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The One Culture By William H. Davenport Harvey Mudd College Claremont, California Pergamon Press New York/Toronto/Oxford Sydney/Braunschweig PERGAMON PRESS INC. Maxwell House, Fairview Park, Elmsford, N.Y. 10523 PERGAMON OF CANADA LTD. 207 Queen's Quay West, Toronto 117, Ontario PERGAMON PRESS LTD. Headington Hill Hall, Oxford PERGAMON PRESS (AUST.) PTY. LTD. Rushcutters Bay, Sydney, N.S.W. VIEWEG & SOHN GmbH Burgplatz 1, Braunschweig Copyright© 1970, Pergamon Press Inc. Library of Congress Catalog Card No. 70-106054 Printed in the United States of America AH rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of the copyright holder. CP. Snow quotations are from CP. Snow: THE TWO CULTURES: AND A SECOND LOOK, 1964. Reprinted by permission of Cambridge University Press, New York. 08-016322-X Pergamon Unified Engineering Series GENERAL EDITORS Thomas F. Irvine, Jr. State University of New York at Stony Brook James P. Hartnett University of Illinois at Chicago Circle Continuous Media Section EDITOR William F. Hughes Carnegie-Mellon University Engineering Design Section EDITOR Allen B. Rosenstein University of California, Los Angeles Engineering Systems Section EDITOR Arthur T. Murphy PMC Colleges Humanities and Social Sciences Section EDITOR William H. Davenport Harvey Mudd College Information Dynamics Section EDITOR Allen B. Rosenstein University of California, Los Angeles Materials Engineering Section EDITOR Daniel Rosenthal University of California, Los Angeles Engineering Laboratory Section EDITORS James P. Hartnett Thomas F. Irvine, Jr. For Isobel Preface THIS BOOK is designed to be of use to any student or lay- man who is interested in or concerned about the state of culture, particularly American culture, in this Age of Tech- nology. It is not an attempt to match the style of CP. Snow (Lord Snow), the acerb retorts of F.R. Leavis, or the aplomb of Lionel Trilling, the first being the celebrated scientist and novelist who wrote The Two Cultures and the latter pair perhaps his most prominent critics. Nor is it an at- tempt to set up a uniform, standard culture in which assembly-line automata march off the job daily when the whistle blows in order to get home for the TV news. Rath- er, it is an attempt to review the two culture argument ten years afterwards, to document the continuing battle be- tween technology and the humanities, to bring Snow up to date (there having been vast changes in both British and American educational systems since he wrote), and to appeal for a broader culture in which a man may specialize still, but lead a fuller life and be of more value to society. I have long felt that there was an argument for bringing the cultures together. In the following pages the reader may discover what it is. I can count on at least one strong sup- porter—Paul Goodman, who has written the following in The New York Review; In The Two Cultures, CP. Snow berated the humanists for their irrelevance when two-thirds of mankind are starving and what is needed is science and technology. They have perhaps been irrelevant; but unless technology is itself more humanistic and philosophical, it is of no use. There is only one culture, (italics mine) XI The One Culture In a way this book is an anthology of ideas with a running connecting commentary by myself, an eclectic synthesis if you will. In addition to my obvious debt to the sources quoted in the following, I owe much in a personal way to many people and I should like to thank them for their help, advice, and criticism. At Harvey Mudd College, my home base since 1957, I am grateful to Joseph Piatt, president; William Radley, John Rae, George McKelvey, Zaner Faust, the college research committee, and Margaret Thompson for various forms of assistance and encouragement. Going back to the early sixties, I must express appreciation to the many friends and colleagues at U.C.L.A. who almost down to the present worked with me on the Educational Devel- opment Program in the School of Engineering supported by the Ford Foundation. As consultant to the Humanities Sub-committee, I learned a good deal about how to blend humanities, social sciences, and engineering in general courses. Much of the material in Chapter III reflects this program. In particular I thank the late Dean L.M.K. Boel- ter and Professor Allen Rosenstein, co-principal investiga- tors, Bonham Campbell, Jacob Frankel (now faculty Dean at Harvey Mudd), and Daniel Rosenthal, my collaborator on a Pergamon text named Engineering: Its Role and Function in Human Society, and now a part-time colleague in Claremont, working on the Sloan Foundation with me on the continuing problem of blending engineering and humanities. In the summer of 1968,1 spent a month in England and Scotland visiting nine new technological universities at the suggestion of Sir Eric Ashby, Vice-Chancellor of Cambridge University. These institutions, which were not around when Snow wrote, are incorporating and planning courses in social sciences and humanities as part of a slowly developing pro- gram in British education which approaches the American ideal of learning for all who can and will study. Here, from among the many who welcomed and helped me, I salute the following: Vice-Chancellor Topping, at Brunei; Sir Robert Burley, at City; A.M.Duncan of Loughborough; Donald Cardwell, of Manchester Institute of Science and Technol- XII Preface ogy; Keith Reader, at Rugby College of Engineering Tech- nology; D.R.Gordon, Strathclyde; and Vice-Chancellor Moore and Professor Gerald Walters, at Bath. My visits, which are discussed also in Chapter HI, were made possible by grants from Harvey Mudd College and Pergamon Press, the staff of the latter having been most courteous and coop- erative on both sides of the Atlantic. I am particularly in- debted to Robert Maxwell, M.P., Detlev Raymond, Fred- eric Squires, Henry Paasonen, Sylvia M. Halpern and her staff. I passed the academic year 1968-69 on sabbatical at Harvard University where, thanks to the invitation of Em- manuel Mesthene, Director of the Program on Technology and Society, I did research, attended seminars, and met and talked