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The Metaphysics of Dante's Comedy PDF

321 Pages·2005·2.01 MB·English
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The Metaphysics of Dante’s Comedy RECENTTITLESIN AMERICANACADEMYOFRELIGION REFLECTIONANDTHEORYINTHESTUDYOFRELIGIONSERIES serieseditor JamesWetzel,ColgateUniversity APublicationSeriesof TheAmericanAcademyofReligionand OxfordUniversityPress RootsofRelationalEthics ResponsibilityinOriginandMaturityinH.RichardNiebuhr MelvinKeiser Hegel’sSpeculativeGoodFriday TheDeathofGodinPhilosophicalPerspective DelandS.Anderson NewmanandGadamer TowardaHermeneuticsofReligiousKnowledge ThomasK.Carr God,Philosophy,andAcademicCulture ADiscussionbetweenScholarsintheAARandAPA EditedbyWilliamJ.Wainwright LivingWords StudiesinDialoguesaboutReligion TerenceJ.Martin LikeandUnlikeGod ReligiousImaginationsinModernandContemporaryFiction JohnNeary BeyondtheNecessaryGod TrinitarianFaithandPhilosophyintheThoughtofEberhardJu¨ngel PaulDeHart Lessing’sPhilosophyofReligionandtheGermanEnlightenment ToshimasaYasukata AmericanPragmatism AReligiousGenealogy M.GailHammer OptingfortheMargins PostmodernityandLiberationinChristianTheology EditedbyJoergRieger MakingMagic Religion,Magic,andScienceintheModernWorld RandallStyers TheMetaphysicsofDante’sComedy ChristianMoevs The Metaphysics of Dante’s Comedy christian moevs 1 2005 1 OxfordUniversityPress,Inc.,publishesworksthatfurther OxfordUniversity’sobjectiveofexcellence inresearch,scholarship,andeducation. Oxford NewYork Auckland CapeTown DaresSalaam HongKong Karachi KualaLumpur Madrid Melbourne MexicoCity Nairobi NewDelhi Shanghai Taipei Toronto Withofficesin Argentina Austria Brazil Chile CzechRepublic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore SouthKorea Switzerland Thailand Turkey Ukraine Vietnam Copyright(cid:1)2005byTheAmericanAcademyofReligion PublishedbyOxfordUniversityPress,Inc. 198MadisonAvenue,NewYork,NewYork10016 www.oup.com OxfordisaregisteredtrademarkofOxfordUniversityPress Allrightsreserved.Nopartofthispublicationmaybereproduced, storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans, electronic,mechanical,photocopying,recording,orotherwise, withoutthepriorpermissionofOxfordUniversityPress. LibraryofCongressCataloging-in-PublicationData Moevs,Christian. ThemetaphysicsofDante’sComedy/ChristianMoevs p. cm.—(Reflectionandtheoryinthestudyofreligion) Includesbibliographicalreferencesandindex. ISBN-13978-0-19-517461-8 ISBN0-19-517461-5 1. DanteAlighieri,1265–1321.Divinacommedia. 2. Metaphysicsinliterature. I. Title. II. Series. PQ4432.M56M642005 851'.1—dc22 2004052088 9 8 7 6 5 4 3 2 1 PrintedintheUnitedStatesofAmerica onacid-freepaper O ben creato spirito, che a’ rai di vita etterna la dolcezza senti che, non gustata, non s’intende mai . . . (Pd 3.37–39) This page intentionally left blank Acknowledgments Longjourneysincurdebtspaidwithloveandgratitude.Iofferboth tomyteachers,especiallytoWarrenGoldfarbandTomRickettsfor theirunfailingmentoringandfriendship;toStanleyCavellforfirst showingmethateverygreatliterarytextisaphilosophicaltext,and everygreatphilosophicaltextaliterarytext;toMarthaNussbaum, withwhomIfirstreadtheComedyinthecontextofancientandme- dievalphilosophy;andtothelateBurtonDreben,whoseundergrad- uatetutorialonJ.L.Austinwasoneofthegreatintellectualexperi- encesofmylife.AtColumbiaIshallneverforgetthegenerousand extraordinarilyperceptiveguidanceofTeodolindaBarolini,who