The Opera Quarterly 2000: Vol 16 Index

11 Pages·2000·2.2 MB·English

The Opera Quarterly
Index to Volume 16
Articles
ARTASERSI CALLAS, MARIA
“Hasse at the Crossroads: Artaserse (Venice, “Callas at EMI: Remastering and
1730), Dresden, and Vienna” by Daniel Perception” by Robert E. Seletsky
Heartz (2 illus.): 1, 24-33 (1 illus.): 2, 240-55
BALLO IN MASCHERA, UN CD MAKING, ETC.
“ByOrling and Ballo: “The Most Unkindest “Digital Revolution and Millennium Temp-
Cut of AIP?” by Andrew Farkas (2 illus.): tations for Opera Collectors: CD Making,
2, 190-203 Sound Editing, PC Audio Files, CD-ROMs?
by Giorgio Migliavacca: 4, 639-43
BJORLING, JUSSI
EMPEROR OF ATLANTIS, THE
“Byorling and Ballo: “The Most Unkindest
Cut of AIP” by Andrew Farkas (2 illus.): “Death, Where Is Thy Sting?’ The Emperor
190-203 of Atlantis” by Linda Hutcheon and
“Jussi ByOrling (1911 1960): A Michael Hutcheon: 2, 224-39
Remembrance” by London Green,
William Ashbrook, M. Owen Lee, Robert
FAULL, ELLEN
Baxter (3 illus.): 2, 181-89
“Ellen Faull: A Life in Song” by Jeffrey L.
Buller (4 illus., discography): 3, 427-43
BOSTON
“The Tremont Theatre and the Rise of
Opera in Boston, 1827-1847” by GROTESQUE IN OPERA
Stuart W. Rogers (7 illus., appendix): 3, “The Musical Representation of the
263-96 Grotesque in Nineteenth-Century Opera”
by Rodney Stenning Edgecombe (4 illus.,
& Mus. €X.): 1h. 34—§1
BOULANGER, NADIA
“Nadia Boulanger’s and Raoul Pugno’s La
HASSE, JOHANN ADOLF
ville morte” by Caroline Potter (1 illus., 3
mus. ex., table): 3, 397-406 “Hasse at the Crossroads: Artaserse (Venice,
1730), Dresden, and Vienna” by Daniel
Heartz (2 illus.): 1, 24-33
The Opera Quarterly
Index to Volume 16
Articles
ARTASERSI CALLAS, MARIA
“Hasse at the Crossroads: Artaserse (Venice, “Callas at EMI: Remastering and
1730), Dresden, and Vienna” by Daniel Perception” by Robert E. Seletsky
Heartz (2 illus.): 1, 24-33 (1 illus.): 2, 240-55
BALLO IN MASCHERA, UN CD MAKING, ETC.
“ByOrling and Ballo: “The Most Unkindest “Digital Revolution and Millennium Temp-
Cut of AIP?” by Andrew Farkas (2 illus.): tations for Opera Collectors: CD Making,
2, 190-203 Sound Editing, PC Audio Files, CD-ROMs?
by Giorgio Migliavacca: 4, 639-43
BJORLING, JUSSI
EMPEROR OF ATLANTIS, THE
“Byorling and Ballo: “The Most Unkindest
Cut of AIP” by Andrew Farkas (2 illus.): “Death, Where Is Thy Sting?’ The Emperor
190-203 of Atlantis” by Linda Hutcheon and
“Jussi ByOrling (1911 1960): A Michael Hutcheon: 2, 224-39
Remembrance” by London Green,
William Ashbrook, M. Owen Lee, Robert
FAULL, ELLEN
Baxter (3 illus.): 2, 181-89
“Ellen Faull: A Life in Song” by Jeffrey L.
