Table Of Content

Index: Volume 61 Titles: Articles, Discussions, & Symposia Art as Dramatization and the Indian Tradition RANJAN K. GHOSH Awe or Envy: Herder contra Kant on the Sublime RACHEL ZUCKERT Being True to Artists IVAN GASKELI Classificatory Sense of “Art,” The LAUREN TILLINGHAST Croce-Collingwood Theory as Theory, The GARY KEMP Cultural Exclusion, Normativity, and the Definition of Art PAUL CROWTHER Definition, Dramatization, and Rasa RICHARD SHUSTERMAN Did Goodman’s Distinction Survive LeWitt? KIRK PILLOW Experience of Emotion in Music, The DEREK MATRAVERS Fits and Startles: Cognitivism Revisited JINHEE CHOI Flexing the Imagination JAMES HAROLD How Museums Do Things Without Words TIFFANY SUTTON Hume’s Real Problem JEFFREY WIEAND Image Structure JOHN KULVICKI In Praise of Connoisseurship DAVID CARRIER Jokes Are a Laughing Matter PETER KIVY Kinds, Types, and Musical Ontology CHARLES NUSSBAUM Nature of Concepts and the Definition of Art, The JEFFREY T. DEAN Nested Art »AISLEY LIVINGSTON Perceptual Constraints and Perceptual Schema: The Possibility of Perceptual Style JENNIFER A. MCMAHON Problems with Contextualizing Aesthetic Properties ROBERT FUDGE Real Problem Sustained: Reply to Wieand, The JERROLD LEVINSON Remembering the Past: Art Museums as Memory Theaters DAVID CARRIER Response to Robert Fudge MARCIA MUELDER EATON Restriction for Pictures and Some Consequences for a Theory of Depiction, A MICHAEL NEWALI Rock Art Aesthetics and Cultural Appropriation THOMAS HEYD Thomas Reid and the Theory of Taste DABNEY TOWNSEND Toying with the Parser: Aesthetic Materiality in Electronic Writing DANIEL PUNDAY Why Philosophy of Art Cannot Handle Kissing, Touching, and Crying =N iCHOLAS WOLTERSTORFI Authors: Articles, Discussions, Symposia, & Book Reviews AVILA, MITCH, review of Larry Shiner, The Invention of Art: A Cultural History BERLEANT, ARNOLD, review of Ronald W. Hepburn, The Reach of the Aesthetic: Collected Essays on Art and Nature BERLEANT, ARNOLD, review of Krystyna Wilkoszewska, ed., Aesthetics of the Four Elements: Earth, Water, Fire, Air BROWN, LEE, review of Theodore Gracyk, / Wanna Be Me: Rock Music and the Politics of Identity The Journal of Aesthetics and Art Criticism 61:4 Fall 2003 426 The Journal of Aesthetics and Art Criticism CARRIER, DAVID, In Praise of Connoisseurship 159 CARRIER, DAVID, Remembering the Past: Art Museums as Memory Theaters 61 CHEETHAM, MARK A., review of Berys Gaut and Dominic Mclver Lopes, eds., The Routledge Companion to Aesthetics 195 CHOI, JINHEE, Fits and Startles: Cognitivism Revisited 149 CROWTHER, PAUL, Cultural Exclusion, Normativity, and the Definition of Art 12] DAVIES, STEPHEN, review of Peter Kivy, The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musicai Genius DEAN, JEFFREY T., Nature of Concepts and the Definition of Art, The DYKE, CHUCK, review of James J. Winchester, Aesthetics across the Color Line: Why Nietzsche (Sometimes) Can’t Sing the Blues FLORY, DAN, review of Richard Allen and Michael Turvey, eds., Wittgenstein, Theory and the Arts FUDGE, ROBERT, Problems with Contextualizing Aesthetic Properties FUDGE, ROBERT, review of Emily Brady and Jerrold Levinson, eds., Aesthetic Concepts: Essays after Sibley GASKELL, IVAN, Being True to Artists GHOSH, RANJAN K., Art as Dramatization and the Indian Tradition GRACYK, THEODORE, review of Naomi Cumming, The Sonic Self: Musical Subjectivity and Signification GRACYK, THEODORE, review of Stephen Davies, Musical Works and Performances: A Philosophical Exploration HANLEY, RICHARD, review of Robert J. Yanal, Paradoxes of Emotion and Fiction HAROLD, JAMES, Flexing the