Table Of Content

INDEX TO VOLUME 32 Essays Bruns, Gerald L., Poetic Communities, 1/1 Bush, Lyall, Ground of Thought: Notes on Style in Some Recent Essays on American Culture, 2/164 Clouse, Rebecca, Genre Bending with Cixous, 1/101 Craft, Critique, Culture, Introduction, 1/62 ____, Roundtable, 1/123 ___, Works Cited, 1/126 Fleisher, Kass, Scenes from the Battlefield: A Feminist Resists the Writing Workshop, 1/109 Golding, Alan, “Isn’t the avant garde always pedagogical”: Experimental Poetics and / as Pedagogy, 1/64 Henry, Brian, Emersonian Transition in James Tate’s The Lost Pilot, 2/154 Keeley, Edmund, Cavafy and His Heirs in America, 3/26 Kopelson, Kevin, Critical Virtuosity, 1/90 Lennon, Brian, Notes on a Hunger Strike, 3/51 Levine, Mark, Writing It: Some Observations on the Poetics of Territoriality, 1/71 Perelman, Bob, Self-Portrait with Language Writing, 1/80 Popov, Nikolai, The Literal and the Literary, 3/1 Purpura, Lia, On Aesthetics, 3/61 Stine, Peter, Boxcars, 1974, 3/94 ___, Out-of-Work Line, 1980, 3/99 ___, Meat Squad, 1982, 3/102 Tomasula, Steve, An Apology for Postmodern Prose, 1/116 Unger, Douglas, Autobiography, 3/82 Interviews Van Cleave, Ryan G., Kim Addonizio: A Poet with Duende, 3/122 Plays Nasralla, Aida, The Moaning of the Subhat, 2/50 Turashvili, Dato, Brooklyners, 2/40 Poems Addonizio, Kim, Bad Memory, 3/129 __, Augury, 3/130 ___, You Don’t Know What Love Is, 3/131 ____, On Knocking Over My Glass While Reading Sharon Olds, 3/132 Arthur, James, Country Seat, 3/151 Bilgere, George, Good Humor, 1/61 Bishop, Wendy, My Moon, 2/104 ___, Without Oceans, 2/105 Burrows, E.G., Thorn, 2/148 Carlson, Michael, Galley-West, 2/106 ___, Love for the Wrong Thing, 2/107 ___, Jack Frost Sugar Refinery, 2/108 ___, Today Is the Kamakura Period, 2/110 Christensen, Kris, Anger Triptych, 3/152 Christopher, Tom, Everything Rising Out of Ponds, 3/46 Collins, Martha, Their Work, 3/40 ___, Their Houses There Without Their Bodies, 3/41 Cooley, Peter, Some Call It Childhood, 3/119 Couto, Nancy Vieira, The Skate, 3/148 Daley, Mark, Mermill Rd., Milton Center, 3/118 Dana, Robert, This Time, 2/129 Davis, Carol Ann, Poem Ending on a Line of Celan, 2/153 Doyle, James, At Chartres, 2/28 Espinosa, Norge, I, Charlotte, comme il faut, 2/69 Francis, David, The Ear of the Skink, 1/175 Freeman, Sarah Elisabeth, Jack, 3/111 Gibson, Margaret, Noh Robe, 2/26 _____, Bamboo Yards at Kydbashi, 2/27 Goswami, Joy, Three Poems, 2/67 Grace, Andrew, Book of the Rising Field, 3/42 Graham, Taylor, First Aid Refresher, 2/150 Halliday, Mark, 240 Sneakers, 2/83 Harrison, DeSales, Cow, 3/45 194 Harvey, Matthea, The Good Are Bad for Business, 2/76 Hicok, Bob, The Edge, 1/176 Israeli, Henry, The Devil in Arcadia, Iowa, 1/154 ___, Actaeon in New Hampshire, 1/155 Jackson, Taj, Words and Licorice, 1/156 Kercheval, Jesse Lee, Not, 1/177 Kobylarz, Philip, from flags, scrolls, robes, deserts, waves, 3/72 Langan, Steve, Hex, 3/150 Lake, Paul, Lullaby, 2/149 Lau, Barbara, October 2001 / Iowa, 2/1 Lee, Man-Sik, The