Buller (4 illus., discography): 3, 427-43
BOSTON
“The Tremont Theatre and the Rise of
Opera in Boston, 1827-1847” by GROTESQUE IN OPERA
Stuart W. Rogers (7 illus., appendix): 3, “The Musical Representation of the
263-96 Grotesque in Nineteenth-Century Opera”
by Rodney Stenning Edgecombe (4 illus.,
& Mus. €X.): 1h. 34—§1
BOULANGER, NADIA
“Nadia Boulanger’s and Raoul Pugno’s La
HASSE, JOHANN ADOLF
ville morte” by Caroline Potter (1 illus., 3
mus. ex., table): 3, 397-406 “Hasse at the Crossroads: Artaserse (Venice,
1730), Dresden, and Vienna” by Daniel
Heartz (2 illus.): 1, 24-33
INDE X ras
INTERNET RADIO OPERA
“Opera on the Internet? by Pierre Bellemare, “Before the Met: The Pioneer Days of
Ly le K. Neff, Mike Richter, Peter Caleb: 4, Radio Opera Part 1, An Overview” by
611-38 Jim McPherson (1 illus., chronology): 1,
§=23
“Before the Met: The Pioneer Day s of
LOVE FOR THREE ORANGES, THI Radio € Part The NBC
WACO Opera art 2, ihe Nb
“Prokofiev's Three Oranges: A Chicago National Grand Opera Company” by
World Premiere” by Eugene H. Cropsey Jim McPherson (3 illus., appendix): 2,
(4 illus.): 1, 52-67 204-23
“Before the Met: The Pioneer Days of
Radio Opera — Part 3, Cesare Sodero,
NBC NATIONAL GRAND OPERA
The Music Man” by Jim McPherson
COMPANY
(3 illus.): 3, 407-26
“Betore the Met: The Pioneer Day s of
Radio Opera — Part 2, The NBC
; : a RECORDED OPERA AND SONG
National Grand Opera Company” by
Jim McPherson (3 illus., appendix): 2, “Waxing Poetic: A Century of Great
204-23 Moments in Recorded Opera and
Song” by London Green (6 illus.): 4,
§71-88
NEW OPERA COMPANY, THI
“The New Opera Company: What Did It
Saad RUDEL, JULIUS
AccompliIs h?” by John Pennino (7 illus.):
4, 589-61 “Julius Rudel: A Maestro for All
Seasons” by Vera Giannini (2 illus.): 1,
68-73
PACINI, GIOVANNI
“Giovanni Pacini: An Old Composer for
the New Millennium?” by Tom Kaufman SODERO, CESARE
(1 table): 3, 349-62 “Betore the Met: The Pioneer Days of
Radio Opera — Part 3, Cesare Sodero, The
Music Man” by Jim McPherson (3 illus.):
PLEASANTS, HENRY 3, 407-26
“Quarter Notes: O, Henry!” by Bruce
Burroughs: 3, 341-48
7 rTREMONT THEATRI
“The Tremont Theatre and the Rise of Opera
PROKOFIEV, SERGEI in Boston, 1827-1847" by Stuart W.
“Prokofiev's Three Oranges: A Chicago Rogers: 3, 363-96
World Premiere” by Eugene H. Cropsey
(4 illus.): 1, 52-67
VILLE MORTE, LA
as ae y “Nadia Boulanger’s and Raoul Pugno’s
pene rere La ville morte” by Caroline Potter
“Nadia Boulanger’s and Raoul Pugno’s (1 illus., 3 mus. ex., table): 3,
La ville morte” by Caroline Potter 397-406
(1 illus., 3 mus. ex., table): 3,
397-400
736 INDEX
Author
AGOL, ALAN W. BELLEMARE, PIERRE
“OperaKrostik” (quiz), 1, 75-77 “Opera on the Internet: Opera-L, by
“OperaKrostik” (quiz), 2, 257-59 Someone Who Has Been There.” 4,
“Operakrostik” (quiz), 3, 445-4 O1§—25§
ALBRIGHT, WILLIAM
BENEDUM, RICHARD
“Turn-of-Millennium Notes: Survey of an
Book Review
Era” (1 illus.): 4, $46-—47
Schroeder, Mozart in Revolt: Strategies of
Book Review Resistance, Mischnef; and Deception, 3,
Hempel, My Golden Age of Singing, 1, 87-9
4606-68
Record Review
Sernstein: Trouble in Tahiti, 4, 699-702
BRUCE, DAVID
“Quarterly Quiz: Three Centuries of
ASHBROOK, WILLIAM
Singer Anecdotes.” 4, 645-49
‘Jussi Bj6rling (1911-1960): A Remembrance”
(1 illus.): 2, 184-85
“Turn-of-Millennium Notes: Survey of an BRUDER, HAROLD
Era” (1 illus.): 4, 547-48
Rec ord Rev icw S
Record Reviews
Eugenia Burzio, Verismo Soprano: Complete
Joel Berglund, 2, 292-93
Operatic Repertoire, 3, 491-93
Bizet: Carmen, 2, 3 I-13
Three Edison Tenors, 4, 666-68
Phyllis Curtin: Opera Arias (1960-1968), 2,
294-95
Donizetti: Alahor in Granata, 3, 499-502 BULLER, JEFFREY L.
