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The New Yorker - 23 03 2020 PDF

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MAR. 23, 2020 PRICE $8.99 Trymaine Lee A NEW PODCAST HOSTED BY FEATURING THE JOURNALISTS OF NBC NEWS into red states into blue states into swing states into the heartland into the border towns into what’s happening into why it matters into the voices of the people into the next chapter of our history SUBSCRIBE NOW 5 THE TALK OF THE TOWN Steve Coll on the pandemic and Trump’s provocations; a match made in quarantine; epidemic eavesdropping; millennials get Lampooned; big into gilding. AMERICAN CHRONICLES Jill Lepore 10 But Who’s Counting? This year’s census could be the last. REFLECTIONS Geoff Dyer 17 Existential Inconvenience A writer’s life in the time of coronavirus. ANNALS OF NATURE James Somers 19 Cold War Fighting avalanches with science. PROFILES Emily Nussbaum 26 Skin in the Game The raw sounds of Fiona Apple. LETTER FROM BOLIVIA Jon Lee Anderson 38 The Burnt Palace Evo Morales’s fall from power. FICTION Kate Folk 50 “Out There” THE CRITICS BOOKS Atul Gawande 59 Why Americans are dying from despair. 61 Briefly Noted THE THEATRE Alexandra Schwartz 64 “Endlings.” MUSICAL EVENTS Alex Ross 66 “The Flying Dutchman,” “Agrippina.” THE CURRENT CINEMA Anthony Lane 68 “The Truth,” “The Booksellers.” POEMS Robert Pinsky 32 “Beach Glass” Kimiko Hahn 54 “To be a daughter and to have a daughter” COVER Christoph Niemann “Critical Mass” MARCH 23, 2020 As a result of the coronavirus crisis and the closing of New York City venues, Goings On About Town will not appear this week. DRAWINGS Frank Cotham, Drew Dernavich, Pia Guerra and Ian Boothby, Roz Chast, Liana Finck, Zachary Kanin, Emily Flake, Brendan Loper, Harry Bliss, Lars Kenseth, Edward Koren, Matilda Borgström, Liza Donnelly SPOTS Marcellus Hall 2 THE NEW YORKER, MARCH 23, 2020 CONTRIBUTORS Emily Nussbaum (“Skin in the Game,” p. 26) won the Pulitzer Prize for crit- icism in 2016. She is the author of “I Like to Watch: Arguing My Way Through the TV Revolution.” James Somers (“Cold War,” p. 19) is a writer and a programmer based in New York. Geoff Dyer (“Existential Inconvenience,” p. 17) most recently published “Broad- sword Calling Danny Boy,” which is about the film “Where Eagles Dare.” Kate Folk (Fiction, p. 50) is a Wallace Stegner Fellow in fiction at Stanford University. Robert Pinsky (Poem, p. 32) edited the recent anthology “The Mind Has Cliffs of Fall.” His latest poetry collection is “At the Foundling Hospital.” Atul Gawande (Books, p. 59) is a surgeon, a public-health researcher, and the C.E.O. of the health-care venture Haven. His books include “Being Mor- tal” and “The Checklist Manifesto.” Jon Lee Anderson (“The Burnt Palace,” p. 38), a staff writer, is the author of several books, including “Che Guevara: A Revolutionary Life.” Jill Lepore (“But Who’s Counting?,” p. 10) is a professor of history at Har- vard. Later this year, she will publish “If Then: How the Simulmatics Cor- poration Invented the Future.” Christoph Niemann (Cover) is the au- thor of several books, including “Sun- day Sketching,” “Souvenir,” and “Hopes and Dreams.” Kimiko Hahn (Poem, p. 54) teaches at Queens College, City University of New York. Her latest poetry collection is “Foreign Bodies.” Peter Arkle (Sketchpad, p. 7) is an il- lustrator based in New York. His most recent book, with Amy Goldwasser, is “All Black Cats Are Not Alike.” Alexandra Schwartz (The Theatre, p. 64), a theatre critic for the magazine, has been a staff writer since 2016. PHOTO BOOTH Helen Rosner on Hannah La Follette Ryan’s photos of New York City’s “subway hands.” NEWS DESK Robert P. Baird on what it means to contain and mitigate the speed and scale of the coronavirus. LEFT: HANNAH LA FOLLETTE RYAN; RIGHT: JON HAN Download the New Yorker Today app for the latest news, commentary, criticism, and humor, plus