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The Narrative Pulse of "Beowulf": Arrivals and Departures PDF

134 Pages·2009·0.72 MB·English
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Recto Running Head i THE NARRATIVE PULSE OF BEOWULF: ARRIVALS AND DEPARTURES This page intentionally left blank Recto Running Head iii JOHN M. HILL The Narrative Pulse of Beowulf: Arrivals and Departures UNIVERSITY OF TORONTO PRESS Toronto Buffalo London iv Verso Running Head www.utppublishing.com © John M. Hill 2008 Published by University of Toronto Press Incorporated Toronto Buffalo London Printed in Canada ISBN 978-0-8020-9329-5 Printed on acid-free paper Library and Archives Canada Cataloguing in Publication Hill, John M. The narrative pulse of Beowulf :arrivals and departures / John M. Hill. (Toronto Old English series) Includes bibliographical references and index. ISBN 978-0-8020-9329-5 1.Beowulf. 2. Epic poetry, English (Old) – History and criticism. I. Title. II. Series. PR1585.H552 2008 829′.3 C2007-903501-9 University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. University of Toronto Press acknowledges the financial support for its publishing activities of the Government of Canada through the Book Publishing Industry Development Program (BPIDP). Recto Running Head v As always, for Barbara, whose comings and goings are the pulse of our life. This page intentionally left blank Recto Running Head vii Contents 1 The Narrative Pulse of Beowulf: Arrivals and Departures 3 2 Beowulf’s Sudden Arrival and Danish Challenges: Nothing Said Is Merely a Formality 21 3 The Arrival of Joy after Grendel’s Departure, and a Momentous Question:Succession or Not? 43 4 Beowulf’s Homecoming with ‘Celeritas’ and Loyalty 65 5 The Dragon’s Arrival and Beowulf’s Two Departures: Deep Luck Runs Out 75 Conclusion 91 Notes 97 Works Cited 111 Index 117 This page intentionally left blank

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One of the most consistent critiques levelled against "Beowulf" is that it lacks a steady narrative advance and that its numerous digressions tend to complicate if not halt the poem's movement. As those passages often look backward or far ahead in narrative time, they seem to transform the poem into
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