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The Magic of Chess Tactics PDF

262 Pages·2003·30.09 MB·English
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The Magic o f Chess Tactics © Copyright 2002 Claus Dieter Meyer & Karsten MUller All Rights Reserved ISBN: 1-888690-14-3 Published by: Russell Enterprises, Inc. P.O. Box 30 Milford, CT 06460 USA http://www.chesscafe.com [email protected] Cover design by OutExcel! Corp., Al Lawrence, President; Jami Anson, Art Director. Printed in the United States of America TM scanned b y tekendama w / t u t e l a g e from mmw; email: [email protected]; programs used: VueScan, P h o t o s h o p , ScanKromsator, A d o b e Acrobat Table of Contents Foreword by Alexei Shirov 3 Introduction 4 Acknowledgements 6 Code System 7 Photo Credits 7 About the Authors 8 A) Middlegame Tactics AI) Tactical Motifs AlA) Pin and Cross-Pin 10 Exercises/Solutions E l.l-I .4 14 A IB) Knight Moves 18 Exercises/Solutions E2.1-2.2 18 AI C) Trapped Pieces/ Loose Pieces Drop Off 19 Exercises/Solutions E3.1-3.2 21 A2) Sacrificial Attacks 22 Exercises/Solutions E4.1-4.7 60 A3) Magic by the Magician 63 Exercises/Solutions E5.1-5.6 66 A4) "ltJ + .£l Duo 69 Exercises/Solutions E6.1-6.2 74 A5) Attack and Defense 76 A6) ConjunctionofTacticalMethods 133 Exercises/Solutions E7.1-7.5 144 A7) The Bishop Pair 147 A8) Pawn Leversand Breakthroughs 150 Exercises/Solutions E8.1-8.2 153 A9)Combinations 155 Exercises/Solutions E9.1-9.8 159 B)Tactical Endgames BI) Opposite-Colored Bishops BIA) With Rooks and/or Queens 164 BIB) Pure Opposite-Colored Bishop Endings 174 B2) Same-Colored Bishops 179 B3) Fortress or Not? 192 Exercises/Solutions EI0.1-10.2 207 B4)The Bishop Pair 228 Exercises/Solutions E11.1-11.3 231 B5) Rook +Minor Piece Endings B5A)Rook Endings 233 B5B) Rook +Minor Piece Endings 243 Exercises/Solutions E12.1-12.2 247 B6) Three Cunning Queen Endings 249 Bibliography 252 IndexofPlayers 254 Foreword Still the World ofMagic When Iwas asked by my good friend OM Karsten MUllerto write aforeword for his and C.D. Meyer's new book about tactics, I thought that nothing would be easier. Combinations and tactics, the books ofAlexander Koblentz, the games of Mikhail Tal- all these were synonymous with my first steps in chess. So, I start reading throughthepresentbook, which hasalmostsame name astheMagic World ofCombinations by Koblentz (issued more than two decades ago in the Soviet Union). And...what a surprise! It isnolongeramatterofsimpletactical motifs and combinationsbut infact deep analysis and refutations ofconcepts that seemedto be axiomatic by definition of tactical play. Suddenly the reader is forced to look at everything with a critical eye, evaluatingwhich tactics are erroneous and which are good. Buttimes have changed.The authorstake usfrom theworldofmagicaldreamsto cruel reality with impeccable analysis by humans and computers. When Istartedplayingchess, Ibelievedin combinationsand highlycomplicated tacticalplay.Time wentby,Ibecameastronggrandmasterand some ofmyviews on chess were changed by down-to-earth players. Computers got involved and refuted other ideas. However, in the heat ofbattle Iwas able to sometimes find thingsthatneithercomputersnorhumanscouldrefute.Iamproudofhavingkeptfaith inmychildhood idealsofcomplicationsandtactics.Andnow having themanuscript ofthisnewbook infrontofmeIaskmyself-dogenuine tacticsreallyexist? The answer is Yes! Youneed to seek perfection. Perfection is brilliancy. My move ~h3!againstTopalov(sorryforbeingimmodest)isbrilliantbecause it'sthebestmove inthepositionandinfactitistheonly movetowin.And when inthisbook Iseethe analysisofthegameAlekhine-vanMindeno (whichcompletelyshocked meatfirst)I realise that '§h2! is more brilliant than '§h5 because '§h2! lets White continue his attackwhile '§h5 even losesagainst Black's best defense. Ihavecometorealisethattherearebasically twotypesofchesstactics. First,simple kindsofcombinations you needtoknow when you starttoplaychess. Istillbelieve they arethebasisofeverything. Things thatcomputers seeinahalf-second. But the book isnot about them. Forthose simple tactics, old Koblentz books are more than enough.This book isabout complicatedchess tactics, the kind you sometimes need hoursofanalysisjusttodiscoverthetruthoftheposition.It'shardtoseeandcalculate perfectlyontheboard; oneneeds intuition, imagination andprecision. It's not easy todevelop these qualities but Ibelievethat the present book, full of examples and high qualityanalyses, will help you achieve that objective. Welcometo the magical world oftactics! Alexei Shirov, Riga October 2002 3 Introduction "Chess is 99 percent tactics." This opinion ofthe German chess master Richard Teichmann (1868-1925) is certainly contestable, but every chess friend knows thatpermanenttacticalvigilanceatanystageofthegameisofdecisiveimportance. But