mademeaDantist;LucianoRebay’slucidmeditationonthenature ofpoetry,whichtriggeredmyfirstreflectionsonDante’spoetics; OlgaRagusa’shighseriousnessinthestudyofliterature;andMaris- tellaLorch,whoplantedthefirstseedsofthisproject,asshehasso manyothers. Fordetailedcriticismsandsuggestionsontheentiremanuscript atvariousstages,IamgratefultoTeodolindaBarolini,Zygmunt Baran´ski,GiuseppeMazzotta,RobertHollander,JohnScott,Simone Marchesi,StevenBotterill,WilliamFranke,LinoPertile,RachelJa- coff,SandraStow,andmysister,MarinaMoevs,whoprovedtobe anexceptionaleditor.ChristopherKleinhenz,AmilcareIannucci, FrancoFerrucci,FrederickCrosson,TomFlint,MarkJordan,Henry Weinfield,KevinHart,AllenMandelbaum,JohnFreccero,Francesco Sberlati,ManueleGragnolati,OtfriedLieberknecht,AndreasSpeer, TamaraPollack,TomWerge,andJanEmersonallreadandcom- mentedonallorpartsofthemanuscript.Foropportunitiestopres- entpartsofthisworkpublicly,IamespeciallygratefultotheDante SocietyofAmerica,LinoPertile,MartyCohen,MatthewTreherne viii acknowledgments and Vittorio Montemaggi, Alison Cornish, Michael Sherberg, ManueleGrag- nolati, Andreas Speer, and Gloria Allaire. To David Burrell, C.S.C., I owe an incalculabledebt,fortheopportunitytoteachadoctoralseminarwithhimon the metaphysics of creation, for guiding my thinking at every stage as this project developed, for reading several versions of the entire manuscript, and forhisunshakableconfidenceintheoutcome.MycolleaguesinItalianatNotre Dame—Theodore Cachey, Jr., John Welle, and Colleen Ryan-Scheutz—have fostered my work at every stage, both directly and by developing the place of Dante and Italian literature in the university’s intellectual life. Jim Wetzel, Cynthia Read, Christine Dahlin, and Oxford University Press have made the processofpublishingthisbookapleasure. IamgratefultotheNationalEndowmentfortheHumanitiesforayear’s support, and indebted to the extraordinary resources and generosity of the University of Notre Dame, especially the William and Katherine Devers Pro- graminDanteStudies,theZahmDanteCollection,theMedievalInstitute,the CenterforPhilosophyofReligion,theDepartmentofSpecialCollections,and the Institute for Scholarship in the Liberal Arts: they havemadeNotreDame formeanunparalleledstudiuminwhichtoreadDante. Thesection“Time”ofchapter4appearedinRomanceNotesas“ThePrimo MobileasaPotofTime:Paradiso27.115–120”;versionsofbriefpassagesofthe conclusionappearedinMLN(“God’sFeetandHands[Paradiso4.40–48]:Non- Duality and Non-False Errors”) and Lectura Dantis (“Is Dante Telling the Truth?”); a slightlyshorterversionofthelastsectionofchapter3appearedas “Pyramus at the Mulberry Tree: De-PetrifyingDante’sTintedMind”in Imag- iningHeavenintheMiddleAges,editedbyJanEmersonandHughFeiss,O.S.B. I dedicate this book to my parents, to my sister, andto mybeloved Luke, whotogetherhaveshownmethehorizonoftheworld. Contents Abbreviations,Editions,Translations,xi Introduction:Non-DualityandSelf-Knowledge,3 1. TheEmpyrean,15 2. Matter,37 3. Form,49 4. Creation,107 5. SunrisesandSunsets,147 Conclusion:IsDanteTellingtheTruth?,169 Epilogue:NoMind,NoMatter,187 Notes,193 WorksCited,241 Index,293

Description:
Thomas Aquinas said of allegory that it is useful both to present spiritual truths to those accustomed to thinking only in the terms of sensual reality and, simultaneously, to hide them from the unworthy (St. I.1.9 res 3). In the first two canticles of the Comedy (Inferno and Purgatorio) Dante has a
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