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Revista de Gestão The meaning of a brand? An archetypal approach Duarte Xara-Brasil, Kavita Miadaira Hamza, Percy Marquina, Article information: To cite this document: Duarte Xara-Brasil, Kavita Miadaira Hamza, Percy Marquina, (2018) "The meaning of a brand? An archetypal approach", Revista de Gestão, https://doi.org/10.1108/REGE-02-2018-0029 T) Permanent link to this document: P 8 ( https://doi.org/10.1108/REGE-02-2018-0029 1 0 2 Downloaded on: 28 May 2018, At: 01:49 (PT) y Ma References: this document contains references to 51 other documents. 8 The fulltext of this document has been downloaded 98 times since 2018* 2 9 4 1: 0 At L A B U T E S E D O C NI Access to this document was granted through an Emerald subscription provided by All users group C E T LI For Authors O P O If you would like to write for this, or any other Emerald publication, then please use our Emerald T for Authors service information about how to choose which publication to write for and submission U T guidelines are available for all. Please visit www.emeraldinsight.com/authors for more information. TI S N About Emerald www.emeraldinsight.com y I d b Emerald is a global publisher linking research and practice to the benefit of society. The company de manages a portfolio of more than 290 journals and over 2,350 books and book series volumes, as a nlo well as providing an extensive range of online products and additional customer resources and w services. o D Emerald is both COUNTER 4 and TRANSFER compliant. The organization is a partner of the Committee on Publication Ethics (COPE) and also works with Portico and the LOCKSS initiative for digital archive preservation. *Related content and download information correct at time of download. ThecurrentissueandfulltextarchiveofthisjournalisavailableonEmeraldInsightat: www.emeraldinsight.com/2177-8736.htm The meaning of a brand? An An archetypal approach archetypal approach Duarte Xara-Brasil Department of Marketing and Logistics, Instituto Politecnico de Setubal, Setubal, Portugal Kavita Miadaira Hamza Received6February2018 Department of Business Administration, Universidade de Sao Paulo, Revised20February2018 Sao Paulo, Brazil, and Accepted21February2018 T) P Percy Marquina 8 ( 01 Centrum, Pontificia Universidad Catolica del Peru, Lima, Peru 2 y a M 8 Abstract 9 2 Purpose – The purpose of this paper is to analyze customers’ perceptions about brand personality in 1:4 differentculturalenvironments,checkingifthearchetypalframeworkofMarkandPearson(2001)applies 0 todifferentbrandsacrosscountries. At Design/methodology/approach – The authors measured consumers’ perceptions in different cultural L contexts through a survey, and received 537 valid questionnaires from Portugal, Brazil, Colombia and A B Peru,countriesthathavesomesimilarindicatorsofculturalproximity.Theauthorswantedtoverifyifthe U wordsandsentencesthatrespondentsrelatedtoeachbrandwerecoherentwiththearchetype/brand,andthe T E homogeneityoftheresultsindifferentculturalcontexts. E S Findings – Empirical evidence shows that there is proximity between the literature review and the D associations – words and sentences – that consumers from different countries make with those brands. O Thisconsistencyofresultsissignificantlyhigherforwordassociations. NIC Originality/value–Regardlessoftheresults,theperceptionsofconsumersexpressedthroughtheselected C words were often diverse and heterogeneous among countries. This could possibly indicate insufficient E efforts from global brands toward a coherent brand personality/global-archetypal approach. Therefore, T LI managingbrandpersonalitydeservesmoreattentionandmarketersmustunderstandconsumerbehavior O patternsindifferentmarkets. P O KeywordsBrandpersonality,Brand,Brandidentity,Archetypes,Costumerperception T U PapertypeResearchpaper T TI S N Introduction y I