Donizetti: Zoraida di Granata, 3, 499-502
“Ellen Faull: A Life in Song” (4 illus.,
Great Singers in Donizetti, 1, 159-61 discography): 3, 427-43
BAXTER, ROBERT BURROUGHS, BRUCI .
“Jussi BjOrling (1911-1960): A “Quarter Notes,” 3, 341-48
Remembrance” (1 illus.): 2, 187—89 “Turn-of-Millennium Notes: Survey of an
Be rt »k Rey ICWS Era” (1 illus.): 4, 352-56
Borkh, “Ich komm’ vom Theater nicht los Record Review
Erinnerungen und Einsichten, 2, 278-83 Dallapiccola: I/ prigioniero, 4, 686-94
Gedda, My Life and Art, 3, 448-54
Ludwig, In My Own Voice: Memoirs, 3,
445—$4 CALEB, PETER
Mod, So war mein Weg: Gespréiche mit “Opera on the Internet: Introduction [and]
Thomas Voigt, 2, 278-83 Library Resources on the Internet,” 4,
Record Reviews 611-12; 633-37
Josée Cura: Verismo, 3, 530-3:
Mascagni: Guglielmo Ratcliff, 2, 316-18
CAMPBELL, CATHERINE E.
Book Review
BEEGLE, RAYMOND
Rosmarin, When Literature Becomes Opera,
“Turn-of-Millennium Notes: Survey of an I, 104—§
Era” (illus.): 4, 548-5
INDEX ‘
a
CROPSEY, EUGENE H. Record Reviews
Donizetti: I/ fortunato inganno, 3, 502-3
“Prokofiew’s Three Oranges: A Chicago
Mozart: Cosi fan tutte (3 recordings és
World Premiere” (4 illus.): 1, 52-67
673-77
: Mitridate, re di Ponto, 2, 301-3
EDGECOMBE, RODNEY STENNING Strauss, Die Fledermaus, 1, 138-41
“The Musical Representation of the
Grotesque in Nineteenth-Century Opera” GOEHRING, EDMUND J.
