The Opera Quarterly 1996 - 1997: Vol 13 Index

11 Pages·1.7 MB·English

The Opera Quarterly
Index to Volume 13
Articles
ABBOTT “The Annals of the Ravinia Opera, Part 2:
1917-1921” by Robert C. Marsh: 4, 123-39
“Grand Opera Comes to Denver, 1864-1881”
“The Ravinia Opera, 1912-1931” by Robert C.
by Harlan Jennings: 3, 57-84
Marsh: 3, 97-106
ADAMS
COSI FAN TUTTE
“An Interview with John Adams” by Matthew
“Musical Disguises in Mozart’s Late
Daines (1 illus.): 1, 37-54
Comedies” by Joseph P. Swain (6 mus.
€x.): 4, 47-58
ARABELLA
“Hugo von Hofmannsthal’s Ideal Woman: DEBUSSY
A Psychoanalytic Perspective” by Beth Hart
“Debuts and Debussy: 1900-1903” by
(12 illus.): 4, 93-121
Michael T. R. B. Turnbull: 4, 5-18
BJORLING
DENVER
“Jussi BjOrling’s Debut at the Met” by Anna- “Grand Opera Comes to Denver, 1864-1881”
Lisa Bj6rling and Andrew Farkas: 2, 75-88 by Harlan Jennings: 3, 57-84
LA BOHEME
DI MURSKA
“The Three Faces of ‘Eve’: A Second-Person
“Grand Opera Comes to Denver, 1864-1881”
Analysis of Italian Opera” by P. F. Zweifel:
by Harlan Jennings: 3, 57-84
3, 85-95
DIDO AND AENEAS
BROADCASTING
“So Fair the Game, So Rich the Sport’: Dido
“The Vocal Scene” by George Jellinek (2 illus.):
and Aeneas on Record” by Roland Graeme:
2, 5-1
I, §§-70
CHICAGO
DON GIOVANNI
“The Annals of the Ravinia Opera, Part 1:
“Don Giovanni Shavianized: Man and
1912—1916” by Robert C. Marsh: 3, 107—16
Superman as Mozartean Commentary”
by Arthur Ganz: 1, 21-28
22-3
“Musical Disguises in Mozart’s Late THE LEGEND OF THE INVISIBLE
Comedies” by Joseph P. Swain (6 mus. CITY OF KITEZH AND THE
ex.): 4, 47-58 MAIDEN FEVRONIYA
“The Three Faces of ‘Eve’: A Second-Person
“Kitezh and the Russian Notion of Oriental
Analysis ofI talian Opera” by P. F. Zweifel:
Despotism” by Ibrahim Quraishi (3 mus.
3, 85-95
ex.): 2, 69-74
EDDY
LIND
“Nelson Eddy’s Career in Opera” by William
“Manuel Garcia the Elder: His School and
Ashbrook (4 illus.): 3, 7-18
His Legacy” by Harold Bruder (5 illus.,
discography): 4, 19-46
GARCIA
“Manuel Garcia the Elder: His School and MADELEINE
His Legacy” by Harold Bruder (s illus.,
“Victor Herbert’s Madeleine” by Edward
discography): 4, 19-46
Hagelin Pearson (2 mus. ex., 7 illus.):
4, 59-75
GARDEN
“Debuts and Debussy: 1900-1903” by MAHLER
Michael T. R. B. Turnbull: 4, 5—18
“Mahler and Opera in America” by Zoltan
Roman: 2, 39-54
LA GAZZA LADRA
“On the Track of La pie voleuse” by Emilio MALIBRAN
Sala, translated by William Ashbrook
“Manuel Garcia the Elder: His School and
(12 mus. ex., 3 illus.): 3, 19-40
His Legacy” by Harold Bruder (; illus.,
discography): 4, 19-46
GRAMMATICAL PERSON
“The Three Faces of ‘Eve’: A Second-Person MAN AND SUPERMAN
Analysis of Italian Opera” by P. F. Zweifel:
“Don Giovanni Shavianized: Man and
3, 85-95 Superman as Mozartean Commentary”
by Arthur Ganz: 1, 21-28
GRAND OPERA
“Grand Opera Comes to Denver, 1864-1881” MARCHESI
by Harlan Jennings: 3, 57-84
“Manuel Garcia the Elder: His School and
His Legacy” by Harold Bruder (s illus.,
HERBERT discography): 4, 19-46
“Victor Herbert’s Madeleine” oy Edward
Hagelin Pearson (2 mus. ex., 7 illus.): THE MARRIAGE OF FIGARO
4, 59-75 “Musical Disguises in Mozart’s Late
Comedies” by Joseph P. Swain (6 mus.