Imagination HEYD, THOMAS, Rock Art Aesthetics and Cultural Appropriation IRVIN, SHERRI, review of William Irwin, /ntentionalist Interpretation: A Philosophical Explanation and Defense JUDKINS, JENNIFER, review of Renée Cox Lorraine, Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer KEMP, GARY, Croce-Collingwood Theory as Theory, The KIVY, PETER, Jokes Are a Laughing Maiter KUHNS, RICHARD, review of Charles Harrison, Essays on Art and Language KULVICKI, JOHN, Image Structure KUPFER, JOSEPH, review of Elizabeth Grosz, Architecture from the Outside KUPFER, JOSEPH, review of David Leatherbarrow, Uncommon Ground: Architecture, Technology and Topography LEDDY, THOMAS, review of Caroline Joan S. Picart, Resentment and the “Feminine” in Nietzsche’s Politico-Aesthetics LEDDY, THOMAS, review of Caroline Joan S. Picart, Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter LEVINSON, JERROLD, Real Problem Sustained: Reply to Wieand, The LIVINGSTON, PAISLEY, Nested Art MATRAVERS, DEREK, Experience of Emotion in Music, The MCCRACKEN, JANET, review of Maria DiBattista, Fast-Talking Dames MCMAHON, JENNIFER A., Perceptual Constraints and Perceptual Schema: The Possibility of Perceptual Style MOORE, RONALD, review of Allen Carlson, Aesthetics and the Environment: The Appreciation of Nature, Art, and Architecture MUELDER EATON, MARCIA, Response to Robert Fudge NEWALL, MICHAEL, Restriction for Pictures and Some Consequences for a Theory of Depiction, A NUSSBAUM, CHARLES, Kinds, Types, and Musical Ontology PILLOW, KIRK, Did Goodman’s Distinction Survive LeWitt? PUNDAY, DANIEL, Toying with the Parser: Aesthetic Materiality in Electronic Writing SAKAMOTO, GABRIELA, review of Rob van Gerwen, ed., Richard Wollheim on the Art of Painting: Art as Expression and Representation SANDRISSER, BARBARA, review of Francois Berthier, Reading Zen in the Rocks: The Japanese Dry Landscape Garden SHAW, DAN, review of Marie-Laure Ryan, Narrative as Visual Reality: Immersion and Interactivity in Literature and Electronic Media Index SHELLEY, JAMES, review of Dabney Townsend, Hume’s Aesthetic Theory: Taste and Sentiment SHUSTERMAN, RICHARD, Definition, Dramatization, and Rasa SMUTS, AARON, review of Simon Critchley, On Humour SUTTON, TIFFANY, How Museums Do Things Without Words SUTTON, TIFFANY, review of James J., Sheehan, Museums in the German Art World from the End of the Old Regime to the Rise of Modernism TILLINGHAST, LAUREN, Classificatory Sense of “Art,” The TOWNSEND, DABNEY, Thomas Reid and the Theory of Taste VERHAEGH, MARCUS, review of Mark Cheetham, Kant, Art, and Art History: Moments in Discipline VERSTEGEN, IAN, review of Jodi Cranston, The Poetics of Portraiture in the Italian Renaissance VERSTEGEN, IAN, review of Robert Nelson, ed., Visuality Before and Beyond the Renaissance: Seeing as Others Saw VERSTEGEN, iAN, review of Victor Stoichita, The Self-Aware Image: An Insight into Early Modern Meta-Painting WHEELER, BRETT R., review of Arthur C. Danto, The Madonna of the Future: Essays in a Pluralistic Art World WICKS, ROBERT, review of Kirk Pillow, Sublime Understanding: Aesthetic Reflection in Kant and Hegel WIEAND, JEFFREY, Hume’s Real Problem WISEMAN, MARY, review of Kieth Moxey, The Practice of Persuasion: Paradox and Power in Art Histor) WISEMAN, MARY, review of Brian J. Wolf, Vermeer and the Invention of Seeing WOLTERSTORFF, NICHOLAS, Why Philosophy of Art Cannot Handle Kissing, Touching, and Crying WOODFIELD, RICHARD, review of Charles Harrison, Paul Wood, and Jason Gaiger, eds., Art in Theor 1648-1815: An Anthology of Changing Ideas WORTH, SARAH, review of Willie van Peer and Seymour