The Musical Times 2003: Vol 144 Index

5 Pages·2003·1.6 MB·English

Index Shulman, Alan, vol.143 no.1880 (Autumn Thomas, Janet Owen, vol.143 no.1880 (Autumn
2002), pp.7-8. 2002), p.8.
vol.143
Svetlanov, Yevgeny, vol.143 no.1879 (Summer Wand, Gunter, vol.143 no.1878 (Spring 2002),
(2002)
2002), p.4. p.5.
INDEX TO VOLUME 144 (2003)
Index Articles vol.144 no.1883 (Summer 2003), pp.6-12.
Altschuler, Eric Lewin & Jansen, William: Jones, Nicholas: ‘Luminous, but with shadows:
vol.144
‘Gentlemen at large: Musica Transalpina and Anthony Powers at 50’, vol.144 no.1884
(2003)
Marenzio’s interpolator’, vol.144 no.1885 (Autumn 2003), pp.26-35.
(Winter 2003), pp.20-27. Sassoon, Humphrey F: ‘Royal peculiar: JS Bach’s
Altschuler, Eric Lewin & Jansen, William: Musical Offering and the source of its theme’,
‘Wondrous Weelkes: further aspects of “Thule” ’, vol.144 no.1885 (Winter 2003), pp.38-39.
vol.144 no.1882 (Spring 2003), pp.40-43. Silverman, Gerald: ‘New light, but also more
Bartel, Dietrich: ‘Ethical gestures: rhetoric confusion, on “Es muss sein” ’, vol.144 no.1884
in German Baroque music’, vol.144 no.1885 (Autumn 2003), pp.51-53.
(Winter 2003), pp.15-19. Walsh, Fiona: ‘Crowning the opus: Prokofiev's
Bartlett, lan: ‘Lambert, Finzi and the anatomy op.38 and op.135’, vol.144 no.1882 (Spring
of the Boyce revival’, vol.144 no.1884 (Autumn 2003), pp.21-26.
2003), pp.54-59. Walton, Chris: ‘Knowing Kirchner’, vol.144
Bretherton, David: ‘In search of Schubert's no.1885 (Winter 2003), pp.5-14.
Doppelganger’, vol.144 no.1884 (Autumn Whittall, Arnold: ‘Connections and
2003), *pp.45-50. constellations: Hollway and Ferneyhough at 60’,
Brown, David: ‘Deciphering Liszt: the B minor vol.144 no.1883 (Summer 2003), pp.23-32.
Sonata revisited’, vol.144 no.1882 (Spring Wintle, Christopher: ‘Keller via Freud: from
2003), pp.6-15. psychology to music’, vol.144 no.1884 (Autumn
Collins, Chris: ‘Falla in Britain’, vol.144 no.1883 2003), pp.7-13.
(Summer 2003), pp.33-48.
Fox, Christopher: ‘Sharp pratice: Gavin Bryars at Book reviews
60°, vol.144 no.1884 (Autumn 2003), pp.15-25. Adorno, Theodor W.: Essays on music, reviewed
Gilmore, Bob: ‘Butterfly effect: Frank Denyer at by David Clarke, vol.144 no.1883 (Summer
60’, vol.144 no.1882 (Spring 2003), pp.27-31. 2003), pp.54—59.
Godt, Irving: ‘The Meistersingers’ hidden Andriessen, Louis: The art of stealing time,
heritage’, vol.144 no.1885 (Winter 2003), reviewed by Arnold Whittall, vol.144 no.1883
pp.35-37. (Summer 2003), pp.72-73.
Graubart, Michael: ‘Themes and motives 1: Applegate, Celia & Potter, Pamela, edd.: Music
integration in Schubert’, vol.144 no.1884 & German national identity, reviewed by Arnold
(Autumn 2003), pp.37-44. Whittall, vol.144 no.1884 (Autumn 2003),
Graubart, Michael: ‘Themes and motives 2: pp.62-63.
further integration in Schubert’, vol.144 Bailey, Candace: Seventeenth-century British
no.1885 (Winter 2003), pp.28-34. keyboard sources, reviewed by DavidJ . Smith,
Henderson, Lyn: ‘The vital Prokofiev: his vol.144 no.1884 (Autumn 2003), pp.72-73.
influence on Britten’, vol.144 no.1882 (Spring Berger, Arthur: Reflections of an American
2003), pp. 16-19. composer, reviewed by Arnold Whittall, vol. 144
Holman, Peter: ‘Did Handel invent the English no.1884 (Autumn 2003), pp.70-71.
