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The Look of Lyric: Greek Song and the Visual: Studies in Archaic and Classical Greek Song, Vol. 1 PDF

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TheLookofLyric:GreekSongandtheVisual Mnemosyne Supplements monographs on greek and latin language and literature ExecutiveEditor G.J.Boter(vuUniversityAmsterdam) EditorialBoard A.Chaniotis(Oxford) K.M.Coleman(Harvard) I.J.F.deJong(UniversityofAmsterdam) T.Reinhardt(Oxford) volume391 Thetitlespublishedinthisseriesarelistedatbrill.com/mns The Look of Lyric: Greek Song and the Visual StudiesinArchaicandClassicalGreekSong,vol.1 Editedby VanessaCazzato AndréLardinois WithanIntroductionby Anastasia-ErasmiaPeponi leiden | boston This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial3.0Unported(cc-by-nc3.0)License,whichpermitsany non-commercialuse,distribution,andreproductioninanymedium,providedtheoriginal author(s)andsourcearecredited. LibraryofCongressCataloging-in-PublicationData Names:Cazzato,Vanessa,1977-editor.|Lardinois,A.P.M.H.,editor. Title:Thelookoflyric:Greeksongandthevisual.StudiesinarchaicandclassicalGreeksong/editedby VanessaCazzato,AndreLardinois;withanintroductionbyAnastasia-ErasmiaPeponi. Othertitles:Mnemosyne,bibliothecaclassicaBatava.Supplementum;v.391. Description:Leiden;Boston:BRILL,2016-|Series:Mnemosyne.Supplements;volume391|Includes bibliographicalreferencesandindex. Identifiers:LCCN2016004344(print)|LCCN2016005703(ebook)|ISBN9789004311633((hardback):alk. paper)|ISBN9789004314849((e-book)) Subjects:LCSH:Greekpoetry–Historyandcriticism.|Greekdrama–Historyandcriticism. Classification:LCCPA3110.L662016(print)|LCCPA3110(ebook)|DDC884/.0109–dc23 LCrecordavailableathttp://lccn.loc.gov/2016004344 WantorneedOpenAccess?BrillOpenoffersyouthechoicetomakeyourresearchfreelyaccessibleonline inexchangeforapublicationcharge.Reviewyourvariousoptionsonbrill.com/brill-open. TypefacefortheLatin,Greek,andCyrillicscripts:“Brill”.Seeanddownload:brill.com/brill-typeface. issn0169-8958 isbn978-90-04-31163-3(hardback) isbn978-90-04-31484-9(e-book) Copyright2016bytheEditorsandAuthors. ThisworkispublishedbyKoninklijkeBrillnv.KoninklijkeBrillnvincorporatestheimprintsBrill,BrillHes &DeGraaf,BrillNijhoff,BrillRodopiandHoteiPublishing. KoninklijkeBrillNVreservestherighttoprotectthepublicationagainstunauthorizeduseandtoauthorize disseminationbymeansofoffprints,legitimatephotocopies,microformeditions,reprints,translations,and secondaryinformationsources,suchasabstractingandindexingservicesincludingdatabases.Requestsfor commercialre-use,useofpartsofthepublication,and/ortranslationsmustbeaddressedtoKoninklijke Brillnv. Thisbookisprintedonacid-freepaperandproducedinasustainablemanner. Contents Preface vii ListofFigures viii ListofContributors x 1 LyricVision:AnIntroduction 1 Anastasia-ErasmiaPeponi 2 PoliticalandDramaticPerspectivesonArchaicSculptures: Bacchylides’FourthDithyramb(Ode18)andtheTreasuryofthe AtheniansinDelphi 16 LuciaAthanassaki 3 TheFightofTelephus:PoeticVisionsbehindthePergamon Frieze 50 LauraLulli 4 ChoralPerformanceandGeometricPatternsinEpicPoetryand IconographicRepresentations 69 JesúsCarruesco 5 MakingMonkeys:Archilochusfrr.185–187w.inPerformance 108 DeborahSteiner 6 ObservingGenreinArchaicGreekSkoliaandVase-Painting 146 GregoryS.Jones 7 ‘GlancingSeductivelythroughWindows’:TheLookofPraxillafr.8 (pmg754) 185 VanessaCazzato 8 HowtoConstructaSympoticSpacewithWords 204 JennyStraussClay 9 TurningSoundintoSightintheChorus’EntranceSongofAeschylus’ SevenagainstThebes 217 CarolineTrieschnigg vi contents 10 LightandVisioninPindar’sOlympianOdes:InterplaysofImagination andPerformance 238 MichelBriand 11 VisualImageryinParthenaicSong 255 LauraSwift 12 TheAmorousGaze:APoeticandPragmaticKoinêforErotic Melos? 