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324 Pages·1987·16.037 MB·English
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The Perception of Illusory Contours Susan Petry and Glenn E. Meyer Editors The Perception of Illusory Contours With 279 Illustrations, 7 in Full Color Springer-Verlag New York Berlin Heidelberg London Paris Tokyo Susan Petry Department of Psychology Adelphi University Garden City, New York 11530 USA Glenn E. Meyer Department of Psychology Lewis and Clark College Portland, Oregon 97219 USA Library of Congress Cataloging-in-Publication Data The perception of illusory contours. Includes index. I. Visual perception. 2. Optical illusions. I. Petry, Susan Jane. II. Meyer, Glenn E. BF241.P435 1987 153.7'4 87-4572 © 1987 by Springer-Verlag New York Inc. All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer-Verlag, 175 Fifth Avenue, New York, New York 10010, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use of general descriptive names, trade names, trademarks, etc. in this publication, even if the former are not especially identified, is not to be taken as a sign that such names, as understood by the Trade Marks and Merchandise Marks Act, may accordingly be used freely by anyone. Typeset by TCSystems, Shippensburg, Pennsylvania. Printed and bound by Arcata Graphics/Halliday, West Hanover, Massachusetts. Printed in the United States of America. 98765 4 3 2 I ISBN 0-387-96518-1 Springer-Verlag New York Berlin Heidelberg ISBN 3-540-96518-1 Springer-Verlag Berlin Heidelberg New York Acknowledgment The idea for a book on illusory contours grew been a source of inspiration for us. Finally, out of a conference on the topic, which we orga Nick Wade provided an intriguing artistic con nized and which took place at Adelphi U niver clusion to the book. sity in November 1985 (Petry & Meyer, 1986). Additional thanks for their help in various as While not a proceedings, much of the material pects of the book go to Lothar Spillman, Wal presented in the individual chapters originated ter Ehrenstein, John Tagney, and Marc Sea with ideas presented and exchanged at that con brechts. We would also like to extend our ference. Although an exceedingly popular re thanks to the faculty, staff, and students at search topic, illusory contours have never been Adelphi University and Lewis and Clark Col the sole topic of a book before. We believed lege for all their help, in particular to the gradu that their time had come. ate students in the Perceptual Organization II We undertook the project of editing a book Seminar, who read and commented on the on illusory contours for a variety of reasons and chapters in manuscript form, and to our hard with a variety of emotions. It frequently seems working and underpaid secretaries-Eleanor that the major thing one learns when undertak Shaw, Pat Carey, Karen Thompson, Susan Ma ing a project of this magnitude is never to do it sotti, and Marge McKenna. again. Although we wish to reserve judgment Partial funding for this project came from the on this point, we can say that the experience U.S. Air Force Office on Scientific Research has been unforgettable. Grant (#86-0028), and we are extremely grate It has been a pleasure and an honor to work ful for this. with the distinguished groups of researchers We would also like to thank the people at who are the contributors to the book. To them, Springer-Verlag, for their helpful and timely in first and foremost, we give heartfelt thanks. formation, encouragement, and support. Four contributors deserve special acknowl Finally, we would like to thank our fami edgment. Anne Hogg translated both the Schu lies-Wayne Martin, Melanie Anne Meyer, and mann (1900) and Ehrenstein (1941) articles, a Courtney, Ross, and Owen Martin-for every time-consuming and arduous task. Walter Ger thing. bino graciously and painstakingly translated the Kanizsa (1955a) article. Ross Day served as Susan Petry keynote speaker at the conference, and has Glenn E. Meyer Contents Acknowledgment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Contributors ....................................................................... xiii Section I: Introductory and Historical Material ....................... . Chapter 1 Top-Down and Bottom-Up: The Illusory Contour as a Microcosm of Issues in Perception. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Glenn E. Meyer and Susan Petry History............................................................. 4 Definitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Common Types of Illusory Contours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Stereopsis and the Illusory Contour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 10 Illusory Contours, Art, and Graphic Design. . . . . . . . . . . . . . . . . . . . . . . . . . . .. 13 Theories of Illusory Contours. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 15 The Plan of the Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 19 Chapter 2 Contributions to the Analysis of Visual Perception-First Paper: Some Observations on the Combination of Visual Impressions into Units. . . . . . .. 21 F. Schumann (Translated by Anne Hogg) Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 21 Addendum .......................................................... 33 Chapter 3 Modifications of the Brightness Phenomenon of L. Hermann. . . . . . . . . . . . .. 35 Walter Ehrenstein (Translated by Anne Hogg) Hermann's Phenomenon (Hering's Contrast Grid Phenomenon) . . . . . . . . . .. 35 Modifications of Hermann's Phenomenon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 35 Towards an Explanation of the Phenomenon . . . . . . . . . . . . . . . . . . . . . . . . . . .. 39 Chapter 4 Quasi-Perceptual Margins in Homogeneously Stimulated Fields ........... 40 Gaetano Kanizsa (Translated by Walter Gerbil/o) Lines and Contours .................................................. 40 Virtual Lines ....................................................... , 41 Quasi-Perceptual Margins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 43 1986 Addendum ...................................................... 49 viii Contents Section II Theoretical Analyses ...................................... 51 Chapter 5 Cues for Edge and the Origin of Illusory Contours: An Alternative Approach ............................................. 53 Ross H. Day Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 53 Illusory Contours and the Spread of Induced Brightness and Color . . . . . . .. 