Table Of Content

Index: Volume 63 Titles: Articles, Discussions, & Symposia Aesthetics, Experience, and Discrimination ROBERT HOPKINS Aesthetic Terms, Metaphor, and the Nature of Aesthetic Properties RAFAEL DE CLERCQ Against the Ubiquity of Fictional Narrators ANDREW KANIA André Bazin’s Ontology of Photographic and Film Imagery JONATHAN FRIDAY Artist's Sanction in Contemporary Art, The SHERRI IRVIN Beardsley and the Autonomy of the Work of Art STEPHEN DAVIES Beardsley’s Approach NICHOLAS WOLTERSTORFI Beardsley’s Legacy: The Theory of Aesthetic Value ALAN GOLDMAN Double Content Theory of Artistic Representation, A JOHN DILWORTH Glamour as an Aesthetic Property of Persons CAROL S. GOULD How Perspective Could be a Symbolic Form ALLISTER NEHER Inseparable Insight: Reconciling Cognitivism and Formalism in Aesthetics KATHERINE THOMSON-JONES Intentional Model in Interpretation, The ALEX KIEFER Just a Song? Exploring the Aesthetics of Popular Song Performance JEANETTE BICKNELI Leaving It Up to the Imagination: POV Shots and Imagining from the Inside JINHEE CHOI On tne Prototype Theory of Concepts and the Definitions of Art THOMAS ADAJIAN Ontology of Art and Knowledge in Aesthetics, The AMIE L. THOMASSON Origins of Beardsley’s Aesthetics, The GEORGE DICKIE Pictorial Implicature CATHARINE ABEL! Picturing Pictures: Reply to Dilworth MICHAEL NEWALI Practical Significance of Taste in Kant’s Critique of Judgment: Love of Natural Beauty as a Mark of Moral Character, The ANNE MARGARET BAXLEY Profound Offense and Cultural Appropriation JAMES O. YOUNG Race, Rationality, and Melodrama: Aesthetic Response and the Case of Oscar Micheaux DAN FLORY Reply to Dickie RICHARD A. RICHARDS Resemblance, Restriction, and Content-Bearing Features JOHN DIL WORTH Richards on Evaluation GEORGE DICKII Sculpture and the Sculptural ERIK KOED Spectacularly Bad: Hume and Aristotle on Tragic Spectacle E. M. DADLEZ Toward a Metaphysical Historicism SONDRA BACHARACH Transformative Katharsis: The Significance of Theophrastus’s Botanical Works for Interpretations of Dramatic Catharsis JAMES HIGHLAND What a Documentary Is, After All CARL PLANTINGA Why Does Jazz Matter to Aesthetic Theory? ROBERT KRAUT Authors: Articles, Discussions, Symposia, & Book Reviews ABELL, CATHARINE, Pictorial Implicature The Journal of Aesthetics and Art Criticism 63:4 Fall 2005 410 The Journal of Aesthetics and Art Criticism ADAJIAN, THOMAS, On the Prototype Theory of Concepts and the Definitions of Art ADAJIAN, THOMAS, review of Gary Iseminger, The Aesthetic Function of Art ALTERMAN, ANTON, review of Peter B. Lewis, ed., Wittgenstein, Aesthetics and Philosophy BACHARACH, SONDRA, Toward a Metaphysical Historicism BAXLEY, ANNE MARGARET, The Practical Significance of Taste in Kant’s Critique of Judgment: Love of Natural Beauty as a Mark of Moral Character BELSHAW, MICHAEL, review of Alan Paskow, The Paradoxes ofA rt: A Phenomenological Investigation BICKNELL, JEANETTE, Just a Song? Exploring the Aesthetics of Popular Song Performance CAME, DANIEL, review of R. Kevin Hill, Nietzsche’s Critiques: The Kantian Foundations of His Thought CARTER, CURTIS L., review of AleS Erjavec, ed., Postmodernism and the Postsocialistic Condition: Politicized Art Under Late Socialism CHOI, JINHEE, Leaving It Up to the Imagination: POV Shots and Imagining from the Inside CHOI, JINHEE, review of Patrick Colm Hogan, The Mind and Its Stories: Narrative Universals and Human Emotion, and Greg M. Smith, Film Structure and the Emotion System DADLEZ, E. M., Spectacularly Bad: Hume and Aristotle on Tragic Spectacle DAVIES, STEPHEN, Beardsley and the Autonomy of the Work of Art DE CLERCQ, RAFAEL, Aesthetic Terms, Metaphor, and the Nature of Aesthetic Properties DICKIE, GEORGE, The Origins of Beardsley’s Aesthetics DICKIE, GEORGE, Richards on Evaluation DIL WORTH, JOHN, A Double Content Theory of Artistic Representation DIL