keyboard concerto?’, vol.144 no.1883 (Summer Bloom, Peter, ed.: Berlioz: past, present, future,
2003), pp.13-22. reviewed by Andrew Thomson, vol.144 no.1885
Hunter, David: ‘The great pretender: Monsieur (Winter 2003), pp.58-61.
le Comte de Saint-Germain’, vol.144 no.1885 Buch, Esteban: Beethoven’ Ninth: a political
(Winter 2003), pp.40-44. history, reviewed by Michael Graubart, vol.144
Hyde, Thomas: ‘Visions of reality: David no.1885 (Winter 2003), pp.52-57.
Matthews at 60’, vol.144 no.1882 (Spring 2003), Carter, Tim: Monteverdis musical theatre,
pp.33-39. reviewed by Peter Williams, vol.144 no.i884
Kassler, Michael & Olleson, Philip: ‘New (Autumn 2003), pp.69-70.
Samuel Wesleyana: more professional and social Cooper, John Michael & Prandi, Julie D.:
correspondence’, vol.144 no.1883 (Summer The Mendelssohns: their music in history,
2003), pp.49-53. reviewed by Peter Williams, vol.144 no.1884
Kramer, Lawrence: ‘Musicology and meaning’, (Autumn 2003), pp.71-72.
THE MUSICAL TIMES / WINTER 2003
Index Shulman, Alan, vol.143 no.1880 (Autumn Thomas, Janet Owen, vol.143 no.1880 (Autumn
2002), pp.7-8. 2002), p.8.
vol.143
Svetlanov, Yevgeny, vol.143 no.1879 (Summer Wand, Gunter, vol.143 no.1878 (Spring 2002),
(2002)
2002), p.4. p.5.
INDEX TO VOLUME 144 (2003)
Index Articles vol.144 no.1883 (Summer 2003), pp.6-12.
Altschuler, Eric Lewin & Jansen, William: Jones, Nicholas: ‘Luminous, but with shadows:
vol.144
‘Gentlemen at large: Musica Transalpina and Anthony Powers at 50’, vol.144 no.1884
(2003)
Marenzio’s interpolator’, vol.144 no.1885 (Autumn 2003), pp.26-35.
(Winter 2003), pp.20-27. Sassoon, Humphrey F: ‘Royal peculiar: JS Bach’s
Altschuler, Eric Lewin & Jansen, William: Musical Offering and the source of its theme’,
‘Wondrous Weelkes: further aspects of “Thule” ’, vol.144 no.1885 (Winter 2003), pp.38-39.
vol.144 no.1882 (Spring 2003), pp.40-43. Silverman, Gerald: ‘New light, but also more
Bartel, Dietrich: ‘Ethical gestures: rhetoric confusion, on “Es muss sein” ’, vol.144 no.1884
in German Baroque music’, vol.144 no.1885 (Autumn 2003), pp.51-53.
(Winter 2003), pp.15-19. Walsh, Fiona: ‘Crowning the opus: Prokofiev's
Bartlett, lan: ‘Lambert, Finzi and the anatomy op.38 and op.135’, vol.144 no.1882 (Spring
of the Boyce revival’, vol.144 no.1884 (Autumn 2003), pp.21-26.
2003), pp.54-59. Walton, Chris: ‘Knowing Kirchner’, vol.144
Bretherton, David: ‘In search of Schubert's no.1885 (Winter 2003), pp.5-14.
Doppelganger’, vol.144 no.1884 (Autumn Whittall, Arnold: ‘Connections and
2003), *pp.45-50. constellations: Hollway and Ferneyhough at 60’,
Brown, David: ‘Deciphering Liszt: the B minor vol.144 no.1883 (Summer 2003), pp.23-32.
Sonata revisited’, vol.144 no.1882 (Spring Wintle, Christopher: ‘Keller via Freud: from
2003), pp.6-15. psychology to music’, vol.144 no.1884 (Autumn
Collins, Chris: ‘Falla in Britain’, vol.144 no.1883 2003), pp.7-13.
(Summer 2003), pp.33-48.
Fox, Christopher: ‘Sharp pratice: Gavin Bryars at Book reviews
60°, vol.144 no.1884 (Autumn 2003), pp.15-25. Adorno, Theodor W.: Essays on music, reviewed
Gilmore, Bob: ‘Butterfly effect: Frank Denyer at by David Clarke, vol.144 no.1883 (Summer
60’, vol.144 no.1882 (Spring 2003), pp.27-31. 2003), pp.54—59.
