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The Magic of Coin-Trees from Religion to Recreation PDF

311 Pages·2018·7.07 MB·English
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Palgrave Historical Studies in Witchcraft and Magic The Magic of Coin-Trees from Religion to Recreation The Roots of a Ritual Ceri Houlbrook Palgrave Historical Studies in Witchcraft and Magic Series Editors Jonathan Barry Department of History University of Exeter Exeter, UK Willem de Blécourt Meertens Institute Amsterdam The Netherlands Owen Davies School of Humanities University of Hertfordshire UK The history of European witchcraft and magic continues to fascinate and challenge students and scholars. There is certainly no shortage of books on the subject. Several general surveys of the witch trials and numerous regional and micro studies have been published for an English-speaking readership. While the quality of publications on witchcraft has been high, some regions and topics have received less attention over the years. The aim of this series is to help illuminate these lesser known or little studied aspects of the history of witchcraft and magic. It will also encourage the development of a broader corpus of work in other related areas of magic and the supernatural, such as angels, devils, spirits, ghosts, folk healing and divination. To help further our understanding and interest in this wider history of beliefs and practices, the series will include research that looks beyond the usual focus on Western Europe and that also explores their relevance and influence from the medieval to the modern period. ‘A valuable series.’—Magic, Ritual and Witchcraft More information about this series at http://www.palgrave.com/gp/series/14693 Ceri Houlbrook The Magic of Coin-Trees from Religion to Recreation The Roots of a Ritual Ceri Houlbrook University of Hertfordshire Hatfield, UK Palgrave Historical Studies in Witchcraft and Magic ISBN 978-3-319-75516-8 ISBN 978-3-319-75517-5 (eBook) https://doi.org/10.1007/978-3-319-75517-5 Library of Congress Control Number: 2018934675 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: The coin-tree on Ardmaddy Estate, Argyll Photograph: © Ceri Houlbrook Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland A cknowledgements First and foremost, thanks go to my colleagues at the University of Hertfordshire, particularly Owen Davies for his endless encouragement and enthusiasm, for his deep ocean of knowledge, and for drawing me into the realm of History. Heartfelt thanks also go to my Ph.D. supervisory team at the University of Manchester. Tim Insoll, for his staunch support right from the beginning and for inspiring me to research the archaeology of ritual in the first place; Petra Tjitske Kalshoven, for warmly and patiently wel- coming a fledgling into Anthropology; and to Mel Giles, for her kind- ness, infectious enthusiasm and eagerness to share her wealth of ideas. Last but by no means least, I want to express my gratitude to all my hardy loved ones who braved the British and Irish weather to count cop- per wishes with me. This book is dedicated to you. v c ontents 1 Introduction: Coining the Coin-Tree 1 2 Roots of a Ritual 25 3 The Democratisation of the Landscape 71 4 Contemporary Engagement 107 5 The Mutability of Meaning 153 6 Manipulating Meaning 179 7 Green Monuments and Their Heritage 205 8 Concluding Thoughts 241 Appendix A 255 Appendix B 257 Index 305 vii l f ist of igures Fig. 1.1 The Bolton Abbey coin-tree, Yorkshire, England (Photograph by author) 2 Fig. 1.2 The distribution of coin-trees across Britain and Ireland 6 Fig. 2.1 The Isle Maree coin-tree, Wester Ross, Scotland (Photograph by author) 31 Fig. 3.1 The Ingleton coin-tree, Yorkshire, England (Photograph by author) 74 Fig. 3.2 The distribution of coin-trees across Britain based on their age 76 Fig. 3.3 Most coin-trees are beside well-traversed footpaths (Photographs by author) 81 Fig. 4.1 A child hammers a coin into a coin-tree at Bolton Abbey, Yorkshire, using a rock she found on site (Photograph by author) 109 Fig. 4.2 Various deposits at St Nectan’s Glen, Cornwall, England (Photographs by author) 110 Fig. 4.3 The longitudinal distributions of coins in coin-trees, following the