53 Illusory Contours in the Absence of Induced Brightness or Color. . . . . . . . .. 56 Illusory Contours and Apparent Depth ................................. 56 Illusory Contours and Cues for Edge. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 57 Illusory Contours as a Member of a Class of Perceptual Effects. . . . . . . . . .. 59 Concluding Comments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 60 Chapter 6 A Problem-Solving Approach to Illusory Contours. . . . . . . . . . . . . . . . . . . . . .. 62 Irvin Rock The Sensory Theory: Contrast. . . . . . . . . . . . . .. .. . . . . . . . . .. . . . . . . . . . . . . .. 62 A Problem-Solving Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 64 Final Remarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 69 Chapter 7 Anomalous Figures and the Tendency to Continuation ....... . . . . . . . . . . .. 71 Gian Franco Minguzzi Amodal Completion and Amodal Continuation .......................... 71 The Role of Brightness Contrast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 71 The Role of Points and Ends of Lines as Inducing Elements. . . . . . . . . . . . .. 74 Chapter 8 Illusory Figures and Pictorial Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 76 Theodore E. Parks Illusory Figures Are Cognitive Creations. . . . . . . . . . . .. . . . . . . . . . . . . .. . . ... 76 Illusory Figures Are Not "Pictured" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 78 In Conclusion. .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 79 Chapter 9 Illusory Contours and Occluding Surfaces. . .. . . . . .. . . . . . . . . . . . . . . . . .. . .. 81 Richard L. Gregory Approaches to Views of Perception and Illusions . . . . . . . . . . . . . . . . . . . . . . .. 81 Illusory Contours and Ghostly Surfaces. . . .. . . . . . . . . . . . . . . .. . . . . . . .. . ... 82 Invoking Surfaces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 83 The Role of Cognition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 88 Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 89 Section III Physiologically Based Analyses and Models ................. 91 Chapter 10 Visual Perception of Surfaces: A Biological Theory. . . . . . . . . . . . . . . . . . . . .. 93 V. S. Ramachandran Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 93 Section I: Stereopsis ........ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 96 Section 2: Motion ................................................. ' .. 100 Section 3: Color. ..................................................... 101 Discussion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Contents ix Chapter 11 The Existence of Interpolated Illusory Contours Depends on Contrast and Spatial Separation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 109 Robert Shapley and James Gordon Experimental Methods ................................................ 109 Interpolated Contours and Signs of Local Contrast. ...................... 109 Spatial Integration of Contour Detectors ................................ III The Nonlinear Border Detector ........................................ 113 Chapter 12 The Role of Illusory Contours in Visual Segmentation .................... 116 Stephen Grossberg and Ennio Mingolla The Role of Illusory Contours in Visual Segmentation .................... 116 Dissociation Between Visible Contrasts and Recognized Groupings ........ 118 Hierarchical Resolution of the Boundary Uncertainty Induced by Orientational Sensitivity .............................................. 119 Spatially Short-Range Competitive Interactions .......................... 119 Spatially Long-Range Cooperative Interactions .......................... 121 All Boundaries Are Invisible .......................................... 122 Computer Simulations of Boundary Segmentation by the CC Loop ........ 123 Related Concepts .................................................... 124 Chapter 13 The Relationship Between Spatial Filtering and Subjective Contours ....... 126 Arthur P. Ginsburg Chapter 14 A Dynamic Model of Anomalous Figures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Marco Sambin Section 1: The Field Activation ........................................ 131 Section 2: The Field Gaps ............................................. 133 Section 3: The Intrafigural Polarizarion ................................. 136 Section 4: Interaction Between Activation, Inhomogeneities, and Polarization ...................................................... 138 Concluding Remarks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 Chapter 15 The Resonance Theory of Kinetic Shape Perception and the Motion-Induced Contour .............................................. 143 Victor Klymenko and Naomi Weisstein Perceptual Illusions and Confusions .................................... 143 The Motion-Induced Contour and Structure from Motion ................. 144 The Resonance Theory ............................................... 145 Perceptual Organization in Three Dimensions ........................... 146 The Edge of an Event ................................................ 147 Perceptual Ecology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Section IV Brightness and Spatial Factors ............................. 149 Chapter 16 An Object Perception Approach to Static and Kinetic Subjective Contours .................................................. 151 Philip J. Kellman and Martha G. Loukides Direct Tests of Brightness and Configural Factors ....................... 151 Subjective Figure Perception Across Space and Time: Kinetic Subjective Contours and Related Phenomena ...................................... 155 x Contents Prospects for an Object Perception Theory: The Identity of Subjective Figure Perception and Ordinary Perception of Partly Occluded Objects .... 157 A Discontinuity Theory of Unit Formation in Subjective Figures and Partly Occluded Objects .......................................... 160 Prospects and Problems for a Discontinuity Theory ...................... 162 Chapter 17 Subjective Contour Strength and Perceptual Superimposition: Transparency as a Special Case. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 Charles M. M. de Weert and Noud A. W. H. van Kruysbergen Contrast and Assimilation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Experiment 1: Subjective Contour and Transparency ..................... 