(4 illus., 8 mus. ex.): 1, 34-51
Book Review
Link, The National Court Theatre in Mozart’s
FARKAS, ANDREW Vienna: Sources and Documents, 1783-1702,
4, 0§ 56
“Byorling and Ballo: ‘The Most Unkindest
Cut of All?” (2 illus.): 2, 190-203
“Turn-of-Millennium Notes: Survey of an GRAEME, ROLAND
Era” (1 illus.): 4, 5s6—§7
Record Reviews
Record Reviews
Chausson: Le roi Arthus, 1, 146-49
Puccini: Manon Lescaut, 2, 313-16
Donizetti: La favorite, 3, 510-13
Verdi: Un ballo in maschera, 2, 307-11
Handel “Operatic Arias”, 1, 157-58
Handel: Vincer se stesso é la maggior vittoria
FRANCIS, MARY C. (Rodrigo), 2, 299-301
Monteverdi: L’Orfeo, 2, 295-98
Book Reviews
Schubert: Der vierjahrige Posten and Die
Dellamora and Fischlin, eds., The Work of
Zwillingsbriider, 1, 127-29
Opera: Genre, Nationhood, and Sexual
Sutermeister: Die schwarze Spinne, 4, 683-86
Difference, 2, 260-64
Ichaikovsky: Tiherevichki, 1, 142-46
Lindenberger, Opera in History: From
Vaughan Williams: The Pilgrim’s Progress, 4,
Monteverdi to Cage and Bokina, Opera and
702-6
Politics: From Monteverdi to Henze, 1, 78-83
Verdi per due, 3, 527-29
FREGOSI, WILLIAM
GREEN, LONDON
Record Review “Jussi BjOrling (1911-1960):
Rossini: Guglielmo Tell, 4, 677-8 A Remembrance” (1 illus.): 2, 181-84
“Waxing Poetic: A Century of Profound
Moments on Operatic Recordings”
GIANNINI, VERA
(1 illus.): 4, 571-88
“Julius Rudel: A Maestro for All Seasons”
(2 illus.): 1, 68—73
HAAS, DAVID
Book Review
GLASOW, E. THOMAS
[aruskin, Defining Russia Musically: Historical
“Quarter Notes” (editorial), 1, 1-3 and Hermeneutical Essays, 2, 275-78
“Quarter Notes” (editorial), 2, 177-78
“Turn-of-Millennium Notes: Survey of an
Era” (1 illus.): 4, s§8—so HATCH, CHRISTOPHER
Book Reviews
Be ok Rev icw S
Dill, Monstrous Opera: Rameau and the Bourne, Who’s Who in Opera, 3, 461-63
Tragic Tradition, 3, 464-65 Deaville, ed., Wagner in Rehearsal,
Hunter and Webster, eds., Opera Buffa in 1875-1876: The Diaries of Richard Fricke,
Mozart’s Vienna, 1, 96-98 I, IO1—3
730 IN DEX
HATCH, CHRISTOPHER (continued) LAW, JOE K.
Lee, Wagner: The Terrible Man and His “Turn-of-Millennium Notes: Survey of
Truthful Art, 4, 659-61 an Era” (1 illus.): 4, 562
Book Reviews
Cooke, ed., The Cambridge Companion to
HEARTZ, DANIEI Benjamin Britten, 3, 477-81
Lee, A Season of Opera: From Orpheus to
“Hasse at the Crossroads: Artaserse (Venice,
Ariadne, 1, 105-8
1730), Dresden, and Vienna” (2 illus.): 1,
24.—33 Rec ord Reviews
Britten: Billy Budd, 1, 153-56
Prokofiev: Betrothal in a Monastery (two
HUTCHEON, LINDA recordings), 2, 319-22
Wallace: Harvey Milk, 4, 711-15
“Death, Where Is Thy Sting?’ The Emperor
of Atlantis.’ 2, 224-39
LEE, M. OWEN
HUTCHEON, MICHAEI “Jussi BjOrling (1911-1960): A
Remembrance” (1 illus.): 2, 185-87
“Death, Where Is Thy Sting? The Emperor
of Atlantis? 2, 224-39
McCKEE, DAVID
JELLINEK, GEORGI “Turn-ot-Millennium Notes: Survey of an
Record Reviews Era” (1 illus.): 4, 562-63
Book Reviews
Saint-Saéns: Samson et Dalila, 1, 141-42
Bessette, Mario Lanza: Tenor in Exile, 3,
Shostakovich: The Gambler and The Nose,
4, 68 $3 454-60
Bond, The Autobiography of Maria Callas:
A Novel, 2, 287-90
KAUFMAN, TOM Hoelterhoft, Cinderella & Company:
Backstage at the Opera with Cecilia Bartolt,
“Giovanni Pacini: An Old Composer for the
2, 265-7
New Millennium?” 3, 349-62
Video Review
“Turn-of-Millennium Notes: Survey of an
Era” (1 illus.): 4, ss9-62 Puccini: Tosca, 3, 487-9 i
Record Reviews
Book Review
Donizetti: Lucia di Lammermoor, 1, 133-36
Gerhard, The Urbanization of Opera:
Glass: the CIVIL wars: a tree is best measured
Music Theater in Paris in the Nineteenth
when it is down (Act V—the Rome Section),
Century, 4, 661-64
4. 7OO—1]
Korngold: Die tote Stadt, 1, 149-53
KIMBALI CARO! Picker: Emmeline, 3, 623-526
Previn: A Streetcar Named Desire, 4, 718-23
Record Rev IcW
Poulenc: Les mamielles de Tiresias, 4.
