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The Nineteenth-Century Child and Consumer Culture PDF

252 Pages·2008·25.596 MB·English
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The NiNeTeeNTh-CeNTury Child aNd CoNsumer CulTure ashgate studies in Childhood, 1700 to the Present Series Editor: Claudia Nelson, Texas A&M University, USA This series recognizes and supports innovative work on the child and on literature for children and adolescents that informs teaching and engages with current and emerging debates in the field. Proposals are welcome for interdisciplinary and comparative studies by humanities scholars working in a variety of fields, including literature; book history, periodicals history, and print culture and the sociology of texts; theater, film, musicology, and performance studies; history, including the history of education; gender studies; art history and visual culture; cultural studies; and religion. Topics might include, among other possibilities, how concepts and representations of the child have changed in response to adult concerns; postcolonial and transnational perspectives; “domestic imperialism” and the acculturation of the young within and across class and ethnic lines; the commercialization of childhood and children’s bodies; views of young people as consumers and/or originators of culture; the child and religious discourse; children’s and adolescents’ self-representations; and adults’ recollections of childhood. also in the series French Paintings of Childhood and Adolescence, 1848–1886 anna Green Fashioning Childhood in the Eighteenth Century Age and Identity Edited by Anja Müller Women and the Shaping of the Nation’s Young Education and Public Doctrine in Britain 1750–1850 Mary Hilton The Idea of Nature in Disney Animation David Whitley The Nineteenth-Century Child and Consumer Culture deNNis deNisoff Ryerson University, Canada First published 2008 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint oft he Taylor & Francis Group, an informa business Copyright © Dennis Denisoff 2008 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Dennis Denisoff has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the editor of this work. British Library Cataloguing in Publication Data The Nineteenth-Century Child and Consumer Culture.-(Ashgate Studies in Childhood, 1700 to the Present) I. Consumption (Economics)- Social aspects- Great Britain- History- 19th century. 2. Consumer behavior- Great Britain- History- 19th century. 3. Child consumers- Great Britain- History- 19th century. 4. Children's literature, English- History and criticism. 5. Children in literature. 6. English literature- 19th century- History and criticism. 7. Great Britain - Social conditions - 19th century. I. Denisoff, Dennis, 1961- . 306.3'0941 '09034 Library of Congress Cataloging-in-Publication Data The nineteenth-century child and consumer culture I edited by Dennis Denisoff. p. em. - (Ashgate Studies in Childhood, 1700 to the Present) Includes index. 1. Consumption (Economics)- Social aspects- Great Britain. 2. Consumer behavior - Great Britain- History- 19th century. 3. Child consumers- Great Britain- History- 19th century. 4. Child welfare- Great Britain- History- 19th century. 5. Great Britain- Social conditions- 19th century. I. Denisoff, Dennis, 1961-. HC260.C6N55 2007 306.30941 '09034-dc22 2007023674 ISBN 9780754661566 (hbk) ISBN 9781138276130 (pbk) Contents Figures vii Contributors ix Acknowledgements xi introduction Small Change: The Consumerist Designs of the Nineteenth-Century Child 1 Dennis Denisoff PART 1: Play Things: Toys and Theater 27 1 Experiments before Breakfast: Toys, Education and middle-Class Childhood 29 Teresa Michals 2 Paper Dreams and Romantic Projections: The Nineteenth-Century Toy Theater, Boyhood and Aesthetic Play 43 Liz Farr 3 The Drama of Precocity: Child Performers on the Victorian Stage 63 Marah Gubar PART 2: Consuming Desires 79 4 “I’m not a bit expensive”: Henry James and the Sexualization of the Victorian Girl 81 Michèle Mendelssohn 5 For-getting to Eat: Alice’s Mouthing Metonymy 95 Carol Mavor 6 salome’s lost Childhood: Wilde’s daughter of sodom, Jugendstil Culture and the Queer Afterlife of a Decadent Myth 119 Richard A. Kaye PART 3: Adulthood and Nationhood 135 7 adult Children’s literature in Victorian Britain 137 Claudia Nelson vi Contents 8 Home Thoughts and Home Scenes: Packaging middle-class Childhood for Christmas Consumption 151 Lorraine Janzen Kooistra 9 Maps, Pirates and Treasure: The Commodification of Imperialism in Nineteenth-Century Boys’ Adventure Fiction 173 Ymitri Mathison PART 4: Children and the Terrors of Cultural Consumption 187 10 Toys and Terror: Lucy Clifford’s Anyhow Stories 189 Patricia Demers 11 “We have orphans […] in stock”: Crime and the Consumption of sensational Children 201 Tamara S. Wagner 12 “and now Tom being killed, and all spent and eaten”: Children, Consumption and Commerce in Nineteenth-Century Child-Protection discourse 217 Monica Flegel Index 231 figures 0.1 John Tenniel, “The Happy Family in Hyde Park.” Punch 19 July 1851: 38. 