WORTH, JOHN, Resemblance, Restriction, and Content-Bearing Features DONOUGHO, MARTIN, review of Michael Kelly, Jconoclasm in Aesthetics FLORY, DAN, Race, Rationality, and Melodrama: Aesthetic Response and the Case of Oscar Micheaux FORD, RUSSELL, review of Gilles Deleuze, Francis Bacon: The Logic of Sensation FRIDAY, JONATHAN, André Bazin’s Ontology of Photographic and Film Imagery FRIEND, STACIE, review of Gary D. Fireman, Ted E. McVay, Jr., and Owen J. Flanagan, eds., Narrative and Consciousness: Literature, Psychology, and the Brain FUDGE, ROBERT, review of Ananta Ch. Sukla, ed., Art and Experience FUDGE, ROBERT, review of James O. Young, Art and Knowledge GIBSON, JOHN, review of Michael Krausz, /s There a Single Right Interpretation? GIBSON, JOHN, review of Andreea Deciu Ritivoi, ed., /nterpretation and Its Objects: Studies in the Philosophy of Michael Krausz GOLDBLATT, DAVID, review of Peter F. Smith, The Dynamics of Delight: Architecture and Aesthetics GOLDMAN, ALAN, Beardsley’s Legacy: The Theory of Aesthetic Value GOLDMAN, ALAN, review of George Dickie, Art and Value GOULD, CAROL S., Glamour as an Aesthetic Property of Persons GRACYK, TED, review of Jonathan Sterne, The Audible Past: Cultural Origins of Sound Reproduction HAROLD, JAMES, review of Matthew Kieran and Dominic Mclver Lopes, eds., Imagination, Philosophy, and the Arts HEIN, HILDE, review of Bettina Messias Carbonell, ed., Museum Studies: An Anthology of Contexts HEIN, HILDE, review of James Cuno, ed., Whose Muse?: Art Museums and the Public Trust HEIN, HILDE, review of Andrew McClellan, ed., Art and Its Publics: Museum Studies at the Millennium HIGHLAND, JAMES, Transformative Katharsis: The Significance of Theophrastus’s Botanical Works for Interpretations of Dramatic Catharsis HOPKINS, ROBERT, Aesthetics, Experience, and Discrimination Index IRVIN, SHERRI, The Artist’s Sanction in Contemporary Art KANIA, ANDREW, Against the Ubiquity of Fictional Narrators KIEFER, ALEX, The Intentional Model in Interpretation KNIGHT, DEBORAH, review of José Luis Bermtidez and Sebastian Gardner, eds., Art and Morality KOED, ERIK, Sculpture and the Sculptural KRAUT, ROBERT, Why Does Jazz Matter to Aesthetic Theory? LEDDY, THOMAS, review of Donald Kuspit, The End of Art MAYNARD, PATRICK, review of David Rosand, Drawing Acts: Studies in Graphic Expression and Representation MCCRACKEN, JANET, review of Radu Stern, Against Fashion: Clothing as Art, 1850-1930, and Nancy J. Tory, Couture Culture: A Study in Modern Art and Fashion NEHER ALLISTER, How Perspective Could be a Symbolic Form NEWALL, MICHAEL, Picturing Pictures: Reply to Dilworth PLANTINGA, CARL, What a Documentary Is, After All RAVEN, FRANCIS, review of Sondra Fraleigh, Dancing Identity: Metaphysics in Motion, and Felicia McCarren, Dancing Machines: Choreographies of the Age of Mechanical Reproduction RICHARDS, RICHARD A., Reply to Dickie SANDRISSER, BARBARA, review of Francois Jullien, /n Praise of Blandness: Proceeding from Chinese Thought and Aesthetics SEAMON, ROGER, review of Joseph Carroll, Literary Darwinism: Evolution, Human Nature, and Literature SHAW, DAN, review of Caroline Joan S. Picart, Remaking the Frankenstein Myth on Film: Between Laughter and Horror SHINER, LARRY, review of John Onians, Atlas of World Art SHINER, LARRY, review of Scott J. Tilden, ed., Architecture for Art: American Art Museums 1938-2008 STECKER, ROBERT and JOHN DILWORTH, dual review of David Davies, Art as Performance STERN, LAURENT, review of Stanley Cavell, Cities of Words: Pedagogical Letters on a Register of the Moral Life THOMASSON, AMIE L., The Ontology of Art and Knowledge in Aesthetics THOMSON-JONES, KATHERINE, Inseparable Insight: Reconciling Cognitivism and Formalism in Aesthetics WARD, CYNTHIA, review of Roger Benjamin, Orientalist Aesthetics: Art, Colonialism, and French North Africa 1880-1930, and Jill Beaulieu and Mary Roberts, eds., Orientalism’s