Godt, Irving: ‘The Meistersingers’ hidden Andriessen, Louis: The art of stealing time,
heritage’, vol.144 no.1885 (Winter 2003), reviewed by Arnold Whittall, vol.144 no.1883
pp.35-37. (Summer 2003), pp.72-73.
Graubart, Michael: ‘Themes and motives 1: Applegate, Celia & Potter, Pamela, edd.: Music
integration in Schubert’, vol.144 no.1884 & German national identity, reviewed by Arnold
(Autumn 2003), pp.37-44. Whittall, vol.144 no.1884 (Autumn 2003),
Graubart, Michael: ‘Themes and motives 2: pp.62-63.
further integration in Schubert’, vol.144 Bailey, Candace: Seventeenth-century British
no.1885 (Winter 2003), pp.28-34. keyboard sources, reviewed by DavidJ . Smith,
Henderson, Lyn: ‘The vital Prokofiev: his vol.144 no.1884 (Autumn 2003), pp.72-73.
influence on Britten’, vol.144 no.1882 (Spring Berger, Arthur: Reflections of an American
2003), pp. 16-19. composer, reviewed by Arnold Whittall, vol. 144
Holman, Peter: ‘Did Handel invent the English no.1884 (Autumn 2003), pp.70-71.
keyboard concerto?’, vol.144 no.1883 (Summer Bloom, Peter, ed.: Berlioz: past, present, future,
2003), pp.13-22. reviewed by Andrew Thomson, vol.144 no.1885
Hunter, David: ‘The great pretender: Monsieur (Winter 2003), pp.58-61.
le Comte de Saint-Germain’, vol.144 no.1885 Buch, Esteban: Beethoven’ Ninth: a political
(Winter 2003), pp.40-44. history, reviewed by Michael Graubart, vol.144
Hyde, Thomas: ‘Visions of reality: David no.1885 (Winter 2003), pp.52-57.
Matthews at 60’, vol.144 no.1882 (Spring 2003), Carter, Tim: Monteverdis musical theatre,
pp.33-39. reviewed by Peter Williams, vol.144 no.i884
Kassler, Michael & Olleson, Philip: ‘New (Autumn 2003), pp.69-70.
Samuel Wesleyana: more professional and social Cooper, John Michael & Prandi, Julie D.:
correspondence’, vol.144 no.1883 (Summer The Mendelssohns: their music in history,
2003), pp.49-53. reviewed by Peter Williams, vol.144 no.1884
Kramer, Lawrence: ‘Musicology and meaning’, (Autumn 2003), pp.71-72.
THE MUSICAL TIMES / WINTER 2003
Dibble, Jeremy: Charles Villiers Stanford: man no.1885 (Winter 2003), pp.52-57. Index
and musician, reviewed by Robert Anderson, Lloyd, Stephen: William Walton: muse of fire,
vol. 144
vol.144 no.1882 (Spring 2003), pp.48-50. reviewed by Stephen Banfield, vol.144 no.1883
(2003)
Dibble, Jeremy & Zon, Bennett, edd.: (Summer 2003), pp.60-63.
Nineteenth-century British music studies volume 2, Macdonald, Hugh: Berlioz’ orchestration treatise:
reviewed by David Wright, vol.144 no.1882 a translation and commentary, reviewed by
(Spring 2003), pp.44—-47. Andrew. Thomson, vol.144 no.1882 (Spring
Everist, Mark: Music drama at the Paris Odéon 2003), pp.51—55.
1824-1828, reviewed by Andrew Thomson, Maes, Francis: A history of Russian music: from
vol.144 no.1883 (Summer 2003), pp.70-72. Kamarinskaya to Babi Yar, reviewed by Willem
Flothuis, Marius: Mozart’ piano concertos, Vijvers, vol.144 no.1882 (Spring 2003),
reviewed by William Drabkin, vol.144 no.1885 pp. 72-73.
(Winter 2003), pp.45-51. Nice, David: Prokofiev: from Russia to the West
Garnham, AM: Hans Keller and the BBC: 1891-1935, reviewed by Lyn Henderson, vol.144
the musical conscience ofB ritish broadcasting no. 1884 (Autumn 2003), p.65.