HOFMANNSTHAL ex.): 4, 47-58
“Hugo von Hofmannsthal’s Ideal Woman:
A Psychoanalytic Perspective” by Beth Hart MERCADANTE
(12 illus.): 4, 93-121
“Mercadante and Verdi” by Tom Kaufman
(5 mus. ex., 2 tables): 3, 41-56
229
MOUNT-EDGCUMBE “The Three Faces of ‘Eve’: A Second-Person
Analysis of Italian Opera” by P. F. Zweifel:
“A Reactionary View of Modern Opera
(1814—1823)” by Henry Pleasants: 1, 5s—10 3, 85-95
PURCELL
MOZART
“So Fair the Game, So Rich the Sport’: Dido
“Don Giovanni Shavianized: Man and
and Aeneas on Record” by Roland Graeme:
Superman as Mozartean Commentary”
by Arthur Ganz: 1, 21-28 I, 55-70
“Musical Disguises in Mozart’s Late
Comedies” by Joseph P. Swain (6 mus. RAVINIA OPERA
€x.): 4, 47-58
“The Annals of the Ravinia Opera, Part 1:
“The Three Faces of ‘Eve’: A Second-Person
1912-1916” by Robert C. Marsh: 3, 107-16
Analysis of Italian Opera” by P. F. Zweifel:
“The Annals of the Ravinia Opera, Part 2:
3, 85-95 1917-1921” by Robert C. Marsh: 4, 123-39
“The Ravinia Opera, 1912—1931” by Robert C.
NIXON IN CHINA Marsh: 3, 97-106
“An Interview with John Adams” by Matthew
Daines (1 illus.): 1, 37-54 RICHINGS
“Grand Opera Comes to Denver, 1864-1881”
PARIS OPERA by Harlan Jennings: 3, 57-84
“Opera in Paris during the Roaring
Twenties” by Daniele Pistone, translated by RIMSKY-KORSAKOV
E. Thomas Glasow (chronology): 2, 55-67
“Kitezh and the Russian Notion of Oriental
Despotism” by Ibrahim Quraishi (3 mus.
PARIS OPERA-COMIQUE €x.): 2, 69-74
“Opera in Paris during the Roaring
Twenties” by Daniele Pistone, translated by DER RING DES NIBELUNGEN
E. Thomas Glasow (chronology): 2, 55-67
“The Messianic Hero in Wagner’s Ring” by
Jeffrey L. Buller (4 mus. ex.): 2, 21-38
PIAVE
“The Venetian Goth and the ‘Adorable Bear’ ROSSINI
of SantAgata” by Mary Jane Phillips-Matz
“On the Track of La pie voleuse” by Emilio
(1 illus.): 2, 13-20
Sala, translated by William Ashbrook
(12 mus. ex., 3 illus.): 3, 19-40
LA PIE VOLEUSE
“On the Track of La pie voleuse” by Emilio SHAW, GEORGE BERNARD
Sala, translated by William Ashbrook
“Don Giovanni Shavianized: Man and
(12 mus. ex., 3 illus.): 3, 19-40
Superman as Mozartean Commentary”
by Arthur Ganz: 1, 21-28
PUCCINI
“The Pronunciation of Turandot: Puccini’s STIFFELIO
Last Enigma” by Patrick Vincent Casali
“Verdi's Stiffelio: Lost, Found, and Misunder-
(8 mus. ex., 1 illus., discography): 4, 77-91
stood” by George Martin: 1, 11-19
33:0
TAGLIAVINI “Verdi's Stiffelio: Lost, Found, and Misunder-
stood” by George Martin: 1, 11-19
“The Last Tenore Lirico: Ferruccio Tagliavini
(1913—1995)” by Robert Baxter (1 illus.):
I, 29-36 VIARDOT
“Manuel Garcia the Elder: His School and
TURANDOT His Legacy” by Harold Bruder (;i llus.,
discography): 4, 19-46
“The Pronunciation of Turandot: Puccini’s
Last Enigma” by Patrick Vincent Casali
(8 mus. ex., 1 illus., discography): 4, 77-91 WAGNER
“The Messianic Hero in Wagner’s Ring” by
VERDI Jeffrey L. Buller (4 mus. ex.): 2, 21-38
“Mercadante and Verdi” by Tom Kaufman
(5 mus. ex., 2 tables): 3, 41-56
“The Venetian Goth and the ‘Adorable Bear’
of Sant’Agata” by Mary Jane Phillips-Matz
(1 illus.): 2, 133-20
Authors
AGOL, ALAN W. Recording Review
American Singers: Volumes 1-3: 4, 179-84.
