The Owls Are Not What They Seem: Artist as Ethologist PDF
Preview The Owls Are Not What They Seem: Artist as Ethologist
The Owls Are Not What They Seem Forerunners: Ideas First Short books of thought-i n- process scholarship, where intense analy- sis, questioning, and speculation take the lead FROM THE UNIVERSITY OF MINNESOTA PRESS Arnaud Gerspacher The Owls Are Not What They Seem: Artist as Ethologist Tyson E. Lewis and Peter B. Hyland Studious Drift: Movements and Protocols for a Postdigital Education Mick Smith and Jason Young Does the Earth Care? Indifference, Providence, and Provisional Ecology Caterina Albano Out of Breath: Vulnerability of Air in Contemporary Art Gregg Lambert The World Is Gone: Philosophy in Light of the Pandemic Grant Farred Only a Black Athlete Can Save Us Now Anna Watkins Fisher Safety Orange Heather Warren- Crow and Andrea Jonsson Young- Girls in Echoland: #Theorizing Tiqqun Joshua Schuster and Derek Woods Calamity Theory: Three Critiques of Existential Risk Daniel Bertrand Monk and Andrew Herscher The Global Shelter Imaginary: IKEA Humanitarianism and Rightless Relief Catherine Liu Virtue Hoarders: The Case against the Professional Managerial Class Christopher Schaberg Grounded: Perpetual Flight . . . and Then the Pandemic Marquis Bey The Problem of the Negro as a Problem for Gender Cristina Beltrán Cruelty as Citizenship: How Migrant Suffering Sustains White Democracy Hil Malatino Trans Care Sarah Juliet Lauro Kill the Overseer! The Gamification of Slave Resistance Alexis L. Boylan, Anna Mae Duane, Michael Gill, and Barbara Gurr Furious Feminisms: Alternate Routes on Mad Max: Fury Road Ian G. R. Shaw and Marv Waterstone Wageless Life: A Manifesto for a Future beyond Capitalism Claudia Milian LatinX Aaron Jaffe Spoiler Alert: A Critical Guide Don Ihde Medical Technics Jonathan Beecher Field Town Hall Meetings and the Death of Deliberation Jennifer Gabrys How to Do Things with Sensors Naa Oyo A. Kwate Burgers in Blackface: Anti-B lack Restaurants Then and Now Arne De Boever Against Aesthetic Exceptionalism Steve Mentz Break Up the Anthropocene John Protevi Edges of the State Matthew J. Wolf-M eyer Theory for the World to Come: Speculative Fiction and Apocalyptic Anthropology Nicholas Tampio Learning versus the Common Core Kathryn Yusoff A Billion Black Anthropocenes or None Kenneth J. Saltman The Swindle of Innovative Educational Finance (Continued on page 95) The Owls Are Not What They Seem Artist as Ethologist Arnaud Gerspacher University of Minnesota Press Minneapolis London Copyright 2022 by Arnaud Gerspacher All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, elec- tronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. ISBN 978-1 - 5179-1 356-4 (PB) ISBN 978-1 - 4529-6 739-4 (Ebook) ISBN 978-1 - 4529-6 816-2 (Manifold) Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2 520 http://www.upress.umn.edu Available as a Manifold edition at manifold.umn.edu The University of Minnesota is an equal- opportunity educator and employer. In memory of Martin Roth (1977– 2019) This page intentionally left blank Contents Preface xi Introduction: Some Donkeys, a Stuffed Monkey, and the Animal Factishe 1 Ethology and Art: Modernist Behaviorists and Avant- Garde Field Aesthetics 19 Step 1: Deconditioning Animality (Still Humanist in Certain Regards) 33 Step 2: Nonhuman Worlds (Entering Posthumanism) 53 Step 3: Zoopolitics (A Political Critical Ethology) 79 Acknowledgments 93
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