what doesthe term 'tactics' actually mean'!Ina modern dictionary ofchess you may read a definition like this: "Tactics is the theory ofthe realisation of specific aims by short term operations based on concrete and clear variations." (quoted from Meyers Schach Lexikon by Otto Borik and others) TheEnglishGrandmaster Dr.John Nunn defines itmorecomprehensivelythereby emphasizingthe calculation ofvariations inendgames: "Tactics issomething far moregeneral than suchmethods like forks,pins, discoveredattacks,skewersetc., which are more properly described as combinations,would indicate.Wecan say, thatan ideaistacticalifitisnecessarytocalculatespecificvariationstoensure its correctness. With this definition, it is clear that tactics can occur at any stage of thegame. Indeed,simplifiedendgames areespeciallypronetobetactical,sincein such positions itis possibleto calculate every worthwhile variationand hence to be absolutely certain which is the best move." (from Nunri's Tactical Chess Endings). But,inchess,mattersarerarelysimpleand cIearcut. Inpracticetacticsoftenexist in close conjunction with technique and then these elements cannot do without each other. Todetermine which element is prevalentat one particularmoment is rarelypossible. Ontheother hand itis difficulttodefinethe term 'technique' inchess as ittends to containbothstrategicalandtacticalelements.Let'sstartwithtwodefmitions:'Technique istheknowledgeandexperiencethatenablesaplayertoachieveawinmechanically and without undueexertion.The possession oftechnique isone ofthe fundamental differences between theexpert and theamateur." (fromAn illustratedDictionary of ChessbyEdwardR.Brace).'Techniqueistheawarenessofthefunctionsofthepieces andoftheirpeculiarresources ... andmethodsofexploitingthesethingsinrecurring situations."(from TechniqueinChessbyGerald Abrahams) Generally the subjectoftechniqueconsistsofmethodical treatments and linesof direction in order to exploit material/positional advantages or to prevent them. TheGerman master KurtRichter(1900-1969)once wrote: "Technique inchessis the art ofwhat can be learned," which seems to be a good attempt to define the term. Furthermore, if there is an area in chess where concrete knowledge and experience are most significant,then itiscertainlythe endgame. Many examples in this book are ofboth a tactical and technical nature and what dominates at any particular moment may be a matter of opinion, but plenty of 4 tacticalideasandcombinations-"theheartofchess"(A. Alekhine)-alwaysmake thingslively. "It is simply not sufficient only to play - you have to train yourself always to develop qualities and abilities which help you to come to decisions during the course ofagame." (from Moderne Schachtaktik by Mark Dvoretsky). By means ofthorough analysiswe learn to estimatepositions integrally andmore often we willfind themovesthat the postion demands.Inadditionwe developan"instinct or feelingforpositionand danger"(whichtheGermanscall Positionsgefiihiy.The more complicated the position, the greater the importance of combining this "instinct" and analyticalskills. The great Emanuel Lasker wrote: "For some romantic enthusiasts the game of chess has been promoted to a science or anart. In fact chess does not stand that high.Itssubstantialcharacteristicisthatwhichthehumannaturetakes mostdelight in it: the fight." (from Gesunder MenschenverstandimSchach) There is still an awful lot to discover and the borders between knowledge, experience, calculation and intuition are fluid. But in over-the-board-play, the horizonisnotso wide; here nervous energy isrequired and theelements offight with all its peculiarities dominate. Often a player has to trust his intuition, no mattertheprice.And inasharp,complexposition,whenthe variationsgrow hazy orthe arithmetic fails, theadventure starts. Inthisbook, theauthors presentamanifoldcollectionoftacticaldiscoursesonthe middle- and endgame. It shows such a dramatic sharpening, but also hidden resources and astonishing new turns. Last but not least this work is about chess errors,theirdetectionandrefutation,sincepeoplelearn bestfrom mistakes.Atthe critical points the readers may sharpen their tactical vision, test their ability to calculateconcrete variations and to evaluate positions.Besidesallthis it'salso a wonderfulthing to taketime andjust playoverand enjoy theexamples. Primarily this book is aimed at aspiring players from club to master level who seriously want to improve their chess understanding. Here the readers will not find a logical progressionfrom the beginningto theend;theexamples havebeen selected for entertainment and, above all, for instructional and training value. Although we have grouped the games and fragments in chapters, sometimes the arrangement seems arbitrary because there is a considerable variety within the examples. Short exercises - easy