“OperaKrostik” (quarterly quiz): 1, 71-73;
2, 89-91; 4, 141-43
BAXTER, ROBERT
ALBRIGHT, WILLIAM “The Last Tenore Lirico: Ferruccio Tagliavini
(1913—1995)”: 1, 29-36
Book Reviews
Book Review
Chapin, Sopranos, Mezzos, Tenors, Bassos, and
Jefferson, Elisabeth Schwarzkopf: 4, 164-68
Other Friends: 2, 102-5
Douglas, More Legendary Voices: 1, 83-86 Recording Reviews
Kennedy, Richard Strauss: 4, 157-61 Lucrezia Bori: The Complete Victor Recordings:
3, 163-68
Recording Review
Mascagni, Isabeau: 2, 163-67
Kirsten Flagstad, Volume 1: The Early Record-
Puccini, La boheme (three recordings):
ings, 1914-1941: 4, 175-79
I, 138-41
ANDERSON, DAVID E.
BJORLING, ANNA-LISA, AND
ANDREW FARKAS
Recording Review
Blitzstein, Regina: 3, 206-8 “Jussi Bj6rling’s Debut at the Met”: 2, 75-88
ASHBROOK, WILLIAM BRECKBILL, DAVID
“From under a Green Eyeshade” (issue
Book Review
contents): 3, 1-3; 4, 1-2
Bartlett, Wagner and Russia: 1, 80-83
“Nelson Eddy’s Career in Opera” (4 illus.):
3, 7-18 Recording Review
“Opera Has Lost” (obituaries): 3, 5-6; 4, 3 Max Lorenz singt Wagner: 1, 111-13
BRUDER, HAROLD FISCHLER, ALAN
“Manuel Garcia the Elder: His School
Recording Review
and His Legacy” (5 illus., discography):
Gilbert and Sullivan, HMS Pinafore and
4, 19-46
The Pirates of Penzance: 4, 190-94
Recording Review
Puccini, Madama Butterfly: 2, 161-63
FORMAN, JOANNE
BULLER, JEFFREY L. Recording Reviews
Glanville-Hicks, Nausicaa (excerpts):
“The Messianic Hero in Wagner’s Ring”
2, 171-72
(4 mus. eXx.): 2, 21-38
Moran, The Dracula Diary: 1, 144-45
CASALI, PATRICK VINCENT
GANZ, ARTHUR
“The Pronunciation of Turandot: Puccini’s
“Don Giovanni Shavianized: Man and
Last Enigma” (8 mus. ex., 1 illus., discogra-
Superman as Mozartean Commentary”:
phy): 4, 77-91
I, 21-28
CHUILON, JACQUES
GLASOW, E. THOMAS
Recording Reviews “From under a Green Eyeshade” (issue
Bryn Terfel: Opera Arias: 4, 211-16 contents): I, I-43 2, I-2
Verdi, Rigoletto (two recordings): 2, Iso—§7 “Opera Has Lost” (obituaries): 2, 3-4
Book Review
COLE, MALCOLM S&S. Heartz, Haydn, Mozart, and the Viennese
School, 1740-1780: 2, 19-25
Book Reviews
Video Review
Burrows, Handel: 2, 112-16
Puccini, La bohéme: 1, 99-101
Steane, Singers oft he Century: 4, 145-48
Recording Reviews
Gassmann, La Contessina: 2, 145-48
DAINES, MATTHEW Mozart, Der Schauspieldirektor: 1, 123-24
“An Interview with John Adams” (1 illus.): The Mozart—Da Ponte Operas: Three New
Recordings (Le nozze di Figaro, Don
Giovanni, Cosi fan tutte): 3, 168—75
Visions of Love: Mozart Arias (sung by Renée
DIXON, SERGINE
Fleming): 4, 216-19
Book Review
Berlioz, The Art ofM usic and Other Essays, GOEHRING, EDMUND J.