6904-90 McPHERSON, JIM
“Betore the Met: The Pioneer Days of
KIMBROUGH, R. ALAN Radio Opera — Part 1, An Overview”
(1 illus., chronology): 1, 5-23
Book Review
Hunter, The Culture of Opera Buffa in “Betore the Met: The Pioneer Days of
Radio Opera — Part 2, The NBC National
Mozart’s Vienna: A Poetics of Entertainment,
Grand Opera Company” (3 illus.,
3, 469-73
ippendix): 2, 204-23
INDEX 7 wa 9
“Before the Met: The Pioneer Days of PINES, ROGER
Radio ¢ pera Part 3, Cesare Sodero,
Record Reviews
The Music Man” (3 illus.): 3, 407-26
Beethoven: Fidelio, 2, 303-5
“Turn-of-Millennium Notes: Survey of an
Marcel Journet: The Complete Solo
Era” (1 illus.): 4, 563-65
Gramophone Recordings 1909-1033, 1
120 24
MIGLIAVACCA, GIORGIO Menotti: The Consul, 4, 696-99
“Digital Revolution and Millennium Rossini: Ricciardo e Zoraide, 1, 13 ~~ i)
[emptations for Opera Collectors:
CD Making, Sound Editing, P¢ POTTER, CAROLINE
Audio Files, CD-ROMs? 4, 639-44
“Nadia Boulanger’s and Raoul Pugno’s
Rec ord Rev icW S
La ville morte” (1 illus., 3 mus. ex., table): 3,
Donizetti: Adelia, 3, 513-16
Donizetti: Maria de Rudenz, 3, so8—9 39 406
PRAG, ROBERT
NEFF, LYLE K.
Video Review
“Opera on the Internet: Opera-Related
Opera Fanatic: Stefan and the Divas, 1, 117-19
Databases on the Internet.” 4, 625-33
Record Review
Puccini: La rondine (8 recordings), 3, 517-23
NELSON, BYRON
Book Reviews RICHTER, MIKE
Cicora, Mythology as Metaphor:
“Opera on the Internet: The Internet”
Romantic Irony, Critical Theory, and
4, 612-14
Wagner's “Ring” and Wagner's “Ring”
and German Drama: Comparative
Studies in Mythology and History in Drama, RISHOI, NIEI
2, 271-75
“Turn-of-Millennium Notes: Survey of an
Lavielle, Carmen: The Seduction of the
Era” (1 illus.): 4, 565-67
Century, 4, 657-59
Video Reviews
Donizetti: Lucia di Lammermoor, 3, 484-87
PARKER, ROGER Ponchielli: La Gioconda, 1, 115-17
Record Review
Rec ord Rey 1icWs Iva Pacett1, 3, 493-95
Donizetti: Parisina, 3, 504-5
“Two Preeminent Italian Sopranos of the
Donizetti: Roberto Devereux, 3, 505-8
[wentieth Century”: Giannina Arangt-
Lombardi and Bianca Scacciatt, 4, 668-73
PEARCE, JOFI
Book Review ROGERS, STUART W.