and difficult - are added to help the readers to improveanalyticalabilities. TheMagicofChess Tactics is based onanalysis,articlesand training sessionsof theGermanchesstrainerandjournalistFM ClausDieterMeyer(Bremen).Several positions were analysed during the period 1989 to 1998, when he worked at the Hamburgtrainingbasewhere(thenfuturegrandmaster)KarstenMuller,FMStefan 5 Sievers and other young Candidate Masters regularly participated. GM Muller also acts now as co-author ofthis book withsome originalcontributions. Combinations(1980-1993)andTacticalDiscourses(1993-1998)were two rubrics ofCD.Meyerpublished intheGermanSchoch Magazin 64.Atthat time hewas constantlyon the lookout for fresh material appropriate for bothjournalistic and training purposes. However when detailed analytical work had to be done, this wasjusttheverythingfortheambitiousHamburg traininggroup.Andsosomeofthe extraordinarilydense anddifficultmaterialinthisbook likeKunnemannvsNN and theNever-EndingStOlY hasitsorigininthevery productiveHamburgperiod. Many articles were published in Schoch Magazin 64 and ChessBase Magazine, but agreatdeal ofthe material,mostly taken from German Bundesliga praxis,is new.Theoldremarkshavebeenthoroughlyrevised,improvedand translatedinto English.Duetothelargeamountoforiginalanalysis,eagle-eyedreadersmayfind mistakes,for whichwe apologise inadvance. As the contrast between practice and analysis sometimes is striking, we would like to remind the readers ofthe words of Mikhail Tal, the unforgotten chess magicianfromRiga(1936-1992):"Yearsofanalysisandafewminutesinapractical game-they are absolutelynot oneandthesame." Theauthors hope,thatfansoftacticswilldive intoandenjoy TheMagic,and,last but not least, learn a lot. Claus Dieter Meyerand Karsten MUlier Bremen/Hamburg October 2002 Acknowledgements We wish to thank many people for the analytical support and some original contributions,especiallytheHamburgtraininggroupandseveralchess colleagues of the SV Werder Bundesliga team. ChessBase deserves special thanks for developing the programs that made this book possible and allowing us to use photos from their archives. Thanks also to Alexei Shirov for his Foreword and EdwardWinterfor hiskindpermission to usephotosfromhis excellentgalleryat ChessCafe.com.IngolfStein scanned severalphotosand caricatures. Finally we thank the publisher Hanon Russell for his friendly attitude towards the whole project. 6 Code System + check # checkmate x capture ! good move !! excellent orbeautiful move 'I bad move ')'1 blunder I? interesting move '/1 dubiousmove +- White hasadecisive advantage ± White has the upper hand ~ White stands slightlybetter theposition is equal or drawn -+ Black hasadecisive advantage +' Black has theupperhand +' Blackstandsslightlybetter 1-0 the game endsin awin for White Y2-Yi the game ends inadraw 0-1 the gameendsin awin for Black Ch championship 01 chess olympiad zt zonaltournament simul simultaneousdisplay mem memorialtournament CBM ChessBase Magazine COM Claus Dieter Meyer KM Karsten MUlier Photo Credits Chessllase:Vlastimil Babula (12) andAlexei Shirov (165) Edward Winter Collection: Wilhelm Steinitz (35), Mikhail Tal (63), Rudolf Spielmann (76), A.A.Lilienthal (86), Bobby Fischer (92), Anthony Miles (131) and Tigran Petrosian (153) CD.Meyer:Zbynek Hracek (99),Rainer Knaak (142),AlexanderKhalifman(160), Loek vanWely(183),JanTimman(204),SvenJoachim(237),GerlefMeins(241), thecaricatures(page 8)byan unknown artistonthe MoscowArbatand by Alfred Hennsdorfer (210, 227). 7 Claus DieterMeyer Es irrt der Mensch, solang er strebt. (Man will err while yet he strives.) JohannWolfgang vonGoethe,Faust1(1808) About the Authors Claus DieterMeyerwas bornAugust I, 1946 inBremen,Germany. Formerlyan insurancebrokerbytrade, then achess-journalistand FIDE-Master (1983), heis now well known in Germany as analyst and chess trainer. C.D. Meyer is the author of1mSpiegel der Analyse (1987) and Die Jahrhundert-Meisterschaft im Schach (200I, with Robert Hubner and others) and has also translated several chess books into German from English. He is the official chess trainer of SV Werder Bremen and long-time captain ofWerder's Bundesligachess team. Karsten MUllerwas born November23, 1970 inHamburg,Germany. Heearned the grandmaster title in 1998 and is the co-author with Frank Lamprecht ofthe highlyacclaimedSecretsofPawnEndings (2000) andFundamentalChessEndings (200I).Hispopularcolumn EndgameCorner hasappearedatwww.ChessCafe.com since January 200I. 8

Description:
Chess is 99% tactics. So to be a good chess player, you have to spend a lot of your training time on tactics. Although basic tactics are explained in a number good books, complicated tactics – the kind that separate tournament winners from the pack – require intuition, imagination and precision.
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