The Kubrick Legacy PDF
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The Kubrick Legacy The six chapters assembled in The Kubrick Legacy showcase important trends in the evolution of filmmaker Stanley Kubrick’s artistic legacy. In the 20 years since his death an enormous range of information and scholarship has surfaced, in part from the Kubrick estate’s public preservation, archiving, exhibition and promulgation of the auteur’s staggering collection of research materials and film artifacts. These essays from international scholars chart incarnations of the official Kubrick exhibition of extensive artifacts touring the globe for the past decade; the filmmaker’s lasting impact on established authors with whom he collaborated; the profound influence of Kubrick’s use of existing music in film scores; the exponential rise of conspiracy theories and (mis)interpretation of his work since his death; the repeated imitation of and homage to his oeuvre across decades of international television advertising; and the (re)discovery of Kubrick on screen in both documentary form and dramatic characterization. The Kubrick Legacy provides a tantalizing, critical snapshot of the enduring impact and influence of one of the twentieth century’s most enigmatic and consummate screen artists. Mick Broderick is Associate Professor of Media Analysis at Murdoch University, Australia. His major publications include Reconstructing Strangelove (2017), editions of the reference work Nuclear Movies (1988, 1991), and as editor or co-editor, Hibakusha Cinema (1996, 1999, 2014), Interrogating Trauma (2010) and Trauma, Media, Art (2011). He is currently completing two co-authored monographs: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (with Katie Ellis) and Virtual Realities: Case Studies in Immersion, Aesthetics and Affect (with Stuart Bender), both for release in 2019. The Kubrick Legacy Edited by Mick Broderick First published 2019 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2019 selection and editorial matter, Mick Broderick; individual chapters, the contributors The right of Mick Broderick to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Names: Broderick, Mick, editor. Title: The Kubrick legacy / edited by Mick Broderick. Description: London ; New York : Routledge, 2019. | Includes bibliographical references and index. Identifiers: LCCN 2018056634 (print) | LCCN 2018059584 (ebook) | ISBN 9780429059728 (ebook) | ISBN 9780367181420 | ISBN 9780367181420 (hardback : alk.paper) | ISBN 9780429059728 (ebk) Subjects: LCSH: Kubrick, Stanley—Criticism and interpretation. Classification: LCC PN1998.3.K83 (ebook) | LCC PN1998.3.K83 K835 2019 (print) | DDC 791.4302/33092—dc23 LC record available at https://lccn.loc.gov/2018056634 ISBN: 978-0-367-18142-0 (hbk) ISBN: 978-0-429-05972-8 (ebk) Typeset in Times New Roman by Apex CoVantage, LLC For Katharina Contents List of contributors ix Acknowledgments xi 1 The Kubrick legacy: an introduction 1 MICK BRODERICK 2 Kubrick and curation: inside TIFF’s Stanley Kubrick: the exhibition 7 DRU JEFFRIES 3 The rise of Doctor Strangelove: Stanley Kubrick, Peter George, Herman Kahn, and a new world morality 22 GRAHAM ALLEN 4 Looking back, looking ahead: Kubrick and music 37 CHRISTINE GENGARO 5 Dramatizing Kubrick: Room 237 and other conspiracies 52 MANCA PERKO 6 Kubrick: tropes in advertising 67 JAMES MARINACCIO 7 Kubrick on screen 88 MICK BRODERICK viii Contents 8 Conclusion 106 MICK BRODERICK Index 109 Contributors Graham Allen is a professor in the School of English, University Col- lege Cork. His publications include Harold Bloom: A Poetics of Con- flict (1994), Intertextuality (2000: 2nd Ed. 2011), and Roland Barthes (2003). His latest poetry collection, The Madhouse System, was pub- lished in 2016. Mick Broderick is Associate Professor of Media Analysis at Murdoch University. His major publications include Reconstructing Strangelove (2017), editions of the reference work Nuclear Movies (1988, 1991) and as editor or co-editor, Hibakusha Cinema (1996, 1999, 2014), Interrogat- ing Trauma (2010), and Trauma, Media, Art: New Perspectives (2011). He is currently completing two co-authored monographs: Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury (with Katie Ellis) and Virtual Realities: Case Studies in Immersion, Aesthetics and Affect (with Stuart Bender), both for release in 2019. Christine Gengaro teaches music history, music theory, and voice at Los Angeles City College. She received her Ph.D. in historical musicology from the University of Southern California in 2005 and her published articles on film music and classical music in media appear in numerous journals and books. Her book Listening to Stanley Kubrick: the Music in His Films was published in 2013 and her Experiencing: Chopin was released in December of 2017. She is currently editing a new edition of This Man and Music by Anthony Burgess. Dru Jeffries is the author of Comic Book Film Style (University of Texas Press, 2017) and the editor of #WWE: Professional Wrestling in the Digital Age (Indiana University Press, 2019). He teaches in the Cultural Studies department at Wilfrid Laurier University.
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