1959-79, reviewed by David Wright, vol.144 Nichols, Roger: The harlequin years, reviewed by
no.1883 (Summer 2003), pp.67-69. Nigel Simeone, vol.144 no.1882 (Spring 2003),
Garratt, James: Palestrina and the German pp.56-—60.
Romantic imagination, reviewed by Peter Phillips, Painter, Karen, ed.: Mahler and his world,
vol.144 no.1884 (Autumn 2003), p.64. reviewed by Chris Walton, vol.144 no.1885
Hallman, Diana R.: Opera, liberalism, and (Winter 2003), pp.61-62.
antisemitism in nineteenth-century France: the Reich, Steve: Writings on music 1965-2000,
politics of Halévys La Juive, reviewed by Andrew reviewed by Arnold Whittall, vol.144 no.1882
Thomson, vol.144 no.1883 (Summer 2003), (Spring 2003), pp.61-64.
pp. 70-72. Rink, John, ed.: Musical performance: a guide to
Hayes, Malcolm, ed.: The selected letters of understanding, reviewed by Peter Williams,
William Walton, reviewed by Stephen Banfield, vol.144 no.1882 (Spring 2003), pp.70-71.
vol.144 no.1883 (Summer 2003), pp.60-63. Robinson, Suzanne, ed.: Michael Tippett: music
Hochreither, Karl: Performance practice oft he and literature, reviewed by David Wright,
instrumental-vocal works ofJ ohann Sebastian vol.144 no.1883 (Summer 2003), pp.67-69.
Bach, reviewed by Peter Williams, vol.144 Rodmell, Paul: Charles Villiers Stanford,
no.1883 (Summer 2003), pp.64-66. reviewed by Robert Anderson, vol.144 no.1882
Hughes, Merion, ed.: The English musical (Spring 2003), pp.48—50.
renaissance and the press 1850-1914: watchmen Rorem, Ned: A Ned Rorem reader, reviewed by
of music, reviewed by David Wright, vol.144 Arnold Whittall, vol.144 no.1882 (Spring 2003),
no.1882 (Spring 2003), pp.44—47. pp.61-64.
Irving, John: Mozart’ piano concertos, reviewed Rushton, Julian: The music of Berlioz, reviewed
by William Drabkin, vol.144 no.1885 (Winter by Andrew Thomson, vol.144 no.1882 (Spring
2003), pp.45-51. 2003), pp.51-55.
Jones, Bryony: The music of Lord Berners Samson, Jim & Zon, Bennett, edd.: Nineteenth-
(1883-1950): ‘The Versatile Peer’, reviewed by century music: selected proceedings of the Tenth
Andrew Thomson, vol.144 no.1884 (Autumn International Conference, reviewed by Chris
2003), pp.68-69. Walton, vol.144 no.1882 (Spring 2003),
Keefe, Simon P: Mozart’ piano concertos: pp.69-70.
dramatic dialogue in the age of Enlightenment, Schmidt, Carl B.: Entrancing muse: a documented
reviewed by William Drabkin, vol.144 no.1885 biography of Francis Poulenc, reviewed by Nigel
(Winter 2003), pp.45-51. Simeone, vol.144 no.1883 (Summer 2003),
Kildea, Paul: Selling Britten: music and pp./6-77.
the market place, reviewed by David Wright, Seeger, Ruth Crawford: The Music of American
vol.144 no.1883 (Summer 2003), pp.67-69. Folk Song and other writings on American music,
Korsyn, Kevin: Decentering music: a critique reviewed by Arnold Whittall, vol.144 no.1882
of contemporary musical research, reviewed by (Spring 2003), pp.61-64.
Peter Williams, vol.144 no.1885 (Winter 2003), Simeone, Nigel, ed.: ‘Dear Maitre Tournemire’:
pp-62-63. Charles Tournemire’ correspondence with Felix
Ledbetter, David: Bach’s Well-tempered Clavier: Aprahamian and his visit to London in 1936,
the 48 Preludes and Fugues, reviewed by Peter teviewed by Andrew Thomson, vol.144 no.1884
Williams, vol.144 no.1883 (Summer 2003), (Autumn 2003), pp.66-67.
pp.64-66. Skowron, Zbigniew: Lutoslawski studies,
Lockwood, Lewis: Beethoven: the music and the reviewed by Amanda Bayley, vol.144 no.1882
life, reviewed by Michael Graubart, vol.144 (Spring 2003), pp.71-72.