167 Experiment 2: Matching of Brightness Differences ....................... 168 Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 169 Chapter 18 The Functional Equivalence of Objective and Illusory Brightness Enhancement. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Diane F. Halpern Report of the Research ........................................ . . . . . . . 172 Task 1: Relationship Between Illusory and Objective Brightness Thresholds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 Task 2: Comparison of the Small Square in the Double Configuration with the Small Square Alone ............................................... 174 Discussion ........................................................... 175 Chapter 19 The Role of Illumination Level in the Strength of Subjective Contours ..... 176 Joel S. Warm, William N. Dember, Robert A. Padich, John Beckner, and Scott Jones A Comparison of Real and Subjective Contours ......................... 176 Two Experiments .................................................... 178 A Psychophysical Conundrum ......................................... 180 Theoretical Implications .............................................. 181 Chapter 20 Increment Thresholds in Illusory Contour Line Patterns .................. 183 Maxwell K. Jory Increment Thresholds in Illusory Contour Patterns ....................... 184 Increment Thresholds in the Ehrenstein Pattern .... . . . . . . . . . . . . . . . . . . . . . 186 A Physiological Basis of Illusory Contours? ............................. 188 Section V Time, Motion, and Reaction Time .......................... 191 Chapter 21 Time, Motion, and Objectness in Illusory Contours ...................... 193 Susan Petry and Robert Gannon Microgenesis of Real and Illusory Contours ............................. 193 Some Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194 General Discussion ................................................... 198 Speculations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199 Chapter 22 Cognitive Contours and Perceptual Organization ......................... 201 Drake R. Bradley Contents xi Chapter 23 The Current State of Research into Visual Phantoms ..................... 2 I3 William M. Maguire and James M. Brown Phantoms and Lightness Relationships in Displays ....................... 214 Spatial and Temporal Properties of Phantoms ........................... 215 Figural Cues with Phantoms ........................................... 216 Mechanisms Underlying Phantoms ..................................... 217 Chapter 24 Amodal Completion and Illusory Figures: An Information-Processing Analysis .................................... 220 Nicola Bruno and Walter Gerbino The Co-occurrence of Completion and Illusory Figures ................... 220 Two Hypotheses on Completion and Illusory Figures .................... 220 An Information-Processing Analysis .................................... 221 Final Considerations .................................................. 222 Chapter 25 Illusory Contours, Texture Segregation, and a Configural Inferiority Effect ..................................................... 224 Glenn E. Meyer and David Fish Experiment 1 ........................................................ 225 Experiment 2 ........................................................ 227 Experiment 3 ........................................................ 227 Texture Segregation: Experiments 4 and 5 ...... ~ ....................... 230 General Discussion and Summary ...................................... 234 Section VI Illusory-Contour Appearance ...............................2 35 Chapter 26 Set and Subjective Contour ........................................... 237 Stanley Coren, Clare Porae, and Leonard H. Theodor Physiological Theories ................................................ 237 Cognitive Theories ................................................... 237 Perceptual Set and Subjective Contours ................................ 239 Informal Evidence .................................................... 240 Experiment 1: Set and the Shape of Subjective Contours ................. 240 Experiment 2: An Indirect Measure .................................... 242 Cognitive Factors and Subjective-Contour Perception .................... 245 Chapter 27 Can We See Constructs? ............................................. 246 Walter Gerbino and Gaetano Kanizsa The Place of Illusory Figures in Perceptual Theory ...................... 246 The Energetic vs. Informational Dichotomy ............................. 247 Retinoptic Constraints on Clarity and Shape ............................ 247 The "Meaning" of Color Changes ..................................... 250 We See Products, Not Constructs ...................................... 251 Chapter 28 Lo, Perception Abhors Not a Contradiction ............................. 253 John M. Kennedy Subjective Contours and Disconfirming Evidence Coexist. ................ 253 Impressions of Unreality .............................................. 255 Why Are Subjective Contours Apparently Unreal? ....................... 258 xii Contents Comparison with Geometrical IIIusi'ons ................................. 260 Perceptual Effects .................................................... 261 Chapter 29 The Perception of Illusory Contours: A Skills Analysis ................... 262 Angus Gellatly and Melanie Bishop Perceptual Processing and Perceptual Skill .............................. 262 Effort, Automaticity, and Perceptual Skill. .............................. 265 Chapter 30 Perceptual Grouping and Subjective Contours ........................... 268 Barbara Gillam Perceptual "Wholes" and Subjective Contours .......................... 268 When Collinearity Is Not Enough-Subjective Contours Delineating Large Areas ......................................................... 269 The Importance of Amodal Completion ................................. 271 Conclusions ......................................................... 272 Chapter 31 Allusory Contours .................................................... 274 Nicholas Wade References ......................................................................... 295 Author Index ....................................................................... 311 Subject Index ...................................................................... 315

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