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The Parisian Jazz Chronicles: An Improvisational Memoir PDF

231 Pages·2005·0.73 MB·English
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THE PARISIAN JAZZ CHRONICLES THE PARISIAN JAZZ CHRONICLES AN IMPROVISATIONAL MEMOIR MIKE ZWERIN YALE UNIVERSITY PRESS / NEW HAVEN AND LONDON PublishedwithassistancefromtheKingsleyTrustAssociationPublicationFund establishedbytheScrollandKeySocietyofYaleCollege. Copyright©2005byYaleUniversity. Allrightsreserved. Thisbookmaynotbereproduced,inwholeorinpart,includingillustrations, inanyform(beyondthatcopyingpermittedbySections107and108oftheU.S. CopyrightLawandexceptbyreviewersforthepublicpress),withoutwritten permissionfromthepublishers. DesignedbyMaryValencia SetinMeridientypebyTsengInformationSystems,Inc. PrintedintheUnitedStatesofAmericabyVail-BallouPress LibraryofCongressCataloging-in-PublicationData Zwerin,Michael. TheParisianjazzchronicles:animprovisationalmemoir/byMichaelZwerin. p. cm. ISBN0-300-10806-0(hardcover:alk.paper) 1.Jazz—France—Paris—Historyandcriticism.I.Title. ML3509.F7Z47 2005 781.65'0944'361—dc22 2005008412 AcataloguerecordforthisbookisavailablefromtheBritishLibrary. Thepaperinthisbookmeetstheguidelinesforpermanenceanddurabilityofthe CommitteeonProductionGuidelinesforBookLongevityoftheCouncilon LibraryResources. 10 9 8 7 6 5 4 3 2 1 To Sam and Kate Hensler and Ben and Martine Zwerin, with love and gratitude. ManythankstothediscerningandencouragingreadersA.CraigCopetas, SarahMorrow,HowardMandel,ChrisParker,ChrisErikson,BillKirch- ner,andJohnKulka;toRandallKoralforbringingupJohnnyStaccato; tomylatefriendsMelFishmanandHartLeroyBibbs;andtopointmen everywhere. Swingisthepassingofgoodtime. Callingtimedon’tswing. Makingtimedon’tswing. Killingtimedon’tswing. Sparetimedon’tswing. Peoplewithgoodtimegotnotimetospare. Peoplecalled‘‘hip’’swing, ortheythinktheydo. Moneydon’tswing, thoughwhatitbuyscertainlycan. ‘‘Moneytime’’don’tswing. ‘‘Itdon’tmeanathingifyouain’tgotthatswing.’’ Monkswings—thePopedon’t. Russiansdon’tswing. Generalizationsdon’tswing —itmustbepossibletofindoneswingingRussian. Blackpeopleswingmorethanwhitepeople. Buppiesforgethowtoswingonpurpose. Blackpeoplearefunky. Whitepeoplewhocallblackpeoplefunkydon’tswing. Babiesarefunky(babiesswing). Asmileswings. Fartsarefunky. Americansgetlessfunkyallthetime, thoughtheycanstillswing. TheFrenchdonotswing, thoughtheyarefunky. Cunnilingusisfunky, buttheworddon’tswing. Ifyoudon’tknowwhatI’mtalkingabout— Youprobablydon’tswing. —MikeZwerin,recitedbyTedJoanson‘‘OneO’ClockJump’’ byZip,onitsacid-jazzalbumGettingXperimentalOverU (Verve/France). CONTENTS PREFACE xi 1 POOPANDHASSE-OLES 1 Barbershops&Whorehouses I StevieWonder 13 2 DEXTERGORDON:LIFEANDDEATHIN THEMARGIN 14 Barbershops&Whorehouses II OrnetteColemanandWaylonJennings 24 3 PLANELAND:BRINGINGUPBABY 25 Barbershops&Whorehouses III CountBasie 40 4 THESLUSHPUMPANDTHESILENTLETTER 42 Barbershops&Whorehouses IV ElvinJones 50 5 TIMOTHYLEARY:VOLTAGESMART 51 Barbershops&Whorehouses V Janos 59 6 JAZZINSIBERIA:LEFT-HANDEDTIMES 60 Barbershops&Whorehouses VI Willy(Mink)DeVille 70 7 CHETBAKER:HOWABOUTASNIFFETTE? 71 Barbershops&Whorehouses VII AstorPiazzolla 84 8 BOBDYLAN:DR.PITRE’SNOMINALAPHASIA 85

Description:
In his Beat-like jaunt through the Parisian and European jazz scene, Mike Zwerin is not unlike Jack Kerouac, Mezz Mezzrow, or Hunter S. Thompson—writers to whom, for different reasons, he owes some allegiance. What makes him special is his devotion to the troubled musicians he idolizes, and a pass
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.