Interlocutors: Painting, Architecture, Photography WICKS, ROBERT, review of Steve Odin, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics WILLIAMS, CHRISTOPHER, review of Peter Kivy, The Seventh Sense: Francis Hutcheson and Eighteenth-Century Aesthetics WOLTERSTORFF, NICHOLAS, Beardsley’s Approach YOUNG, JAMES O., Profound Offense and Cultural Appropriation YOUNG, JAMES O., review of Michael Spitzer, Metaphor and Musical Thought Book Reviews BEAULIEU, JILL and MARY ROBERTS, eds., Orientalism’s Interlocutors: Painting, Architecture, Photography (Cynthia Ward) BENJAMIN, ROGER, Orientalist Aesthetics: Art, Colonialism, and French North Africa 1880-1930 (Cynthia Ward) BERMUDEZ, JOSE LUIS and SEBASTIAN GARDNER, eds., Art and Morality (Deborah Knight) CARBONELL, BETTINA MESSIAS, ed., Museum Studies: An Anthology of Contexts (Hilde Hein) 412 The Journal of Aesthetics and Art Criticism CARROLL, JOSEPH, Literary Darwinism: Evolution, Human Nature, and Literature (Roger Seamon) CAVELL, STANLEY, Cities of Words: Pedagogical Letters on a Register of the Moral Life (Laurent Stern) CUNO, JAMES, ed., Whose Muse?: Art Museums and the Public Trust (Hilde Hein) DAVIES, DAVID, Art as Performance (Robert Stecker and John Dilworth) DELEUZE, GILES, Francis Bacon: The Logic of Sensation (Russell Ford) DICKIE, GEORGE, Art and Value (Alan Goldman) ERJAVEC, ALES, ed., Postmodernism and the Postsocialistic Condition: Politicized Art Under Late Socialism (Curtis L. Carter) FIREMAN, GARY D., TED E. MCVAY, JR., and OWEN J. FLANAGAN, eds., Narrative and Consciousness: Literature, Psychology, and the Brain (Stacie Friend) FRALEIGH, SONDRA, Dancing Identity: Metaphysics in Motion (Francis Raven) HILL, R. KEVIN, Nietzsche’s Critiques: The Kantian Foundations of His Thought (Daniel Came) HOGAN, PATRICK COLM, The Mind and Its Stories: Narrative Universals and Human Emotion (Jinhee Choi) ISEMINGER, GARY, The Aesthetic Function of Art (Thomas Adajian) JULLIEN, FRANCOIS, /n Praise of Blandness: Proceeding from Chinese Thought and Aesthetics (Barbara Sandrisser) KELLY, MICHAEL, Jconoclasm in Aesthetics (Martin Donougho) KIERAN, MATTHEW and DOMINIC MCIVER LOPES, eds., /magination, Philosophy, and the Arts (James Harold) KIVY, PETER, The Seventh Sense: Francis Hutcheson and Eighteenth-Century Aesthetics (Christopher Williams) KRAUSZ, MICHAEL, Is There a Single Right Interpretation? (John Gibson) KUSPIT, DONALD, The End of Art (Thomas Leddy) LEWIS, PETER B., ed., Wittgenstein, Aesthetics and Philosophy (Anton Alterman) MCCARREN, FELICIA, Dancing Machines: Choreographies of the Age of Mechanical Reproduction (Francis Raven) MCCLELLAN, ANDREW, ed., Art and its Publics: Museum Studies at the Millennium (Hilde Hein) ODIN, STEVE, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics (Robert Wicks) ONIANS, JOHN, Atlas of World Art (Larry Shiner) PASKOW, ALAN, The Paradoxes of Art: A Phenomenological Investigation (Michael Belshaw) PICART, CAROLINE JOAN S., Remaking the Frankenstein Myth on Film: Between Laughter and Horror (Dan Shaw) RITIVOL, ANDREEA DECIU, ed., Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz (John Gibson) ROSAND, DAVID, Drawing Acts: Studies in Graphic Expression and Representation (Patrick Maynard) SMITH, GREG M., Film Structure and the Emotion System (Jinhee Choi) SMITH, PETER F., The Dynamics of Delight: Architecture and Aesthetics (David Goldblatt) SPITZER, MICHAEL, Metaphor and Musical Thought (James O. Young) STERN, RADU, Against Fashion: Clothing as Art, 1850-1930 (Janet McCracken) STERNE, JONATHAN, The Audible Past: Cultural Origins of Sound Reproduction (Ted Gracyk) SUKLA \, ANANTA CH., ed., Art and Experience (Robert Fudge) lILDEN, SCOTT J., ed., Architecture for Art: American Art Museums 1938-2008 (Larry Shiner) rROY, NANCY J., Couture Culture: A Study in Modern Art and Fashion (Janet McCracken) YOUNG, JAMES O., Art and Knowledge (Robert Fudge)