L’Harmattan, coll. Kubaba, 2011) 130 pp. tive Authority in Heliodorus’ Aethiopica,” AJP 133.2 (2012)
301–322.
Gillespie, C. C., “Creating Chloe: Education in Eros through
Aesthetics in Longus’ Daphnis and Chloe,” in Aesthetic Value Pizzone, A., “When Calasiris Got Pregnant: Shifting Perspec-
in Classical Antiquity, eds. I. Sluiter and R. M. Rosen (Leiden tives on Story-Telling in Heliodorus’ Aethiopica,” in The Pur-
and Boston: Brill, 2012, 484 pp.) 421–446. pose of Rhetoric in Late Antiquity: From Performance to Exe-
gesis, ed. A. J. Q. Puertas (Tübingen: Mohr Siebeck, 2013, 278
Hodkinson, O., “Attic Idylls: Hierarchies of Herdsmen and So- pp) 139–160.
cial Status in Alciphron and Longus,” JHS 132 (2012) 41–53.
Reig Calpe, M., “Les Etiòpiques: la novella com a paròdia dels
Homar, R., “Tragèdia i retòrica en la novel·la grega,” Ítaca 24, gèneres dramatics,” Studia philologica Valentina (2010) 105–
25, and 26 (2008–2010) 157–181. 118.

Hurka, F., “Achilles Tatius: Leucippe and Clitophon,” in Rojas Alvarez, L., “Ecos de la novela griega en el Renaci-
Brill’s New Pauly Supplements I – Volume 5: The Reception of miento,” Synthesis 19 (2012) 15–27.
Classical Literature, eds. C. Walde and B. Egger (Stuttgart: J.
B. Metzler’sche Verlagsbuchhandlung, 2010) 1–6. Santafé Soler, S., “Retórica en Aqiles Tacio,” Studia philolog-
ica Valentina 12 (2010) 119–138.
Jeffreys, E., ed., trans., comm., Four Byzantine Novels: Theo-
dore Prodromus, Rhodanthe and Dosikles; Eumathios Sanz Morales, M., “Un ‘locus desperatus’ en Caritón de Afro-
Makrembolites, Hysmine and Hysminias; Constantine Manas- disias (III 10,1),” Eikasmos 22 (2011) 233–236.
ses, Aristandros and Kallithea; Niketas Eugenianos, Drosilla
and Charikles. Translated texts for Byzantinists, 1 (Liverpool: Schwartz, S., “Dressing Up, Dressing Down: False Enslave-
Liverpool University Press, 2012) 504 pp. ment in the Greek Novels,” in Éclats de littérature grecque
d’Homère à Pascal Quignard: mélanges offerts à Suzanne
Jones, M., Playing the Man: Performing Masculinities in the Saïd, eds. S. Dubel, S. Gotteland, and E. Oudot (Nanterre:
Ancient Greek Novel (Oxford: Oxford University Press, 2012) Presses universitaires de Paris Ouest, 2012, 365 pp.) 175–189.
303 pp. Internet resource.
Scippacercola, N., Il lato oscuro del Romanzo Greco (Amster-
Kossaifi, C., “The Legend of Phatta in Longus’ Daphnis and dam: Adolf M. Hakkert, 2011) 209 pp.
Chloe,” AJP 133.4 (2012) 573–600.
Setaioli, A., “COME NACQUERO GLI DÈI (PETRONIO,
FR. 27 B.),” in Harmonia: Scritti di filologia classica in onore
Petronian Sociey Newsletter 41, July 2013 5

di Angelo Casanova, eds. G. Bastianini, W. Lapini, M. Tulli, Brandt, E., N. Holzberg, and W. Ehlers, Der Goldene Esel: Me-
and A. Casanova (Firenze: Firenze University Press, 2012, 931 tamorphoseon Libri Xi; Lateinisch-Deutsch (Berlin: Akad.-
pp.) 751–768. Verl, 2012) 575 pp.

