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The Language of Demons and Angels Cornelius Agrippa's Occult Philosophy Brill's Studies in Intellectual History PDF

269 Pages·2012·2.9 MB·English
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BSIH-119-lehrich.qxd 23/08/2003 15:04 Page i THE LANGUAGE OF DEMONS AND ANGELS BSIH-119-lehrich.qxd 23/08/2003 15:04 Page ii BRILL’S STUDIES IN INTELLECTUAL HISTORY General Editor A.J.Vanderjagt, University of Groningen Editorial Board M. Colish, Oberlin College J.I. Israel, University College, London J.D. North, University of Groningen R.H. Popkin, Washington University, St. Louis-UCLA VOLUME119 BSIH-119-lehrich.qxd 23/08/2003 15:04 Page iii THE LANGUAGE OF DEMONS AND ANGELS Cornelius Agrippa’s Occult Philosophy BY CHRISTOPHER I. LEHRICH BRILL LEIDEN (cid:127)BOSTON 2003 BSIH-119-lehrich.qxd 23/08/2003 15:04 Page iv This book is printed on acid-free paper. The cover image shows the harmony and proportion of the human body with respect to the seven heavenly bodies, demonstrating the theory of the microcosm. From De occulta philosophia2.27, 331/347 Library of Congress Cataloging-in-Publication Data Lehrich, Christopher I. The language of demons and angels : Cornelius Agrippa’s occult philosophy / by Christopher I. Lehrich. p. cm. — (Brill’s studies in intellectual history, ISSN 0920-8607 ; v. 119) Includes bibliographical references (p. ) and index. ISBN 90-04-13574-X 1. Agrippa von Nettesheim, Heinrich Cornelius. 1486?-1535. 2. Occultism. I. Title. II. Series. B781.A34L44 2003 130’.92-dc22 2003055665 ISSN 0920-8607 ISBN 90 04 13574 X © Copyright 2003 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA01923, USA. Fees are subject to change. printed in the netherland Vos igitur, doctrinae et sapientiae filii, perquirite in hoc libro colligendo nostram dispersam intentionem quam in diversis locis proposuimus et quod occultatum est a nobis in uno loco, manifestum fecimus illud in alio, ut sapientibus vobis patefiat. Vobis enim solis scripsimus. . . . You, therefore, sons of wisdom and learning, search diligently in this book, gathering together our dispersed intentions, which in divers places we have propounded; and what is hid in one place, we make manifest in another, that it may appear to you wise men. For, for you only have we written. . . . — Heinrich Cornelius Agrippa von Nettesheim This page intentionally left blank TABLE OF CONTENTS Acknowledgments ...................................... ix Abbreviations ......................................... xi List of Illustrations .................................... xiii Chapter One Introduction .............................. 1 Theory and Method .................................. 2 Cornelius Agrippa: Life ............................... 25 Works............................................ 32 Chapter Two Logos and Nature ........................ 43 The Natural Magic Problem ........................... 45 The Practice of Natural Magic: Man as Operator ........... 66 Magic and Skeptical Philosophy ........................ 73 Conclusions ....................................... 91 Chapter Three Sign, Sigil, Text ......................... 98 Exemplum: Magic Squares and Figures .................. 100 Exemplum: the Practice of Images ..................... 110 Theories of Signification ............................. 116 The Elementary Forms of Language .................... 124 The Power of the Sign .............................. 134 Inscribing the Powers ............................... 142 Conclusions ...................................... 146 Chapter Four The Language of Demons and Angels ........ 147 Magical Kabbalah .................................. 149 Esotericism, Occultism, and Magic ..................... 159 Ritual Magic ...................................... 164 Ritual, Belief, and Secrecy ............................ 172 Manipulating the Demonic .......................... 185 viii CONTENTS How to Summon a Demon .......................... 200 Conclusions ...................................... 206 Chapter Five Conclusion ............................. 213 Agrippan Interpretations ............................. 214 Historical Speculations .............................. 219 Theoretical Meditations ............................. 220 Appendix One Latin Quotations, De occulta philosophia ..... 227 Appendix Two De vanitate on Alchemy .................. 233 Bibliography ........................................ 239 Works by Agrippa (abbreviated) ....................... 239 Works on Agrippa ................................. 240 Premodern Sources ................................. 243 Modern Works .................................... 245 Index ............................................. 253 ACKNOWLEDGMENTS Any significant work of research incurs many debts. I should first of all like to thank my dissertation advisors, Allen G. Debus, Jonathan Z. Smith, and Anthony C. Yu, for support and guidance through the long process. A Mrs. Giles Whiting fellowship allowed me financial freedom to complete the dissertation. Michael Bathgate, Richard Blum, Stephen Clucas, Nicholas Clulee, Alex Dent-Young, Heather Hindman, Armando Maggi, Hajime Nakatani, Allan Tulchin, and Robert Yelle all read and discussed with me bits and pieces of the book in progress. My anonymous review reader provided essential critical advice on philological issues outside my competence. Jean Rainwater and the staff at the John Hay Library of Brown University made the potentially agonizing process of acquiring images simple and even enjoyable. Chris Mills of Lizard Lounge Graphics (www.lizardlounge.com) helped immeasurably with all the technical details of typesetting the text. Most of all, my wife, Sarah Frederick, has supported me throughout the process in more ways than I can count.

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