24 0.2 George Du Maurier, “True Distinction.” Punch 31 July 1875: 43. 25 2.1 “Redington’s New Improved Stage Front,” c.1850. Courtesy of Pollock’s Toy Museum Trust. 57 2.2 “Skelt’s Characters in Pizarro.” The Publishers. London: Studio Vista. 58 2.3 “[J. K.] Green’s Scene in Harlequin and Oliver Cromwell,” Scene 12, 1852. Courtesy of Pollock’s Toy Museum Trust. 59 5.1 Merit Oppenheim, My Nurse. 1936. Moderna Museet, Stockholm. 108 5.2 ---, Breakfast in Fur. 1936. 2006 Artists Rights Society, New York/Pro Litteris, Zurich. 109 5.3 Lewis Carroll, Alice Liddell as “The Beggar Maid.” c. 1858. Princeton University Library, Princeton, NJ. 110 5.4 ---, Xie Kitchin with Umbrella. Ca. 1875. George Eastman House. Rochester, NY. 111 5.5 ---, Xie Kitchin as “Tea-Merchant (On Duty)” and Xie Kitchin as “Tea-Merchant (Off Duty).” 1873. Princeton University Library. Princeton, NJ. 112 5.6 “Through the Looking Glass” Biscuit Tin. 1892. 113 5.7 Wonderland Postage-Stamp Case. Front and Back. 1890. 114 5.8 “Allen’s Marvellous Chocolates” Box. n.d. 115 5.9 Lewis Carroll, Edith, Lorina, and Alice Liddell in “Open Your Mouth and Shut Your Eyes.” 1860. Princeton University Library, Princeton, NJ. 116 8.1 Alfred Hunt, “Hoisting the Union Jack,” Illustrated London News Christmas Number. Dec.1876: 1. 164 8.2 J. L. Williams, “Christmas Tree at Windsor Castle,” Illustrated London News Christmas Supplement. Dec. 1848: 409. 165 8.3 Arthur Boyd Houghton, “Noah’s Ark,” Home Thoughts and Home Scenes in Original Poems and Pictures. Engraved by the Brothers Dalziel. London: George Routledge, 1868, 2. 166 8.4 ---, “The Enemy on the Wall,” Home Thoughts and Home Scenes Scenes in Original Poems and Pictures. Engraved by the Brothers Dalziel. London: George Routledge, 1868, 14. 167 8.5 ---, “At the Sweets,” Home Thoughts and Home Scenes Scenes in Original Poems and Pictures. Engraved by the Brothers Dalziel. London: George Routledge, 1868, 3. 168 viii Figures 8.6 ---, “The Scramble for Sugarplums,” Home Thoughts and Home Scenes Scenes in Original Poems and Pictures. engraved by the Brothers Dalziel. London: George Routledge, 1868, 21. 169 8.7 ---, “Grandpapa,” Home Thoughts and Home Scenes Scenes in Original Poems and Pictures. Engraved by the Brothers Dalziel. London: George Routledge, 1868, 19. 170 Contributors Patricia Demers, University Professor in the Department of English and Film Studies at the University of Alberta, has just concluded a term as President of the Royal Society of Canada (2005-07). She is the author or editor of 12 books, including From Instruction to Delight: An Anthology of Children’s Literature to 1850 (Oxford uP, 1982; 2nd ed. 2004; 3rd ed. forthcoming 2008). Dennis Denisoff is Research Chair at Ryerson University, and a member of the Centre for the Interdisciplinary Study of Sexuality and Gender in Europe at the University of Exeter. His recent publications include Aestheticism and Sexual Parody (Cambridge UP, 2001) and Sexual Visuality from Literature to Film (Palgrave– Macmillan, 2004). He is also the editor of the Broadview Anthology of Victorian Short Stories (Broadview, 2004). Liz Farr was awarded a Wingate Scholarship to complete her Ph.D. at Birkbeck College, University of London, and is now a Lecturer in English and Coordinator of the English Research Group at Plymouth University, UK. She is currently completing a monograph offering a reappraisal of robert louis stevenson in the context of nineteenth-century aestheticism, childhood, masculinity and the periodical press. Monica Flegel is an Assistant Professor at Lakehead University. Her research focuses on children’s literature, on cruelty to children, and on the connections between children and animals in Victorian England. She has published in Victorian Periodicals Review, English Studies in Canada, and Victorian Review. Her monograph, Conceptualizing Cruelty to Children in Nineteenth-Century England, is forthcoming from Ashgate. Marah Gubar is an Assistant Professor at the University of Pittsburgh, where she currently serves as Director of the Children’s Literature Program. She is the author of Artful Dodgers: Reconceiving the Golden Age of Children’s Literature (Oxford UP, forthcoming). She has also published articles on Lewis Carroll, Lucy Maud Montgomery, E. B. White and Jack Gantos in journals such as Children’s Literature and Texas Studies in Literature and Language. Lorraine Janzen Kooistra is Chair of English at Ryerson University. Her research focuses on Victorian illustrated books and visual culture. Her publications include Christina Rossetti and Illustration: A Publishing History (Ohio UP, 2002) and The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books (Scolar, 1995). Richard A. Kaye is an associate Professor of english at hunter College, CuNy and on the faculty of CUNY Graduate Center. His scholarly books include The Flirt’s

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