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The Isma'ili-Sufi sage of Pamir : Mubarak-i Wakhani and the esoteric tradition of the Pamiri Muslims PDF

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Mubarak-i Wakhani and the Esoteric Tradition of the Pamiri Muslims Abdulmamad lloliev C A M B R I A P R E S S Copyright 2008 Abdulmamad lloliev All rights reserved Printed in the United States of America No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Requests for permission should be directed to [email protected], or mailed to: Cambria Press, 20 Northpointe Parkway, Suite 188, Amherst. New York 14228. Library of Congress Cataloging-in-Publication Data Iloliev, Abdulmamad. The Isma'ili-Sufi sage of Pamir : Mubarak-i Wakhani and the esoteric tradi- tion of the Pam iri Muslims / Ab dulmamad Iloliev. p. cm. Includes bibliographical references and index. ISBN 978- 1-934043-97-4 (alk. paper) I. Wakhani, Mubarak-i, 1839-1 903.2. Sufis-Tajikistan-Biography. I. Title. In the loving memory of my mother, Reza Alidodova List of Plates Preface Acknowledgments xiii Note on the Transliteration Abbreviations xvii Introduction Chapter 1. Ismam Tradition in Pamir: Legends and History I. I. The Spread of tlie ls~ni=iFliM issio~ii n Pamir and Badaklislian 1.2. The For~natio~ofi the Indigenous Faith of "the Fivers": Panj-Tani Chapter 2. MubBrak: Life and Times 2.1 . Historical Context: An Overview 2.2. Pirsliip: An Institution of Social Control and Organisation 2.3. A Biography of Mubiirak 2.4. Sufi 2.5. Poet 2.6. Musician 2.7. Astronomer 2.8. Papermaker and Painter 2.9. MubRrak's Perception of Religious Tolerance viii Table of Contents Chapter 3. Thought: 'Sufisised Ismi'ilism' 3.1 . Spectrum of Thought 3.2. Relations and Influences 3.3. Love 3.4. The Beloved 3.5. The Guide Chapter 4. Chihil Dunyi: The World of Divine Secrets 4.1. The Text, Its Genre and Stylistic Structure 4.2. The Thematic Structure and Paraphrasable Content 4.3. The Main Argument and the Major Themes 4.4. The Testimonies of the Six Eminent Prophets 4.5. The Denouement of the Prophet's First Mi'kiij 4.6. The Second Mi'riij of the Prophet 4.7. Muhammad in the Divine Wonderland Bibliography Original Sources (Unpublished Manuscripts) Secondary Sources: English Secondary Sources: Russian, Tajik and Persian Index Plate 1. MubHrak-i WakhHni's tomb in the village of Yamg. Plate 2. The tomb facing the village. Plate 3. Mubiirak-i Wakhiini's museum-shrine: The main gate. Plate 4. The terrace of the museum-shrine. Plate 5. Mubarak's Chamber of Retreat: Chilla Khana. Plate 6. The reconstructed Chilla Khana next to the museunl-shrine. Plate 7. "A doorway toward eternityv--Mubiirak's stone inscription. Plate 8. Mublrak's stone inscription enlarged. Plate 9. Baland-maqdm, a musical instrument of religious importance. Plate 10. The backside of the instrument. Plate 1 1. Mublrak's great-grandson Zarabo with Baland-magam. x List of Plates Plate 12. Sang-i Aft~b-binM, ubBrak's stone calendar in Yamg. Plate 13. Sang-i @rib-bin in use. 94 Plate 14. Sang-i Nishin: The signpost stone. 95 Plate 15. Naqsh-i Dilin (Corridor Painting): The corridor's sunroof. 99 Plate 16. Nuqsh-i Dila'n: Decorated beams in the ceiling of the corridor. 99 Plate 17. Naqsh-i Dilin: Decorated beams in the ceiling of the corridor. 100 Plate 18. "The flight of soul"-a symbolic image from the Glib al-Maflub. 102 Plate 19. The format of the first pages of MubBrak's manuscripts: An example of the Kala'm-i Sa* idat. Plate 20. Some illustrated folios from the Kalim-i Sa* a'dar. Plate 2 1 . Some illustrated folios from the Kaliim-i Sa* iidat. The materials i~tilisedi n this work are original manuscripts, which I exatnilled during my several research trips to Tajikistan as a PhD stu- dent at Cambridge University. Most of those manuscripts, belonging to Mubsrak-i Wakhiini, have never before been the focus of silstai~ied research coverage; indeed, their very existence was known only to a very restricted circle of Mubsrak's relatives, and some local scholars, who have hitherto been unable to either study or analyse them in any great depth. Therefore, the origiliality claitned for this work is in its attempt to be the first introductory study of Mubiirak-i WakllZitii atid his contri- bution to 1s1n~'iIthi ought and the Persian poetic tradition. It advances a broader argument concer~~intlgie impact of cultural and religious diver- sity on tlie composition of the Isms'ili tradition, a dimension of IsmBcili studies hitherto largely overlooked by liistoria~isa nd lsla~nics pecialists. It is worth clarifyi~iga t tlie outset that tlie term 'Pamir' and its adjec- tive (Pamiri) is deployed in the context of the modern autono~nous provi~ice( vilijyat) of Tajik Badakhshan (Gor~io-Badakhsliato~r) VMKB ( Vikijyat-i Mukhtijr-i Kuhistijn-i Badakhshan), which was establislied in xii Preface 1925 on the basis of its ethno-cultural differences four years prior to the formal creation of the Soivet Socialst Rebulic of Tajikistan as an equal member of the USSR. Pamir, a mountainous area in the southeast of Tajikistan and northeast of Afghanistan, is the only region in the world where the ShT'i Ism8'ili Muslims have subsisted compactly in their homogenous historic land since the eleventh century. Demographically, Gorno-Badakhshan is a unique place for the Ism8'ilis, as they are in the majority and formally constitute a semi independent political entity within the Republic of Tajikistan.

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