The Man in the Iron Mask by Alexandre Dumas

447 Pages·2017·2.17 MB·English

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THE MAN IN THE IRON MASK
by
Alexandre Dumas

Introduction:
In the months of March-July in 1844, in the magazine Le Siecle, the first portion of
a story appeared, penned by the celebrated playwright Alexandre Dumas. It was
based, he claimed, on some manuscripts he had found a year earlier in the
Bibliotheque Nationale while researching a history he planned to write on Louis
XIV. They chronicled the adventures of a young man named D'Artagnan who,
upon entering Paris, became almost immediately embroiled in court intrigues,
international politics, and ill-fated affairs between royal lovers. Over the next six
years, readers would enjoy the adventures of this youth and his three famous
friends, Porthos, Athos, and Aramis, as their exploits unraveled behind the scenes
of some of the most momentous events in French and even English history.
Eventually these serialized adventures were published in novel form, and became
the three D'Artagnan Romances known today. Here is a brief summary of the first
two novels:
The Three Musketeers (serialized March—July, 1844): The year is 1625. The
young D'Artagnan arrives in Paris at the tender age of 18, and almost immediately
offends three musketeers, Porthos, Aramis, and Athos. Instead of dueling, the four
are attacked by five of the Cardinal's guards, and the courage of the youth is made
apparent during the battle. The four become fast friends, and, when asked by
D'Artagnan's landlord to find his missing wife, embark upon an adventure that
takes them across both France and England in order to thwart the plans of the
Cardinal Richelieu. Along the way, they encounter a beautiful young spy, named
simply Milady, who will stop at nothing to disgrace Queen Anne of Austria before
her husband, Louis XIII, and take her revenge upon the four friends.
Twenty Years After (serialized January—August, 1845): The year is now 1648,
twenty years since the close of the last story. Louis XIII has died, as has Cardinal
Richelieu, and while the crown of France may sit upon the head of Anne of Austria
as Regent for the young Louis XIV, the real power resides with the Cardinal
Mazarin, her secret husband. D'Artagnan is now a lieutenant of musketeers, and his
three friends have retired to private life. Athos turned out to be a nobleman, the
Comte de la Fere, and has retired to his home with his son, Raoul de Bragelonne.
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Aramis, whose real name is D'Herblay, has followed his intention of shedding the
musketeer's cassock for the priest's robes, and Porthos has married a wealthy
woman, who left him her fortune upon her death. But trouble is stirring in both
France and England. Cromwell menaces the institution of royalty itself while
marching against Charles I, and at home the Fronde is threatening to tear France
apart. D'Artagnan brings his friends out of retirement to save the threatened English
monarch, but Mordaunt, the son of Milady, who seeks to avenge his mother's death
at the musketeers' hands, thwarts their valiant efforts. Undaunted, our heroes return
to France just in time to help save the young Louis XIV, quiet the Fronde, and
tweak the nose of Cardinal Mazarin.
The third novel, The Vicomte de Bragelonne (serialized October, 1847—January,
1850), has enjoyed a strange history in its English translation. It has been split into
three, four, or five volumes at various points in its history. The five-volume edition
generally does not give titles to the smaller portions, but the others do. In the three-
volume edition, the novels are entitled The Vicomte de Bragelonne, Louise de la
Valliere, and The Man in the Iron Mask. For the purposes of this etext, I have
chosen to split the novel as the four-volume edition does, with these titles: The
Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in
the Iron Mask. In the first three etexts:
The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D'Artagnan, after
thirty-five years of loyal service, has become disgusted with serving King Louis
XIV while the real power resides with the Cardinal Mazarin, and has tendered his
resignation. He embarks on his own project, that of restoring Charles II to the
throne of England, and, with the help of Athos, succeeds, earning himself quite a
fortune in the process. D'Artagnan returns to Paris to live the life of a rich citizen,
and Athos, after negotiating the marriage of Philip, the king's brother, to Princess
Henrietta of England, likewise retires to his own estate, La Fere. Meanwhile,
Mazarin has finally died, and left Louis to assume the reigns of power, with the
assistance of M. Colbert, formerly Mazarin's trusted clerk. Colbert has an intense
hatred for M. Fouquet, the king's superintendent of finances, and has resolved to
use any means necessary to bring about his fall. With the new rank of intendant
bestowed on him by Louis, Colbert succeeds in having two of Fouquet's loyal
friends tried and executed. He then brings to the king's attention that Fouquet is
fortifying the island of Belle-Ile-en-Mer, and could possibly be planning to use it as
a base for some military operation against the king. Louis calls D'Artagnan out of
retirement and sends him to investigate the island, promising him a tremendous
salary and his long-promised promotion to captain of the musketeers upon his
return. At Belle-Isle, D'Artagnan discovers that the engineer of the fortifications is,
in fact, Porthos, now the Baron du Vallon, and that's not all. The blueprints for the
island, although in Porthos's handwriting, show evidence of another script that has
been erased, that of Aramis. D'Artagnan later discovers that Aramis has become the
bishop of Vannes, which is, coincidentally, a parish belonging to M. Fouquet.
