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The Matter of the Page: Essays in Search of Ancient and Medieval Authors PDF

174 Pages·2011·3.64 MB·English
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the matter of the page Publication of this volume has been made possible, in part, through the generous support and enduring vision of warren g. moon. b essays in search of ancient and medieval authors shane butler the university of wisconsin press The University of Wisconsin Press 1930 Monroe Street, 3rd Floor Madison, Wisconsin 53711-2059 uwpress.wisc.edu 3 Henrietta Street London WCE 8LU, England eurospanbookstore.com Copyright © 2011 by Shane Butler Allrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrievalsystem, or transmitted, in any format or by any means, digital, electronic, mechanical, photocopying, recording,orotherwise,orconveyedviatheInternetoraWebsitewithoutwrittenpermission oftheUniversityofWisconsinPress,exceptinthecaseofbriefquotationsembeddedincritical articles and reviews. 1 3 5 4 2 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Butler, Shane, 1970– The matter of the page : essays in search of ancient and medieval authors / Shane Butler. p. cm.—(Wisconsin studies in classics) Includes bibliographical references and index. ISBN 978-0-299-24824-6 (pbk.: alk. paper) ISBN 978-0-299-24823-9 (e-book) 1. Classical literature—Criticism, Textual. 2. Literature, Medieval—Criticism, Textual. 3. Authorship. I. Title. II. Series: Wisconsin studies in classics. PA3521.B88 2011 880.091—dc22 2010011574 For emma and leo b contents Acknowledgments ix Introduction: Presenting the Author 3 1 The Backward Glance 13 2 Myself Sick 28 3 Latin Decomposition 37 4 The Erasable Cicero 63 5 The Surface of the Page 75 6 The Folded Page 87 Notes 107 Bibliography 137 Index 147 Index Locorum 153 vii b acknowledgments Versions or portions of this book’s individual chapters have been heard by the following audiences, who are thanked collectively for their corrections and sug- gestions: Seminar on the History of Material Texts, University of Pennsylvania (introduction, chapters 1 and 6); Classics Colloquium, Bryn Mawr College (chapter 3); Department of Classics, UCLA (chapter 3); Classics Colloquium, ColumbiaUniversity(chapters3and6);“TechnologiesofWritingfromAntiq- uity to Early Modern Europe,” Conference at the University of Pennsylvania, March 28–9, 2003 (chapter 4); Third Penn-Leiden Colloquium on Ancient Values,LeidenUniversity,June3–6,2004(chapter5);“InvisibleCities,”Con- ference at Stanford University, February 11–12, 2005 (chapter 5); “Forms of Address,” Annual Conference of the English Institute, Harvard University, October 20–22, 2006 (chapter 1); special lecture series for the Opera Institute’s production of Monteverdi’s Orfeo, California State University, Long Beach, March 10, 2008 (chapter 1). I would also like to thank, again collectively, my wonderful colleagues at the University of California, Los Angeles, both inside and outside Classics. Many libraries have contributed to the making of this book, but I would like to extend special thanks to those of UCLA and of the American Academy in Rome. Of this book’s many single debts, the ones owed to the following require named thanks here: David Blank, Carmela Vircillo Franklin, Joseph Farrell, Sander Goldberg, Sean Keilen, Kathryn Morgan, Alex Purves, Peter Stally- brass, Mario Telò, James Thacker, and Carolyn Williams. Very special thanks to James I. Porter and to James Tatum for their tireless help and encourage- ment, without which this book would never have been published. I cannot ix

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