Torture of Mezentius, 2/47 ___, The Power of Sorrow, 2/48 Levin, Harriet, In a Jam, 3/48 Lingafelter, Amy, The Counterfeiter, 3/43 Liu, Timothy, Getting There, 3/49 ___, With Cherubim and a Flaming Sword, 3/50 Loekito, Medy, II Silenzio; The Voyage; Night Sketch (V); Love Letter, 2/49 Murray, George, Two Hundred Acres: First Draft of a Coroner’s Report, 2/131 ___, A Long Dead Woman from Bethany is Saddened to See Lazarus Swept Away, 2/133 Pankey, Eric, Relics and Kindling: An Autobiography, 3/68 Paul, Bradley, To Paraphrase, 1/56 ___, Mao’s Melons, 1/57 ___, On the Circumstances Regarding Our Business, 1/58 Pelegrin, Alison, Aubade, 3/153 Perchik, Simon, *, 2/25 Pet6écz, Andras, here and there with igal sarna, 2/30 Pollack, Carrie, Dowry, 2/84 Potter, Carol, Roger on Guitar, 1969, 3/147 Powell. D.A., [my lover my phlebotomist. his elastic fingers encircle my arm], 1/54 ___, [because I were ready before destruction. bearing the sign of his afflicion], 1/55 Rohrer, Matthew, Dog Boy, 1/39 ___, Mongolian Death Worm, 1/40 ___, Morning Glory on the Roof, 1/41 Rossini, Clare, Postmortem, 3/71 Shepherd, Reginald, Five Feelings for Orpheus, 2/126 ___, Modernism, 2/128 Simic, Charles, The Elusive Something, 2/20 ____, Little Night Music, 2/21 ___, Minds Roaming, 2/22 __, Slurred Wordsm 2/23 ___, Nearest Nameless, 2/24 Simmerman, Jim, Truth; Beauty, 3/79 ___, “Are You Experienced?”; Winter, 3/80 __, Stop; Go, 3/81 Skloot, Floyd, Rendezvous at Auvers, 1873, 3/112 ___, Light Wind, 3/113 Sonnenschein, Dana, In Memory of Hegel, Philosopher among Toque Macaques, 2/151 Stelmach, Marjorie, Argument Against Our Temporal Agoraphobia, 1/59 Stone, Ruth. Spring Beauties, 1/157 ___, Returning to the City of Your Childhood, 1/158 Svenvold, Mark, Memo: Understanding As I Do..., 3/154 Swann, Brian, Coyote, 2/100 ____, The Skull, 2/102 Swensen, Cole, Shadow Puppets: Birds, 1/42 __, Birds, 1/43 __, Birds, 1/44 ___, Advances in the Form, 1/45 Thelen, Elizabeth, Ask Martha, 3/116 Wayman, Tom, Kosovo, 2/145 Whedon, Tony, Transcendentalism, 2/77 ____, Typhoon, 2/82 Wright, Carolyne, Clairvoyant’s Reading, 3/114 Stories Anderson, Cynthia, Baker’s Helper, 1/50 ___, Dance Recital for the Men of the American Legion in April, 1/52 Berry, R.M., (from) Frank, 1/128 Casares, Oscar, Ruben and Norma, 2/111 DeBoer, Jason, Godless in India, 2/142 Di Blasi, Debra, Glauke’s Gown: The Function of Myth, 1/137 Goodman, Lee, A Girl Like Summer, 2/2 Haake, Katharine, The Deaf Musician, 3/169 196 Hanson, Robert, Actaeon in the Studio of Diana, 1/171 Harshbarger, Karl, The Funeral, 2/135 Hodson, Ed, Son of Man, 1/173 Hurley, Valerie, Ruby, Wanda and Me, Late at Night, in the County Jail, 2/92 Johnston, Tim, State v. Stucky, 3/134 Keret, Etgar, Fatso, 2/37 Lange, Richard, Blind-Made Products, 3/157 Levine, Sara, The Following Fifteen Things, A Love Story, 3/56 Maya, Gabriela, Dust and Joys: A Tale from the Alternative Archives, 1/159 Svoboda, Terese, Morning Glory Harley, 1/46 Walpole, Peter, Island of Three Pines, 2/85