Suspecting that D'Artagnan has arrived on the king's behalf to investigate, Aramis
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tricks D'Artagnan into wandering around Vannes in search of Porthos, and sends
Porthos on an heroic ride back to Paris to warn Fouquet of the danger. Fouquet
rushes to the king, and gives him Belle-Isle as a present, thus allaying any
suspicion, and at the same time humiliating Colbert, just minutes before the usher
announces someone else seeking an audience with the king.
Ten Years Later (Etext 2681): As 1661 approaches, Princess Henrietta of England
arrives for her marriage, and throws the court of France into complete disorder. The
jealousy of the Duke of Buckingham, who is in love with her, nearly occasions a
war on the streets of Le Havre, thankfully prevented by Raoul's timely and tactful
intervention. After the marriage, though, Monsieur Philip becomes horribly jealous
of Buckingham, and has him exiled. Before leaving, however, the duke fights a
duel with M. de Wardes at Calais. De Wardes is a malicious and spiteful man, the
sworn enemy of D'Artagnan, and, by the same token, that of Athos, Aramis,
Porthos, and Raoul as well. Both men are seriously wounded, and the duke is taken
back to England to recover. Raoul's friend, the Comte de Guiche, is the next to
succumb to Henrietta's charms, and Monsieur obtains his exile as well, though De
Guiche soon effects a reconciliation. But then the king's eye falls on Madame
Henrietta during the comte's absence, and this time Monsieur's jealousy has no
recourse. Anne of Austria intervenes, and the king and his sister-in-law decide to
pick a young lady with whom the king can pretend to be in love, the better to mask
their own affair. They unfortunately select Louise de la Valliere, Raoul's fiancee.
While the court is in residence at Fontainebleau, the king unwitting overhears
Louise confessing her love for him while chatting with her friends beneath the
royal oak, and the king promptly forgets his affection for Madame. That same
night, Henrietta overhears, at the same oak, De Guiche confessing his love for her
to Raoul. The two embark on their own affair. A few days later, during a rainstorm,
Louis and Louise are trapped alone together, and the whole court begins to talk of
the scandal while their love affair blossoms. Aware of Louise's attachment, the king
arranges for Raoul to be sent to England for an indefinite period.
Meanwhile, the struggle for power continues between Fouquet and Colbert.
Although the Belle-Isle plot backfired, Colbert prompts the king to ask Fouquet for
more and more money, and without his two friends to raise it for him, Fouquet is
sorely pressed. The situation gets so bad that his new mistress, Madame de
Belliere, must resort to selling all her jewels and her gold and silver plate. Aramis,
while this is going on, has grown friendly with the governor of the Bastile, M. de
Baisemeaux, a fact that Baisemeaux unwittingly reveals to D'Artagnan while
inquiring of him as to Aramis's whereabouts. This further arouses the suspicions of
the musketeer, who was made to look ridiculous by Aramis. He had ridden
overnight at an insane pace, but arrived a few minutes after Fouquet had already
presented Belle-Isle to the king. Aramis learns from the governor the location of a
mysterious prisoner, who bears a remarkable resemblance to Louis XIV—in fact,
the two are identical. He uses the existence of this secret to persuade a dying
Franciscan monk, the general of the society of the Jesuits, to name him, Aramis, the
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new general of the order. On Aramis's advice, hoping to use Louise's influence with
the king to counteract Colbert's influence, Fouquet also writes a love letter to La
Valliere, unfortunately undated. It never reaches its destination, however, as the
servant ordered to deliver it turns out to be an agent of Colbert's.