THE MUSICAL TIMES / WINTER 2003
Index Smith, Jeremy L.: Thomas East and music and the Great War, reviewed by Arnold Whittall,
vol. 144 publishing in Renaissance England, reviewed by vol.144 no.1884 (Autumn 2003), pp.60-61.
David J. Smith, vol.144 no.1885 (Winter 2003), Whittall, Arnold: Exploring twentieth-century
(2003) pp.63-64 music: tradition and innovation, reviewed by
Solomon, Maynard: Late Beethoven: music, Nigel Simeone, vol.144 no.1884 (Autumn
thought, imagination, reviewed by Michael 2003), pp.67-68.
Graubart, vol.144 no.1885 (Winter 2003), Zemanova, Mirka: Jandéek: a composer’ life,
pp.52-57. reviewed by Nigel Simeone, vol.144 no.1883
Talbot, Michael, ed.: The business of music, - (Summer 2003), pp.74-75.
reviewed by David Wright, vol.144 no.1882
(Spring 2003), pp.44-47. CD review
Thomas, Downing A.: Aesthetics of opera in the Rzewski, Frederic: Rzewski plays Rzewski: piano
ancien régime, 1647-1785, reviewed by Andrew works 1975-1999, reviewed by Christopher Fox,
Thomson, vol.144 no.1883 (Summer 2003), vol.144 no.1882 (Spring 2003), pp.65-68.
pp.77-78
[resize, Simon, ed.: The Cambridge companion to Obituaries
Debussy, reviewed by Andrew Thomson, vol.144 Berio, Luciano, vol.144 no.1884 (Autumn
no.1885 (Winter 2003), pp.58-61. 2003), pp.4-6.
Yearsley, David: Bach and the meanings Browning, John, vol.144 no.1882 (Spring 2003),
of counterpoint, reviewed by oon Williams, pp.4-5.
vol.144 no.1883 (Summer 2003), pp.64—-66. Harrison, Lou, vol.144 no.1882 (Spring 2003),
Watkins, Glenn: Proof through nt night: music ° p.4.
CLASSIFIED ADVERTISEMENTS
VACANCIES | |
- American
lS 4 7 AUB: University |
Seed Sas Se ee 3 * é of‘ ie“ ii |
|
Conductor required for Taunton Camerata | | eI RY) Kel
|
: he ; Faculty of Arts and Sciences |
Good amateur 25 voice chamber choir seeks a ||
qualifaei ed musicii an wit‘ h ii nspirati. onal rehearsal, | | Nominations and applications are sought for |
orchestral, keyboard and performance skills. | | The Whittlesey Visiting Professorship |
Repertoire features lesser-known choral baroque works _ | | PEM ackP ao an pF Coe ro eee peo ao Oa ae |
with wide range of music from medieval to the 215tcent.
Contact: Cat, herine Bass, Cadbury House, Fore Street, Culmstock. EX1o5e 3JD | || The Facult; y of , Arts and ScieanMce s at the merican riversity of BSe irut seSeoksy a
| recognized scholar of prominent standing in her/his field for appoir t as Whittlesey |
Telephone: [phone] or e-mail: camerata(@/btopenworld.com r in the fieldso f Music, Sociology, Art, and Archae
candidate will be expected to contribute to education at the graduate and |
AC t leve ls Te dutres are flexible. ¢ ompeltitive remuneration according
candidates’ rank and stature
Nominations and applications should be sent to
of Arts and Sciences
1C2 uversityo f Beirut
c/o New York Office
3 Dag Hammarskjold Plaza, sth Floor
New York, NY 10017-2303
USA
| OR
BOOKSI IOP Dean, Faculty of Arts and Sciences
Books . on Music, Antiquarian &o e Second Hand || AmericBeainrsu ta,U in:iLv eErsBiAtyN OoNf Beir* ut
Musici.r Electronic submissions may be sent to
[email protected]
a a Ss Pe
I ravis @ [ “Mel y I { Ce C il Court, London, | Nominations and applications deadline is January 15, 2004. Further information about all
W ] CIN 1 4EZay our é aHceaed emIi c: vaaccaannccii es can n be fouunn d at our emmppllooyymmeern t Web si1t e aat
iud.cdu.ib Veblas emptoyment.hAtm
Tel: [phone].
‘ —Op 7 dd: S | THE AMERICAN UNIVERSITY OF B< EIRUT IS AN AFFIRMATIVE ACTION ¥
lam ¢ I m,/ day: , EQUAL OPPORTUNITY EMPLOYER
THE MUSICAL TIMES / WINTER 2003