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The New Yorker - 16 03 2020 PDF

99 Pages·2020·48.81 MB·English
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UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws Available for qualifying applicants in the United States. Issued by Goldman Sachs Bank USA, Salt Lake City Branch. Tap � in Wallet to apply UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws All your information, all on display. Not UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws 9 GOINGS ON ABOUT TOWN 27 THE TALK OF THE TOWN Amy Davidson Sorkin on Super Tuesday; the jump-scare Experience; channelling Princess Diana; Alabama in the promised land; the Band looks back. LETTER FROM FULING Peter Hessler 34 Broken Bonds How the Peace Corps left China. PERSONAL HISTORY Colin Jost 42 Commuting Adventures on the way uptown. ANNALS OF TECHNOLOGY John Seabrook 44 Adversarial Man Could what you wear elude surveillance? PROFILES Dana Goodyear 52 Hot and Toxic Jordan Wolfson’s animatronic provocations. THE WORLD OF FASHION Emily Witt 64 Get the Look The global ambition of Telfar Clemens. FICTION Matthew Klam 72 “The Liver” THE CRITICS BOOKS Daniel Mendelsohn 80 The end of Hilary Mantel’s Tudor trilogy. 85 Briefly Noted Sarah Resnick 87 Anne Enright’s “Actress.” MUSICAL EVENTS Alex Ross 90 A Weimar revival at the L.A. Philharmonic. THE THEATRE Vinson Cunningham 92 “All the Natalie Portmans.” THE ART WORLD Peter Schjeldahl 94 The metamorphoses of Gerhard Richter. POEMS Jeffrey McDaniel 58 “Wooden Bench” Patricia Spears Jones 77 “Nia” COVER Tomer Hanuka “Blown Away” DRAWINGS Barbara Smaller, P. C. Vey, Will McPhail, Emily Bernstein, Edward Steed, William Haefeli, Dan Roe, Carolita Johnson, Roz Chast, Liana Finck, Drew Panckeri, Frank Cotham, Julia Suits, Tom Toro, Liz Montague, Ali Solomon SPOTS Benoît van Innis MARCH 16, 2020 THE STYLE & DESIGN ISSUE UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws 4 THE NEW YORKER, MARCH 16, 2020 CONTRIBUTORS Dana Goodyear (“Hot and Toxic,” p. 52) is a staff writer based in California. Peter Hessler (“Broken Bonds,” p. 34), a staff writer, most recently published “The Buried: An Archaeology of the Egyptian Revolution.” Emily Witt (“Get the Look,” p. 64) is the author of “Future Sex: A New Kind of Free Love” and “Nollywood: The Making of a Film Empire.” Daniel Mendelsohn (Books, p. 80), the editor-at-large of the New York Review of Books, most recently published “Ec- stasy and Terror.” His tenth book, “Three Rings: A Tale of Exile, Narrative, and Fate,” will be out in September. Patricia Spears Jones (Poem, p. 77), the recipient of the 2017 Jackson Poetry Prize, is a poet, a playwright, and an ac- tivist. Her latest book is “A Lucent Fire.” Colin Jost (“Commuting,” p. 42) has been a head writer at “Saturday Night Live” for six years. In April, he will publish the memoir “A Very Punchable Face.” John Seabrook (“Adversarial Man,” p. 44; The Talk of the Town, p. 33) has published four books, including, most recently, “The Song Machine: Inside the Hit Factory.” Sarah Resnick (Books, p. 87) is the act- ing deputy editor of n+1. She is at work on her first novel. Jeffrey McDaniel (Poem, p. 58) is the author of six books of poetry, including the collection “Holiday in the Islands of Grief.” He teaches in the writing program at Sarah Lawrence College. Tomer Hanuka (Cover) is an illustrator who works in film and television. This is his fourth cover for the magazine. Amy Davidson Sorkin (Comment, p. 27), a staff writer, is a regular con- tributor to Comment. She also writes a column for newyorker.com. Matthew Klam (Fiction, p. 72) is the author of “Sam the Cat and Other Sto- ries” and, most recently, “Who Is Rich?” He teaches at Stony Brook University. DISPATCH Dan Kaufman on the push to remove Alaska’s governor, who gutted public services in the name of populism. UNDER REVIEW Jia Tolentino considers Cathy Park Hong’s collection of essays about Asian-American identity. LEFT: BRIAN