Consumersidentifythemselveswithspecificbrands,notfortheirpromises,butratherforthe b ed purposethatthebrandembodies(Adietal.,2015).Strongbrandsaremuchmorethanaproduct ad or service, are a uniqueset of companies’ promises and customers’ perceptions, interactions o nl and experiences, which affect long-term relationships. Large corporations must focus on w Do brand reputation and the legitimacy of the purpose they serve (Crisan and Bortjun, 2017). Andbrandmanagersmusttracktheimpactofincreasedbrandinteractionsandexperiences acrossconsumers,culturesandcountriesoncustomers’brandperceptions,especiallythosethat relate to brand identity and personality, since consumers may not necessarily notice brand personalityasintended(Maläretal.,2012). Astrongbrandidentitycomprisestheconceptualizationandoperationalizationofavery sophisticatedbrandstrategythatmeetsthechallengesofthedifferentenvironmentswhere ©DuarteXara-Brasil,KavitaMiadairaHamzaandPercyMarquina.PublishedintheRevistadeGestão. Published by Emerald Publishing Limited. This article is published under the Creative Commons Attribution (CC BY 4.0) licence. Anyone may reproduce, distribute, translate and create derivative worksofthisarticle(forbothcommercialandnon-commercialpurposes),subjecttofullattributionto RevistadeGestão the original publication and authors. The full terms of this licence may be seen at http://creative EmeraldPublishingLimited 2177-8736 commons.org/licences/by/4.0/legalcode DOI10.1108/REGE-02-2018-0029 REGE brandsarepresent,particularlyglobalbrands.Theapproachestodefineidentityconsider the personality traits of a brand, similar to those of a “person,” as one of its components (Aaker,1990),oras“BrandIdentityPrism”(Kapferer,1995). Brand archetypes are part of brand personality. Marketing managers may use an archetypalapproachtobrandpersonalityinordertodefinewhatabrandis,whatitstands for,andtherelationshipwithitsconsumers,thusprovidingarealmeaningassociatedwith theircustomers’desiresandmotivations(MirzaeeandGeorge,2016;MarkandPearson,2001). In an archetypal approach, the focus is on the customer’s brand experience and brand meaning, and the products are merely secondary means to achieve the expected brand meaning (Högström et al., 2015). Consumers’ individual brand perceptions are influencednotonlybytheirexposuretoamarketer’sbrandstories,andtothemediaandpop T) culture,butalsobypersonalexperiencesandwordofmouth(Adietal.,2015).Theseexternal P 8 ( influencesleadtodifferentconsumers’perceptionsacrosscultures. 01 Weconductedaquantitativeresearchtoexaminebrandarchetypeperceptionsofthree 2 y global brands – Facebook, Apple and Amazon – in four countries – Portugal, Brazil, a M Colombia and Peru. We analyzed: if consumers’ perceptions of the archetypes 8 2 of international brands are homogeneous in different countries; if the characterization of 9 4 brands through words and archetypes is homogeneous and accepted by consumers; and 1: 0 whethertheexistingbrand/archetypedesignationsintheliteraturearestillaccurate,given At the degree of innovation and growth of these brands and consumers’ perceptions across L A countries.Toreachtheseobjectiveswecheckedthewordsandsentencesthatrespondents B U relatedtoeachbrand,aswellasthecoherenceoftheassociationswiththearchetype/brand T E andthehomogeneityoftheresultsindifferentculturalcontexts.Thisanalysishasaclear S E managerial and academic contribution, in the research areas of brand identity and brand D O personality, leading managers and researchers to a deeper understanding of consumer C behaviorpatternsthroughbrandarchetypes,toamoreeffectivemarketingstrategyandto CNI new research tools. The study of consumers’ perceptions of brand personality is a major TE researchtopic(Lametal.,2013;SichtmannandDiamantopoulos,2013). LI O P O Literaturereview T Abrandisnotjustaproductoracompanyname,butratheracomplexentitythatshowsthe U T organization’scommitmenttothecustomer.Itisthepromisethatacompanymakestothe