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The long space : transnationalism and postcolonial form PDF

319 Pages·2010·1.47 MB·English
by  Djebar
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the long space Cultural Memory in the Present Mieke Bal and Hent de Vries, Editors The long space Transnationalism and Postcolonial Form peter hitchcock stanford university press stanford, california Stanford University Press Stanford, California ©2010 by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Hitchcock, Peter. The long space : transnationalism and postcolonial form / Peter Hitchcock. p. cm.—(Cultural memory in the present) Includes bibliographical references and index. ISBN 978-0-8047-6236-6 (cloth : alk. paper)—ISBN 978-0-8047-6237-3 (pbk. : alk. paper) 1. Postcolonialism in literature. 2. Transnationalism in literature. 3. Space and time in literature. 4. Harris, Wilson—Criticism and interpretation. 5. Farah, Nuruddin, 1945—Criticism and interpretation. 6. Toer, Pramoedya Ananta, 1925-2006— Criticism and interpretation. 7. Djebar, Assia, 1936—Criticism and interpretation. 8. Literature, Modern—History and criticism. I. Title. II. Series: Cultural memory in the present. PN56.C63H58 2010 809'.933581—dc22 2009032018 Typeset by Classic Typography in 11/13.5 Adobe Garamond TO THE MEMORY OF MY BROTHER, DAVID “Vex not his ghost” Contents Acknowledgments xi Abbreviations of Frequently Cited Titles of Works xiii 1. The Long Space 1 2. The Language of Form 44 3. The Exotopy of Place 90 4. Meanwhile, on Buru 140 5. This Quartet Which Is Not One 207 Notes 257 Index 291

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The resurgence of "world literature" as a category of study seems to coincide with what we understand as globalization, but how does postcolonial writing fit into this picture? Beyond the content of this novel or that, what elements of postcolonial fiction might challenge the assumption that its mai
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