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The Legacy of Ancient Rome in the Russian Silver Age (Studies in Slavic Literature & Poetics) PDF

221 Pages·2007·1.03 MB·English
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T L he egacy a R of ncienT ome R s a in The ussian iLveR ge s Tudies in s L Lavic iTeRaTuRe P and oeTics v XLviii oLume Edited by J.J. van Baak R. Grübel A.G.F. van Holk W.G. Weststeijn T L he egacy a R of ncienT ome R s a in The ussian iLveR ge Anna Frajlich Amsterdam - New York, NY 2007 Cover design: Aart Jan Bergshoeff The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN-13: 978-90-420-2251-5 ©Editions Rodopi B.V., Amsterdam - New York, NY 2007 Printed in the Netherlands To Władysław and Paul Zajac Contents Acknowledgments 7 Note on Transliteration 13 Introduction Off to Rome… 15 I. Departing from Stylization Apollon Maikov 27 II. The Forum of Forgotten Thoughts Arseny Golenishchev-Kutuzov 31 III. And a Fourth Shall Never Be… Vladimir Solovyov 37 IV. The Contradictions of the Northern Pilgrim Dmitry Merezhkovsky 49 V. Julius Caesar, Antony and Sulla Valery Bryusov 61 VI. The God-Loving Roman Vyacheslav Ivanov 97 VII. From Prophecy to Transubstantiation Maksimilian Voloshin 125 VIII. The Quest for Pax Romana as a Quest for Peace of Mind Vasily Komarovsky 145 IX. The Distant Eternal City Mikhail Kuzmin 165 X. Conclusion «Как сделан Рим»? (How Is Rome Made?) 188 Bibliography 195 Index 207 Acknowledgments T o my professor, mentor and friend, the late Zoya Yurieff, I owe what I have become in this country. She urged me to resume my graduate studies at the Department of Slavic Languages at New York University, where she made me measure up to her highest standards. Knowing that I had spent the first several months of my exile in Rome, she suggested that I conduct my research on the image of the Eternal City in the poetry of the Russian Symbolists. Researching the topic, which had scarcely been explored at the time, launched me on an arduous journey in time, as well as cultural, mythical and geographical space. Professor Yurieff’s expertise in and passion for the Silver Age guided me at every step of my work. I am enormously in her debt. At the early stages of shaping this text I benefited from the editorial and spiritual support of my friends Rochelle Diogenes and Professor Marlene Barsoum. Ruth and Thomas Mathewson were also involved in the initial editorial reworking of the manuscript from the original dissertation. It was not, however, until I met Ronald Meyer, on the strong recommendation of the late Professor Robert Maguire, that serious work on my manuscript began. Dr. Meyer, Publications Editor of the Harriman Institute, offered me not only his editorial expertise, but also his professional advice, and his support, both personal and institutional. My gratitude and debt to him are like Rome itself— eternal. The late Professor Maguire, for many years the Chair of the Department of Slavic Languages at Columbia University, took an avid interest in this book and helped me with his encouragement to the very

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For poets throughout the world Rome was the world. This is particularly true for Russian poets, owing to the anagrammatical relation of the words Rome and mir (Rome and world). The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. The revital
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.