translated by Csicsery-Ronay: 1, 88-93
Book Review
Till, Mozart and the Enlightenment: Truth,
DRAKE, JAMES A. Virtue, and Beauty in Mozart's Operas:
Recording Review » 125-29
Mascagni, Silvano: 3, 202-6
GRAEME, ROLAND
FARKAS, ANDREW See we So Fair the Game, So Rich the Sport’: Dido
BJORLING, ANNA-LISA and Aeneas on Record”: 1, 55-70
a
Recording Reviews Recording Reviews
Boito, Mefistoféle (abridged): 1, 133-36 Peter Anders: Opera Arias: 1, 10
Kunzen, Holger Danske: 4, 184-89 Borodin, Prince Igor: 1, 136-38
Massenet, Hérodiade (two recordings): Mercadante, Orazi e Curiazi: 2, 149-50
3, 189-95
Naumann, Gustaf Wasa: 1, 117-22
JENNINGS, HARLAN
Rimsky-Korsakov, The Tsar’s Bride: 4, 204-8
Smetana, Libuse: 3, 186-89 “Grand Opera Comes to Denver, 1864-1881”:
3, 57-84
GREEN, LONDON
KAUFMAN, TOM
Recording Review
“Mercadante and Verdi” (5 mus. ex., 2 tables):
Puccini, Madama Butterfly: 4, 208-11
3, 41-56
Book Review
HADLOCK, HEATHER Jordan, Fromental Halévy: His Life and Music,
1799-1862: 4, 168—71
Book Review
Blackmer and Smith, eds., En travesti: Women, Recording Reviews
Gender Subversion, Opera: 2, 93-99 Auber, Le domino noir: 3, 175-81
La Grande Epoque: 2, 138-40
HART, BETH
KIMBALL, CAROL
“Hugo von Hofmannsthal’s Ideal Woman:
A Psychoanalytic Perspective” (12 illus.):
Recording Reviews
4, 93-121
Carnaval! (French arias sung by Sumi Jo):
2, 172-74
HATCH, CHRISTOPHER Debussy, Rodrigue et Chimene: 4, 194-98
Book Reviews
KORS, STACEY
Darcy, Wagner’s “Das Rheingold”: 4, 172-73
Fenner, Opera in London: Views of the Press,
Recording Review
1785-1830: 1, 93-95
Tchaikovsky, Jolanta: 4, 198-201
Skelton, ed. and trans., Selected Letters of Paul
Hindemith: 3, 149-51
Warrack, Richard Wagner: “Die Meistersinger LAW, JOE K.
von Niirnberg” (Cambridge Opera Hand-
book): 2, 125-28 Book Reviews
Abel, Opera in the Flesh: Sexuality in Operatic
Performance: 4, 149-53
HUNTER, MARY
Burden, ed., The Purcell Companion:
2, 99-101
Book Review
Howard, Gluck: An Eighteenth-Century Por- —— , Purcell Remembered: 2, 99-101
Hutcheon and Hutcheon, Opera: Desire,
trait in Letters and Documents: 2, 105-9
Disease, Death: 3, 144-47
Video Review
JELLINEK, GEORGE
Britten, Peter Grimes: 1, 97-99
“The Vocal Scene” (2 illus.): 2, 5-11
Recording Review
Handel, Giustino: 2, 143-45
LEE, M. OWEN MORGAN, ROBERT P.
Quarterly Quiz (“Vertical Patterns IV”):
Book Review
3, 117-19
Grey, Wagner’s Musical Prose: Texts and
Recording Review Contexts: 3, 121-25
Wagner, Tristan und Isolde: 1, 130-32
MURATA, MARGARET
LINDGREN, LOWELL
Book Review
Book Review Fenlon and Carter, eds., Con che soavita:
LaRue, Handel and His Singers: The Creation Studies in Italian Opera, Song, and Dance,
of the Royal Academy Operas, 1720-1728: 1§80—1740: 4, 13-57
I, 75-80
PEARCE, JOE
MARSH, ROBERT C.