Turk, Hollywood Diva: A Biography of
“The Tremont Theatre and the Rise of
Jeanette MacDonald, 1, 90-95
Opera in Boston, 1827-1847” (7 illus.,
Videc » Review appendix): 3, 363-96
Carmen (1915 silent film), 1, 111-14
ROSENBERG, MARION LIGNANA
PENNINO, JOHN
Book Review
“The New Opera Company: What Did
Galatopoulos, Maria Callas: Sacred Monster,
It Accomplish?” (7 illus.): 4, 589-61
2, 284-87
7 4 0 IN DE X
ROSENBERG, MARION LIGNANA (continued) WILLIER, STEPHEN A.
Record Reviews Book Review
Cimarosa: L’italiana in Londra and Le donne Sacher, Opera: A Listener’s Guide, 1,
rivall, 1, 124.-26 83-87
Daugherty: Jackie O, 4, 715-17 Record Review
Rossini: La Cenerentola, 2, 305-7 Meverbeer: L’¢toile du nord, 1, 137-38
SELETSKY, ROBERT E. ZYCHOWICZ, JAMES L.
“Callas at EMI: Remastering and Book Reviews
Perception” (1 illus.): 2, 240-55 Gilliam, The Life of Richard Strauss,
3, 474-70
Kennedy, Richard Strauss: Man, Musician,
SLOAN, IRENI Enigma, 1, 98-101
“Turn-of-Millennium Notes: Survey of an
Era” (1 illus.): 4, §67—7
Books Reviewed
Bessette, Roland L., Mario Lanza: Tenor in Dill, Charles, Monstrous Opera: Rameau and
Exile, reviewed by David McKee, 3, 454-60 the Tragic Tradition, reviewed by E.
Bokina, John, Opera and Politics: From Thomas Glasow, 3, 464-65
Monteverdi to Henze, reviewed by Mary C. Galatopoulos, Stelios, Maria Callas: Sacred
Francis, 1, 78-83 Monster, reviewed by Marion Lignana
Bond, Alma H., The Autobiography of Maria Rosenberg, 2, 284-87
Callas: A Novel, reviewed by David Gedda, Nicolai, My Life and Art, reviewed
McKee, 2, 287-9 by Robert Baxter, 3, 448-53
Borkh, Inge, “Ich komm’ vom Theater nicht Gerhard, Anselm, The Urbanization of Opera:
los... .: Erinnerungen und Einsichten, Music Theater in Paris in the Nineteenth
reviewed by Robert Baxter, 2, 278-83 Century, reviewed by Tom Kaufman, 4,
Bourne, Joyce, Who's Who in Opera, O61—64
reviewed by Christopher Hatch, 3, 461-63 Gilliam, Bryan, The Life of Richard ;
Cicora, Mary A., Mythology as Metaphor: Strauss, reviewed by James L. Zychowicz, 3,
Romantic Irony, Critical Theory, and 474-76
Wagner's “Ring,” reviewed by Byron Hempel, Frieda, My Golden Age of
Nelson, 2, 271-75 Singing, reviewed by William Albright, 1,
Cicora, Mary A., Wagner's “Ring” and 87-90
German Drama: Comparative Studies in Hoelterhoft, Manuela, Cinderella &
Mythology and History in Drama, reviewed Company: Backstage at the Opera with
by Byron Nelson, 2, 271-75 Cecilia Bartoli, reviewed by David Me Kee,
Cooke, Mervyn, ed., The Cambridge 2, 265-7
Companion to Benjamin Britten, reviewed Hunter, Mary, Te Culture of Opera Buffa
by Joe K. Law, 3, 477-81 in Mozart’s Vienna: A Poetics of Entertain-
Deaville, James, with Evan Baker, eds., ment, reviewed by R. Alan Kimbrough, 3,
Wagner in Rehearsal, 1875-1876: The Diaries 469-73
of Richard Fricke, reviewed by Christopher , and James Webster, eds., Opera Buffa
Hatch, 1, 101-3 in Mozart’s Vienna, reviewed by E.