Louise de la Valliere (Etext 2710): Believing D'Artagnan occupied at
Fontainebleau and Porthos safely tucked away at Paris, Aramis holds a funeral for
the dead Franciscan—but in fact, Aramis is wrong in both suppositions. D'Artagnan
has left Fontainebleau, bored to tears by the fetes, retrieved Porthos, and is visiting
the country-house of Planchet, his old lackey. This house happens to be right next
door to the graveyard, and upon observing Aramis at this funeral, and his
subsequent meeting with a mysterious hooded lady, D'Artagnan, suspicions
aroused, resolves to make a little trouble for the bishop. He presents Porthos to the
king at the same time as Fouquet presents Aramis, thereby surprising the wily
prelate. Aramis's professions of affection and innocence do only a little to allay
D'Artagnan's concerns, and he continues to regard Aramis's actions with a curious
and wary eye. Meanwhile, much to his delight, Porthos is invited to dine with the
king as a result of his presentation, and with D'Artagnan's guidance, manages to
behave in such a manner as to procure the king's marked favor.
The mysterious woman turns out to be the Duchesse de Chevreuse, a notorious
schemer and former friend of Anne of Austria. She comes bearing more bad news
for Fouquet, who is already in trouble, as the king has invited himself to a fete at
Vaux, Fouquet's magnificent mansion, that will surely bankrupt the poor
superintendent. The Duchesse has letters from Mazarin that prove that Fouquet has
received thirteen million francs from the royal coffers, and she wishes to sell these
letters to Aramis. Aramis refuses, and the letters are instead sold to Colbert.
Fouquet, meanwhile, discovers that the receipt that proves his innocence in the
affair has been stolen from him. Even worse, Fouquet, desperate for money, is
forced to sell the parliamentary position that renders him untouchable by any court
proceedings. As part of her deal with Colbert, though, Chevreuse also obtains a
secret audience with the queen-mother, where the two discuss a shocking secret—
Louis XIV has a twin brother, long believed, however, to be dead.
Meanwhile, in other quarters, De Wardes, Raoul's inveterate enemy, has returned
from Calais, barely recovered from his wounds, and no sooner does he return than
he begins again to insult people, particularly La Valliere, and this time the comte de
Guiche is the one to challenge him. The duel leaves De Guiche horribly wounded,
but enables Madame to use her influence to destroy De Wardes's standing at court.
The fetes, however, come to an end, and the court returns to Paris. The king has
been more than obvious about his affections for Louise, and Madame, the queen-
mother, and the queen join forces to destroy her. She is dishonorably discharged
from court, and in despair, she flees to the convent at Chaillot. Along the way,
though, she runs into D'Artagnan, who manages to get word back to the king of
what has taken place. By literally begging Madame in tears, Louis manages to
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secure Louise's return to court—but Madame still places every obstacle possible
before the lovers. They have to resort to building a secret staircase and meeting in
the apartments of M. de Saint-Aignan, where Louis has a painter create a portrait of
Louise. But Madame recalls Raoul from London and shows him these proofs of
Louise's infidelity. Raoul, crushed, challenges Saint-Aignan to a duel, which the
king prevents, and Athos, furious, breaks his sword before the king. The king has
D'Artagnan arrest Athos, and at the Bastile they encounter Aramis, who is paying
Baisemeaux another visit. Raoul learns of Athos's arrest, and with Porthos in tow,
they effect a daring rescue, surprising the carriage containing D'Artagnan and
Athos as they leave the Bastile. Although quite impressive, the intrepid raid is in
vain, as D'Artagnan has already secured Athos's pardon from the king. Instead,
everybody switches modes of transport; D'Artagnan and Porthos take the horses
back to Paris, and Athos and Raoul take the carriage back to La Fere, where they
intend to reside permanently, as the king is now their sworn enemy, Raoul cannot
bear to see Louise, and they have no more dealings in Paris.
Aramis, left alone with Baisemeaux, inquires the governor of the prison about his
loyalties, in particular to the Jesuits. The bishop reveals that he is a confessor of the
society, and invokes their regulations in order to obtain access to this mysterious
prisoner who bears such a striking resemblance to Louis XIV...
And so Baisemeaux is conducting Aramis to the prisoner as the final section of The
Vicomte de Bragelonne and this final story of the D'Artagnan Romances opens. I
have written a "Cast of Historical Characters," Etext 2760, that will enable curious
readers to compare personages in the novel with their historical counterparts. Also
of interest may be an essay Dumas wrote on the possible identity of the real Man in
the Iron Mask, which is Etext 2751. Enjoy!
John Bursey

Chapter I. The Prisoner.