Spiller, E., Reading and the History of Race in the Renaissance Carmignani, M., “Poeta vesanus, recitator acerbus. Die auf Ho-
(Cambridge, UK: Cambridge University Press, 2011) ix + 252 raz basierende Karikierung des Eumolpus in Petronius, Sat.
pp. “Elizabeth Spiller studies how early modern attitudes to- 118,” RhM 156.1 (2013) 27–46.
wards race were connected to assumptions about the relation-
ship between the act of reading and the nature of physical iden- Deroux, C., “A propos de deux inscriptions de la ‘domus
tity. As reading was understood to happen in and to the body, Trimalchionis’ (Pétrone, Sat. 28, 7 et 29, 1),” in Corolla Epi-
what you read could change who you were. In a culture in graphica: hommages au professeur Yves Burnand (2 vols.).
which learning about the world and its human boundaries came Collection Latomus, 331 (Bruxelles: Éditions Latomus, 2011,
increasingly through reading, one place where histories of race xiv + 743 pp.) 427–448.
and histories of books intersect is in the minds and bodies of
readers. Bringing together ethnic studies, book history and his- Egelhaaf-Gaiser, U., “Des Mysten neue Kleider: Gewande(l)te
torical phenomenology, this book provides a detailed case Identität im Isisbuch des Apuleius,” in Kleidung und Identität
study of printed romances and works by Montalvo, Heliodorus, in religiösen Kontexten der römischen Kaiserzeit. Altertums-
Amyot, Ariosto, Tasso, Cervantes, Munday, Burton, Sidney wissenschaftliches Kolloquium in Verbindung mit der Arbeits-
and Wroth. Reading and the History of Race traces ways in gruppe “Kleidung und Religion,” Projekt DressID, Rheinische
which print culture and the reading practices it encouraged, Friedrich-Wilhelms-Universität Bonn, 30. und 31. Oktober
contributed to shifting understandings of racial and ethnic iden- 2009, eds. S. Schrenk, K. Vössing, and M. Tellenbach (Re-
tity.”—Provided by publisher. gensburg: Verlag Schnell & Steiner, 2012, 288 pp.) 149–162.

Trzaskoma, S. M., “Aristophanes in Chariton again (Plu. Edmunds, L., “Rules for Poems in Petronius’ Satyrica,”
1127),” Philologus 155.2 (2011) 367–368. SyllClass 20 (2009) 71–104.

Trzaskoma, S. M., “Why Miletus? Chariton’s Choice of Set- Finkelpearl, E. D., An Apuleius Reader: Selections from the
ting and Xenophon’s Anabasis,” Mnemosyne 65.2 (2012) 300– Metamorphoses (Mundelein, IL: Bolchazy-Carducci Publish-
307. ers, Inc., 2012) 160 pp.

Whitmarsh, T., “Epitomes of Greek Novels,” in Condensing Gloyn, L., “She’s Only a Bird in a Gilded Cage: Freedwomen
Texts—Condensed Texts. Palingenesia, Bd 98, eds. M. Horster at Trimalchio’s Dinner Party,” CQ 62.1 (2012) 260–280.
and C. Reitz (Stuttgart: Franz Steiner Verlag, 2010, x + 764
pp.) 307–320. Graverini, L., Literature and Identity in The Golden Ass of Ap-
uleius. Translated by Njamin Todd Lee (Columbus: The Ohio
Latin Novels State University Press, 2012) xvi + 239 pp.

Aoyagi, M., Itsuraku to Hōshoku No Kodai Rōma: Torima- Harrison, S. J., “Apuleius,” in The Encyclopedia of Ancient
rukio No Kyōen O Yomu (Tōkyō: Kōdansha, 2012) 313 pp. History, Volume II. An – Be, eds. R. S. Bagnall, K. Brodersen,
C. B. Champion, A. Erskine, and S. R. Huebner. (Malden, MA:
Bechet, F., “Din nou despre zodiacul lui Trimalchio,” Studii Wiley-Blackwell) 583–584.
clasice 45 (2009) 79–88.
Harrison, S. J., Framing the Ass: Literary Texture in Apuleius’
Bond, R., “The Augustan Utopia of Horace and Vergil and the Metamorphoses (Oxford: Oxford University Press, forthcom-
Imperial Dystopia of Petronius and Juvenal,” Scholia 19 (2012) ing).
31–52.
Hayes, E. and S. Nimis, eds., Lucian’s The Ass: an Intermedi-
Borghini, A., “Tipo o sottotipi narrativi nel racconto della ate Greek Reader. Greek text with running vocabulary and
matrona di Efeso. Una schematizzazione folklorico-strut- commentary (Oxford, OH: Faenum Publishing, 2012) xii + 230
turale,” in Tanti affetti in tal momento. Studi in onore di Gio- pp.
vanna Garbarino, ed. A. Balbo (Alessandria: Edizioni
dell’Orso, 2012, xviii + 910 pp.) 121–130. Hernández, L. J., R. Spann, and A. Winkler., Petron in Kari-
katuren (Hochheim am Main: Nick, 2012) 69 pp.
Bradley, K. R., Apuleius and Antonine Rome. Historical Essays
(Toronto: University of Toronto Press, 2012) xvi + 397 pp. Hindermann, J., “La réception de l’ élégie romaine dans les
Métamorphoses d’ Apulée,” in Au-delà de l’ élégie d’ amour.