Dellamora, Richard, and Daniel Fischlin, Thomas Glasow, 1, 96-98
eds., The Work of Opera: Genre, Nationhood, Kennedy, Michael, Richard Strauss: Man,
and Sexual Difference, reviewed by Mary C. Musician, Enigma, reviewed by James L.
Francis, 2, 260-64 Zychowicz, 1, 98-101
||
INDEX 741
Lavielle, Gail, Carmen: The Seduction of mit Thomas Voigt, reviewed by Robert
the Century, reviewed by Byron Nelson, Baxter, 2, 278-83
4, 657-59 Rosmarin, Léonard, When Literature Becomes
Lee, M. Owen, A Season of Opera: From Opera, reviewed by Catherine E.
Orpheus to Ariadne, reviewed by Joe K. Campbell, 1, 104-5
Law, 1, 105-8 Sacher, Jack, Opera: A Listener’s Guide,
, Wagner: The Terrible Man and His reviewed by Stephen A. Willier, 1,
Truthful Art, reviewed by Christopher 83-87
Hatch, 4, 659-61 Schroeder, David, Mozart in Revolt: Strategies
Lindenberger, Herbert, Opera in History: of Resistance, Mischief; and Deception,
From Monteverdi to Cage, reviewed by reviewed by Richard Benedum, 3, 466—68
Mary C. Francis, 1, 78-83 ‘Taruskin, Richard, Defining Russia
Link, Dorothea, The National Court Theatre Musically: Historical and Hermeneutical
in Mozart’s Vienna: Sources and Documents, Essays, reviewed by David Haas, 2,
1783-1792, reviewed by Edmund J. 275—78
Goehring, 4, 650-56 lurk, Edward Baron, Hollywood Diva:
Ludw ig, Christa, Jz My Own Voice: Memoirs, A Biography of Jeanette MacDonald,
reviewed by Robert Baxter, 3, 448-54 reviewed by Joe Pearce, 1,
M6dl, Martha, So war mein Weg: Gesprache 9 Os
Videos Reviewed
Carmen (Cecil B. DeMille silent film), Ponchielli: La Gioconda, reviewed by Niel
reviewed by Joe Pearce, 1, 11-14 Rishot, 1, 115-17
Donizetti: Lucia di Lammermoor, reviewed Puccini: Tosca, reviewed by David McKee,
by Niel Rishoi, 3, 484-87 3, 487-9
Opera Fanatic: Stefan and the Divas, reviewed
by Robert Prag, 1, 117-19
Recordings Reviewed
Beethoven: Fidelio, reviewed by Roger Pines, Phyllis Curtin: Opera Arias (1960-1968),
“>5 321V90527—<5¢ reviewed by William Ashbrook, 2,
Joel Berglund, reviewed by William 2904-95
Ashbrook, 2, 292-93 Dallapiccola: I/ prigioniero, reviewed by
Bernstein: Trouble in Tahiti, reviewed by Bruce Burroughs, 4, 686-94
William Albright, 4, 699-702 Daugherty: Jackie O, reviewed by
Bizet: Carmen, reviewed by William Marion Lignana Rosenberg, 4,
Ashbrook, 2, 311-13 15—17
Britten: Billy Budd, reviewed by Joe K. Law, Donizetti: Adelia, reviewed by Giorgio
1, 153-S6 Migliavacca, 3, §13—16
Eugenia Burzio, Verismo Soprano: Complete Alahor in Granata, reviewed by
Operatic Repertoire, reviewed by Harold William Ashbrook, 3, 499—s02
Bruder, 3, 491-93 : La favorite, reviewed by Roland
Chausson: Le rot Arthus, reviewed by Roland Graeme, 3, 510-13
Graeme, I, 146-49 : Il fortunato inganno, reviewed by
Cimarosa: Litaliana in Londra and Le donne E. Thomas Glasow, 3, 502-3
rivali, reviewed by Marion Lignana : Lucia di Lammermoor, reviewed by
