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The Journal of Interdisciplinary History 2005 - 2006: Vol 36 Table of Contents PDF

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The Journal of Interdisciplinary History Contents, Volume xxxXVI, 2005—2006 Number 1, Summer 2005 ARTICLES Health and Nutrition in Pre-Columbian America: The Skeletal Evidence Richard H. Steckel Che Political Economy of Famine Reliefi n China, 1740-1820 Carol H. Shiue REVIEW ESSAYS Onomiastics and Its Uses Joel T. Rosenthal A Reintroduction to Political Economy: History, Institutions, and Power Jason Scott Smith REVIEWS Number 2, Autumn 2005 ARTICLES Markets and Famines in Pre-Industrial Europe Cormac O Grada Homicide in Lost Angeles, 1827-2002 Eric H. Monkkonen Social Capital Formation in Australian Rural Communities: The Role of the Stock and Station Agent Simon Ville Propensity-Score Methods and the Lenin School Gidon Cohen REVIEW ESSAY he Swedenborgian Search for African Purity Robert I. Rotberg REVIEWS Number 3, Winter 2006 Opera and Society: Part I PREFACI INTRODUCTION Opera, Musicology, and History I heodore K. SEVENTEENTH-CENTURY VENI Why Venice? Venetian Society and the Success of Early Opera Edward Muir Censuring Eliogabalo in Seventeenth-Century Venice Mauro Calcagno Poppea’s Legacy Che Julio-Claudians on the Venetian Stage W endy i feller Commentary: Why Opera? The Politics of an Emerging Genre Dennis Romano Commentary: Seventeenth- Century Venetian Opera as Fondamente nuove Ellen Rosand HANDEL S$ LONDON With Eyes on the East and Ears on the West: Handel’s Orientalist Operas Ellen T. Harris The Politics of Handel’s Early London Operas, 1711-1719 Paul Monod REVOLUTIONARY EUROPI Beethoven’s Leonore and Fidelio Lewis Lockwood Cosmopolitanism and the National Opera: Weber’s Die Freischiitz Michael C. Tusa Redefining the Status of Opera London and Leipzig, 1800-1848 William Weber The Myth of Venice in Nineteenth-Century Opera James H. Johnson Commentary: Opera in the Age of Revolution Thomas S. Grey Number 4, Spring 2006 Opera and Society: Part 2 ITALY IN RESTORATION AND RISORGIMENTO Opera and Absolutism in Restoration Italy, 1815-1860 John A. Davis To Please the Public: Composers and Audiences in Nineteenth-Century Italy Carlotta Sorba Commentary: Was Verdi a “Revolutionary”? Stefano Castelvecchi Commentary: A Stroll through the Piazza and « Night at the Opera Mary Ann Smart MODERNISM The Aesthetics and Politics of Operatic Modernism Michael P. Steinberg French Identity in Flux: The Triumph of Honegger’s Antigon Jane F. Fulcher Commentary: Operatic Modernism Carl E. Schorske Commentary: The Operatic Tragedy of Central Europe Larry Wolft PWENTIETH-CENTURY AMERICA ind Bess Come From: Richard Crawford

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