Petronian Sociey Newsletter 41, July 2013 6

Métamorphoses et renouvellements d’ un genre latin dans l’ dissident sensibilities on the writings of the major Neronian au-
Antiquité et à la Renaissance. Colloque international tenu à thors. It offers a detailed and innovative analysis of essays, po-
Neuchatel (Suisse) en mai 2010, ed. L. Chappuis Sandoz etry and fiction written by Seneca, Lucan and Petronius, and
(Paris: Éd. Classiques Garnier, 2011, 287 pp.) 147–158. illuminates their psychological and moral anguish.”—Provided
by publisher.
Hofmann, H. and J. Knape, “Gespräch über das Tierische, das
Göttliche und das Allzumenschliche in der Antike (Apuleius),” Roth, U., “‘In vilicationem relegavit’: Petronius, Satyrica
in Kunstgespräche: zur diskursiven Konstitution von Kunst, ed. 69.3,” RPh 83.2 (2009) 253–260.
J. Knape (Baden-Baden: Koerner, 2012, 326 pp.) 159–180.
Sabnis, S., “Invisible Slaves, Visible Lamps: a Metaphor in
Holland, J. E., and William J. Dominik, eds., Petronii Satyri- Apuleius,” Arethusa 45.1 (2012) 79–108.
con Concordantia. Alpha-Omega: Reihe A, Lexika, Indizes,
Konkordanzen zur klassischen Philologie, 263 (Hildesheim, Slater, N. W., “Petronius,” in The Oxford Encyclopedia of An-
Zürich, and New York: Olms-Weidmann, 2013) vi + 564. cient Greece and Rome, Volume 5. Mos Maiorum – Posidonius
of Apamea, eds. M. Gagarin and E. Fantham (Oxford: Oxford
Holzberg, N., Petronius Arbiter: Satyrische Geschichten. Saty- University Press, 2010) 234–236.
rica. Lateinisch-deutsch. Herausgegeben und übersetzt von N.
H. Sammlung Tusculum (Berlin: Akad.-Verl., 2013) 437 pp. Star, C., The Empire of the Self: Self-command and Political
Speech in Seneca and Petronius (Baltimore: Johns Hopkins
Janžekovič, N., Ljudski smeh in karnevalizacija v rimskem ro- University Press, 2012) viii + 302 pp.
manu: Bahtinov koncept karnevalizirane literature in ljuds-
kega smeha v Petronijevem Satirikonu: diplomsko delo (Ljubl- Tilg, S., “Religious Feasting in Apuleius’s ‘Metamorphoses’:
jana, 2012) 164 pp. Appetite for Change?,” TAPA 141.2 (2011) 387–400.

Kirichenko, A., “Becoming a Book: Divination and Fictional- Zimmermann, M., “Age and Merit: The Importance of recen-
ity in Apuleius’ Metamorphoses,” MH 68.2 (2011) 182–202. tiores and incunabula for the Text of Apuleius’ Metamorpho-
ses,” Segno e testo 9 (2011) 131–163.
Lee, B. T., E. Finkelpearl, and L. Graverini, Apuleius and Af-
rica (Routledge, forthcoming). Zimmermann, M., Apulei Metamorphoseon Libri XI (Oxford,
UK: Oxford University Press, 2012) lix + 289 pp.
Lowe, D., “Trimalchio’s Wizened Boy (Satyrica 28. 4),” CQ
62.2 (2012) 883–885. Recent Scholarship on the Ancient Novel
and Early Jewish and Christian Narrative
Mazzilli, C., “‘Non sanno dipingere, non sanno scrivere’: fig-
ure artigiane e parodia del ekphrasis nella Cena Trimalchio- Heffernan, T. J., The Passion of Perpetua and Felicity (Oxford
nis,” Aufidus 71–72 (2010) 87–117. and New York: Oxford University Press, 2012) xxvii + 557 pp.

Miralles Malodonado, J. C., “La critica della retorica contem- Troftgruben, A Conclusion Unhindered a Study of the Ending
poranea nel Satyricon di Petronio,” Maia 63.2 (2011) 262–273. of Acts within its Literary Environment (Tübingen: Mohr Sie-
beck, 2012) 247 pp.