grain of the wood (Photographs by author) 113 Fig. 4.4 A radial pattern of coins at Portmeirion, Gwynedd, Wales (Photograph by author) 114 Fig. 4.5 A wave-like pattern of coins at Aira Force, Cumbria, England (Photograph by author) 115 Fig. 4.6 Children climb on the Ingleton coin-tree, Yorkshire, England (Photograph by author) 122 ix x LIST OF FIGURES Fig. 4.7 A climber uses the coin-tree post for support on his descent of Mt Snowdon (Photograph by author) 123 Fig. 4.8 One of the coins in the Fairy Glen coin-tree stands out from the crowd, the Black Isle, Scotland (Photograph by author) 130 Fig. 4.9 The homogenous padlock becomes personalised as it is employed as a love-lock (Photograph by author) 133 Fig. 4.10 Depositing a different kind of object altogether, from hair accessories to a candle at Isle Maree, Wester Ross, Scotland (Photographs by author) 134 Fig. 4.11 Deliberate attempts to personalise coin deposits in coin- trees (Photographs by author) 135 Fig. 4.12 Coins nailed to the coin-tree at Ingleton, Yorkshire, England (Photographs by author) 138 Fig. 5.1 The rag-trees and Holy Well of St Boniface, Munlochy, the Black Isle, Scotland (Photographs by author) 167 Fig. 6.1 The presence of coin-tree labelling on maps and interpretation panels (Photographs by author) 183 Fig. 7.1 Left: The coin-tree at Bwlch Nant yr Arian, Aberystwyth, January 2017 (Photograph courtesy of Sarah Perry); Right: The coin-tree in July 2017 (Photograph by author) 208 Fig. 7.2 The Ardmaddy coin-tree, Argyll, Scotland, protected from cattle within a wooden enclosure, accessible to people via a stile (Photograph by author) 210 Fig. 7.3 The Glastonbury Thorn, Somerset, protected within a metal enclosure (Photograph by author) 212 Fig. 7.4 The Major Oak of Sherwood Forest, Nottinghamshire, propped up for longevity and fenced off for protection (Photograph by author) 213 Fig. 7.5 Left: a section of the Ardboe coin-tree now stored in a garage behind Coyle’s Cottage, the home of the Muintirevlin Historical Society. Right: another section contained within a cardboard box and held in store at the Ulster Folk and Transport Museum (ACNR 346-1998) (Photographs by author) 221 CHAPTER 1 Introduction: Coining the Coin-Tree A first encounter The vast log stretched along the curve of the footpath, remarkable for its size—but more so for the thousands of coins embedded in its bark (Fig. 1.1). They blanketed its surface in uniform lines, faithfully fol- lowing the log’s curves and crevices, forming ripples and waves of cop- per and silver. The dull, grainy texture of the wood was almost entirely obscured beneath the layer, the armour, the shroud of metal that glim- mered brightly in the sunlight. Other trees surrounding it were also embedded with coins, but they were mere satellites; it was the log that grabbed the attention. The footpath was busy: families, like mine, on day trips to the countryside. Nearly everyone who passed the log stopped. Nearly everyone who stopped added their own coin. They pushed them into fissures in the bark, or hammered them in with handy rocks, before going on their way again. My sister and I, aged 12 and 9, asked if we could do the same. Our parents were probably already reaching into their pockets. They handed us each a copper coin and we made our offerings. The year was 1998 and my family were on an outing to Bolton Abbey, Yorkshire. Surrounding the ruins of the Augustinian Bolton Priory are 12,000 hectares of woodland and riverside paths: a perfect escape from Manchester. It was along one of these paths that I came across my first coin-tree. It would be poetic to claim that this experience set me on © The Author(s) 2018 1 C. Houlbrook, The Magic of Coin-Trees from Religion to Recreation, Palgrave Historical Studies in Witchcraft and Magic, https://doi.org/10.1007/978-3-319-75517-5_1

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This book traces the history of ritual landscapes in the British Isles, and the transition from religious practice to recreation, by focusing on a highly understudied exemplar: the coin-tree. These are trees imbued with magical properties into which coins have been ritually embedded. This is a conte
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