STI customer, regarding what the product will provide and how it will fit into the consumer’s N y I business(Campell,2002).Acompany’sproductsshouldhaveauniqueidentity.Intheeyesof d b consumers,brandscommunicatetheirownidentitiestosociety,tospecificgroupsand/orto de individuals(Strizhakovaetal.,2008).Consumersmayassociatethemwithdifferentmeanings nloa – such as perceived quality, self-identity, group identity, values, family traditions, national w traditions–,whichmayaffecttheirfunctional,experientialandsymbolicbenefits(Siamagka o D etal.,2015).Notallbrandsdevelopasymbolicapproachandtrytotellastory.Consumers unconsciouslyprefertotellandtohearstories,astheygivelifetoothers’experienceortotheir experiencewiththebrand(Woodside,2006).Compellingstoriesraiseexpectationsaboutthe brand, which will likely increase the positive emotion when trying it, especially if the relationshipbetweenthebrandandthestoriesseemsauthentic(Hwang,2017). International firms may have a portfolio of local, international or global brands: local brandsarepresentinjustonecountryorregion,internationalbrandshaveglobalelements oftheirmarketingstrategyormix,andglobalbrandsusethesamemarketingstrategyor mixinalltargetmarkets(SchuilingandKapferer,2004).Althoughaglobalbrandapproach hasimportantpotentialadvantages–suchaseconomiesofscale,ofcommunicationcosts andspeedofnewproducts’innovations–theuseofcentralizedmarketingstrategiesmay lead to less intimate relationships with local markets, with the local competitive environmentandwithspecificcustomers’needs(Schuiling,2001). Brandscanbeasourceoforganizationaldifferentiationandvaluecreationforcompanies An archetypal andcustomers.Regardingcompetitiveadvantage,acompanycandevelopaconsistentbrand approach strategy,makingsurethatthebrandkeepsthepromise,duetotherelationshipestablished withthecustomers.Asuccessfulbrandprovidesauniqueaddedvaluethatmeetscustomers’ needs,suchasfamiliarity,reliability,riskreductionandpersonality(Strizhakovaetal.,2008). Added value provides intangible benefits, such as feelings, ideas and effects to the brands (Rodrigues, 2008). Brands are an important attribute of consumers’ culture, not only for the utility value of the commodity, but also for its symbolic strength. It helps consumers to sustain their identity projects and symbolic meaning (Bengtsson, 2006; ElliottandWattanasuwan,1998). The consumer-brand relationship involves processes of brand identification and T) product categorization, as well as sensorial, affective and cognitive experiences. P 8 ( Theseinputswillintegratethebrandconceptthroughindividualandculturalsignaling, 01 anddevelopanattitudeandarelationship(Schmitt,2012).Inaddition,thecentralization 2 y of organizational efforts and marketing teams is also important to reach a greater a M consensus and create synergies within the organization (Ceballos and Juliana, 2014). 28 Therefore,archetypesmediatebetweenproductsandcustomers’motivation,providingan 9 4 intangiblemeaningfulexperience. 1: 0 A company develops its brand identity from different assets and competencies, which At leadstothecreationofbrandvaluethroughcustomers’uniqueexperiences,andthecreation L A ofabrand-specificmeaning.Ideally,brandidentityisavaluableanduniqueexperiencethat B U competitorscannotimitate.Therefore,brandcanbecomeacompetitiveadvantageandthe T E expressionofanintention(Urde,1999). S E Brand identity is a central issue in marketing research, with two major approaches: D O Aaker (1991) proposed a preliminary approach that analyzes it under four different C perspectives: the brand as a human, a product, a symbol and an organization. Kapferer NI C (1995) claimed that the essence of brand identity is the organizational answer to central TE questions regarding brand’s individuality, consistence, values and signs. This allows LI companiestospecifytheirbrands’meanings(LouisandLombart,2010). O P O T Brandpersonalityandbrandarchetypes U T Brand personality is one of the main components of brand identity frameworks, and it is TI S mandatory for brand managers to develop a systematic process to manage this central N y I brandidentitydimension.AlthoughAaker’sbrandpersonalityscalehasbeensuccessfully d b used in many studies, it has some relevant limitations in an international context and in de someindustries(Escobar-Farfánetal.,2016).InChile,Rojas-Méndezetal.