Panayotakis, C., “A Fisherman’s Cloak and the Literary Tex-
ture of the Story of Apollonius, King of Tyre,” in Il romanzo Nachleben
latino: Modelli e tradizione letteraria. Atti della VII Giornata
ghisleriana di Filologia classica (Pavia, 11 – 12 ottobre 2007), Bernardini, M. G., The Tale of Eros and Psyche: Myth in Art
ed. F. Gasti (Pavia: Collegio Ghislieri, 2009, 138 pp.) 125–138. from Antiquity to Canova (Roma: “L’Erma” di Bretschneider,
2012) 326 pp. The collection contains the following essays:
Ramsby, T., “‘Reading’ the Freed Slave in the Cena Trimal-  Bernardini, M. G., “The Frieze by Perin del Vaga in Castel
chionis,” in Free at Last! The Impact of Freed Slaves on the Sant’Angelo and the Tale of Psyche in the Art of the Re-
Roman Empire, eds. S. Bell and T. Ramsby (Bristol: Bristol naissance.”
Classical Press, 2012, 212 pp.) 66–87.  Bernardini, M. G., “The Tale of Cupid and Psyche.”
Reymond, N., “Poverty, Class and the Formation of the Poetic  Bussagli, M., “Anatomy of the Soul.”
Identity in Petronius,” AHB 25.1–2 (2011) 47–64.  Cavicchioli, S., “Romantic Mythical Revival in the Neo-
classical Age.”
Rudich, V., Dissidence and Literature Under Nero: The Price  Guderzo, M., “‘An Artistic Enjoyment of Great Beauty’:
of Rhetoricization (Hoboken: Taylor and Francis, 2013, 408 Cupid and Psyche by Antonio Canova.”
pp). Internet resource. “This work inquires into the impact of
Petronian Sociey Newsletter 41, July 2013 7

 Longo, F., “The Physical and Psychic Components of the Häfner, R., “Intensité et finesse le Prologue de L’ Âne d’ or d’
Human Being in the Cultural Tradition of Ancient Egypt.” Apulée dans les traductions vernaculaires (allemandes, itali-
 Mattei, M., “Literary and Figurative Themes: Cupid and ennes, espagnolos, anglaises et françaises) de la fin du XVe
Psyche in Apuleius’ fabula, Crucible of All the Fairy-tales siècle à la première moltié du XVII siècle,” in Traduire les an-
in the World.” ciens en Europa du Quattrocento à la fin du XVIIIe siècle: d’
 Mattei, M., “The Roots of the Myth: The Personification une renaissance à une revolution?, eds. L. Bernard-Pradelle
of Eros and Psyche.” and C. Lechevalier (Paris: Presses de l’ Univ. Paris-Sorbonne,
 Mattei, M., “The Sufferings of the Soul, the Divine Cou- 266 pp.) 171–190.
ple, the Embrace and the Kiss: The Iconography of Cupid
and Psyche.” Lennon, T., “Satirists paid dearly for mocking leaders WHEN
 Mirolla, M., “The Map of Cupid and Psyche in Rome.” COMEDY BECOMES A DEADLY SERIOUS PROFES-
 Montagnoli, L., “The Master of the Die Series: Thirty-two SION.” Daily Telegraph [Sydney, New South Wales, Aus-
Prints Illustrating the Tale of Cupid and Psyche.” tralia] 2 Apr. 2013: 25.
“Egypt’s most famous television satirist Bassem Youssef has
Chadwick, A., “Daphnis and Chloe, Oran Mor, Glasgow.” been arrested and questioned after allegations he insulted his
Herald [Glasgow, Scotland] 9 June 2011: 20. country’s President and religion.
“Oran Mor’s Corona Classic Cuts mini-season of bite-sized ad- “He has been released on bail while the allegations are investi-
aptations of classic works gets under way this week with a sec- gated. But the story highlights how dangerous it can be to sati-
ond-century rom-com by Greek novelist Longus. And a spir- rise politicians or cultural sacred cows.
ited, exuberantly acted and very funny—if unconventional— “In times past many people who dared make fun of leaders paid
production it is too. a high price.
“The best Classic Cuts have always been those that attempt to “In ancient Rome under the brutal regime of the emperor Nero,
do something original with the source material rather than satirist Gaius Petronius got away with plenty, for a time. Ac-
simply cut scenes to shoehorn the play into the allotted time cording to historian Tacitus: ‘His days he passed in sleep, his
frame. nights in the business and pleasures of life. Indolence had
“That’s exactly what Hattie Naylor has done here, with an a raised him to fame, as energy raises others, and he was reck-
capella version of Sam Cooke’s Cupid preceding Mark oned not a debauchee and spendthrift, like most of those who
McDonnell as Longus dividing the crowd, panto-style, into squander their substance, but a man of refined luxury.
goats and sheep. “‘And indeed his talk and his doings, the freer they were and
“When the god Love makes his initial entrance as a hoodied the more show of carelessness they exhibited, were the better
Manc rapper, it is clear the dressing-up box and wildly exag- liked.’
gerated characterisation are going to be employed to the full in “One of his more careless discourses was his work The Satyr-
Marilyn Imrie’s production. And so it proves. icon, parts of which satirised the excesses of the court of Nero.