Since Aramis's singular transformation into a confessor of the order, Baisemeaux
was no longer the same man. Up to that period, the place which Aramis had held in
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the worthy governor's estimation was that of a prelate whom he respected and a
friend to whom he owed a debt of gratitude; but now he felt himself an inferior, and
that Aramis was his master. He himself lighted a lantern, summoned a turnkey, and
said, returning to Aramis, "I am at your orders, monseigneur." Aramis merely
nodded his head, as much as to say, "Very good"; and signed to him with his hand
to lead the way. Baisemeaux advanced, and Aramis followed him. It was a calm
and lovely starlit night; the steps of three men resounded on the flags of the
terraces, and the clinking of the keys hanging from the jailer's girdle made itself
heard up to the stories of the towers, as if to remind the prisoners that the liberty of
earth was a luxury beyond their reach. It might have been said that the alteration
effected in Baisemeaux extended even to the prisoners. The turnkey, the same who,
on Aramis's first arrival had shown himself so inquisitive and curious, was now not
only silent, but impassible. He held his head down, and seemed afraid to keep his
ears open. In this wise they reached the basement of the Bertaudiere, the two first
stories of which were mounted silently and somewhat slowly; for Baisemeaux,
though far from disobeying, was far from exhibiting any eagerness to obey. On
arriving at the door, Baisemeaux showed a disposition to enter the prisoner's
chamber; but Aramis, stopping him on the threshold, said, "The rules do not allow
the governor to hear the prisoner's confession."
Baisemeaux bowed, and made way for Aramis, who took the lantern and entered;
and then signed to them to close the door behind him. For an instant he remained
standing, listening whether Baisemeaux and the turnkey had retired; but as soon as
he was assured by the sound of their descending footsteps that they had left the
tower, he put the lantern on the table and gazed around. On a bed of green serge,
similar in all respect to the other beds in the Bastile, save that it was newer, and
under curtains half-drawn, reposed a young man, to whom we have already once
before introduced Aramis. According to custom, the prisoner was without a light.
At the hour of curfew, he was bound to extinguish his lamp, and we perceive how
much he was favored, in being allowed to keep it burning even till then. Near the
bed a large leathern armchair, with twisted legs, sustained his clothes. A little
table—without pens, books, paper, or ink—stood neglected in sadness near the
window; while several plates, still unemptied, showed that the prisoner had
scarcely touched his evening meal. Aramis saw that the young man was stretched
upon his bed, his face half concealed by his arms. The arrival of a visitor did not
caused any change of position; either he was waiting in expectation, or was asleep.
Aramis lighted the candle from the lantern, pushed back the armchair, and
approached the bed with an evident mixture of interest and respect. The young man
raised his head. "What is it?" said he.
"You desired a confessor?" replied Aramis.
"Yes."
"Because you were ill?"
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"Yes."
"Very ill?"
The young man gave Aramis a piercing glance, and answered, "I thank you." After
a moment's silence, "I have seen you before," he continued. Aramis bowed.
Doubtless the scrutiny the prisoner had just made of the cold, crafty, and imperious
character stamped upon the features of the bishop of Vannes was little reassuring to
one in his situation, for he added, "I am better."
"And so?" said Aramis.
"Why, then—being better, I have no longer the same need of a confessor, I think."
"Not even of the hair-cloth, which the note you found in your bread informed you
of?"
The young man started; but before he had either assented or denied, Aramis
continued, "Not even of the ecclesiastic from whom you were to hear an important
revelation?"
"If it be so," said the young man, sinking again on his pillow, "it is different; I am
listening."
Aramis then looked at him more closely, and was struck with the easy majesty of
his mien, one which can never be acquired unless Heaven has implanted it in the
blood or heart. "Sit down, monsieur," said the prisoner.
Aramis bowed and obeyed. "How does the Bastile agree with you?" asked the
bishop.
"Very well."
"You do not suffer?"
"No."
"You have nothing to regret?"
"Nothing."
"Not even your liberty?"
"What do you call liberty, monsieur?" asked the prisoner, with the tone of a man
who is preparing for a struggle.
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"I call liberty, the flowers, the air, light, the stars, the happiness of going
whithersoever the sinewy limbs of one-and-twenty chance to wish to carry you."
The young man smiled, whether in resignation or contempt, it was difficult to tell.
"Look," said he, "I have in that Japanese vase two roses gathered yesterday evening
in the bud from the governor's garden; this morning they have blown and spread
their vermilion chalice beneath my gaze; with every opening petal they unfold the
treasures of their perfumes, filling my chamber with a fragrance that embalms it.
Look now on these two roses; even among roses these are beautiful, and the rose is
the most beautiful of flowers. Why, then, do you bid me desire other flowers when
I possess the loveliest of all?"
Aramis gazed at the young man in surprise.
"If flowers constitute liberty," sadly resumed the captive, "I am free, for I possess
them."
"But the air!" cried Aramis; "air is so necessary to life!"
"Well, monsieur," returned the prisoner; "draw near to the window; it is open.