this week’s magazine and all issues back to 2008. THIS WEEK ON NEWYORKER.COM Dig into stories from our 95-year archive. Classic New Yorker pieces, delivered to your in-box every weekend with the Sunday Archive newsletter. Sign up at newyorker.com/ sundaynewsletter The Sunday Archive Newsletter THE NEW YORKER, MARCH 23, 2020 3 psychotherapist Tim Tate, who helped found the North Face’s “wellness initia- tive” and has counselled its sponsored athletes (“The Altitude Sickness,” March 2nd). North Face’s president, Arne Arens, says that his company tries to make climbers’ endeavors “as safe as possible.” Through my recent research into the effects of corporate sponsorship on ex- treme-sport athletes, I have found that sponsor contracts often encourage ath- letes to take dangerous risks in exchange for financial rewards, because the grant- ing of bonuses is tied to media popular- ity. Young, inexperienced athletes are particularly susceptible to the pressure to engage in “adventure pornography” on social media. Many sponsors—in- cluding the North Face—also don’t pro- vide athletes with health or life insur- ance, leaving them especially vulnerable when the worst occurs. Both Arens and Tate are thus players in a cynical game, in which sponsors contractually incen- tivize athletes to court disaster. Horst Eidenmueller Professor of Commercial Law University of Oxford Oxford, England Paumgarten’s insights into the allure of mountaineering align with my own ex- periences of hiking, climbing, and ski- ing in the mountains of Washington State. In the past thirty years, I’ve had three close calls: during a rockfall, in which I was nearly decapitated; while skiing over an ice cliff with a forty-foot drop onto bare rock; and while punch- ing through a snow-and-ice cornice, two thousand feet above the Stuart Gla- cier. None of these experiences deterred me, however, because everyone who en- gages in risky sports makes peace with the possibility of death. Ira Shelton Edmonds, Wash. SEEKING JUSTICE Reading Jennifer Gonnerman’s heart- breaking account of Eric Smokes and David Warren’s efforts to overturn their murder convictions brings to mind two concepts that I encounter often as an attorney working on wrongful convic- tions (“Burden of Proof,” March 2nd). As agents of the justice system, we must always “get proximate” to our cases—a phrase coined by Bryan Stevenson, of “Just Mercy” fame, to describe the con- scious act of becoming close to people and their experiences. To understand why two men would relive the trauma of their wrongful convictions and de- cades in prison, one needs to under- stand what they went through. Unfor- tunately, prosecutors and judges rarely spend time in prison speaking to peo- ple who have been robbed of their free- dom. Perhaps if they had with Smokes and Warren, they would not have made or considered disingenuous arguments about the men’s supposed financial in- centive to seek exoneration. Nor would they have believed, based on the fact that Smokes and Warren accepted re- sponsibility before the parole board, that the men’s guilt was indisputable; maintaining innocence before the board would have almost certainly resulted in a denial of parole. We must also be cognizant of how institutional bias affects our justice sys- tem. It will always be challenging for conviction-review units in district at- torneys’ offices to find, and speak pub- licly about, wrongdoing, but that does not mean that they lack the power or the motivation to try. Sadly, for Smokes and Warren, it seems that the review process was as flawed as the convic- tions themselves. Elizabeth Sack Felber Legal Aid Society New York City 1 EXTREME RISK Nick Paumgarten, in his piece about the thrills and grief associated with moun- tain climbing, features the work of the • Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to

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