with many helpful individuals. Professor Ever- ett Mendelsohn of the Department of History of Science at Harvard had made me a guest of the Department, where I also profited from talks with its chairman, I. Bernard Cohen. The Program made it possible to attend the fre- quent lunches of the Science and Public Policy group as my education continued. While I was working at Widener Library and at 61 Kirkland Street, Cambridge, my life was made fuller and more enjoyable by many people, far too many to thank properly. At the Program, where most of Chapter II was born, I owed much to Tom Parmenter, Charles Hampden-Turner, Mitzi Gerrish, and Jane Draper and her staff, particularly Sheryl Haines, Kat Wright, and Patti Gordon. While at Harvard, I was most fortunate to visit, talk with, and listen to such established writers and scholars as Don Price, Gerald Holton, and Lewis Mumford, all of whom went out of their way to be helpful. At nearby Sim- mons College, Professor Wylie Sypher, author of the recent Literature and Technology, was an indefatigable corre- spondent as was Professor Leo Marx at not-too-distant Amherst. Others who were kind enough to answer ques- tions by mail include Joseph Wood Krutch, J. Bronowski, Archibald MacLeish, Martin Esslin, and Leonard Pronko. This is not mere name dropping. The kindness of all these XIII The One Culture ladies and gentlemen was far beyond the call of duty. I wish I could do more than merely thank them. There are m^ny others who have directly and indirectly contributed to the making of this book, and I am sure to have failed to mention all the proper names. To them my apologies for inadvertent omission. Finally, to my wife Iso- bel, I owe more than I can say for keeping me going through the coldest and snowiest Cambridge winter since '88. Without her help I never could have finished the job. And at this writing during the last days of a long hot Cali- fornia summer, I appreciate the morale maintenance fur- ther provided by my daughter Linda. There is now nothing more to say than to invoke the ancient formula, "Go, little book," and hope it will provide some teaching and some delight. Claremont, California WILLIAM H. DAVENPORT XIV Chapter I The Ί\νο Cultures: Another Look at Images and Attitudes "They have a curious distorted image of each other. " -CP. Snow "To everyone's relief the squabble about the two cul- tures has subsided," wrote an astute art critic quite recent- ly in his introduction to a work on literature and technol- ogy, adding later on a reference to "the wearisome debate about our two cultures." 1 Wearisome the debate may be, but it has definitely not subsided. The phrase itself is here to stay for a long time. In fact, its occult force is compara- ble to that of "Strength Through Joy" or "The Great Soci- ety." It has a ring. In the tenth year since CP. Snow delivered his famous Rede lecture and published it (1959), the Dean of Harvard College, Franklin L. Ford, offered a program for science within the humanities in an effort to stop excessive specialization which "threatens to splinter our general culture into not two cultures (pace CP. Snow), but an infinity of narrowly circumscribed cultures having nothing to say to one another." 2 In the previous June, merely to cite one more example, S.K. Overbeck had writ- ten the following in a newsletter on art and technology: Several years ago, discussions of art and technology began with the handy citation of CP. Snow's famous 'two cul- tures' assertion that art and science did not mix, that liter- ary culture,' traditionally the lodestone of the arts, was separated from 'scientific culture' by a yawning gap. in the most modern arts today, the gap no longer yawns. It hardly exists.3 Two cultures may be trying to become one, or one and a half, or three, as we shall soon see, but there is little doubt that the phrase is still very much in the minds and conver- sation of academics, intellectuals, and informed laymen. 1 The One Culture Writing eighteen years earlier than Snow, Herbert J. Muller noted that science and literature have been at odds since the nineteenth century and that, while there can be no absolute antagonism between such major interests, "the old combatants still sniff at one another; they still want victory."4 Gerald Walters explains what happened to the original unitary culture that broke down: The new industrial middle class found social respectability in an educational system which perpetuated, in a revised form, the traditional classical attitudes, in which there was little room for science and none for technology. Pure sci- ence ultimately recovered social status by the end of the nineteenth century, but not, if the Snow thesis is to be accepted, to the point where it became an integral part of a living culture.5 It remained for CP. Snow to tell university people what many of them suspected and some knew for a fact. The main points of his original lecture and the sequel four years later (A Second Look) may need refreshing for some readers and are probably unknown to others; accordingly, at this point I shall do a quick summary. Snow felt that more and more polarization was taking place between liter- ary intellectuals and scientists. 6 The scientists are ignorant of Shakespeare and the humanists of the Second Law of Thermodynamics. This is a great loss for us all, and we had better rethink our education, Snow went on, for "three menaces . . . stand in our way—Η-Bomb war, overpopula- tion, the gap between the rich and the poor. This is one of the situations where the worst crime is innocence." 7 Actu- ally, of course, Snow's lecture "was a plea for more knowl- edge of science among literary intellectuals and more knowl- edge of literature among scientists," as the Spectator edi- torialized later.8 At the time, however, all was not so straightforward and simple. Snow had struck several nerves, and it quickly be- came apparent in the press on both sides of the Atlantic that the topic of two cultures was one on which many were prepared (and unprepared) to speak. The loudest voice in England was that of F.R. Leavis, whose manner 2

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