Book Review
“The Annals of the Ravinia Opera, Part 1:
Bj6rling and Farkas, Jussi: 3, 132-37
I9I2—I916”: 3, 107-16
“The Annals of the Ravinia Opera, Part 2:
1917-1921”: 4, 123-39 PEARSON, EDWARD HAGELIN
“The Ravinia Opera, 1912-1931”: 3, 97-106
“Victor Herbert’s Madeleine” (2 mus. ex.,
7 illus.): 4, 59-75 F
MARTIN, GEORGE
Recording Review
“Verdi's Stiffelio: Lost, Found, and Misunder- Grace Moore: “Love Me Forever”( 1 illus.):
stood”: 1, 11-19 I, 103-9
McCLELLAN, MICHAEL E. PHILLIPS-MATZ, MARY JANE
“The Venetian Goth and the ‘Adorable Bear
Book Review
of SantAgata” (1 illus.): 2, 13-20
Brown, W. A. Mozart: “Cost fan tutte” (Cam-
bridge Opera Handbook): 3, 141-43
PINES, ROGER
MCKEE, DAVID Recording Reviews
The De Luca Edition: 2, 131-38
Video Review
Handel, Ariodante: 2, 141-43
Opera Films on Video (Part 1) (Delius, A
Monteverdi, L’Orféo (two recordings):
Village Romeo and Juliet; Mozart, Mitridate,
re di Ponto; Strauss, Arabella; Tchaikovsky,
Eugene Onegin; Verdi, Macbeth): 33, , 153-59
PISTONE, DANIELE
Recording Reviews
Berlioz, Les Troyens: 1, 125-30 “Opera in Paris during the Roaring Twenties”
Catalani, La Wally (two recordings featuring (chronology): 2, 55-67
Renata Tebaldi): 3, 195-202
Schreker, Irrelohe: 2, 167-71
PLEASANTS, HENRY
Verdi, La forza del destino (1862 Version):
3, 181-85 “A Reactionary View of Modern Opera
(1814—1823)”: I, §-10
234
PRAG, ROBERT TURNBULL, MICHAEL T. R. B.
“Debuts and Debussy: 1900-1903”: 4, 5-18
Video Review
Verdi, La traviata: 3, 159-62
WEISS, PIERO
QURAISHI, IBRAHIM
Book Review
“Kitezh and the Russian Notion of Oriental Haskell, ed., The Attentive Listener: Three
Despotism” (3 mus. ex.): 2, 69-74 Centuries ofM usic Criticism: 4, 161-63
Recording Review
Rachmaninov, Aleko: 4, 201-4 WILLIER, STEPHEN A.
Book Review
RICE, JOHN A. Casanova, Renata Tebaldi: The Voice of an
Angel, edited and translated by DeCaro:
Book Review
2, 116-19
Gartner, John Christian Bach: Mozart’s Friend
and Mentor, translated by Pauly: 1, 86-87
YELLIN, VICTOR FELL
RISHOI, NIEL Book Review
Lawrence, Reverberations, 1850-1856, volume 2
Recording Review
of Strong on Music: The New York Music
Verdi, Messa da Requiem: 2, 157-60
Scene in the Days ofG eorge Templeton Strong:
3, 1330-32
ROMAN, ZOLTAN
“Mahler and Opera in America”: 2, 39-54 ZWEEPEL, PP. F.
“The Three Faces of ‘Eve’: A Second-Person
SALA, EMILIO Analysis of Italian Opera”: 3, 85—95
“On the Track of La pie voleuse” (12 mus. ex.,
3 illus.): 3, 19-40 ZYCHOWICZ, JAMES L.
Book Reviews
STRAINCHAMPS, EDMOND McColl, Music Criticism in Vienna, 1896-1897:
Critically Moving Forms: 3, 137-40
Book Review Schebera, Kurt Weill: An Illustrated Life,
Hammond, Music and Spectacle in Baroque translated by Murphy: 2, 109-12
Rome: Barberini Patronage under Urban
Recording Review
VIII: 3, 147-49
Schreker, Die Gezeichneten: 1, 141-43
SWAIN, JOSEPH P.