Rosenberg, 1, 124-26 David McKee, 1, 133-36
Jose Cura: Verismo, reviewed by Robert : Maria de Rudenz, reviewed by
Baxter, 3, 530-32 Giorgio Mighiavacca, 3, 08-9
: Parisina, reviewed by Roger Parker, Puccini: Manon Lescaut, reviewed by Andrew
3, JO4-§ Farkas, 2, 313-16
: Roberto Devereux, reviewed by Roger : La rondine (8 recordings), reviewed
Parker, 3, 505-8 by Robert Prag, 3, 517-23
: Zoraida di Granata, reviewed by Purcell: Dido and Aeneas, reviewed by
William Ashbrook, 3, 499-502 Roland Graeme, 3, 496-98
Glass: the CIVIL wars: a tree ts best measured Rossini: La Cenerentola, reviewed by
when it 1s down (Act V—The Rome Section), Marion Lignana Rosenberg, 2, 305
reviewed by David McKee, 4, 706-1 : Guglielmo Tell, reviewed by William
Great Singers in Donizetti, reviewed by Fregosi, 4, 677-80
William Ashbrook, 1, 159-61 : Ricciardo e Zoraide, reviewed by
Handel “Operatic Arias,” reviewed by Roland Roger Pines, 1, 130-32
Graeme, 1, 157-58 Saint-Saéns: Samson et Dalila, reviewed by
Handel: Vincer se stesso ¢ la maggior vittoria George Jellinek, 1, 141-42
(Rodrigo), reviewed by Roland Graeme, Schubert: Der vierjabrige Posten and
2, 299-301 Die Zwillingsbrider, reviewed by
Marcel Journet: The Complete Solo Gramophone Roland Graeme, 1, 127-29
Recordings 1909-1933, reviewed by Roger Shostakovich: The Gamblers and The
Pines, 1, 12 4 Nose, reviewed by George Jellinek, 4,
Korngold: Die tote Stadt, reviewed by David os 83
Me Kee, L, 14.90 -—$3 Strauss: Die Fledermaus, reviewed by
Mascagni: Guglielmo Ratcliff, reviewed by E. Thomas Glasow, 1, 138-41
Robert Baxter, 2, 316-18 Sutermeister: Die schwarze Spinne,
Menotti: The Consul, reviewed by Roger reviewed by Roland Graeme, 4,
Pines, 4, 696-99 6383-86
Meverbeer: L toile du nord, reviewed by Ichaikovsky: Tiherevichki, reviewed by
Stephen A. Willier, 1, 137-38 Roland Graeme, 1, 142-46
Monteverdi: L’Orfeo, reviewed by Roland Three Edisen Tenors: Giuseppe Anselmi,
Graeme, 2, 295-98 Alessandro Bonet, José Mojica, reviewed by
Mozart: Cost fan tutte (3 recordings), Harold Bruder, 4, 666-68
reviewed by E. Thomas Glasow, 4, 673-77 “Iwo Preeminent Italian Sopranos of the
Mitridate, Vt ai Ponto, review ed by Iwentieth Century”: Giannina Arangi
E. Thomas Glasow, 2, 301-3 Lombardi and Bianca Scacciatt —Arie
Iva Pacetti, reviewed by Niel Rishoi, 3, a opera (1926-1932), reviewed by Niel
493-90 Rishoi, 4, 668—73
Picker: Emmeline, reviewed by David Vaughan Williams: The Pilgrim’s Progress,
McKee, 3, 523-26 reviewed by Roland Graeme, 4,
Poulenc: Les mamelles de Tirvesias, reviewed 702-6
by Carol Kimball, 4, 604-96 Verdi: Un ballo in maschera, reviewed by
Previn: A Streetcar Named Desire, reviewed Andrew Farkas, 2, 307-11
by David McKee, 4, 718-23 Verdi per due, reviewed by Roland Graeme, 3,
Prokofiev: Betrothal in a Monastery (two $27 —3
recordings), reviewed by Joe K. Law, 2, Wallace: Harvey Milk, reviewed by Joe K.
319-22 Law, 4, 711-15