(2004)couldnot a nlo validate this scale in the automobile industry, and Ahmad and Thyagaraj (2014) called w attention to validation problems of certain dimensions, in some countries. This led to the o D developmentofbrandpersonalityscalesinlocalmarkets,suchasinFrance(Ferrandietal., 2000),USA(Austinetal.,2003),Germany(Hieronimus,2003),andRussia(Supphellenand Grønhaug,2003),amongothers. AsanalternativetoAaker’s(1997)brandpersonalityscale,somebrandandmarketing executives adopted the platform of archetypes to represent brands. In a marketing perspective, we use archetypes to interact with consumers’ deepest motivations and give meaning to the products and brands associated with their conscious and unconscious desires (Mark and Pearson, 2001). The unconscious is divided in personal unconscious – images and impulses from an individual’s life experiences –, and a collectiveunconsciousthatincludesabigvarietyofsharedculturalimagesandimpulses, known as archetypes (Zehnder and Calvert, 2004). Marketing will further advance by understandingthecollectiveunconscious,andhowitaffectsconsumers’perceptionsand actions(Dominicietal.,2016). REGE Archetypes are universal topics of human existence, which are evident in the common traitsofcharactersandstorylinesinmyths,fairytales,novelsandfilms(FaberandMayer, 2009;McPeek,2008).Societiesdonotexistwithoutcommunicationandrepresentationand,to acertainextent,theysharetheirculturalarchetypalarticulations(ZehnderandCalvert,2004). Many brands are representations of “modern myths,” containing cognitive elements, emotional elements, and unconscious processes. Brand archetypes and myths are considered allegories that support the construction of brand-consumer relationships (Muniz and Woodside, 2015). In this context, specific brands may play a pivotal role in enabling consumers to achieve the proper pleasures that facilitate an implicit brand recognition and consumer-brand relationships and experiences (Woodside et al., 2008). The growing interest in archetypes indicates a major transformation in the attitudes of T) marketing professionals with respect to the unknown regions of the unconscious, and P 8 ( thesearchforincreasinglysophisticatedwaystoattract,retainandremainrelevanttothe 01 brandcommunity. 2 y To access these patterns, we examined the verbal vehicles that consumers use to a M communicate this archetypal theme: their own stories. Brands can capture the essential 8 2 meaning ofthecategory to whichthey belong and communicatetheir messages insubtle 49 andrefinedmanners(MarkandPearson,2001).Thus,consumers’memoriesassociatedto 1: 0 brandsoftenmaterializeintostoriesthroughwhichpatternsofarchetypescanbeidentified. At The use of archetypes allows creating a spiritual and mystical identity for brands, L A helping to establish a deeper and more significant connection with consumers regarding B U their unconscious aspirations (Siraj and Kumari, 2011). Archetypes mediate between T E productsandcustomermotivations,providinganintangibleexperienceofmeaning. E S Mark and Pearson (2001) used Carl Jung’s archetypal model and proposed a business D O application (Figure 1) that is frequently used. In their model, 12 archetypes are classified C intofourhumanmaindrivers:“belongingandenjoyment,”“independenceandfulfillment,” CNI “stability and control” and “risk and mystery.” According to Bosley (2017), Mark and TE Pearson’sresearchisthegroundbreakingworkthatlinksarchetypestobrands(TableI). LI