“Plotwise, the show is basically a series of comic tableaux cen- But it wasn’t Nero who brought Petronius to grief—instead he
tring on the trials and tribulations of childhood sweethearts, incurred the enmity of Tigellinus, commander of Nero’s guard
Daphnis (Paul James Corrigan) and Chloe (Kirstin McLean)— who had him framed for an assassination attempt.
both adopted as foundlings—as they battle everything fate “In 66AD Petronius was arrested. Despite his innocence he
throws at them. knew his fate was sealed. To avoid execution he slowly com-
“Chief among these are Chloe’s kidnapping by angry rene- mitted suicide, by alternately opening his veins and bandaging
gades, an inability to discover the joys of sex, a French ingenue them over the course of an evening. He died while enjoying
man-eater and Daphnis trying to ward off a servant’s gay crush. feasting and trivial talk with friends.
It’s all implausible stuff, made farcically funny by a cast in ex- “In the reign of Queen Elizabeth I mocking the monarch was a
cellent form. risky pastime, as both Ben Jonson and Thomas Nashe discov-
“It was not what I was expecting at all and I can’t imagine that ered. In 1597 the pair collaborated on a play called Isle Of
I was alone there. Dogs. It was described by authorities as a ‘lewd plaie’ that was
“Sponsored by Corona.” also seditious. It was so offensive it was never published and
Couperus, L., Lucius Apuleius, B. S. Berrington, and R. no longer exists.
Graves, Psyche (London: Pushkin Press, 2013) 212 pp. “Nashe, Jonson and some actors who had appeared in a pro-
duction of the play were arrested. Nashe’s home was raided and
Desmarais, J., and C. Baldick, Decadence: An Annotated An- he was grilled by Richard Topcliffe, the Queen’s inquisitor
thology (Manchester: Manchester University Press, 2012) ix + who specialised in hunting heretics and traitors and torturing
323 pp. The publisher states that there are “significant extracts confessions out of them.
from relevant ancient Roman writings by Petronius.” “Jonson and Nashe were eventually allowed to go free but
Nashe went into hiding for a time in Yarmouth. He only wrote
one more work, on the joys of herring fishing. Jonson would
Petronian Sociey Newsletter 41, July 2013 8

continue his satirical writings for theatre but he stuck to satiris- “Best Dickens meal—Great Expectations (1861). Pip, having
ing society rather than incumbent monarchs. stolen a pie for Magwitch, awaits his fate during Christmas din-
“French philosopher Voltaire also spent time in prison for his ner with Uncle Pumblechook. His fate is delayed when
satire. A noted wit, he entertained Paris society in the last years Pumblechook drinks tar water instead of brandy and nearly has
of the reign of Louis XIV. a fit.
“He continued to grow in fame after the death of Louis in 1715 “Jonathan Franzen creates a scene between father (Alfred) and
and the accession of the young Louis XV under the regency of son (Chipper) in The Corrections (2001). Chipper refuses to eat
a council of nobles. Voltaire had more freedom to satirise the his liver and bacon, with ‘brown grease-soaked flakes on the
church and state under the regency but his targeting of Philippe ferrous lobes...like corrosion’. His stubbornness is implacable
II, duke d’Orleans, got him into strife in 1717. He was thrown for he realises ‘if you sat at the dinner table long enough...you
into the Bastille for a year. never stopped sitting there. Some part of you sat there all your
“He emerged with reputation intact but there were other occa- life’.”
sions where he had to flee into exile or seek refuge because of
his willingness to take on nobles and the accepted views of the Onelli, C., “‘Con oscurità mutando i nomi’: Napoli epicurea
world. nei Successi di Eumolpione (1678),” California Italian Studies
“In the 20th century American comedian and satirist Lenny 3.1 (2012) 1–20.