ADAMS FOR THE NEW YORKER; RIGHT: KA YOUNG LEE Download the New Yorker Today app for the latest news, commentary, criticism, and humor, plus this week’s magazine and all issues back to 2008. THIS WEEK ON NEWYORKER.COM “I COULDN’T PUT IT DOWN.” —Ann Patchett “MARVELOUS.” —Stephen King —The New York Times Book Review AmericanDirt.com #1 New York Times Bestseller UPLOADED BY "What's News" vk.com/wsnws TELEGRAM: t.me/whatsnws THE NEW YORKER, MARCH 16, 2020 5 home gardeners can increase the bio- diversity and ecological function of their yards, just as Fiennes has at Holkham. These include keeping the ground cov- ered, minimizing any disturbance of the soil, and avoiding pesticides, chemical fertilizers, and herbicides. Pioneering work by Fiennes, as well as by Charlie Burrell and Isabella Tree, reminds us that nature can recover quickly under favorable conditions. Building up healthy soils can help farmers and gardeners se- quester atmospheric carbon safely un- derground while creating a hospitable habitat for pollinators like bees, birds, and butterflies. Diana Donlon Executive Director, Soil Centric San Anselmo, Calif. 1 SIMULATING SLAVERY Julian Lucas explores whether slavery reënactments are powerful teaching tools or serve more to trivialize history and, perhaps, to traumatize students (“The Fugitive Cure,” February 17th & 24th). About twenty years ago, I taught a course at Marymount College, in Tarrytown, New York, in which my students, a diverse group of young women, read sections of Harriet Ja- cobs’s “Incidents in the Life of a Slave Girl.” I brought into the classroom large pieces of cardboard that I had cut to create an enclosure the size of the attic crawl space in which Jacobs hid for seven years. Lucas describes spending several minutes in a crawl space created for the same purpose by a reënactor. In my class, only two or three students were willing to enter the enclosure, even for a minute. I am still puzzling over an explanation for their reluctance. Jordy Bell Croton-on-Hudson, N.Y. EXPERIMENTAL METHODS Hannah Fry asks whether tech com- panies’ large-scale social experiments, such as measuring the emotional im- pact that negative posts have on Face- book users, are sufficiently regulated (Books, March 2nd). She is right to point out that such tests are not sub- ject to federal regulations protecting human subjects in biomedical research. But she doesn’t mention that the ex- periments fall outside the federal defi- nition of “research.” The protections for human subjects set out by the Depart- ment of Health and Human Services apply only to studies that are “designed to develop or contribute to generaliz- able knowledge”—i.e., undertaken with the intent of public dissemination. Be- cause market research is not meant to be seen by the public, the rules protect- ing human subjects are not generally applicable—and there are no equiva- lent federal protections for consumers whose behavior is studied by private organizations seeking monetary gain. Most of the corporate practices that Fry cites are questionable not due to a lack of consumer consent but because they may run afoul of other protections that our regulatory system is supposed to provide: truth in advertising, safety of roads and consumer products, and access to competitive markets. Jennifer Steele Associate Professor, School of Education American University Washington, D.C. 1 FARM FRESH Sam Knight’s profile of Jake Fiennes, the conservation manager of the Holkham Estate, in England, show- cases an approach to environmentally responsible farming (“Betting the Farm,” February 17th & 24th). Readers may wonder whether the nature-friendly ethos Fiennes espouses, as well as the inspiring results he is getting, can be applied to more modest plots. By fol- lowing a set of principles universally recognized for optimizing soil health, • Letters should be sent with the writer’s name, address, and daytime phone number via e-mail to

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