Although each archetype is autonomous in terms of personality traits, Mark and O P Pearson (2001) proposed a two-axis framework to group archetypes into clusters. O T The framework considers their common attributes, according to the four major human U T drivers(seeFigure1):thex-axislinkstheneedtobelongandenjoywithindependenceand TI fulfillment; the y-axis links the need for stability and control with risk/mystery. S N Thesemotivationsaredeep,andpullcustomersindifferentdirections,sotheyshouldbe by I includedinmarketingandbrandstrategies. d e d a o nl Stability and Control w Creator, Caregiver, Ruler o D Belonging and Independence and Enjoyment Fulfillment Lover Innocent Jester Explorer Everyman Sage Figure1. Risk and Mastery Majorhumandrives Hero, Outlaw, Magician andbrandarchetypes Source: Adapted from Mark and Pearson (2001) An archetypal Examplesof approach Archetype Description Characteristic brands Caregiver Theywanttoprotectothersfromharm, Caring,compassionandgenerosity. Nivea tohelp,totakecare Protective,devoted,sacrificingand maternal/parental.Benevolent,friendly, helpingandtrusting Regular Theyhavethebasicdesireofconnection Workingclassorcommonperson,the GAP,Visa guy withothers;wanttobelong,tofitin neighbor,ordered,sometimesfatalistic andself-depreciative,realistic,and disappointedhumanist.Havingthe basicdesireofconnectionwithothers, T) wanttobelong,tofitin 18 (P Innocent Dhaepsiprienefosrs,sfiamitphleanpduroitpyt,imgoisomdness, Phuumreb,flea,itthrafunlq,uniali,vloe,ockhinilgd-fliokrehcahpapraincetessr; CDoisknee,y 0 2 andsimplicity ay Explorer Desiretobefree,tofindoutwhothey Independent,adventurer.Seeks Amazon, M arebyexploringtheworld.Longto discoveryandfulfillment.Oftensolitary Starbucks 8 2 experienceabetter,moreauthenticand andindomitable.Theywanttodiscover 49 rewardinglife whotheyare,seekingtoexplorethe 01: worldandhaveanauthenticand At fulfillinglife L Sage Theywanttofindthetruth.Usetheir Valueenlighteningandknowledge,truth McKinsey, A B intelligenceandanalysistounderstand andunderstanding;abitpretentious. Harvard U theworld Theyusetheirintelligencetounderstand T E theworld,todiscoverthetruth S E Hero Theywanttoprovetheirownworth Courageous,impetuous,rescuer,crusader. Nike D throughcourageousanddifficultaction. Wantstoprovehis/herownvaluethrough O Aimtoexercisemasterytoimprovethe courageousandtoughaction.Triumphs C NI world overadversities.Theirskillsare C persistence,strength,determination, E T discipline,challengeandability LI Outlaw Theirbasicdesireisrevengeor Representedbytherebelliousiconoclast, Harley O P revolution:Theywanttodestroywhat thesurvivorandarule-breaker. Davidson, O doesnotworkforthemortosociety Canbewild,destructiveand Apple T U astruggler.Revolutionary T TI Magician Theywanttoknowthefundamental Thevisionary,thealchemist.Focused Vanish, S lawsandfunctioningoftheworldorthe onnaturalforces,transformationsand Pantene N by I universeandrealizedreams mhoewtamthoerwphoorsldesw.Torhkesyawndanitnftloueknncoew ed itstransformation ad Lover Theywanttoachieveintimacyand Intimate,romantic,sensualand Victoria’s o nl experiencesensualpleasure.Aimto especiallypassionate.Seductive, Secret, w o maintainarelationshipwithpeople delighted,tempestuousandwhimsical. Godiva D Warm,playful,eroticand enthusiasticpartner Creator Theywanttocreatesomethingvaluable Representedasinnovative,artistic, LEGO andlasting,participateinforminga self-driven,inventive,adreamer. vision Oftennon-social.Focusedonquality Jester Theywanttoliveinthepresentwithfull Livingforfun.Usuallyironicand Pepsi, joyandentertaintheworld mirthful.Sometimesirresponsible. BurgerKing Liveinthemoment Ruler Theywanttocontrol,raiseafamily, Representedbyastrongsenseofpower American and/orbuildasuccessfulcompany andcontrol.Theleader,theboss,and Express, orcommunity thejudge.Influentialandstubborn. Microsoft TableI. Highlevelofdominance