“Musical Disguises in Mozart’s Late
Comedies” (6 mus. ex.): 4, 47-58
Books Reviewed
Abel, Sam, Opera in the Flesh: Sexuality in Bartlett, Rosamund, Wagner and Russia,
Operatic Performance, reviewed by Joe K. reviewed by David Breckbill: 1, 80-83
Law: 4, 149-53
235
Berlioz, Hector, The Art of Music and Other Haskell, Harry, ed., The Attentive Listener:
Essays, translated by Elizabeth Csicsery- Three Centuries ofM usic Criticism, reviewed
Ronay, reviewed by Sergine Dixon: by Piero Weiss: 4, 161-63
I, 88-93 Heartz, Daniel, Haydn, Mozart, and the
Bj6rling, Anna-Lisa, and Andrew Farkas, Viennese School, 1740-1780, reviewed by
Jussi, reviewed by Joe Pearce: 3, 132-37 E. Thomas Glasow: 2, 119-25
Blackmer, Corinne E., and Patricia Juliana Howard, Patricia, Gluck: An Eighteenth-
Smith, eds., En travesti: Women, Gender Century Portrait in Letters and Documents,
Subversion, Opera, reviewed by Heather reviewed by Mary Hunter: 2, 105-9
Hadlock: 2, 93-99 Hutcheon, Linda, and Michael Hutcheon,
Brown, Bruce Alan, W..A. Mozart: “Cosi Opera: Desire, Disease, Death, reviewed by
fan tutte” (Cambridge Opera Handbook), Joe K. Law: 3, 144-47
reviewed by Michael E. McClellan: Hutcheon, Michael see Hutcheon, Linda
3, 141-43 Jefferson, Alan, Elisabeth Schwarzkopf,
Burden, Michael, ed., The Purcell Companion, reviewed by Robert Baxter: 4, 164-68
reviewed by Joe K. Law: 2, 99-101 Jordan, Ruth, Fromental Halévy: His Life
——., Purcell Remembered, reviewed by Joe K. and Music, 1799-1862, reviewed by Tom
Law: 2, 99-I0I Kaufman: 4, 168—71
Burrows, Donald, Handel, reviewed by Kennedy, Michael, Richard Strauss, reviewed
Malcolm S. Cole: 2, 112-16 by William Albright: 4, 157-61
Carter, Tim see Fenlon, Iain LaRue, C. Steven, Handel and His Singers:
Casanova, Carlamaria, Renata Tebaldi: The The Creation of the Royal Academy Operas,
Voice of an Angel, edited and translated by 1720-1728, reviewed by Lowell Lindgren:
Connie Mandracchio DeCaro, reviewed by I, 75-80
Stephen A. Willier: 2, 116-19 Lawrence, Vera Brodsky, Reverberations,
Chapin, Schuyler, Sopranos, Mezzos, Tenors, 1850-1856, volume 2 of Strong on Music: The
Bassos, and Other Friends, reviewed by New York Music Scene in the Days of George
William Albright: 2, 102-5 Templeton Strong, reviewed by Victor Fell
Darcy, Warren, Wagner’s “Das Rheingold,” Yellin: 3, 30-32
reviewed by Christopher Hatch: 4, 172-73 McColl, Sandra, Music Criticism in Vienna,
Douglas, Nigel, More Legendary Voices, 1896-1897: Critically Moving Forms, reviewed
reviewed by William Albright: 1, 83-86 by James L. Zychowicz: 3, 137-40
Farkas, Andrew see Bj6rling, Anna-Lisa Schebera, Jiirgen, Kurt Weill: An Illustrated
Fenlon, Iain, and Tim Carter, eds., Con che Life, translated by Caroline Murphy,
soavita: Studies in Italian Opera, Song, and reviewed by James L. Zychowicz: 2, 109-12
Dance, 1580-1740, reviewed by Margaret Skelton, Geoffrey, ed. and trans., Selected
Murata: 4, 153-57 Letters of Paul Hindemith, reviewed by
Fenner, Theodore, Opera in London: Views of Christopher Hatch: 3, 149-51
the Press, 1785-1830, reviewed by Christopher Smith, Patricia Juliana see Blackmer, Corinne
Hatch: 1, 93-95 E.
