A Transfictive Tale Life of the Artist as a Self-Brand PhD Thesis 2016 Sara Sylvester NOTICE OF SUBMISSION FORM SECTION A: TO BE COMPLETED BY THE CANDIDATE AND SUBMITTED WITH THE THESIS Candidate’s last name Sylvester Candidate’s first name(s) Sara Candidate’s student 0939407 number School Journalism, Media and Cultural Studies Please circle appropriate degree title: Title of degree DAHP, DClinPsy, DEdPsy, DHS, DSW, DNurs, EdD, EngD, MD, MPhil, MScD by Research, PhD, SPPD A Transfictive Tale: Life of the Artist as a Self-brand Full title of thesis Is this a resubmission? YES / NO Bar on Access: YES / NO Library deposit: YES / NO Is a Bar on Access or If YES, please attach your application form or approval confirmation. For library deposit required? guidance and forms, please see: http://learning.cf.ac.uk/quality/pgr/code/thesis-preparation-and- examination/uploading-your-thesis-to-orca-important-information/ C andidate’s signature Date The completed form and all relevant supporting documentation should be returned to: II ANNEX 1: Specimen layout for Declaration/Statements page to be included in a thesis. DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ……………………………………………………… (candidate) Date STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD Signed ………………………………………….…………… (candidate) Date STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated, and the thesis has not been edited by a third party beyond what is permitted by Cardiff University’s Policy on the Use of Third Party Editors by Research Degree Students. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ……………………………………….……….…… (candidate) Date STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ……………………………………………..…..….. (candidate) Date STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ……………………………………………..……… (candidate) Date III IV Abstract The body serves as a critical site of identity performance particularly when considering the implications of technology on construction of the self. This thesis investigates the growing interest in the development of transfictive artists as art practice and how through the use of multimedia platforms it is possible to create and establish a fictional identity through transmedia storytelling. Each of the fictional artists selected for this research, namely Susan Fielder, Donelle Woolford, Cherry Lazar, Ona Artist and Seren Sanclêr, function to draw the audience into exploring issues of identity, performance, in particular, the artist persona as exemplifying selfebrity. This original contribution to knowledge explores the ideas, concerns and ways of creating a transfictive heteronymic persona in relation to gender politics, the ways in which media convergence is utilised to develop identity, performance and the importance of self- branding. The case studies are discussed in relation to the above issues, demonstrating where appropriate the influence that digital media has had on contemporary art by offering new challenges and opportunities to explore issues of identity construction. By taking an autoethnography approach to explore identity performance, the research incorporates visual autoethnography to illuminate directly the construction process of crafting a fictive artist, Seren Sanclêr, as a site for the development of new knowledge about transfictive storytelling as a process to develop identity. What this particular thesis intends to examine is why artists are creating fictive artists and how this specific art practice reflects and informs the culture from which it emerges. V VI Keywords Alter Ego, Fictive Art, Gender, Hypereality, Identity, Performance, Digital, Technology, Photography, Selfies, Self-Branding, Social Media, Superfictions, Transmedia, Parafiction, Transmediated Self, Visual Art, Femininity-as-image, Feminist art, Post-feminism, Digi Feminism, Selfebrity, Micro- Celebrity, Transfictive Heteronym VII VIII