288 ClaudeCalame 13 VisualizingtheCologneSappho:MentalImagerythroughChorality, theSun,andOrpheus 307 AntonBierl 14 FemaleChorusesandGardensofNymphs:VisualizingChoralityin Sappho 343 KaterinaLadianou 15 ImaginingImages:Anacreontea16and17 370 IppokratisKantzios Index 387 Preface ThisvolumeinauguratesaserieswithinBrill’sMnemosyneSupplementswhich records the proceedings of the conferences of the Network for the Study of ArchaicandClassicalGreekSong(http://greeksong.ruhosting.nl/).Threefur- thervolumesintheseriesareinpreparation:onauthorshipandauthorityin Greek lyric poetry, on the reception and transmission of Greek lyric poetry from600bcto400ad,andonthenewestSapphofragmentspublishedin2014 (P. Sapph. Obbink and P. GC inv. 105). The Network was founded in 2007 as a means of facilitating interaction between scholars interested in the study of archaic and classical lyric, elegiac, and iambic poetry. Most of the papers included here were originally presented at the first open conference of the Network,heldon17th–20thJuly2009attheEuropeanCulturalCentreofDel- phi.ThiswasfundedbytheNetherlandsOrganizationforScientificResearch (nwo) and Stanford University, and organised by Anastasia-Erasmia Peponi and Richard Martin. Theirs was the choice of theme, the formulation of the callforpapers,andtheinitialselectionofabstracts.Thepublicationofthevol- umewasthenplannedbythemjointlywithAndréLardinoisandthepapers underwentaprocessofpeerreviewingatthehandsofthe‘coremembers’of thenetworkaswellasananonymousreviewerforthePress.Thefinalprocess of shaping the volume and editing the typescript for submission was under- takenbyVanessaCazzatoandAndréLardinois,oneofthenetwork’sfounders andtheinitiatoroftheseries.Twostudents,HendriDekkerandMariekeGrau- mans, helped with the preparation of the index. We would like to thank the FacultyofArtsofRadboudUniversityforprovidingthefundswhichenabled thisvolumetobemadeavailablethroughOpenAccess. V.C. A.L. List of Figures 2.1 ReconstructionoftheAthenianTreasurybyA.Tournaire(1902) 21 2.2 TheseusandProcrustesorSciron.MetopefromtheAthenianTreasuryat Delphi,SouthSide,ArchaeologicalMuseumofDelphi 25 2.3 TheseusandCercyon.MetopefromtheAthenianTreasuryatDelphi,South Side,ArchaeologicalMuseumofDelphi 26 2.4 AthenaandTheseus.MetopefromtheAthenianTreasuryatDelphi.SouthSide, ArchaeologicalMuseumofDelphi 27 2.5 DisplayoftheMetopesintheDelphiArchaeologicalMuseum 28 2.6 DisplayoftheMetopesintheDelphiArchaeologicalMuseum,detail 29 3.1 Hiera,Telephus’wife,againsttheGreekwarriors,fromthePergamonGreat Altar 61 3.2 Hiera’sfuneral,fromthePergamonGreatAltar 62 3.3 Thedeathoftwowarriors,fromthePergamonGreatAltar 63 3.4 ThedeathofAktaios,fromthePergamonGreatAltar 64 3.5 ThewoundingofTelephusbyAchilles,fromthePergamonGreatAltar 65 4.1a Atticoinochoe,c.740bc,fromDipylon 85 4.1b InscriptiononAtticoinochoe,c.740bc,fromDipylon 86 4.2 Corinthianaryballos,withrepresentationofdanceandinscription. c.590–580bc 87 4.3 Argivecrater(LateGeometric),fromgravet45inArgos 88 4.4 Atticcrater(lg1b),c.740bc,fromKerameikos 91 4.5 Atticchest(mg i)withmodelgranaries 92 4.6 Atticpyxis(mg ii),c.760–50bc 93 4.7 LateGeometricoinochoe,c.750bc 94 4.8 EuboeanlgcraterfromCyprusbytheCesnolaPainter 95 4.9 Atticcrater(LGIb),c.740b,fromDipylon 97 4.10 Oinochoe,c.735–720bc.Boston25.42,RichardNortonMemorialFund 98 4.11 Kantharos.Boiotian.Late8thcenturyb.c. 99 4.12 Dancingwarriors.lgcup 101 4.13 Boeotianlgpythoidjar,fromThebes 102 4.14 Couplesdancing.NeckofAttic(epa)loutrophoros,bytheAnalatos Painter 103 4.15 HeraclesandTriton.AtticBlackfigurekylix 104 4.16 AtticRedfigurekylix 105 5.1 Terracottakantharoswithmonkeyface 129 5.2a Cupdatedtocirca520 130 5.2b Cupdatedtocirca520 131 list of figures ix 5.3 Terracottafigurevaseofamonkey,ca565–550 132 5.4a Corinthianoilflask 133 5.4b Corinthianoilflask 134 5.4c Corinthianoilflask 134 5.5 Red-figurehydria 135 5.6a HydriadepictingtheCalydonianboarhunt 139 5.6b HydriadepictingtheCalydonianboarhunt 140 6.1a Red-figurekraterbyEuphronios 171 6.1b Detailofred-figurekraterbyEuphronios 172 6.2a Red-figurekylixbytheEpeleiosPainter 176 6.2b Tondoofred-figurekylixbytheEpeleiosPainter(tondo) 178 7.1a Sideaofunattributedred-figurekylix 189 7.1b Sidebofunattributedred-figurekylix 190 7.1c Tondoofunattributedred-figurekylix 191

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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to e
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