Bruce learned how touchy authorities were about some sub-
jects. His first arrest in 1961 was for obscene language and Onelli, C., “Freedom and Censorship: Petronius’ Satyricon in
other arrests followed. At at a trial for a routine he performed Seventeenth-century Italy,” Classical Receptions Journal
at the Cafe Au Go Go in New York in 1964 his lawyers tried (2012). Internet resource.
to argue he was an important social satirist and the arrests for
obscene language constituted a form of harassment. Palmeri, F., Satire in Narrative: Petronius, Swift, Gibbon, Mel-
“Complaints were made about his jokes about Eleanor Roose- ville, & Pynchon (University of Texas Press, 2012) 196 pp.
velt’s breasts and even Jackie Kennedy’s reaction to the assas-
sination of her husband, John F Kennedy. Praet, D., “Modernism and Postmodernism in Antiquity, and
“He later said: ‘Satire is tragedy plus time. You give it enough the (Post-)modernist Reception of the Classical: From the Sa-
time, the public, the reviewers will allow you to satirise it, tyrica-novel by Petronius to the Satyricon-opera by Bruno
which is rather ridiculous when you think about it.’ Maderna,” in Receptions of Antiquity, ed. J. Nelis (Gent: Aca-
“He was found guilty of obscenity but never served any of his demia Press, 2011, 372 pp.) 33–56.
sentence of four months in a work house, remaining free on a
bond pending appeals. He died in 1966 of a morphine over- Rojas Alvarez, L., “Ecos de la novela griega en el Renaci-
dose. miento,” Synthesis 19 (2012) 15–27.
“In 2003 New York governor George Pataki gave Bruce a post-
humous pardon on the basis of his First Amendment right to Weiss, S., “Filozofska Alegoreza Izidinega Lika V Beroald-
free speech.” ovem Komentarju K Zlatemu Oslu Lucija Apuleja,” Keria 14
(2012) 9–31.
Lott, T., “Tim Lott on the best meals in literature; Tim Lott
chooses five delectable (or disastrous) literary meals.” Tele-
graph Online 6 Apr. 2012.
“The most outrageous meal in literature is in Petronius’s ‘Din-
ner with Trimalchio’, from the Satyricon (first century AD)—
hors d’oeuvres of white and black olives, served in panniers on
each side of a bronze donkey, and dormice sprinkled with
honey and poppy seeds followed by roast boar belly (cut open
for thrushes to fly out).
“Bret Easton Ellis’s American Psycho (1991) is more palely
baroque. Patrick Bateman confronts his victims over elaborate
meals—monkfish ragout with violets and radicchio with free-
range squid, golden caviar with poblano chillies—while he fan-
tasises about how he is going to do away with them.
“More modestly, there are the egg sandwiches over which
Frank and April Wheeler, from Richard Yates’s Revolutionary
Road (1961), meet the eccentric truth teller, John Givings, who
celebrates April and Frank’s dreams to escape to Paris—and
who finally condemns them, as they abandon those dreams.
Petronian Sociey Newsletter 41, July 2013 9

 De Simone, P., “The Relationship between Magic, Initia-
Notices
tion into the Mysteries and Knowledge in Apuleius’ Met-
amorphoses and Celsus’ Alethes Logos.”
American Philological Association, January 5–8,
2012, 143rd Annual Meeting, Philadelphia, PA The Classical Association Annual Conference, Uni-
 Perkins, J., “Language Matters in the Aithiopika and the versity of Exeter, April 11–14, 2012
Acts of Thomas.”  Felton, D., “Apuleius’s Cupid as a (Male) Lamia (Met.
 Slaveva-Griffin, S., “Heliodorus and the Middle Pla- 5.17–18).”
tonists’ Romance with the Duality of Soul.”  Hartley, B., “Herodotean Presences in Imperial Greek Fic-
Panel: Novel tion.”
 Baker, A. J. E., “Doing Things with Words: The Force of Panel: The Greek Novel
Law and Magic in Apuleius’ Metamorphoses.”  Bentley, G. G., “Leucippe’s Haircut: the case for the sub-
 Chew, K. S., “What it Means to be a Man: Sōphrosynē in literary in the Ancient Greek Novel.”
the Greek Novels.”  MacQueen, B., “The erotics of writing in the Prologue of
 Konstan, D., “Beauty in the Greek Novel.” Longus’s Daphnis and Chloe.”
 Schwartz, S., “Gamos and kenogamion in Achilles Tatius,  McVeigh, H. G., “Assembly-women in Chariton’s
Revisited: Legal Pluralism on the Eve of the Constitutio Callirhoe.”
Antoniniana.”  Owens, W., “The Greek novel Callirhoe: By a freedman
Panel: The Worlds of the Greek Novels author for freedman readers?”
 Banta, J., “Who Turns the Screws? Torture and Control in Panel: KYKNOS: Novel Heroines
Anthia and Habrocomes.”  Bird, R., “Leukippe’s sophrosyne in Achilles Tatius.”
