Praise for The Jaguar Smile “Written with a novelist’s eye for irony and metaphor … [Rushdie] is able to make us see that the factual reality of this country already verges on the surreal.” —The New York Times Book Review “To say of The Jaguar Smile that it is a work of art is to take full note of its literary allusions, its uncompromising sensitivity to death and destruction, its ready political eye for the funny and grotesque, and above all its understated and gripping eloquence.” —E W. S DWARD AID “A look at intelligence struggling, with limited success, not to be entirely extinguished in the service of faith … an account of the confusion any one of us might feel if we visited Nicaragua and gave it a chance to affect us, because it is an inescapably affecting land, crashing through abrupt change that escapes the easy categories of ideologues … good reading.” —The New York Times “The account that emerges … is, as one would expect, quickened by a novelist’s eye.… Compelling.” —Time ALSO BY SALMAN RUSHDIE FICTION Grimus Midnight’s Children Shame The Satanic Verses Haroun and the Sea of Stories East, West The Moor’s Last Sigh The Ground Beneath Her Feet Fury Shalimar the Clown NONFICTION Imaginary Homelands The Wizard of Oz Step Across This Line SCREENPLAY Midnight’s Children ANTHOLOGY Mirrorwork (co-editor) 2008 Random House Trade Paperback Edition Copyright © 1987, 1997 by Salman Rushdie All rights reserved. Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. RANDOM HOUSE TRADE PAPERBACKS and colophon are trademarks of Random House, Inc. Originally published in hardcover in the United States by Viking, a division of Penguin Group (USA), Inc., and in London by Pan Books in 1987. Grateful acknowledgment is made to Marxist Educational Press for permission to reprint the English translations of the poems that appear on this page–this page, this page–this page, this page, this page–this page, and this page. All translations were originally published in Nicaragua in Revolution: The Poets Speak, edited by Brigit Aldaracia, Edward Baker, Ileana Rodriguez, and Marc Zimmerman (Minneapolis, MN: Marxist Educational Press, 1980). Reprinted by permission of Marxist Educational Press. eISBN: 978-0-30778666-1 www.atrandom.com v3.1 For Robbie There was a young girl of Nic’ragua Who smiled as she rode on a jaguar. They returned from the ride With the young girl inside And the smile on the face of the jaguar. A NON Map of Nicaragua CONTENTS Cover Other Books by This Author Title Page Copyright Dedication Map Preface to the 1997 Edition Hope: A Prologue 1 Sandino’s Hat 2 The Road to Camoapa 3 Poets on the Day of Joy 4 Madame Somoza’s Bathroom 5 Estelí 6 The Word 7 Eating the Eggs of Love 8 Abortion, Adulthood and God 9 On Catharsis 10 Market Day 11 El Señor Presidente 12 The Other Side 13 Doña Violeta’s Version 14 Miss Nicaragua and the Jaguar Silvia: An Epilogue Acknowledgements About the Author PREFACE TO THE 1997 EDITION t’s ten years since The Jaguar Smile was published. It was my first I nonfiction book, and I well remember the shock of emerging, for the first time, from the (relatively) polite world of literature into the rough- and-tumble of the political arena. In the United States, then deeply involved in the ‘low-intensity’ proxy war against Nicaragua, the tumbling was particularly rough. After my publication party in New York, I found myself at dinner at a wealthy uptown address, surrounded by the bien-pensant liberal élite. Arthur Schlesinger, Jr., on hearing that I’d written a book about Nicaragua, embarking on a debunking of the Sandinistas that focused wittily on their mode of dress and lack of good society manners. This was a warning sign. If American liberals were so casually dismissive, conservatives were bound to be worse. And so it proved. A prominent radio interviewer, in a live broadcast, greeted me with the question: ‘Mr Rushdie, to what extent are you a Communist stooge?’ The New Republic gave the book an immensely long and rude review, perhaps the most vitriolic I’d ever received. It turned out to have been written by one of the most important figures in the Contra leadership. I was inexperienced enough, in those days, to be genuinely surprised that a respectable journal should so brazenly abandon the principle of critical objectivity for the sake of some controversial copy. I am more worldly now. In the last ten years, the world has changed so dramatically that The Jaguar Smile now reads like a period piece, a fairy tale of one of the hotter moments in the Cold War. ‘The Soviet Union’ and ‘Cuba’ are bogeymen that have long since lost their power to scare us. And in Nicaragua, the Contra war finally took its toll. A war-weary electorate voted out the FSLN, electing, instead, the same Doña Violeta Chamorro whom I had rather caustically described in my pages. Daniel Ortega surprised, even impressed, many of his international opponents by