MarkandPearson’s Sources:AdaptedfromMarkandPearson(2001),FaberandMayer(2009) (2001)archetypes REGE Thecreator,caregiverandrulerarchetypesareassociatedtothosewhointendtoorganize the world, helping individuals to feel more secure. These people’s main concerns regard financialaspects,healthandlossofcontrol. Thelover,jesterandregularguyarchetypesrefertotheneedtoconnecttoothersandto beaccepted,tobelong,butnottochangetheworld.Thesearchetypesfocusonpeoplewho relatetoothersandonlove/community.Theirconcernsareexile,orphaning,abandonment, andengulfment(submission/destruction). The hero, outlaw and magician archetypes represent those who want to change and improvetheworld,makedreamscometrue.Thesearebraveprotagonists,capableoffacing challenges, taking risks, breaking the rules, and changing their realities. They fear impotence,powerlessnessandineffectiveness(thedisinterestofothers). T) The innocent, explorer and sage archetypes relate to the pursuit of happiness. P 8 ( Theyfocusonindependenceandautonomy,ratherthanbelonging.Thesearchetypeshelp 01 people to pursuit happiness, mainly dealing with the fear of entrapment, conformity, 2 y andinneremptiness. a M A systematic and strong management of all the components and related items for 8 2 different stakeholders ismandatory, in order to build astrong brand identity. Companies 49 must monitor stakeholders’ insights on how the brand is sensed in their perspective, 1: 0 whetherornottheyarecustomers(Urde,2016). At The perceived brand archetype, and how it relates to the desired brand identity, is a L A relevanttopictostudyacrossmarketsegments andcountries:individualperceptions and B U purchasingpatternsarepartlydeterminedbythecollectivevaluesofthelocalcommunity, ET includingHofstede’sindicatorsofculturalproximity(HofstedeCentre,2017).Furthermore, E S usage patterns and motivations may vary across countries and affect customer’s D O perceptions(Pentinaetal.,2016).AccordingtoChauetal.(2002),wemayexpectthatpeople C withdifferentculturalbackgroundswillresponddifferentlytoaglobalgenericwebsite. NI C E T Methodologyandfieldresearch OLI The empirical research focused on the analysis of customers’ perceptions regarding three O P leading global brands – Facebook, Apple and Amazon –, which are among the largest T brands, withhighgrowth rates(Interbrand, 2015)inthefourcountries. Wemeasuredthe U T intensity of the brand-archetype associations by identifying the sentence and number of TI S wordsthattherespondentsmentioned,amongthethreethatdescribeeacharchetype,andto N y I whichtheyassociatedthebrand.WeusedthesoftwareSPSS21toanalyzedata. d b Thereistheoreticalsupportforassociatingthethreebrandstospecificarchetypesand de clusters.Apple isincluded inthe creator archetype and the“stability and control” cluster nloa (Haddadetal.,2015;MunizandWoodside,2015);Facebookcanbeincludedinthe“Regular w Guy“archetypeandinthe“belongingandenjoyment”cluster(Roberts,2010);andAmazon o D can be included in the explorer archetype and the “independence and fulfillment” cluster (Mark and Pearson, 2001; Hwang, 2017). For each archetype, it is possible to associate specific sentences and words. We did not assign words to the “risk and mastery” cluster becausewedidnotuseanybrandpreviouslyincludedinthatcluster.Nevertheless,wekept thecorrespondingsentences,asdetailedinTableII. Inrelationtoeacharchetypespecifications,MarkandPearson(2001)proposedamajor sentence, as detailed in Table II. They also highlighted a list of major attributes, closely relatedtoeacharchetype.Inthisstudy,wechosetousemultipleitems(threewordsforeach archetype)torepresentthesetheoreticalconcepts,asameanstoreducemeasurementerrors andgetabetterconceptestimation(Hairetal.,2009).Basedonanextensivebibliographical research, including a detailed analysis of Mark and Pearson’s (2001) framework, three academicresearcherswithmulti-culturalbackgroundscarriedoutautonomousanalysesof