Chatman, eds., New Perspectives on Narrative Perspective ZUCKERT, RACHEL, Awe or Envy: Herder contra Kant on the Sublime Book Reviews ALLEN, RICHARD and MICHAEL TURVEY, eds., Wittgenstein, Theory and the Arts (Dan Flory) BERTHIER, FRANCOIS, Reading Zen in the Rocks: The Japanese Dry Landscape Garden (Barbara Sandrisser) BRADY, EMILY and JERROLD LEVINSON, eds., Aesthetic Concepts: Essays after Sibley (Robert Fudge) CARLSON, ALLEN, Aesthetics and the Environment: The Appreciation of Nature, Art, and Architecture (Ronald Moore) CHEETHAM, MARK, Kant, Art, and Art History: Moments in Discipline (Marcus Verhaegh) CRANSTON, JODI, The Poetics of Portraiture in the Italian Renaissance (lan Verstegen) CRITCHLEY, SIMON, On Humour (Aaron Smuts) CUMMING, NAOMI, The Sonic Self: Musical Subjectivity and Signification (Theodore Gracyk) DANTO, ARTHUR C., The Madonna of the Future: Essays in a Pluralistic Art World (Brett R. Wheeler) DAVIES, STEPHEN, Musical Works and Performances: A Philosophical Exploration (Theodore Gracyk) DIBATTISTA, MARIA, Fast-Talking Dames (Janet McCracken) GAUT, BERYS and DOMINIC MCIVER LOPES, eds., The Routledge Companion to Aesthetics (Mark A. Cheetham) GRACYK, THEODORE, / Wanna Be Me: Rock Music and the Politics of Identity (Lee B. Brown) GROSZ, ELIZABETH, Architecture from the Outside (Joseph Kupfer) HARRISON, CHARLES, Essays on Art and Language (Richard Kuhns) HARRISON, CHARLES, PAUL WOOD, and JASON GAIGER, eds., Art in Theory 1648—1815: An Anthology of Changing Ideas (Richard Woodfield) HEPBURN, RONALD W., The Reach of the Aesthetic: Collected Essays on Art and Nature (Arnold Berleant) IRWIN, WILLIAM, /ntentionalist Interpretation: A Philosophical Explanation and Defense (Sherri Irvin) KIVY, PETER, The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (Stephen Davies) LEATHERBARROW, DAVID, Uncommon Ground: Architecture, Technology, and Topography (Joseph Kupfer) LORRAINE, RENEE COX, Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer (Jennifer Judkins) 428 The Journal of Aesthetics and Art Criticism MOXEY, KEITH, The Practice of Persuasion: Paradox and Power in Art History (Mary Wiseman) 304 NELSON, ROBERT, ed., Visuality Before and Beyond the Renaissance: Seeing as Others Saw (lan Verstegen) 413 PICART, CAROLINE JOAN S., Resentment and the “Feminine” in Nietzsche's Politico-Aesthetics (Thomas Leddy) PICART, CAROLINE JOAN S., Thomas Mann and Friedrich Nietzsche: Eroticism, Death, Music, and Laughter (Thomas Leddy) PILLOW, KIRK, Sublime Understanding: Aesthetic Reflection in Kant and Hegel (Robert Wicks) RYAN, MARIE-LAURE, Narrative as Visual Reality: Immersion and Interactivity in Literature and Electronic Media (Dan Shaw) SHEEHAN, JAMES J., Museums in the German Art World from the End of the Old Regime to the Rise of Modernism (Tiffany Sutton) SHINER, LARRY, The Invention of Art: A Cultural History (Mitch Avila) STOICHITA, VICTOR, The Self-Aware Image: An Insight into Early Modern Meta-Painting (lan Verstegen) TOWNSEND, DABNEY, Hume’s Aesthetic Theory: Taste and Sentiment (James Shelley) VAN GERWEN, ROB, ed., Richard Wollheim on the Art of Painting: Art as Expression and Representation (Gabriela Sakamoto) VAN PEER, WILLIE and SEYMOUR CHATMAN, eds., New Perspectives on Narrative Perspective (Sarah Worth) WILKOSZEWSKA, KRYSTYNA, ed., Aesthetics of the Four Elements: Earth, Water, Fire, Air (Arnold Berleant) WINCHESTER, JAMES J., Aesthetics across the Color Line: Why Nietzsche (Sometimes) Can't Sing the Blues (Chuck Dyke) WOLF, BRIAN J., Vermeer and the Invention of Seeing (Mary Wiseman) YANAL, ROBERT J., Paradoxes of Emotion and Fiction (Richard Hanley)