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The Palgrave Handbook Of Cold War Literature PDF

826 Pages·2020·7.714 MB·English
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The Palgrave Handbook of Cold War Literature Edited by Andrew Hammond The Palgrave Handbook of Cold War Literature Andrew Hammond Editor The Palgrave Handbook of Cold War Literature Editor Andrew Hammond School of Humanities University of Brighton Brighton, UK ISBN 978-3-030-38972-7 ISBN 978-3-030-38973-4 (eBook) https://doi.org/10.1007/978-3-030-38973-4 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: © Alex-VN / Alamy Stock Photo This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland A cknowledgements Thanks go out to all those—too numerous to list—who assisted with the planning and development of the volume. I’m grateful for the input of Jack Heeney, Rebecca Hinsley and Camille Davies at Palgrave, and especially for the support of Ben Doyle, who commissioned the book and without whom it wouldn’t exist. As always with collections of essays, particular thanks go out to the contributors who, despite often impossible workloads, stuck with the project and produced such wonderful research. Brighton Andrew Hammond 2019 v c ontents Introduction 1 Andrew Hammond Section I Themes 21 Freedom and Fabrication: Propaganda and Novels in the Cultural Cold War 23 Catherine Turner Print Censorship and the Cultural Cold War: Books in a Bounded World 43 Nicole Moore ‘Our Embattled Humanity’: Global Literature in an Authoritarian Age 63 Andrew Hammond Inter/Transnational Feminist Literature of the Cold War 83 Sonita Sarker Reading Cold War Queer Literature Today: Recognition Beyond LGBTQ Identity Politics 103 Eric Keenaghan Beyond Containment: The Left-Wing Movement in Literature, 1945–1989 123 Andrew Hammond vii viii CoNTENTS The Politics of Vulnerability: Nuclear Peril and the Global Imagination 143 Daniel Cordle The Battle of Conferences: Cultural Decolonisation and Global Cold War 163 Monica Popescu The Bandung Era, Non-alignment and the Third-Way Literary Imagination 183 Christopher J. Lee and Anne Garland Mahler Section II Genres 203 The Spread of Socialist Realism: Soviet and Chinese Developments 205 Thomas Lahusen and Elizabeth McGuire Magical Realism in the Context of Cold War Cultural Interventions 225 Ignacio López-Calvo and Nicholas Birns Monstrous Epistemology: Paranoia and Postmodernism Across the Iron Curtain 245 Elana Gomel Divided Worlds: The Political Interventions of Science Fiction 263 Andrew Hammond and David Seed Plenty of Blame to Spread Around: Dystopia(nism) and the Cold War 283 Derek C. Maus World Citizens: Espionage Literature in the Cold War 303 Allan Hepburn Speaking Trauma and History: The Collective Voice of Testimonial Literature 323 Meg Jensen Cold War Poetry and Migrant Writing 345 Adam Piette CoNTENTS ix Dissent and Its Discontents in Cold War Poetry 367 Jacob Edmond Theatre and Drama in the Hot Zones of the Cold War: Selected Case Studies 387 Katherine Zien Section III Regions 407 Cold War Literature of North America 409 Art Redding Islands Between Worlds: Caribbean Cold War Literatures 431 Christopher T. Bonner Uneven Battles: Central American Cold War Literature 451 Sophie Esch An Ideological Pendulum: South American Literary Interventions in Cold War Politics 471 Juan G. Ramos The Soviet Cold War Literary Imagination 489 Evgeny Dobrenko and Vladimir Dobrenko Through the Iron Curtain: The Geopolitics of Writing in Eastern Europe 509 Dorota Kołodziejczyk and Mirja Lecke Western European Literature and the East-West Conflict 531 Andrew Hammond Gwebede’s Wars: Anglophone Black Novels in Southern Africa 1965–1989 551 Ranka Primorac and Stephen Chan Writing Africa Under the Cold War: Arrested Decolonisation and Geopolitical Integration 571 Madhu Krishnan x CoNTENTS Cold War Literature of the Middle East and North Africa 591 miriam cooke Cold War Literature in East Asia 613 Ann Sherif Cold War Violence, Nationalism and Structures of Feeling in the Literatures of Southeast Asia 633 Tony Day ‘No Ordinary Sun’: Indigenous Pacific Cold War Literature 651 Michelle Keown The Coldest War: Imagining Geopolitics from the Bottom of the Earth 677 Elizabeth Leane Bibliography 697 Index 787 n c otes on ontributors Nicholas Birns teaches at New York University. His most recent book is The Hyperlocal in Eighteenth- and Nineteenth-Century Literary Space (2019). He is also the author of Theory After Theory: An Intellectual History of Literary Theory from 1950 to the Early 21st Century (2010) and Contemporary Australian Literature: A World Not Yet Dead (2015). Christopher T. Bonner is Assistant Professor of French and International Studies at Texas A&M University. He received his PhD in French from New York University and has taught at the University of Connecticut-Storrs. He has published articles in Small Axe and International Journal of Francophone Studies and is currently working on a book project examining the ideological influence of the global Cold War upon the literary writings of French Caribbean authors of the 1950s. Stephen Chan oBE is Professor of World Politics at SoAS University of London, where he was Foundation Dean. He won the 2010 International Studies Association award, ‘Eminent Scholar in Global Development’, has published 33 books, many on Southern Africa, and has held named Chairs around the world. As an international civil servant he was deeply involved in the diplomacy surrounding Southern Africa from 1980 onwards. miriam cooke is Braxton Craven Distinguished Professor Emerita of Arab Cultures at Duke University. Her writings focus on the intersection of gender and war in modern Arabic literature and Arab women writers’ constructions of Islamic feminism, with a concentration on Syria and the Arab Gulf. She has co- edited several volumes and is the author of eight monographs, most recently Dancing in Damascus: Creativity, Resilience and the Syrian Revolution (2017). Daniel Cordle is Associate Professor in English and American Literature at Nottingham Trent University. Amongst his extensive writings on nuclear cul- ture are Late Cold War Literature and Culture: The Nuclear 1980s (2017) and States of Suspense: The Nuclear Age, Postmodernism and United States Fiction xi

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