Gartner, Heinz, John Christian Bach: Mozart's Steane, J. B., Singers oft he Century, reviewed
Friend and Mentor, translated by Reinhard by Malcolm S. Cole: 4, 145-48
G. Pauly, reviewed by John A. Rice: Till, Nicholas, Mozart and the Enlightenment:
1, 86-87 Truth, Virtue, and Beauty in Mozart’s Operas,
Grey, Thomas S., Wagner’s Musical Prose: reviewed by Edmund J. Goehring:
Texts and Contexts, reviewed by Robert P. 3, 125-29
Morgan: 3, 121-25 Warrack, John, Richard Wagner: “Die
Hammond, Frederick, Music and Spectacle in Meistersinger von Niirnberg” (Cambridge
Baroque Rome: Barberini Patronage under Opera Handbook), reviewed by Christo-
Urban VIII, reviewed by Edmond Strain- pher Hatch: 2, 125-28
champs: 3, 147-49
Videos Reviewed
Britten, Peter Grimes, reviewed by Joe K. Eugene Onegin; Verdi, Macbeth), reviewed by
Law: 1, 97-99 David McKee: 3, 153-59
Opera Films on Video (Part 1) (Delius,A Vil- Puccini, La bohéme, reviewed by E. Thomas
lage Romeo and Juliet; Mozart, Mitridate, Glasow: 1, 99-101
re di Ponto; Strauss, Arabella; Tchaikovsky, Verdi, La traviata, reviewed by Robert Prag:
3, 159-62
Recordings Reviewed
American Singers: Volumes 1-3, reviewed by ——., Giustino, reviewed by Joe K. Law:
William Ashbrook: 4, 179-84 2, 143-45
Peter Anders: Opera Arias, reviewed by Kunzen, Holger Danske, reviewed by Roland
George Jellinek: 1, 110 Graeme: 4, 184-89
Auber, Le domino noir, reviewed by Tom Max Lorenz singt Wagner, reviewed by David
Kaufman: 3, 175-81 Breckbill: 1, 11-13
Berlioz, Les Troyens, reviewed by David Mascagni, Isabeau, reviewed by Robert
McKee: 1, 125-30 Baxter: 2, 163-67
Blitzstein, Regina, reviewed by David E. ——., Silvano, reviewed by James A. Drake:
Anderson: 3, 206-8 3, 202-6
Boito, Mefistofele (abridged), reviewed by Massenet, Hérodiade (two recordings),
Roland Graeme: 1, 133-36 reviewed by Roland Graeme: 3, 189-95
Lucrezia Bort: The Complete Victor Recordings, Mercadante, Orazi e Curiazi, reviewed by
reviewed by Robert Baxter: 3, 163-68 George Jellinek: 2, 149-50
Borodin, Prince Igor, reviewed by George Monteverdi, L’Orfeo (two recordings),
Jellinek: 1, 1336-38 reviewed by Roger Pines: 1, 113-17
Carnaval! (French arias sung by Sumi Jo), Grace Moore: “Love Me Forever” (1 illus.),
reviewed by Carol Kimball: 2, 172-74 reviewed by Edward Hagelin Pearson:
Catalani, La Wally (two recordings featuring I, 103-9
Renata Tebaldi), reviewed by David Moran, The Dracula Diary, reviewed by
McKee: 3, 195-202 Joanne Forman: 1, 14-4.—45
The De Luca Edition, reviewed by Roger Mozart, Der Schauspieldirektor, reviewed by
Pines: 2, 131-38 E. Thomas Glasow: 1, 123-24
Debussy, Rodrigue et Clhimene, reviewed by The Mozart—Da Ponte Operas: Three New
Carol Kimball: 4, 194-98 Recordings (Le nozze di Figaro, Don
Kirsten Flagstad, Volume 1: The Early Record- Giovanni, Cosi fan tutte), reviewed by
ings, 1914-1941, reviewed by William E. Thomas Glasow: 3, 168—75
Albright: 4, 175-79 Naumann, Gustaf Wasa, reviewed by Roland
Gassmann, La Contessina, reviewed by Graeme: I, 117-22
E. Thomas Glasow: 2, 145-48 Puccini, La boheme (three recordings),
Gilbert and Sullivan, HMS Pinafore and reviewed by Robert Baxter: 1, 138-41
The Pirates ofP enzance, reviewed by Alan , Madama Butterfly, reviewed by Harold
Fischler: 4, 190-94 Bruder: 2, 161-63
Glanville-Hicks, Nausicaa (excerpts), ——., Madama Butterfly, reviewed by
reviewed by Joanne Forman: 2, 171-72 London Green: 4, 208-11
La Grande Epoque, reviewed by Tom Rachmaninov, Aleko, reviewed by Ibrahim
Kaufman: 2, 138-40 Quraishi: 4, 201-4
Handel, Ariodante, reviewed by Roger Pines: Rimsky-Korsakov, The Tsar’s Bride, reviewed
2, 141-43 by Roland Graeme: 4, 204-8