 De Temmerman, K., “Heroes and Heroines in Control:  Bracke, E., “Cunning Women in the Greek Novel.”
The Cultural Dynamics of Characterization in the Ancient  D’Alconzo, N., “Chariclea Daughter of Phantasia.”
Greek Novel.”  Trzaskoma, S., “Clitophon as Romance Heroine.”
 Lalanne, S., “The Merry Widow of Ephesos, Her Lover Panel: KYKNOS II: Novel Receptions
and Her Husband: Reflections on the Status of Elites in  Hawkins, K., “Money, Money, Money: Bonfire of the
Achilles Tatius’ Novel.” Vanities, Pompeii, and Petronius’ Satyrica.”
 Sabnis, S., “The Elephant Cure in Achilles Tatius.”  Morgan, J., “An operatic reception of Daphnis and Chloe.”
 Trnka-Amrhein, Y., ‘Where is Sesonchosis? Reflections  Repath, I., “A Swarm of Intertextuality: Heliodorus,
on the World of the Sesonchosis Novel.” Achilles Tatius, and Plato.”
 Tagliabue, A., “The close link between sophrosyne and the
American Philological Association, January 3–6, Egyptian conceptualisation of immortality in Xenophon of
2013, 144th Annual Meeting, Seattle, WA Ephesus’ Ephesiaca.”
 Sabnis, S., “Animals and Barbarians in the Alexander Ro-
mance.” The Classical Association Annual Conference, Uni-
 Slaveva-Griffin, S., “‘In the Garden of Zeus’: Plotinus and versity of Reading, April 3–6, 2013
Heliodorus on the Allegory of Love.”  Lefteratou, A., “Talking ‘myth’? Female myth-tellers in
 Trzaskoma, S. M., “The Late Antique and Early Byzantine Plutarch and the Greek novels.”
Readership of Achilles Tatius.” Panel: KYKNOS: What the Heck-Phrasis?
Panel: Appearance and Reality in the Ancient Novelistic  Bentley, G. G., “The Ecphrasis of the Nightingale: The In-
Discourse fluence of Pantomime in Achilles Tatius.”
 Baker, A. J. E., “Does Clothing Make the Man or Does It  D’Alconzo, N., “From theory to practice: the Progymnas-
Make the Man an Impostor?: Costume and Identity in Ap- mata and the novels.”
uleius’ Metamorphoses, Florida, and Apology.”  Dollins, E., “Whose Ekphrasis is it Anyway?”
 Cioffi, R. L. “The Boy Who Cried Wolf: Longos, Mime-  Trzaskoma, S., “Ekphrasis, Mythography and Originality
sis, and the Pastoral Tradition.” in the Later Greek Novel.”
 MacQueen, B. D., “Transgression in Longus’s Daphnis
and Chloe.” Classical Association of the Middle West and South,
 Smith, S. D., “Aspasia and Callirhoe: Greek Women in the 108th Annual Meeting, 2012 March 28–31; Baton
East.” Rouge, Louisiana
Panel: Petronius’ Satyrica: Women Crossing the Line
The Classical Association Annual Conference,  Acton, K. L., “Borders, Bodies, and Money in the Satyr-
Durham University, April 15–18, 2011 ica: Sex and Social Anxiety in the Early Roman Empire.”
 Momtazi, S., “The Marriage of Cupid and Psyche: Apu-  Armstrong, R. H., “Petronius’ Women and Fellini Satyr-
leius’ Use of Catullus 64.” icon: Crossing from Artifact to Archetype.”
Poster:
Petronian Sociey Newsletter 41, July 2013 10

 Makowski, J., “Transgression and Triangulation: Petro- Classical Association of the Middle West and South,
nius’ Women and Bisexual Men.” Southern Section, November 1–3, 2012, Tallahas-
 McCoy, M. B., “A Tale of Two Circes: Inversion and Sub- see, Florida
version in the Satyrica.” Panel: Guess Who’s Coming to Dinner!
 Slater, N. W., “Resurrection Woman, or There and Back  Marillier, E. J., “Trimalchio, the capillatus calvus in Pe-
Again: Petronius’s Widow of Ephesus.” tronius’ Satyrica.”
Panel: Roman Novel  McCoy, M., “A Tale of Two (or more) Circes: Inversion
 Adkins, E., “Lucius in Wonderland: (Greek?) Landscapes and Subversion in the Satyrica.”
and Travel in Apuleius’ Golden Ass.”  White, D. J., “Super cancrum coronam: The crown in
 Felton, D., “Apuleius’s Cupid as a (Male) Lamia (Met. Trimalchio’s Zodiac platter (Petr. 35.1–5).”