Between high heaven and earth the wind whirls on its waftages of hail and
lightning, exhales its torrid mist or breathes in gentle breezes. It caresses my face.
When mounted on the back of this armchair, with my arm around the bars of the
window to sustain myself, I fancy I am swimming the wide expanse before me."
The countenance of Aramis darkened as the young man continued: "Light I have!
what is better than light? I have the sun, a friend who comes to visit me every day
without the permission of the governor or the jailer's company. He comes in at the
window, and traces in my room a square the shape of the window, which lights up
the hangings of my bed and floods the very floor. This luminous square increases
from ten o'clock till midday, and decreases from one till three slowly, as if, having
hastened to my presence, it sorrowed at bidding me farewell. When its last ray
disappears I have enjoyed its presence for five hours. Is not that sufficient? I have
been told that there are unhappy beings who dig in quarries, and laborers who toil
in mines, who never behold it at all." Aramis wiped the drops from his brow. "As to
the stars which are so delightful to view," continued the young man, "they all
resemble each other save in size and brilliancy. I am a favored mortal, for if you
had not lighted that candle you would have been able to see the beautiful stars
which I was gazing at from my couch before your arrival, whose silvery rays were
stealing through my brain."
Aramis lowered his head; he felt himself overwhelmed with the bitter flow of that
sinister philosophy which is the religion of the captive.
"So much, then, for the flowers, the air, the daylight, and the stars," tranquilly
continued the young man; "there remains but exercise. Do I not walk all day in the
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governor's garden if it is fine—here if it rains? in the fresh air if it is warm; in
perfect warmth, thanks to my winter stove, if it be cold? Ah! monsieur, do you
fancy," continued the prisoner, not without bitterness, "that men have not done
everything for me that a man can hope for or desire?"
"Men!" said Aramis; "be it so; but it seems to me you are forgetting Heaven."
"Indeed I have forgotten Heaven," murmured the prisoner, with emotion; "but why
do you mention it? Of what use is it to talk to a prisoner of Heaven?"
Aramis looked steadily at this singular youth, who possessed the resignation of a
martyr with the smile of an atheist. "Is not Heaven in everything?" he murmured in
a reproachful tone.
"Say rather, at the end of everything," answered the prisoner, firmly.
"Be it so," said Aramis; "but let us return to our starting-point."
"I ask nothing better," returned the young man.
"I am your confessor."
"Yes."
"Well, then, you ought, as a penitent, to tell me the truth."
"My whole desire is to tell it you."
"Every prisoner has committed some crime for which he has been imprisoned.
What crime, then, have you committed?"
"You asked me the same question the first time you saw me," returned the prisoner.
"And then, as now you evaded giving me an answer."
"And what reason have you for thinking that I shall now reply to you?"
"Because this time I am your confessor."
"Then if you wish me to tell what crime I have committed, explain to me in what a
crime consists. For as my conscience does not accuse me, I aver that I am not a
criminal."
"We are often criminals in the sight of the great of the earth, not alone for having
ourselves committed crimes, but because we know that crimes have been
committed."
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The prisoner manifested the deepest attention.
"Yes, I understand you," he said, after a pause; "yes, you are right, monsieur; it is
very possible that, in such a light, I am a criminal in the eyes of the great of the
earth."
"Ah! then you know something," said Aramis, who thought he had pierced not
merely through a defect in the harness, but through the joints of it.
"No, I am not aware of anything," replied the young man; "but sometimes I think—
and I say to myself—"
"What do you say to yourself?"
"That if I were to think but a little more deeply I should either go mad or I should
divine a great deal."
"And then—and then?" said Aramis, impatiently.
"Then I leave off."
"You leave off?"
"Yes; my head becomes confused and my ideas melancholy; I feel ennui overtaking
me; I wish—"
"What?"
"I don't know; but I do not like to give myself up to longing for things which I do
not possess, when I am so happy with what I have."
"You are afraid of death?" said Aramis, with a slight uneasiness.
"Yes," said the young man, smiling.
Aramis felt the chill of that smile, and shuddered. "Oh, as you fear death, you know
more about matters than you say," he cried.
"And you," returned the prisoner, "who bade me to ask to see you; you, who, when
I did ask to see you, came here promising a world of confidence; how is it that,
nevertheless, it is you who are silent, leaving it for me to speak? Since, then, we
both wear masks, either let us both retain them or put them aside together."
Aramis felt the force and justice of the remark, saying to himself, "This is no
ordinary man; I must be cautious.—Are you ambitious?" said he suddenly to the
prisoner, aloud, without preparing him for the alteration.
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