thedifferentarchetypes,andproposedalistofwords/personalitytraitstocharacterizeeach An archetypal Archetype Sentence Word Cluster approach Sage “Thetruthwillsetyoufree” Learning,Expert,Credibility Independence andFulfillment Innocent “Freetobeyouandme” Optimism,Simplicity,Goodness Explorer “Don’tfencemein” Freedom,Adventure,Independence Ruler “Powerisn’teverything.It’sthe Power,Control,Authority Stabilityand onlything” Control Creator “Ifitcanbeimagined,itcanbecreated” Creativity,Innovation,Vision Caregiver “Welivetoserve” Friend,Care,Protection Regular “Lovetheyneighborasyourself” Democracy,Regular,Empathy Belongingand Guy enjoyment T) Lover “Ionlyhaveeyesforyou” Sensuality,Pleasure,Intimacy 18 (P JHeesrtoer ““AWhlieferewtihtehroeu’stafuwniilsl,athleifree’shaalfw-liavye”d” ENnotjocyomnsenidte,rHedumour,Relaxation RiskandMastery May 20 MOuatglaicwian ““IRtuclaensabreedmoneaen!”ttobebroken” ArchetypTesa-rbelleatIeId. 8 Source:AdaptedfromMarkandPearson(2001) sentencesandwords 2 9 4 1: 0 At archetype.Theselistsweresharedanddebated,inordertoachieveafinal27-itemscaleto L applyinamulti-culturalsurvey,whereparticipantswereaskedtomakealinkbetweenthe A B brand and each word. For each personality trait, respondents had to say if it was related U T (YesorNo)toeachbrand:weusedthreebrands,eachoneincludedinadifferentclusterof SE threearchetypes:3brands×3clusters×3archetypes ¼ 27words. DE We measured consumers’ perceptions in the different cultural contexts through a O survey conducted in two Spanish-speaking countries, namely, Colombia (CO) and C NI Peru (PE), and two Portuguese-speaking countries, Brazil (BR) and Portugal (PT). C According to the Hofstede Centre (2017), these countries have very similar indicators of E T cultural proximityin termsofpowerdistanceanduncertaintyavoidance,butindicators LI O such as individualism and indulgence show very different results (see Figure 2). P O It seemed relevant to study how three brands with a global approach behave in this UT diverseculturalcontexts. TIT WeconductedanonlinesurveybetweenMarchandMay2016,withayoungpopulation, S mostly undergraduates. There were 537 valid questionnaires, from participants between N y I b d de 100 a nlo 90 w o 80 D 70 60 50 40 30 20 10 0 Power Individualism Masculinity Uncertainty Long Term Indulgence Figure2. Distance avoidance Orientation Culturalproximity PT BR PE CO indexes Source: Adapted from Hofstede (2017) REGE 17 and 40 years old, with an average value of 27.2 years, and 41 percent were women. Thedistribution amongcountrieswas116validquestionnairesinPortugal,130inBrazil, 190inPeruand101inColombia. Resultsfromapple Apple was founded in 1976 and its predominant archetype nowadays is the “Creator.” Accordingtotheircorporativestatement“Appledesignsthebestpersonalcomputersinthe world […] leads the digital music revolution […] reinvented the mobile phone and is definingthefutureofmobilemediaandcomputingdevices”(Apple,2013).Forthisbrand, we observed a significant coherence regarding the archetype mentioned in the literature (creator)andconsumers’perceptions,throughwordsandsentences.AsshowninTableIII, T) P themostcommonlywordsusedinallcountrieswereassociatedwiththecreatorarchetype. 8 ( ThewordInnovationisthemostcited(between85and95percentalongthecountries), 1 20 followedbycreativityandvision.Byanalyzingthewordsthatrespondentsassociatedwith y a theApplebrand,thedominantarchetypewascreator(22percentofallwordsmentioned), M 8 followed by Sage (15 percent) and Ruler (13 percent). On average, respondents associated 2 9 2.58(outof3)ofthesewordswiththeApplebrand;amongthecountries,weconfirmedthat 4 1: BrazilistheonewheretheassociationofthebrandwiththeCreator archetypewasmore 0 At evident:80percentoftherespondentsmentionedthethreewords. L Answers regarding the sentences associated with the Apple brand were also very BA consistent:61percentoftherespondentsassociatedittothesentence“Ifitcanbeimagined, TU