5.17–18).”
 Fletcher, K., “The Role of Metamorphosis in Apuleius.” Kyknos
 Goldman, M. L., “The Challenge of Comic Intertextuality Swansea and Lampeter Centre for Research on the Narrative
in Petronius.” Literatures of the Ancient World (www.kyknos.org.uk)
Research Seminar, Friday 2 March 2012 @ 6.00 p.m.
Classical Association of the Middle West and South, Room 130, Keir Hardie Building,
109th Annual Meeting, 2013 April 17–20; Iowa City, Swansea University
Iowa Professor Stephen Trzaskoma (University of New Hampshire):
Panel: Heliodorus within and beyond the Canon “Utopia and Uchronia in Chariton’s Callirhoe”
 Ciocani, V., “Heliodorus’ Aethiopica and the Homeric
Hymns to Demeter. Vichi Ciocani.” Society of Biblical Literature, Chicago, IL,
 Dowling, M., “Pythagoras and Heliodorus.” 11/16/2012 to 11/20/2012
 Groves, R., “Teaching Heliodorus in the Greek Civiliza- Panel: Ancient Fiction and Early Christian and Jewish Nar-
tion Course.” rative: Theme: Theme: Borders, Boundaries, Crossings
 Knight, B., “Heliodorus and the Pleasures of Divination.”  Bloch, R., “Take Your Time: Conversion, Confidence and
 Wasdin, K., “Catastrophe Survived in the Final Book of Tranquility in Joseph and Aseneth.”
Heliodorus’ Aethiopica.”  Eisen, U. E., “Metalepsis in Early Christian Literature.”
Panel: Greek Fictions  Mirguet, F., “Emotions Retold: Emotional Discourse in
 Eshelman, K., “‘Then Our Symposium Becomes a Gram- Judeo-Hellenistic Rewritten Bibles.”
mar School’: Grammarians in Plutarch’s Table Talk.”  Petitfils, J., “A Tale of Two Moseses: Philo’s De Vita Mo-
 Hamilton, A. J., “Aesop’s Arrival in Japan.” sis and Josephus’ Ant. 2–4 in light of the Roman Discourse
 Goddard, A., “Dead Ends and Happy Endings in Xeno- of Exemplarity.”
phon of Ephesus’ Anthia and Habrocomes.”  Schriever, D., “Fictive Informants and Omniscient Inter-
 McCloskey, B. O., “Gobryas’ Unreliable Speech; Cyro- ventions: Romance as Comparative Religion in the Ethio-
paedia 4.6.1–10.” pian Story.”
Panel: Prosaic Lessons Panel: Ancient Fiction and Early Christian and Jewish Nar-
 Dee, N. M., “Encolpius the Theater Critic: Superficiality rative: Theme: Teaching (with) the Ancient Novel
and Hypocrisy in the Cena Trimalchionis.”  Konstan, D., “Teaching Eros through the Greek Novel.”
 Panoussi, V., “Ritual Power and Male Impotence: Quar-  Lipsett, B. D., “Signature pedagogies for ancient fiction?
tilla’s Rites in Petronius’ Satyrica.” Paul and Thecla as test case.”
 Poole, U. M., “Pruning the Vine of the Muses: Instructive  MacDonald, D. R., “Teaching Mimesis as a Criterion for
Metaphor in Plutarch’s De audiendis poetis.” Textual Criticism: The Case of the Gospel of Nicodemus.”
 Severy-Hoven, B., “Encolpius Tyrannus: Reflections on  Matthews, S., “Teaching Fiction; Teaching Acts.”
the First Person Narrator of the Satyrica.”  Pervo, R. I., “Wherever and Back on Two Tracks: Xan-
 Torresson, E., “Lucian’s Dialogues of the Courtesans: A thippe.”
“Lesson” for Every Reader.”
Panel: Apuleius
Obituaries
 Adkins, E., “Rudis Locutor: Speech and Self-fashioning in
Apuleius’ Metamorphoses.”
 Brant, L. L., “The Impact of Social Class on Narration in Peter Walsh (1923–2013)
Apuleius’ Metamorphoses.” Memorials to Professor Walsh can be found at
 Libby, B. B., “The Curious Curiositas of Psyche in Apu- http://www.telegraph.co.uk/news/obituaries/10013612/Peter-
leius’ Golden Ass.” Walsh.html and
 Winkle, J. T., “Necessary Roughness: Lucius as Plato’s http://www.guardian.co.uk/theguardian/2013/jan/28/peter-
Black Horse in Apuleius’ Metamorphoses.” walsh-obituary.