it can be created.” The second most mentioned sentence was associated with the Ruler E S archetype,whichbelongstothesameclusterandreceivedonly8percentoftheanswers. DE We conducted a χ2 test to analyze the independence of the observation of archetypes O (sentences and words), with respect to the countries of origin. We concluded that in C NI thecaseofthemostpresentarchetypesforthisbrand–Creator(p-value¼0.000)andSage C (p-value¼0.000) –, consumers’ perceptions were not independent of the country of data E T collection, with a significance level of 0.05. However, considering only South American OLI countries, the most present archetype for this brand (Creator) reached a p-value¼0.025. O P Thatis,inthesethreecountries,individuals’perceptionstowardAppleareindependentof UT theirplaceoforigin,asobservedinTableIV. TIT Theanalysisofthechosenwordsshowedthatthemostrelevantclustersofarchetypes S are Stability and Control (44 percent), Independence and Fulfillment (30 percent) and N y I BelongingandEnjoyment(26percent),asshowninTableV. d b By analyzing the results from the literature review and respondents’ associations, e d expressedthroughwordsandsentences,weconcludedthatallassociationsareveryclearly a nlo relatedtothereferencecluster(StabilityandControl),whichisconsistentwiththeliterature. w o D Portugal Brazil Peru Colombia Total No. Word (%) (%) (%) (%) (%) Archetype Cluster 1 Innovation 95 95 85 93 91 Creator Stabilityandcontrol 2 Creativity 85 90 82 92 87 Creator Stabilityandcontrol 3 Vision 64 85 75 73 75 Creator Stabilityandcontrol 4 Expert 72 70 63 71 68 Sage IndependenceandFulfillment 5 Power 76 72 58 56 65 Ruler Stabilityandcontrol 6 Credibility 49 76 57 68 62 Sage IndependenceandFulfillment 7 Enjoyment 53 44 44 49 47 Jester Belongingandenjoyment TableIII. 8 Optimism 50 53 47 34 47 Innocent IndependenceandFulfillment Apple‒thetenmost 9 Pleasure 40 55 40 51 46 Lover Belongingandenjoyment mentionedwords 10 Independence 37 43 43 36 40 Explorer IndependenceandFulfillment As shown in Figure 3, most of the sentences are associated with the Stability and Control An archetypal cluster(72percent).Thesamehappenswiththewords(46percent),although,inthiscase,the approach dispersionislarger,especiallyintheclusterofIndependenceandFulfillment(33percent). ResultsfromFacebook FacebookwasassociatedtothewordsEnjoyment,FriendandHumor,whichbelongtothe JesterandCaregiverarchetypes(seeTableVI). TheanalysisofthewordsthatrespondentsassociatedwiththeFacebookbrandshows thattheJesterarchetypeisthemostrelevant:64percentoftherespondents associatedat least two of the words, and 34 percent associated all three words with this archetype. T) Then,theRegularGuy(41percent)andRuler(38percent)archetypeswereassociatedwith P 8 ( 1 0 2 y PTBRCOPE BRCOPE PTBR Wordsglobalarchetypeshare Ma Archetype 4countries 3countries 2countries 8 9 2 Creator 0.000 0.025 0.000 22 1:4 Sage 0.001 0.001 0.651 15 0 Ruler 0.013 0.013 0.725 13 At Caregiver 0.000 0.001 0.960 9 AL Lover 0.004 0.079 0.107 9 B Innocent 0.013 0.324 0.001 9 U T Explorer 0.342 0.173 0.878 8 TableIV. SE Jester 0.046 0.026 0.905 8 Appleχ2testin DE Regularguy 0.013 0.187 0.107 5 thecountries– O Note:Thesignificancelevelusedforitalicvalueswas0.05 threewords C NI C E T LI O P O Portugal(%) Brazil(%) Peru(%) Colombia(%) Total(%) T TableV. U T Stabilityandcontrol 45 47 45 46 46 Apple‒association TI Independenceandfulfillment 35 32 33 31 33 ofwordstothecluster S N Belongingandenjoyment 20 21 22 24 22 ofarchetypes y I b d e d a o wnl Stability and control o D Belonging and Independence enjoyment and fulfillment Sentences Words Figure3. Scatterdiagram: Apple Risk and Mastery

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archetypal approach to brand personality in order to define what a brand is, what it stands We analyzed: if consumers' perceptions of the archetypes.
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